THE APPEAL

This isn’t a story. It’s an attempt at reconstruction. Given my

knowledge of the principals--Mary Jarvis, and her mother, Mrs. St.

Luth--I think I can do it.

Mary Jarvis was my mother, and Mrs. St. Luth, of course, my

grandmother. Thank god, I’m a modern and can look at them

impersonally--judge each on her own merits, as it were.

My mother and my grandmother made scenes as other women make jumpers.

It was their form of self-expression. I imagine--although I never knew

for certain--that it was my father’s inability to maintain himself _à

la hauteur_, in the perennial melodrama that was my mother’s idea of

life, that led to my grandmother being invited to live with them.

She came when I, their only child, had barely reached the stage of

exchanging my baby frills for first knickerbockers. (I am certain,

although I don’t remember it, that my mother wept and said she felt

that she had lost her baby for ever.)

Already my parents were unhappy together. Mary--I call her so here for

convenience, but she would never have tolerated it in reality--Mary,

although really affectionate and impressionable, was fundamentally

insincere, with herself and with everybody else. She lived entirely on

the emotional plane, and when genuine emotions were not forthcoming

she faked them by instinct. Her mother, who belonged to the same

type, although with more strength of character, and far less capacity

for affection, had always played up to her. They had their violent

disputes and violent reconciliations--neither could have been happy

without--but they did respect one another’s poses.

But my father never played up.

He couldn’t. Worse still, if he could have done so, he wouldn’t--on

principle.

Again I can’t remember, but I can imagine, almost to the point of

certainty, short and searing passages between my parents.

“Robert, I want you not to ask me to play the piano to-night.”

(He so seldom gave her an opening, that she had to force them.)

“Off colour?”

“It isn’t that. I heard to-day that Mrs. Thorndyke’s child is dead.

It--it upset me.”

“But you didn’t know the child.”

“I know Katherine Thorndyke.”

“You’ve met her once or twice, I remember. And didn’t we hear that if

the poor child had lived, it must have been an idiot?”

Probably, at that stage, my mother burst into tears. She’d been heading

for that, of course, although she didn’t know it consciously. But my

father did, and had made her aware that he did, in a rather brutal

fashion.

That was the way they reacted on one another.

It was better, after grandmother came. Curiously enough, my

father liked her, although she and Mary had so many of the same

characteristics. But I think he regarded her as a sort of lightning

conductor.

For Mary herself, however, it was different. Like so many people who

manufacture continual unhappiness for themselves, she had a frantic

craving for happiness, and an irrational conviction that happiness was

her due.

She told me herself, long afterwards, that she never had any thought of

infidelity towards my father, nor did she ever meet any man who could

or would have caused her to break her marriage vows. But--and this she

didn’t tell me, it’s part of the reconstruction--she was constantly

obsessed by a vague and romantic expectation of some such encounter.

I imagine that she could not believe the world to have been created

without a special application to her yearnings.

And then undoubtedly the nervous wear and tear that she imposed

upon herself, and upon us all, told on her spirits. Her scenes with

grandmother, although they may have served as a safety-valve, were too

frequent. They may also have served to throw into painful contrast her

husband’s stolid opposition to any form of emotional stimulus.

However that may be, grandmother had formed part of our household for

rather less than a year, when Mary suddenly ran away.

It was, I suppose, the only dramatic thing that she could think of, in

a wet and dreary February, and I have no doubt at all that she did it

on impulse. That is to say, she gave herself time to write an immensely

long letter to my father--in which perhaps she set forth that view of

herself which he never gave her adequate opportunity for putting into

words--but she gave herself no time to pack up her things. She simply

took her dressing-case, and I am sure that that was mostly filled with

photographs in folding frames, and packets of letters tied up with

ribbon, and little manuals of devotion heavily underscored in several

places.

Then she walked out of the house, and to the station, and eventually

got to Assisi. And they traced her there almost at once, partly because

she took no pains to cover up her tracks, and partly because my

grandmother--who understood the processes of her mind--found a copy of

a Life of St. Francis on the drawing-room sofa, face downwards, with

one page all blistered, as though tears had fallen upon it.

My father, for his part, found the long letter that no doubt told him

how little he had understood a sensitive nature, and possibly to what

point their life together had become intolerable.

And this had the strange effect of making him resolve, and declare

aloud, that nothing would induce him to try and get her back again.

There must have been a stormy scene between him and my grandmother,

who had all the conventionally moral instincts of her day, and was

genuinely shocked and disturbed at her daughter’s abrupt and violent

casting off of her obvious responsibilities.

“For the child’s sake, at least, Robert ...” she must have repeated

many times.

(Neither she nor my mother ever understood the futility of repeating,

again and again, words which had already failed of their appeal.)

“A child whose mother can leave him, at four years old, is better

without her.”

“It was madness, Robert, but you know she’s not a wicked woman--my poor

Mary. If you go and bring her back now, no one will ever know what has

happened, and you can start a new life together, and try again.”

“It would be useless.”

“Don’t, don’t say that.” The tears must have been pouring down her old

face by that time. “Oh, Robert, give her another chance. This will have

been a lesson to her--won’t you forgive her and take her back?”

Well, in the end she prevailed to a certain extent--that is to say,

my father would not seek out the culprit himself, but he would allow

grandmother to do so, and if she brought Mary home again properly

repentant he would not refuse to receive her and give her the “chance”

of starting their married life afresh. “For the boy’s sake.”

My grandmother must have repeated that phrase a hundred times at least,

and it was certainly her _pièce de resistance_ in the scene at Assisi

with Mary.

I’ve had a version of that scene from each one of them, and on the

whole the accounts tally, although of course each viewed it--as they

viewed everything--exclusively from the personal angle.

My mother saw only a young, beautiful, misunderstood woman, goaded to

frenzy in the grip of an uncongenial marriage, taking a desperate step

in search of freedom. And then, even stronger and more touching in her

relinquishment, finding the courage, for love of her child, to return

to the house of bondage.

And my grandmother, with equal inevitability, saw only a sorrow-worn

woman, no longer young (but infinitely interesting), courageously

undertaking a solitary journey, on a mission that should restore

sanctity to a shattered home. And even as her urgent plea had shaken

Robert’s defences, so her eloquence, her boundless influence and

unfaltering understanding, must prevail with the slighter, more trivial

personality of her daughter. The achievement of persuading Mary to

return to her husband and child was, my grandmother told me, the

ultimate justification of her existence, in her own eyes.

As a matter of fact, I doubt if she, any more than the rest of us, felt

her existence to be in any need of justification whatsoever--but she

was addicted to phrases, and this one at least served as an indication

to the magnitude of her effort.

For Mary did not capitulate without a struggle. And it is in the

details of that struggle that my reconstruction work comes in, for

although each of the protagonists has quoted to me whole sentences,

and even speeches, of brilliant oratory from herself and inadequate

rejoinder from the other, I do not believe either of them. Accuracy,

with that type, can never co-exist with emotion--and emotion, real or

imaginary, is never absent.

But this, I imagine, is more or less what took place in the

sitting-room of the tiny _albergo_ at Assisi:

“I’ve come to fetch you home, my child. You shall never hear one word

of reproach--Robert only wants to begin again--a new life.”

“Never, mother. It’s impossible. I’ve borne too much. I can’t ever go

back to it. I must live my own life.”

(Probably Mary had been reading _The Doll’s House_. People were

discovering Ibsen in those days.)

“Mary, it’s not five years since you and Robert were married, in the

little country church at home, by our dear old vicar, who held you at

the font when I took you, a tiny baby, to be christened.”

It may have been at this stage that Mary began to cry. Anyway, I’m

certain that my grandmother did. Any allusions, however irrelevant, to

little country churches at home, and Mary as a tiny baby, were always

apt to bring the tears to her eyes--and I’m sure that neither of them

had thought for an instant of steadying their nerves by sitting down to

a solid meal. So that tears must have been easier, even, than usual.

“Robert doesn’t understand me--he never will.”

“Darling, don’t you remember your early days together? The little

things--little jokes, and allusions, and happinesses shared together?

Does one ever forget?”

“_No._”

Mary sobbed. “But I can’t go back to him.”

I think that here, if my grandmother gave her a chance, she probably

did make one--or part of one--of the speeches that she long afterwards

quoted to me.

She was intensely unhappy. Robert did not understand her, and she could

not live in an unsympathetic atmosphere. She should go mad. All that

she had ever asked of life was peace, beautiful surroundings, and the

ideal companion.... If she went back to Robert now, after having found

courage to make the break, it would be a repetition of the misery that

had broken her heart during the past three years.

(The hearts of my mother and grandmother both suffered innumerable

breakages throughout their lives, neither of them ever seeming aware of

the physiological absurdity of the expression.)

“It’s braver to stay away than to go back and try and patch up

something that can never be anything but a failure,” quavered Mary,

with a momentary flash of insight.

But of course grandmother couldn’t leave it at that. She had the

justification of her own existence to think of, for one thing. I am

quite sure that a fortuitous street-musician, rendering “Santa Lucia”

or “Silver Threads Amongst the Gold” in the distance, would have broken

down Mary’s frail barrier of honest thought, and have materially

assisted my grandmother to her victory. Accessories were so absolutely

essentials, to them both.

But so far as I know, grandmother had to win on points, as it were, and

received no extraneous help in the shape of sentimental appeals from

without.

She made her supreme effort.

“For the boy’s sake, Mary ... your little, little boy. Is he to be

motherless?”

“Wouldn’t Robert let me have him?”

“No, my dear. How could he? I myself--the mother that bore you, Mary--I

couldn’t think it right that a woman who had deliberately deserted her

husband and home should have the care of a little, innocent child.”

“Oh, my baby!”

She sobbed and cried, but she had not yet capitulated. Grandmother,

however, had gauged pretty accurately the force of the baby-_motif_.

“Before I came away, on my long, lonely journey,” she said slowly, “I

went up to the nursery, to say good-bye to Bobbie. He had on his blue

overall--the one you embroidered for him last summer, Mary--was it only

last summer?--and he was playing with his engine, on the nursery floor,

his dear, round face was so solemn....”

“Oh, don’t--don’t----”

But grandmother, the tears streaming from her eyes, relentlessly

continued: “Darling, his big blue eyes looked up at me, and his little

voice asked: ‘_Where’s Mummie?_’”

Did grandmother’s--even grandmother’s--conscience misgive her, at the

quotation? That it was verbally correct, I have no doubt--but what of

the intonation?

My grandmother’s poignant rendering of “_Where’s Mummie?_” no doubt

contained all the pathetic appeal of bewildered and deserted childhood

throughout the ages....

But mine--the original “_Where’s Mummie?_...” I have no recollection of

it, of course, but I do remember myself at four years old--a stolid,

rather cynical child, utterly independent by temperament, and reacting

strongly even then against a perpetually emotional atmosphere. And

one knows the way in which small children utter those conventional

enquiries which they unconsciously know to be expected of them ... the

soft, impersonal indifference of the tone, the immediate re-absorption,

without waiting for a reply, in the engrossing occupation of the

moment....

Mary held out for a little while longer, but the heart went out of her

resistance after the pitiful sound of that “_Where’s Mummie?_” as my

grandmother rendered it.

She gave in “for the boy’s sake.”

And my grandmother had justified her existence.

They travelled home together, and Mary averted anti-climax by quite a

real nervous breakdown, that overtook her after she got home, before my

father had had time to forgive her in so many words.

So they began again--literally.

It wasn’t, in fact, possible for them to be happy together, and

they never were so. I grew up in the midst of scenes, tears, and

intermittent periods of reconciliation. There was no stability about my

childhood; and no reality. Undoubtedly I was the victim--far more so

than my father, who presently sought and found consolation elsewhere,

or than Mary, whom he thus provided with a perfectly legitimate

grievance that lasted her until he died, fifteen years later. After

that, she was able gradually to forget that there had ever been

unhappiness between them, and to assume the identity of a heart-broken

widow.

Mrs. St. Luth, my grandmother, lived to be very old.

“But useless old woman though I am, God gave me the opportunity of

justifying my existence, when He let me bring a mother home to her

little child....”

Messalina of the suburbs · 第 55 / 66 题