Two conversations in water colours, by Fergue.
A boy and girl, heads.
A landscape and sea piece in water colours, by Tillemans.
Two landscapes in the manner of Brughel, by Old Grissier.
A landscape, by Fergue.
A view of Scheveling, by De Vleiger.
A sea piece, by Vandervelde.
A front piece, by Bonaventure Peters.
Two landscapes, by Polembergh.
A landscape, by Sachtleven.
A landscape, by Van Maas.
A gale and view, by Backhuysen.
Two sea pieces, by Vandervelde.
A landscape, by Hobbima.
A head of Seb. Bourdon, by Netschar.
Eliezer and Rebecca, by Vander Cabel.
Christ sleeping, of the school of Carlo Maratti.
A view in Rome, by Gaspar D’Ochiale.
A landscape and cattle, by Cuyp.
A brisk gale, by Vandervelde.
A boy’s head, by Dubois.
Christ and the two Disciples at Emmaus, by Teniers.
A head of Richard Penderith.
A landscape, by Molyn.
A sea piece, by Vandervelde.
A landscape, by Vanderheyden.
A landscape, by Van Balen, with a holy family.
A sea piece, by Backhuysen.
A sea piece, by De Vlieger.
Two landscapes, by Both.
Chickens, a study, by Hondicooter.
A sea piece, by Vangoen.
A sea piece, by Ruysdale.
A frost piece, by Adr. Vandevelde.
A landscape, by Wovermans.
An inn yard, copy from Wovermans.
A moon-light, by Vanderneer.
A frost piece, by Molenaer.
A landscape, by Housemans.
Two Dutch views, Flemish.
Judith with Holofernes’s head, by Bronzino.
Jerome Cardan.
A hermit contemplating eternity, by Salvator Rosa.
St. Jerome, by Guido.
A landscape, with the flight into Egypt, by Domenichino.
A landscape, by Courtois.
Two landscapes, by Godfrey.
Tobias curing his father’s eyes, by Rembrandt.
Morning and Evening, by Berghem.
A landscape, by Old Patelle.
The wise men offering, by Rotenhamer.
A landscape, by Wovermans.
Ruins, by Viviano.
View of the Colisæum, by Paulo Panini.
Dead game, by Baltazar Caro.
Architecture, by Ghisolfi.
A landscape, by Swanevelt.
A landscape with rocks, by Teniers, or P. Snayer.
A landscape, by Van Zwierin.
A landscape with others, by Teniers.
Two landscapes, by Vincaboon.
A landscape, by Fr. Miel.
A view of Willybos, by T. Molinaer.
A landscape, by Both and Bodwyn.
Iphigenia, after Bourdon.
A landscape, by P. Brill, or Vincaboon.
A white fox or racoon, by Hondicooter.
A small gale, by Vandervelde.
A landscape, by Both.
A landscape, by De Vries.
The fable of the Satyr and clown, by Sorgue.
A landscape, by Ruysdale.
Ditto, by Both.
A philosopher’s head, by Pietro da Pietri.
A battle, by Tillemans.
Ruins, by Ghisolfi.
A landscape, by Fauquier.
Ditto, perhaps Artois.
A sketch of a sea fight, by Vandervelde.
A landscape, with Elijah and the ravens, by R. Savory.
Two pictures of lions and tygers, by J. Vanderbank.
Christ and the Samaritan woman, and Mary Magdalen in the garden, by
Columbell.
Head of Annibal Caracci, by himself.
A view of the Rhine, by Vosterman.
The nativity, a sketch, by Rubens.
A sea piece, by Monamy.
Two landscapes, by Vandiest.
An emblematical picture of Justice, by Solimeni.
Virgin and child, and St. Francis with angels, by Seb. Concha.
St. Francis asleep, an angel fiddling, after Philippo Laura.
A storm, by Vandervelde.
A landscape, by Kierings.
A landscape, by De la Hire.
A copy, from Claude.
A view, with ruins and figures, by Marco and Sebastian Ricci.
A fresh gale, by Vandervelde.
Hagar and Ishmael, by Val. Castelli.
St. Jerome, by Guido.
Riposo, by L. Caracci, or Carlo Cignani.
Two landscapes, by Vorsterman.
Peter in prison, by Stenwick.
Destruction of Sodom, by ditto.
The deluge, by Polemburgh.
Corps de Guard and its companion, by Bamboccio.
A landscape, by Mat. Brill.
A landscape, in imitation of Ruysdale.
A landscape, with a Magdalen, by Teniers.
A landscape, by Ruysdale.
The head of Isaiah, on paper, by Raphael.
A conversation, by Ostade.
A battle, by Bourgognone.
Soldier and boors fighting, Molinaer.
A landscape, Swanevelt.
Belshazzar’s feast, after Rembrandt, by Tillemans.
Still life, Edema.
A hen and chickens, Cradock.
A battle, by Vander Mulen.
The mocking of Christ, by Cheron.
Incendio del Borgo, after Raphael.
Christ and St. Thomas, Cavedone.
Two portraits of P. Cha. and his mother.
A fruit piece, by Mich. Angelo Campidoglio, o da Pace.
David and Solomon, Rubens.
Two landscapes, Annib. Caracci.
A conversation, Seb. Bourdon.
A conversation, with dancing, Annib. Caracci.
A masquerade, Gobbo Caracci.
Benjamin accused of stealing the cup, by J. De Wit.
Two landscapes, by Mola.
The battle of Amazons, after Jul. Romano.
Two landscapes, Vincaboon.
Mr. Handel’s picture, by Hudson.
Fowls, &c. Y. Wenix.
The passage of the red sea, by De Wit.
A concert of music, by Pasqualini.
Hero and Leander, by Elsheimer.
Two heads of Lodov. and Aug. Caracci.
A sea port, by Storck.
A pieta, Trevisani.
Christ, Simon the Pharisee, and M. Magdalen, by Lappi.
A view of Scheveling, a storm coming on, by Ruysdale.
A battle, by Mich. Angelo delle Battaglie.
St. Sebastian, by Guercino.
Bened. Castiglione, by himself.
A landscape, with cattle, by Cuyp.
The inside of the Jesuits church at Antwerp, by De Neef.
A landscape with cattle, by Rosa of Tivoli.
Æolus and the four winds, by Carlo Maratti.
Two heads of St. Peter and St. Paul, by Guercino.
Christ asleep, with two angels looking on, by Murillo.
A wounded stag swimming across a brook.
St. Jerome and the Angel with a trumpet, by Guercino.
A view of Sulftara, by Berchem and Both.
A battle of the bridge, by Bourgognone.
A landscape, with a Magdalen in it, by Albani, or Bartolom. Breenberg in
imitation of him.
A sketch of martyrdom, by Vandyke.
A horse watering, by Wovermans.
A landscape, by Adr. Vandervelde.
A copy of Raphael’s Heliodorus.
A sketch, by Rubens, of binding of Samson.
A sea port, by J. Miel.
A landscape, by Paul Brill.
A landscape, by Tillemans, or Houseman.
A sea piece, by Dubbels.
A chalk kiln, by Ruysdale.
A landscape, by Hobbima.
A moon-light, by Vanderneer.
A landscape, by Wynantz.
Hector and Achilles, by Nic. Poussin, or Pietro Testa.
Two landscapes, by Claude Lorraine.
St. Peter dictating the gospel to St. Mark, by Pietro di Cortona.
A landscape, by Verboom, the figures, &c. by Adr. Vandervelde.
Decollation of St. John the Baptist, by Mich. Angelo da Carravagio, or
Valentini.
A man’s head, by Ant. Moore.
A view of the Doge’s palace, after Canaletti.
A landscape, by F. Miel.
A calm, by Vandiest.
A battle, by Tillemans.
A Court de Guard, by Le Duc.
The holy child Jesus in the arms of Joseph, by Giuseppe del Solo, a
disciple of Carlo Cignani.
A landscape, by Solomon Ruysdale.
An ascension, the finished sketch for the King’s chapel at Versailles, by
Jouvenet.
A holy family, by Erasm. Quiline.
A landscape, by Croose.
A bag piper, by Albert Durer.
Two sketches, after Tintoret, one the trial of Christ, the other leading
him away.
A sea piece, by Van Cappel.
A landscape, by Sol. Ruysdale.
Dead game, with a dog and cat, by Fyte.
Two landscapes, by Mola.
A landscape, by Pynas.
A landscape and architecture, by Le Maire, with figures, by Phil. Laura.
A landscape, by Fauquier.
A village carnival, by P. Wovermans.
A holy family, by Carlo Maratti.
Two landscapes, by Bellin.
Christ healing the sick, a sketch, by Tintoret.
Fowls, by Cradock.
A landscape, by Nic. Poussin.
Riposo, F. Vanni.
A cartoon head, by Raphael.
Christ disputing with the doctors, a sketch, by Titian.
A holy family, by Schidoni.
A battle, by Salvator Rosa.
Two views of the Clitumnus and Avernus, by Wilson.
A storm, by Annib. Caracci.
A landscape, with the baptism of Christ, by Nic. Poussin.
Samson slaying the Philistines with the jaw bone of an ass, Val. Castelli.
Fred. Zuccaro’s picture, by himself.
Hercules and Antæus, by Rubens.
Hagar and Ishmael, by Le Sueur.
A woman making lace, by Scalken.
The fall of Simon Magus, a sketch, by Pompeio.
A shepherd and shepherdess with cattle, by C. du Jardin.
A landscape, by Dekker.
A girl sewing, by Ostade.
An ox, by Potter, the landscape by Vanderhyde.
The flight into Egypt, by Dominic. Antolini.
Hercules and Cerberus, a sketch, by Rubens.
A landscape and cattle, by Carree.
A landscape, by Brughel, the figures Rotenhamer.
Moses on the mount, by Jac. Bassan.
A landscape, by Dekker.
A copy of Guido’s Aurora, by Carlo Maratti, or Gius. Cari.
A landscape, by Mr. Wotton.
Lot and his daughters, by Elsheimer.
Christ in the garden, by P. Veronese.
A moon-light, by O. Giffier.
A landscape, by Berkheyde.
A landscape, by De Heusch.
A landscape, by Wynantz, the figures by Wovermans.
Christ’s agony in the garden, by Ant. Balestra.
John Baptist pointing him out to two disciples, ditto.
A landscape, by Vanderneer.
A landscape, by Fauquier, with figures, by Teniers.
A witch and devils, by Hellish Brughel.
A battle, by Wotton.
An old man’s head, by Rembrandt.
A landscape, by Borsam.
Venus coming to Vulcan to beg armour for Æneas, by Goltzius.
A landscape, by Gaspar Poussin.
A landscape, by Nicola Poussin.
Two heads, of an old man and an old woman, by Denier.
King Ahasuerus and Q. Esther, by Gabiani.
The sick man healed at the pool of Bethesda, by Erasmus Quillinius.
The last supper, by Jouvenet.
Head of a madona, with a book, by Elisabetti Sirani.
A landscape, by Studio.
Bustos, Statues, Bas Reliefs, &c.
A girl’s head, marble, after the antique, by Scheemaker.
A model of St. John Baptist in the wilderness, by Bernini, in terra cotta.
The judgment of Midas, an ivory Bas Rel.
Orpheus playing to the beasts, Bas Rel. Bronze.
Erato, Bronze, antique.
The statue of Fides Christiana, by Roubiliac, marble.
A model of St. Andrew, by Fiamingo, terra cotta.
A madona and child, in imitation of Rubens’s manner of painting, terra
cotta.
Ceres, after that in the Capitol, by Scheemaker, terra cotta.
St. Jerome, by Mich. Angelo, terra cotta.
A Bacchanalian boy, after Camillo Ruscoin, by Hayward.
A bust of Aratus, after the antique, by ditto, marble.
A model of Mr. Roubiliac’s statue of Fides Christiana, in terra cotta.
A model of Moses, by Mich. Angelo, terra cotta.
A model of Flora, by Roubiliac. ter. cotta.
A vestal, after the antique, by Hayward, marble.
A small antique bust of Æsclepiades, the Greek physician, marble.
ORMOND _yard_, Great Ormond street.
_Court of_ ORPHANS. This court is occasionally held at Guildhall, by the
Lord Mayor and Aldermen, who are guardians to the children of freemen
under the age of twenty-one years at the decease of their fathers, and
take upon them not only the management of their goods and chattels, but
likewise that of their persons, by placing them under the care of
tutors, to prevent disposing of themselves during their minority,
without their approbation.
By this court the common serjeant is authorised to take exact accounts
and inventories of all the deceased freemen’s estates; and the youngest
attorney of the Lord Mayor’s court being clerk to that of the orphans,
is appointed to take securities for their several portions, in the name
of the Chamberlain of London, who is a corporation of himself, for the
service of the said orphans; and to whom a recognizance or bond, made
upon the account of an orphan, shall by the custom of London, descend to
his successor.
It may not be improper to add, that when a freeman dies and leaves
children in their minority, the clerks of the several parishes are
according to a law of the city, to give in their names to the common
crier, who is immediately to summon the widow, or executor, to appear
before the court of Lord Mayor and Aldermen, to bring an inventory of,
and security for the testator’s estate; for which two months time is
commonly allowed: and, in case of non-appearance, or refusal of
security, the Lord Mayor may commit the contumacious executor to
Newgate. _Lex Lond._
OVERMAN’S _court_, Pepper alley.†
OWEN’S _Almshouse_, near the south end of Islington, was erected by the
company of Brewers, in the year 1610, for ten poor widows of the parish
of St. Mary’s Islington, pursuant to the will of the Lady Alice Owen,
who allowed each widow 3_l._ 16_s._ _per annum_, three yards of cloth
for a gown every other year, and 6_l._ to be laid out annually in coals
for the use of the whole.
OXENDON _street_, Coventry street.
OXFORD ARMS _Inn lane_, Warwick lane, near Newgate market.*
OXFORD ARMS _passage_, Warwick lane.*
OXFORD ARMS _yard_, in the Haymarket.*
OXFORD _court_, 1. Camomile street. 2. Salter’s Hall court, Swithin’s
lane. Here was anciently the house of the Prior of Torrington in
Suffolk, which afterwards fell to the Earls of Oxford; but that edifice
being at length demolished, and this court built in its room, it
retained the name of the former possessor. 3. Oxford street.
OXFORD _market_, Oxford street, so called from its being on the estate of
the late Earl of Oxford.
OXFORD _street_, St. Giles’s pound. This street, the market, and court of
the same name, are all on the estate of the late Earl of Oxford.
[Illustration]
P.
PACKER’S _court_, Coleman street.
PACKINGTON’S _Almshouse_, in White Friars, Fleet street, commonly called
Clothworkers almshouses, was founded by the Lady Anne Packington, relict
of Sir John Packington, Chirographer of the court of Common Pleas, about
the year 1560, for the accommodation of eight poor women, each of whom
receives annually of the Clothworkers company, who have the trust of
this charity, the sum of 4_l._ nine bushels of coals, and new apparel
every third year. _Maitland._
PACKSON’S _rents_, Jamaica street.
PACKTHREAD _ground_, 1. Bandy Leg walk. 2. End of Barnaby street. 3.
Coleman street. 4. Gravel lane. 5. Near Maiden lane.
PADDINGTON, a village in Middlesex, situated on the north side of Hyde
Park.
PAGE (Sir Gregory) for an account of his house and pictures. See
BLACKHEATH.
PAGEANT’S _stairs_, Rotherhith.
PAGE’S _walk_, King’s Road.†
PAGE’S _yard_, Brewhouse lane, Wapping.†
PAIN’S _alley_, Wapping Wall.†
PAIN’S _yard_, Swan alley, East Smithfield.†
[Illustration:
_A Scene in the Gardens of Pain’s Hill._
_S. Wale delin._ _F. Vivares sculp._
]
PAIN’S _hill_, near Cobham, in Surry, is the seat of the Honourable
Charles Hamilton, who has made great improvements, by inclosing a large
tract of barren land, which though so poor as to produce nothing but
heath and broom, he has so well cultivated and adorned, that few places
are equal to it. The whole place is about five miles round; it is laid
out in the modern taste, and planted with a beautiful variety of trees,
plants, and flowers. The fine inequalities of the ground give a
perpetual variety to the prospects, especially on that side next the
river Mole, which river, though it lies lower than the level of the
gardens by twenty feet, is brought into them by means of a wheel
curiously contrived, which is turned by the river. Every time it turns
round it takes up the water and conveys it through a spiral pipe from
the circumference of the wheel to the center of it, from whence it is
discharged into a trough, and from thence through pipes into the
gardens, where by the joint assistance of nature and art, it is formed
into a fine winding lake or piece of water, with an island in it,
planted and laid out in walks, with bridges over to it of the most
simple contrivance, and the whole surrounded with rising grounds, clumps
of trees, and hanging woods, in as romantic and picturesque a manner as
imagination can conceive. These gardens are but lately laid out, and
consequently some of the plantations will appear to more advantage as
they advance in growth. But the place upon the whole is very beautiful,
and extremely well worth seeing.
PAINTER’S _court_, Berry street.
PAINTER’S _rents_, Ratcliff highway.
PAINTER STAINERS, a company incorporated by letters patent granted by
Queen Elizabeth in the year 1582; by the name of _The Master, Wardens
and Commonalty of the freemen of the art and mystery of painting, called
Painter Stainers, within the city of London_.
This fraternity is governed by a Master, two Wardens, and nine
Assistants, to which belongs a livery of 124 members, who upon their
admission pay a fine of 14_l._
PAINTER STAINERS _Hall_, in Little Trinity lane, is adorned with a
handsome screen, arches, and pilasters of the Corinthian order, painted
in imitation of porphyry, with gilt capitals. The pannels are of
wainscot, and on the ceiling is finely painted by Fuller, Pallas
triumphant, while Art and Fame, attended by Mercury, suppress their
enemies, Sloth, Envy, Pride, &c. the other paintings are Endymion and
Luna, by Palmatier; Orpheus slaying Pan, by Brull; Art and Envy, by
Hungis; the portraits of King Charles II. and his Queen Catharine, by
Houseman; a portrait of Camden; the fire of London; a piece of
architecture of the Corinthian order, by Trevit; another of the Ionic
order, given by Mr. Thompson, the city painter; Heraclitus and
Democritus, by Penn; a landscape, by Aggas; fish and fowl, by Robinson;
a piece of birds, by Barlow; a piece of fruit and flowers, by Everbrook;
a ruin, by Griffier; and a fine piece of shipping, by Peter Monumea.
There are several other pieces in the parlour.
In the court room are some fine pictures, most of which are portraits of
the members of the company; and in the front of the room is a fine bust
of Mr. Thomas Evans, who left five houses in Basinghall street to the
company.
Mr. Camden, the famous antiquarian, whose father was a painter in the
Old Bailey, gave the Painter Stainers company a silver cup and cover,
which they use every St. Luke’s day at their election; the old Master
drinking to the one then elected, out of it. Upon this cup is the
following inscription:
GUL. CAMDENUS CLARENCEUX FILIUS SAMPSONIS PICTORIS LONDINENSIS DONO
DEDIT. _Maitland._
PALLMALL, a very handsome street, inhabited by several persons of the
first quality, extending from the end of the Haymarket to St. James’s
palace.
PALLMALL _court_, Pallmall.
PALMER’S _Almshouse_, at Tothill-side, Westminster, was founded by James
Palmer, B. D. in the year 1654, for the reception of twelve poor men and
women, to each of whom he gave a perpetual annuity of 6_l._ and a
chaldron of coals.
To this building also belongs a school, in which twenty boys are taught
reading, writing, and arithmetic; for which the master has an annual
salary of 12_l._ and a chaldron of coals, with a convenient house, and a
gown every other year.
Here also is a chapel for the use of the pensioners and scholars, in
which the founder himself for some time preached and prayed twice a day
to them. _Maitland._
PALSGRAVE’S HEAD _court_, in the Strand.*
PALYN’S _Almshouse_, in Pesthouse row, near Old street, was founded by
George Palyn, citizen and girdler, for six poor members of his company;
he also endowed it with an estate of 40_l._ a year, and committed it to
the trust of that company. _Maitland._
PANCRAS, a small hamlet in Middlesex, on the north west side of London, in
the road to Kentish town. It has a church dedicated to St. Pancras, and
called St. Pancras in the Fields, an old plain Gothic structure, with a
square tower without a spire. It is a vulgar tradition that this church
is of greater antiquity than that of St. Paul’s cathedral, of which it
is only a prebend; but this arises from a mistake; for the church of St.
Pancras, termed the mother of St. Paul’s, was situated in the city of
Canterbury, and was changed from a Pagan temple to a Christian church by
St. Austin the monk, in the year 598, when he dedicated it to St.
Pancras.
The church yard, is a general burying place for persons of the Romish
religion. At a public house on the south side of the church is a
medicinal spring.
_St._ PANCRAS, a church which stood on the north side of St. Pancras lane,
near Queen street, in Cheap ward, owed its name, as did the church
mentioned in the above article, to St. Pancras a young Phrygian
nobleman, who suffered martyrdom under the Emperor Dioclesian, for his
strict adherence to the Christian religion. This church, which was a
rectory, and one of the peculiars in this city belonging to the
Archbishop of Canterbury, was destroyed by the fire of London, and not
being rebuilt, the parish was, by act of parliament, annexed to the
church of St. Mary le Bow in Cheapside.
PANCRAS _lane_, Queen street, Bucklersbury.
PANKETHMAN’S _buildings_, Golden lane.
PANNIER _alley_, near Cheapside, leads from Blowbladder street into Pater
noster row, and is said to be the highest ground within the city walls.
About the middle of the alley, a stone is fixed in the wall in the form
of a pedestal, on the side of which is cut in relief a boy riding
astride upon a pannier, and this inscription.
When you have sought the city round,
Yet still this is the highest ground.
PANTON _square_, 1. Coventry street. 2. Oxendon street.
PANTON _street_, Haymarket.
PANTON’S _rents_, Chiswell street.†
PAPER _buildings_, a range of buildings in the Temple, originally built in
the year 1607; but being consumed by fire, were rebuilt; in a very
handsome manner in 1685. At the north end are painted the figures of the
four cardinal virtues.
PAPER _office_, Whitehall. An ancient office under the Secretaries of
state, the keeper of which has under his charge all the public papers,
writings, matters of state and council; all letters, intelligences,
negotiations of the King’s public ministers abroad, and in general all
the papers and dispatches that pass through the offices of the two
Secretaries of state, which are, or ought to be, from time to time
transmitted to this office, and remain here, disposed by way of library.
_Chamberlain’s Present State._
PAPEY, an hospital which stood at the north end of St. Mary Ax, and was
founded by three priests in the year 1430, for a Master, two Wardens,
and several Chaplains, Chauntry Priests, &c. It belonged to the
brotherhood of St. John the Evangelist and St. Charity. Such priests as
were become lame, or in great poverty, were here relieved, and had
chambers with a certain allowance of bread, drink, and coals; and one
old man, with his wife, was to see them constantly served, and to keep
the house clean. This hospital was suppressed in the reign of Edward VI.
PARADISE _court_, 1. Lady Clark’s yard, Gravel lane. 2. Peter street.
PARADISE _row_, 1. Brook’s street, Bond street. 2. Near St. George’s
fields. 3. Lambeth. 4. Tottenham Court Road.
PARDON _church_, a chapel formerly situated to the east of the Bishop of
London’s palace, in St. Paul’s church yard, in a place at that time
known by the name of Pardon Church Haugh. This chapel was erected by
Gilbert Becket, sheriff of London, in the reign of King Stephen, and
rebuilt in the reign of Henry V. by Thomas More, Dean of St. Paul’s, who
also encompassed it with a cloister. On the east side was a handsome
library founded by Walter Shiryngton, Chancellor of the duchy of
Lancaster. In this chapel were interred several persons, whose
monuments, according to Mr. Stow, excelled in curious workmanship those
in the neighbouring cathedral, and on the walls were painted the Dance
of Death, in imitation of a painting in the cloister of St. Innocent’s
church at Paris, with English verses translated out of French by John
Lydgate, a famous old poet, by way of explanation.
PARISH CLERKS. See CLERKS.
PARISH GARDEN _lane_, Upper Ground, Southwark.
PARISH GARDEN _stairs_, Upper Ground.
PARISH _street_, Horselydown.
PARK, in Southwark; several streets built upon the spot where the Bishop
of Winchester had formerly a park, which joined to his palace.
PARK GATE, Redcross street, Southwark.
PARK PLACE, St. James’s street, St. James’s.
PARK PROSPECT, Knightsbridge.
PARK PROSPECT _court_, Manchester street.
PARK _street_, 1. Little Grosvenor street. 2. Tothill street,
Westminster.☐
PARKER’S _alley_. 1. Near Cherry Garden stairs.† 2. Turnmill street.†
PARKER’S _court_, Coleman street.†
PARKER’S _gardens_, Heydon yard, in the Minories.†
PARKER’S _lane_, Drury lane.†
PARKER’S _rents_, Whitecross street, Cripplegate.†