BIRD IN HAND

SCENE:--_You are looking into the study of a Scientist--a large

room lined with books and specimen cases. At the back are two

upright windows, through which one sees a green bowery garden,

suggestive of quiet and seclusion. In one window stands a case

of stuffed birds, in the other a microscope. Near the center

of the room is a ponderous writing-table, above which hangs

an adjustable light, presided over by a large green shade.

Adjoining the writing-table is a smaller one, on which stands

a typewriter. All about the room, on tables and systematically

arranged, and suggestive of the strict order imposed by a

meticulous mind. There is one door to right, another to left,

the latter leading to an inner chamber. On the writing-table

lie papers and a portable speaking-tube. A telephone, a

waste-paper basket, and a revolving book-stand are within

easy reach of the_ PROFESSOR’S _chair, while behind it is a

screen partly covering the door leading to the inner chamber.

On the opposite side, between the other door and the window,

stands a large chest. It is morning, and through half-lowered

green blinds sunlight streams over the replete and comfortable

interior, touching to brightness the polished metal of the

microscope, and the plumage of the stuffed birds._

_At the small table, on a chair less comfortable than the one

at the writing-desk sits an old gentleman in an affluent

dressing-gown of deep rich tones, dividing his attention

between a bowl of “Benger’s Food” and the typewriter, at

which he clicks with portentous gravity and occasional pauses

in the fingering. He is evidently inexpert, perhaps through

short-sightedness; but the typewriter helps him to feel, even

in his study, that his words are destined for print and the

laying-down of the scientific law for the generations to come

after._

_The clock on the chimney-piece, a skeleton of severe

design, with the workings of its metal bowels immodestly

exposed, strikes eleven. This seems to be a signal to a mind

methodically trained. The_ PROFESSOR _consults his watch,

starts, looks reproachfully at the clock, then quits the

typewriter, picks up his bowl of Benger, and spooning from it

on the way goes to the speaking-tube, which having unstopped,

he breathes into. The exertion sets him coughing; but he does

this, like most other things, patiently and methodically.

After listening at the tube he speaks down it, and you hear a

bisected conversation._

PROFESSOR BRAINTREE. Is that you, Miss Tuckey?--Yes, I’m ready for

you--I’m ready, I say--if you will, please. Yes. (_He starts to put on

the stopper again; then, as an after-thought_)--Oh! Miss Tuckey--Are

you there?--Tut! Tut! Why does the woman hurry so? (HE _gets up

a little testily to remove his Benger bowl to a side-table, and

progressing with very short steps places it unsecurely on a projecting

book whence it falls and breaks_. HE _accepts the fact philosophically

so far as infirmity will allow; but there is a gentle querulousness

in his tone as he says--_) There, there! Oh dear!--(_And leaving the

fragments to lie, returns to his place. There he stands for a moment,

and looking back reproachfully, removes from his eyes the highly

magnifying reading-glasses which were the cause of the mishaps. He

replaces them by another pair which permit a wider range of vision.

Through these he is able to contemplate the entrance of_ MISS TUCKEY,

_a subdued machine of a woman who accepts, without kick of any kind,

the mould she has been poured into.)_

MISS TUCKEY. Good-morning, Sir.

(_Like a well-fed fish catching at a fly from mere habit, the_

PROFESSOR _engulfs and returns the salutation by an inaudible

movement of the lips_.)

PROFESSOR. Miss Tuckey, there is something broken over there, will

you please see it removed? And will you kindly make a note to write

to Messrs. Spink and Wedge, and say that these new glasses don’t

suit me--I find them very trying to the--(_About to say “temper,” he

substitutes_)--to the eyes. And I must ask you to fetch those proofs

which came yesterday. I tried to catch you just now, but you had gone.

(_In this statement there is a note of rebuke for a too

precipitate obedience to summons. But by the foresight of_ MISS

TUCKEY, _the proofs are there; she deposits them in front of

him._)

PROFESSOR. Oh, very well. Thank you. Any letters? (_Those also she

deposits, in two heaps, the business ones opened, the private and

personal untouched_) When did these come?

MISS TUCKEY. Most of them last night, sir, after you had gone to bed.

(_The_ PROFESSOR, _tentatively inspecting them, remembers that

he must change his glasses again. The magnifying lens proves

informative._)

PROFESSOR. Ah! here is one from Miss Elfrida, I see.

MISS TUCKEY. (_As she collects and removes the fragments of the

Benger’s Food bowl_) That only came this morning.

PROFESSOR. Wasn’t she to be back to-day?

MISS TUCKEY. Yes. They are expecting her quite soon. About twelve, I

believe. (_The_ PROFESSOR _looks at his watch, and then remembers that

he has fault to find with the clock, and incidentally with her_)

PROFESSOR. That clock is three quarters of a minute slow, Miss

Tuckey. (MISS TUCKEY _at once goes to correct it_) It should now be

at four and a quarter minutes past. A clock that loses time is so

disturbing--especially when it strikes. It puts me out of my stride

for the rest of the day. (HE _begins looking at his correspondence_)

And now, if you will attend to _me_! (MISS TUCKEY _is already standing

meekly to attention_) You have your notebook?

MISS TUCKEY. Yes, sir.

PROFESSOR. Take this, then! (HE _consults once more the letter which he

has picked up from his opened correspondence_)--“Mr. James Pomeroy.” (I

_think_ it is Pomeroy)--He writes on good note-paper with a crest; I

suppose I must answer him. “Dear Sir”--Oh! while I think of it, make a

note that the extra plates for the new edition of “Objective Science”

have not come through as advised; and they must not go to press till I

have passed them. What have you got?

MISS TUCKEY. “Mr. James Pomeroy, Dear Sir.”

PROFESSOR. No, better make it “Sir.” These parasitic correspondents

ought not to be encouraged. “I beg to acknowledge receipt”--no, “I

_have_ to acknowledge”--_have_--“the receipt of your letter”--date so

and so. “With the proposition therein set forth, I cannot find myself

in agreement. The limits of sensory receptivity are patent to every

scientist.”

MISS TUCKEY. The limits of what?--I beg pardon.

PROFESSOR. “Sen-sory re-ceptivity”--in other words, the receptivity of

the senses. “That fact, however, does not provide any legitimate ground

for a belief in those magical or supernatural occurrences through

which, as I apprehend, you seek to counter-balance the deductions of

science. I find no reason to doubt that however much still lies beyond

the apprehension of our senses, it must all nevertheless be within the

range of a scientific explanation. I am, Sir, yours faithfully”--(_He

takes up another letter_) Oh, that is from Messrs. Moody & Prose.

Just say “received,” and have made a note. This is to take the chair

at the International Science Conference for the discussion on the

“Homology of the Invertebrates.” Say I accept the honor and am their

obedient servant--That is, no. That is “no”--(_He hands letter_)

That impertinence you need not answer--And now, take this--“Mrs.

Daphnephoria Brown--the Seminary, Brunswickville, Connecticut”--“My

Dear Madam, Your very flattering proposal to arrange a compendium from

my various studies in Objective Science, entitled ‘Sufficient unto

the Day,’ and intended to provide a basis for the accurate biological

training of the very young, gives gratifying evidence of the interest

you take in and the value which you attach to my literary labors. I

am inclined, however, to think that the terminological exactitude so

necessary to scientific statement could not be accommodated to the

range of the child-mind without a certain damage to the content”--Of

course, that means to the scientific content, not to the child’s mind.

No, no, don’t take that! That was only commentary--“Should I, on

later consideration, see any possible adjustment of my works to your

proposed scheme I shall not fail to communicate with you further in

the matter. I am, dear Madam, yours very truly”--That you can destroy,

and the address you need not keep. (HE _hands over the letter to_

MISS TUCKEY) And I think that is all--Oh, will you fetch me the file

of Professor Lake Jones’ articles on the “Rudiments of Corpuscular

Gravity” which appeared in last year’s “Science Journal.” You will

find it in the Press Bureau, I think, under “R.” (MISS TUCKEY _goes to

look for the file in the small inner chamber, from which, as she opens

the door, comes a brighter light of day than enters the study through

the tempering green blinds_) And now for Elfrida. (_He opens letter_)

Well, well, well! What is she sending me this botanical specimen for,

I wonder? It looks like a leaf of the Hornbean--Carpinus Betulus, if I

am not mistaken. (_He examines the leaf, then lays it down and returns

to the letter_) Dear me! The child has such a hand-writing that I can’t

read a word of it. Miss Tuckey, your eyes are better than mine, will

you kindly read me this letter?

(MISS TUCKEY _has returned with the required file. She puts it

down and takes up the letter._)

Bird in hand · 第 6 / 15 题