RALPH WALDO EMERSON.

"The beauty of Israel has fallen in its high place," said the voice of

Emerson's friend and neighbor, Judge Hoar, trembling and almost hushed

in emotion, and everybody who heard felt the singular felicity of the

words. The plain little country church was crowded, and a vast throng

stood outside in the peaceful April sunshine. Before the pulpit--the

eyes forever closed, the voice forever silent--lay the man whose aspect

of sweet and majestic serenity Death had not touched, and which recalled

his own words: "Even the corpse that has lain in the chambers has added

a solemn ornament to the house." It was the man who was beloved of his

neighbors and honored by the world, whose modest counsel in grave

affairs guided the village, and whose thought led the thought of

Christendom. "He belonged to all men, but he is peculiarly ours," said

Judge Hoar truly, speaking for the quiet historic town of which

Emerson's grandfather had been the minister, and in which he lived

during the larger part of his life, and to which his memory will lend an

imperishable charm.

Concord when he first knew it was already famous. A hundred years ago,

at the bridge over the placid river, the Middlesex farmers, hastening as

minute men from all the neighboring country, had obeyed the first

military summons to fire upon the king's regulars; and the red-coated

regulars, turning, had begun, amid the blazing patriot volley of twenty

miles, their long retreat to Yorktown and over the sea. At the point

where the highway by which the soldiers marched enters the village,

under the hill along whose ridge the hurrying countrymen pressed to cut

off the soldiers' retreat, lived for more than forty years the scholar

who belongs to Concord as Shakespeare belongs to Stratford.

"Nature," said Emerson in his first book, written in the old Manse at

Concord, which Hawthorne afterwards inhabited, and which he has so

beautifully commemorated--"Nature stretcheth out her arms to embrace

man: only let his thoughts be of equal greatness. Willingly does she

follow his steps with the rose and the violet, and bend her lines of

grandeur and grace to the decoration of her darling child. Only let his

thoughts be of equal scope, and the frame will suit the picture. A

virtuous man is in unison with her works, and makes the central figure

of the visible sphere. Homer, Pindar, Socrates, Phocion, associate

themselves fitly in our memory with the geography and climate of Greece.

The visible heavens and the earth sympathize with Jesus. And in common

life whoever has seen a person of powerful character and happy genius

will have remarked how easily he took all things along with him, the

persons, the opinions, and the day, and nature became auxiliary to a

man." So is Emerson associated with the tranquil landscape of the old

Middlesex town--the gentle hills, the long sweep of meadowland, the

winding river, the woodland, and the pastures under the ample sky. The

broad horizon and rural repose were the fitting home of the lofty and

beneficent genius whose life and word perpetually illustrated the

supreme worth and beauty of truth, purity, and morality. Whoever saw him

there or elsewhere, saw the "sweet and virtuous soul" which George

Herbert likened to seasoned timber that never gives.

The sincerity and serenity of Emerson's character were unsurpassed. The

freshness and glow of his interest in life were perennial. With a sober

tenderness of regret he said to a friend who congratulated him upon his

seventieth birthday, "Yet it is a little sad to me, for I count to-day

the end of youth." In no other sense than the lapse of years, however,

was it true. That auroral freshness of soul which is the distinctive

charm of youth lingered when even memory somewhat failed. "How long it

is since I have seen you!" he said at Longfellow's funeral to a friend

whom he had accosted just before. But he said it with all that

heartiness of sympathy and expectation which, in the golden prime of

his life, when he was in many ways the most striking and original figure

in his country, made him greet every comer as if he expected to hear

from him a wiser word than had yet been spoken. A youth, fascinated by

this simple graciousness of manner, declared that Emerson greeted the

most ordinary persons like a King of Spain receiving an ambassador from

the Great Mogul. The expectancy of his manner implied that every man had

some message to deliver, and he bent himself to hear.

But his shrewdness of perception was exquisite. He did not take dross

because he hoped for gold. His reproof was as sure and incisive as the

stroke of a delicate Damascus blade. When a young man, hearing Emerson

say that everybody ought to read Plato, followed his advice, and read,

he thought, with the audacity of youth, that he detected faults in

Plato, and wrote an essay to set them forth. He asked Emerson to read

it, and when he returned it to the youth, Emerson said, pleasantly, "My

boy, when you strike at the king, you must kill him." One day he sat at

dinner with a distinguished company of statesmen. He was by far the most

famous man at the table; but he modestly followed the conversation,

turning from each guest who spoke, to the next, with the old sweet

gravity of earnest expectation. When all the notable company had gone, a

guest who remained said to him: "I saw you talking with the English

Minister. He is a brilliant man, and I hope that you found him

agreeable." "A very pleasant gentleman," replied Emerson; "but he does

not represent the England that I know."

Despite this sharp apprehension, however, Emerson was sometimes unable

to find any charm in writings which have apparently taken a permanent

place in literature. He could see nothing interesting or valuable in

Shelley. "When I read Shelley," he once said, "I am like a man who

thinks that he sees gold at the bottom of a stream. He reaches for it,

but his hands come up cold, with a little common sand in them." The

waywardness and disorder of Shelley's life may have troubled him. But

this would not have affected his intellectual judgment. His acute

intellect was supremely independent and absolutely courageous. "He must

embrace solitude as a bride," he said of the scholar; "he must have his

glees and his glooms alone." When as a young man he quietly closed his

pulpit door, and declined to preach any more, because he no longer felt

any value in certain religious rites, there was no protest, nor

ostentation, nor newspaper "sensation." It was simply the closing of a

book that he had read, and the amazement and censure and grief of others

could not possibly persuade him to do, or to say, or to affect, the

thing that was not true. Emerson's moral and intellectual integrity was

transparently simple, but it was sublime. It was not expressed in stormy

self-assertion nor cynical contempt. It spoke in tranquil and beautiful

affirmation, perfectly courteous, but absolutely sincere.

But no man more charitably and diligently sought to understand others,

and to be just to what was obscure and foreign to him. He listened

patiently to music. But it did not charm him. He was punctual in the

duties of a citizen. But he had no proper political tastes. Yet for the

true politics, the application of the moral law to the control of public

affairs, no man was more perceptive or uncompromising. He was always on

the right side of great public questions. His hospitable sympathy

entertained every good cause, and in all our antislavery literature

there is no nobler or more permanent work than his address upon the

anniversary of West India emancipation in 1844. The only cloud that ever

arose upon his regard for Carlyle was his displeasure with Carlyle's

contemptuous and cynical sneers at our civil war. He was deeply

impatient of doubtful and half-hearted Americans during the war. "They

call themselves gentlemen, I believe," he said of certain persons, and

in a tone which showed that his lofty and patriotic honor instinctively

and utterly repudiated the pinchbeck claims of educated feebleness to

bear "the grand old name of gentleman."

Those who recall Emerson when he was a clergyman in Boston remember a

singular spiritual beauty in the man, and an indescribable charm of

manner in his public speech. But apparently he impressed his earlier

associates with the purity and refinement of his mind and life, his

lofty intellectual tastes and sympathy, and his literary accomplishment,

rather than by the peculiar force of a genius which was to give the most

powerful spiritual impulse of the generation to American thought. This

is the more singular because there was always something breezy and

heroic in his tone, which might have led to the suspicion of the fact

that he was from the first a fond reader of Plutarch, from whose "Lives"

he draws so many illustrations. As in a mountain walk the traveller is

suddenly aware of wafts of perfumed air, now of the wild-grape blossom,

now of the azalea or sweet-brier, so the strain of Emerson suggests his

sympathy with Plutarch and Montaigne, the Oriental poets and the

Platonists.

But no one could describe accurately his "system" of philosophy, nor

fit him into a "school" of poetry. He was content to call himself a

scholar, and no name was more significant and precious to him. He

shunned notoriety, but he had the instinctive desire of every artist and

of all genius for an audience. When a friend asked him of a young man

whose literary talent had seemed to him to promise great achievement,

Emerson said: "He does nothing; and I doubted his genius when I saw that

he did not seek a hearing." When his own first slight volume, "Nature,"

was published, they were but a few, a very few, who perceived in it the

ripe and beautiful work of a master in literature and thought. The

richness and originality and picturesque simplicity of this book, its

subtle perception, its tone of jubilant power, and the soft glimmering

light of lofty imagination which irradiates every page, do not lose by

familiarity, and are as charming, although of course not so surprising,

as when they first took captive the readers of nearly fifty years ago.

With the eagerness of classification which characterizes many active

minds, Emerson was immediately labelled a Berkeleyan, an idealist, and a

mystic. But he eluded the precise classification as noiselessly and

surely as a cloud changes its form. Astonishment, satire, indignation,

contradiction, spent themselves in vain. Like a rose-tree in June, which

blossoms sweetly whether the air be chilly or sunny, his thought quietly

flowered into exquisite expression. You might like it or leave it. But

the rose would be still a rose.

There was a fashion of calling Emerson obscure. But there is no style in

literature of more poetic precision than his. It is full of surprises of

beauty and aptness. His central doctrine of the identity of men, the

grandeur of every man's opportunity, and the essential poetry of the

circumstances of common life, was a living faith. "The great man," he

said, "makes the great thing." "In the sighing of these woods; in the

quiet of these gray fields; in the cool breeze that sings out of these

Northern mountains; in the workmen, the boys, the maidens you meet; in

the hopes of the morning, the ennui of noon, and sauntering of the

afternoon; in the disquieting comparisons; in the regrets at want of

vigor; in the great idea and the puny execution--behold Charles the

Fifth's day; another, yet the same; behold Chatham's, Hampden's,

Bayard's, Alfred's, Scipio's, Pericles's day--day of all that are born

of women. The difference of circumstance is merely costume. I am tasting

the self-same life--its sweetness, its greatness, its pain--which I so

admire in other men." The temptation to complete the splendid passage is

almost irresistible. But in every page you are drawn on as in a stately

symphony of winning music.

This passage is from the Dartmouth College address, and it has all the

flowing cadence of a discourse written to be spoken. Yet Emerson had

little of the orator's temperament save the desire of an audience, and

an earnestness which was pure and not passionate. But no orator in the

country has exercised a deeper or more permanent influence. His

discourses were but essays, but their thought was so noble, their form

so symmetrical, their tone so lofty, and they were spoken with such

alluring rhythm, that they threw over young minds a spell which no other

eloquence could command. Emerson himself was very susceptible to the

power of fine oratory. No man ever praised more warmly the charm of

Everett in his earlier day. When Webster delivered his eulogy upon Adams

and Jefferson in Faneuil Hall, Emerson was teaching in Cambridge, and

Richard H. Dana, Jun., was one of his pupils. The day before Webster

spoke, the teacher announced that there would be no school upon the

morrow, and he earnestly exhorted his pupils not to lose the memorable

opportunity of hearing the great orator. Dana was of an age to prefer

fishing to oratory, and strolled off with his line to the river, where

he passed the day. When school was resumed, Mr. Emerson with sympathetic

interest asked him if he had heard Webster. The fisher, half ashamed,

reluctantly owned his absence. Emerson looked at him with regret and

almost pain, and said to him, gravely: "My boy, I am very sorry; you

have lost what you can never recover, and what you will regret to the

last day of your life."

But those who heard his own Divinity School address, or the Cambridge or

Dartmouth oration, or the Emancipation address, would not exchange that

recollection even to have heard the Olympian orator in Faneuil Hall.

"Tell me," said a Senator famous for his oratory, to a friend in

Washington, "what do you call eloquence? Repeat to me an eloquent

passage." The friend quoted from Emerson the unequalled passage from the

Dartmouth College address in which the scholar appeals to the young men

to be true to the ideals of their youth--a passage which no generous

youth can read to-day without deep emotion and a thrill of high resolve.

The Senator listened with an air of perplexed incredulity. "Do you call

that eloquent? Now see what I call eloquence," and he declaimed a

glowing piece of rhetoric with ardent feeling. It was a passage from

Charles Sprague's Fourth-of-July oration in Boston sixty years ago. But

effective as it was, his friend reminded the Senator that if the test of

eloquence be glow of feeling and splendor and sincerity of expression,

with an inner power of appeal which searches the heart and moulds the

life, no really greater results in this country could be traced to any

speech than to that of Emerson, who read the greater part of his essays

as addresses, and who sometimes reached a lyrical strain which not the

magnificent Burke nor any other great orator surpasses.

--To talk of Emerson, even if the talker were not of the circle of his

intimate friends, is to raise the flood-gate of happy and inspiring

recollections. It is one of the tenderest of the thoughts that hover

around his memory, as the low winds sigh through the pine-trees over his

grave, that, as with Longfellow, there are no excuses to be made for

grotesque eccentricities of genius, nor for a life at any point unworthy

of so great a soul. He said of his friend Thoreau, who is buried near

him, that he was like the Alpine climber who gathers the edelweiss, the

flower that blooms at the very edge of the glacier. He too lived at

those pure heights, and taught us how to tread them undazzled and

undismayed. Happy teacher, whose long and lovely life illustrated the

dignity and excellence of the truth, old as the morning and as ever

fresh, that fidelity to the divine law written upon the conscience is

the only safe law of life for every man. Noble and beneficent preacher,

who, in a sense that the pensive Goldsmith did not intend,

"Allured to brighter worlds, and led the way."

From the Easy Chair, Volume 2 · 第 21 / 40 题