"You have played with a man's best feelings," he said. "You have led me

to believe that I had only to speak to have you for my own. Are you

simply foolish, or are you wicked? Did you care for me at all, or was it

only your wish to increase the number of men in your train? This one"

(here his hand pointed quiveringly towards the house) "has enjoyed a

happiness denied me. His hand has touched yours, his lips--" Here his

words became almost unintelligible till his purpose gave him strength,

and he cried: "But notwithstanding this, notwithstanding any vows you

may have exchanged, I have claims upon you that I will not yield. I who

have loved no woman before you, will have such a hand in your fate that

you will never be able to separate yourself from the influence I shall

exert over you. I will not intrude between you and your lover; I will

not affect dislike or disturb your outer life with any vain display of

my hatred or my passion, but I will work upon your secret thoughts, and

create a slowly increasing dread in the inner sanctuary of your heart

till you wish you had called up the deadliest of serpents in your

pathway rather than the latent fury of Obadiah Trohm. You are a girl

now; when you are married and become a mother, you will understand me.

For the present I leave you. The shadow of this old house which has

never seen much happiness within it will soon rest upon your thoughtless

head. What that will not do, your own inherent weakness will. The woman

who trifles with a strong man's heart has a flaw in her nature which

will work out her own destruction in time. I can afford to let you enjoy

your prospective honeymoon in peace. Afterwards--" He cast a threatening

look towards the decaying structure behind me, and was silent. But that

silence did not unloose my tongue. I was absolutely speechless.

"Ten brides have crossed yonder threshold," he presently went on in a

low musing tone freighted with horrible fatality. "One--and she was the

girl whose mother was driven up to these doors dead--lived to take her

grandchildren on her knees. The rest died early, and most of them

unhappily. Oh, I have studied the traditions of your future home! _You_

will live, but of all the brides who have triumphed in the honorable

name of Knollys, you will lead the saddest life and meet the gloomiest

end notwithstanding you stand before me now, with loose locks flying in

the wind, and a heart so gay that even my despair can barely pale the

roses on your cheek."

This was the raving of a madman. I recognized it as such, and took a

little heart. How could he see into my future? How could he prophesy

evil to one over whom he will have no control? to one watched over and

beloved by a man like Charles? He is a dreamer, a fanatic. His talk

about the flaw in my nature is nonsense, and as for the fate lowering

over my head, in the shadows falling from the toppling old house in

which I am likely to take up my abode--that is only frenzy, and I would

be unworthy of happiness to heed it. As I realized this, my indignation

grew, and, uttering a few contemptuous words, I was hurrying away when

he stopped me with a final warning.

"Wait!" he said, "women like you cannot keep either their joys or their

miseries to themselves. But I advise you not to take Charles Knollys

into your confidence. If you do, a duel will follow, and if I have not

the legal acumen of your intended, I have an eye and a hand before which

he must fall, if our passions come to an issue. So beware! never while

you live betray what has passed between us at this interview, unless the

weariness of a misplaced affection should come to you, and with it the

desire to be rid of your husband."

A frightful threat which, unfortunately perhaps, has sealed my lips. Oh,

why should such monsters live!

* * * * *

I have been all through the house to-day with old Mr. Knollys. Every

room was opened for my inspection, and I was bidden to choose which

should be refurnished for my benefit. It was a gruesome trip, from which

I have returned to my own little nook of chintz as to a refuge. Great

rooms which for years have been the abode of spiders, are not much to my

liking, but I chose out two which at least have fireplaces in them, and

these are to be made as cheerful as circumstances will permit. I hope

when I again see them, it will not be by the light of a waning November

afternoon, when the few leaves still left to flutter from the trees

blow, soggy and wet, against the panes of the solitary windows, or lie

in sodden masses at the foot of the bare trunks, which cluster so

thickly on the lawn as to hide all view of the highroad. I was meant for

laughter and joy, flashing lights, and the splendors of ballrooms. Why

have I chosen, then, to give up the great world and settle down in this

grimmest of grim old houses in a none too lively village? I think it is

because I love Charles Knollys, and so, no matter how my heart sinks in

the dim shadows that haunt every spot I stray into, I will be merry,

will think of Charles instead of myself, and so live down the unhappy

prophecies uttered by the wretch who, with his venomous words, has

robbed the future of whatever charm my love was likely to cast upon it.

The fact that this man left the town to-day for a lengthy trip abroad

should raise my spirits more than it has. If we were going now, Charles

and I--But why dream of a Paradise whose doors remain closed to you? It

is here our honeymoon is destined to be passed; within these walls and

in sight of the bare boughs rattling at this moment against the panes.

I made a misstatement when I said that I had gone into all the rooms of

the house this afternoon. _I did not enter the Flower Parlor._

* * * * *

I had been married a month and had, as I thought, no further use for

this foolish diary. So one evening when Charles was away, I attempted to

burn it.

But when I had flung myself down before the blazing logs of my bedroom

fire (I was then young enough to love to crouch for hours on the rug in

my lonely room, seeking for all I delighted in and longed for in the

glowing embers), some instinct, or was it a premonition? made me

withhold from destruction a record which coming events might make worthy

of preservation. That was five years ago, and to-day I have reopened the

secret drawer in which this simple book has so long lain undisturbed,

and am once more penning lines destined perhaps to pass into oblivion

together with the others. Why? I do not know. There is no change in my

married life. I have no trouble, no anxiety, no reason for dread;

yet--Well, well, some women are made for the simple round of domestic

duties, and others are as out of place in the nursery and kitchen as

butterflies in a granary. I want just the things Charles cannot give me.

I have home, love, children, all that some women most crave, and while I

idolize my husband and know of nothing sweeter than my babies, I yet

have spells of such wretched weariness, that it would be a relief to me

to be a little less comfortable if only I might enjoy a more brilliant

existence. But Charles is not rich; sometimes I think he is poor, and

however much I may desire change, I cannot have it. Heigho! and, what is

worse, I haven't had a new dress in a year; I who so love dress, and

become it so well! Why, if it is my lot to go shabby, and tie up my

dancing ringlets with faded ribbons, was I made with the figure of a

fairy and given a temperament which, without any effort on my part,

makes me, diminutive as I am, the centre of every group I enter? If I

were plain, or shy, or even self-contained, I might be happy here, but

now--There! there! I will go kiss little William, and lay Loreen's baby

arm about my neck and see if the wicked demons will fly away. Charles is

too busy for me to intrude upon him in that horrid Flower Parlor.

* * * * *

I was never superstitious till I entered this house; but now I believe

in every sort of thing a sane woman should not. Yesterday, after a

neglect of five years, I brought out my diary. To-day I have to record

in it that there was a reason for my doing so. Obadiah Trohm has

returned home. I saw him this morning leaning over his fence in the same

place and in very much the same attitude as on that day when he

frightened me so, a month before my wedding.

But he did not frighten me to-day. He merely looked at me very sharply

and with a less offensive admiration than in the early days of our first

acquaintance. At which I made him my best courtesy. I was not going to

remind him of the past in our new relations, and he, thankful perhaps

for this, took off his hat with a smile I am trying even yet to explain

to myself. Then we began to talk. He had travelled everywhere and I had

been nowhere; he wore the dress and displayed the manners of the great

world, while I had only a hungry desire to do the same. As for fashion,

I needed all my beauty and the fading sparkle of my old animation to

enable me to hold up my head before him.

But as for liking him, I did not. I could admire his appearance, but he

himself attracted me no more than when he had words of angry fury on his

tongue. He is a gentleman, and one who has seen the world, but in other

ways he is no more to be compared with my Charles than his pert new

house, built in his absence, with the grand old structure with whose

fatality he once threatened me.

I do not think he wants to threaten me with disaster now. Time closes

such wounds as his very effectually. I wish we had some of his money.

* * * * *

I have always heard that the wives of the Knollys, whatever their

misfortune, have always loved their husbands. I do not think I am any

exception to the rule. When Charles has leisure to give me an hour from

his musty old books, the place here seems lively enough, and the

children's voices do not sound so shrill. But these hours are so

infrequent. If it were not for Mr. Trohm's journal (Did I mention that

he had lent me a journal of his travels?) I should often eat my heart

out with loneliness. I am beginning to like the man better as I follow

him from city to city of the old world. If he had ever mentioned me in

its pages, I would not read another line in it, but he seems to have

expended both his love and spite when he bade me farewell in the garden

underlying these bleak old walls.

* * * * *

I am becoming as well acquainted with Mr. Trohm's handwriting as with my

own. I read and read and read in his journal, and only stop when the

dreaded midnight hour comes with its ghostly suggestions and the

unaccountable noises which make this old dwelling so uncanny. Charles

often finds me curled up over this book, and when he does he sighs. Why?

* * * * *

I have been teaching Loreen to dance. Oh, how merry it has made me! I

think I will be happier now. We have the large upper hall to take steps

in, and when she makes a misstep we laugh, and that is a good sound to

hear in this old place. If I could only have a little money to buy her a

fresh frock and some ribbons, I would feel perfectly satisfied; but I do

believe Charles is getting poorer and poorer every day; the place costs

so much to keep up, he says, and when his father died there were debts

to be paid which leaves us, his innocent inheritors, very straitened.

Master Trohm has no such difficulties. He has money enough. But I don't

like the man for all that, polite as he is to us all. He seems to quite

adore Loreen, and as to William, he pets him till I feel almost

uncomfortable at times.

* * * * *

What shall I do? I am invited to New York, _I_, and Charles says I may

go, too--only I have nothing to wear. Oh, for some money! a little

money! it is my right to have some money; but Charles tells me he can

only spare enough to pay my expenses, that my Sunday frock looks very

well, and that, even if it did not, I am pretty enough to do without

fine clothes, and other nonsense like that,--sweet enough, but totally

without point, in fact. If I am pretty, all the more I need a little

finery to set me off, and, besides, to go to New York without

money--why, I should be perfectly miserable. Charles himself ought to

realize this, and be willing to sell his old books before he would let

me go into this whirl of temptation without a dollar to spend. As he

don't, I must devise some plan of my own for obtaining a little money,

for I won't give up my trip--the first offered me since I was

married,--and neither will I go away and come back without a gift for my

two girls, who have grown to womanhood without a jewel to adorn them or

a silk dress to make them look like gentlemen's children. But how get

money without Charles knowing it? Mr. Trohm is such a good friend, he

might lend me a little, but I don't know how to ask him without

recalling to his mind certain words long since forgotten by him perhaps,

but never to be forgotten by me, feather-brained as many people think

me. Is there any one else?

* * * * *

I wonder if some things are as wicked as people say they are. I----

* * * * *

Here the diary breaks off abruptly. But we know what followed. The

forgery, the discovery of it by her suave but secret enemy, his

unnatural revenge, and the never-dying enmity which led to the tragic

events it has been my unhappy fortune to relate at such length. Poor

Althea! with thy name I write _finis_ to these pages. May the dust lie

lightly on thy breast under the shadow of the Flower Parlor, through

which thy footsteps passed with such dread in the old days of thy

youthful beauty and innocence!

THE END

WORKS BY Anna Katharine Green

The Leavenworth Case.

A Strange Disappearance.

The Sword of Damocles.

Hand and Ring.

The Mill Mystery.

Behind Closed Doors.

Cynthia Wakeham's Money.

Marked "Personal."

Miss Hurd: An Enigma.

Dr. Izard.

That Affair Next Door.

Lost Man's Lane.

Agatha Webb.

The Old Stone House.

The Doctor, His Wife, and the Clock.

X. Y. Z. A Detective Story.

7 to 12. A Detective Story.

The Defence of the Bride.

Risifi's Daughter. A Drama.

Lost Man's Lane: A Second Episode in the Life of Amelia Butterworth · 第 20 / 20 段