CHAPTER XXXIII

MILLIE'S STORY

They walked for a while in silence, side by side, yet not so close but

that there was an interval between them. Millie every now and then

glanced at Tony's face, but she saw only his profile, and with only

the glimmer of the starlight to serve her for a reading-lamp, she

could guess nothing of his expression. But he walked like a man

utterly dispirited and tired. The hopes, so stoutly cherished during

the last few years, had all crumbled away to-night. Perpetually

his thoughts recurred to that question, which now never could be

answered--if he had gone into the house in Berkeley Square on that

distant evening when he had been contented to pace for a little while

beneath the windows, would he have averted the trouble which had

reached its crisis to-night at the _Reserve?_ He thought not--he was

not sure; only he was certain that he should have gone in. He stopped

and turned back, looking towards the _Reserve_. A semicircle of lights

over the doorway was visible, and as he looked those lights were

suddenly extinguished. He heard Millie's voice at his side.

"I will tell you now how the time has passed with me." And he saw that

she was looking steadfastly into his eyes. "The story will sound very

trivial, very contemptible, after what you have told me. It fills me

utterly with shame. But I should have told you it none the less had

you not asked for it--I rather wish that you had not asked for it; for

I think I must have told you of my own accord."

She spoke in a quick, troubled voice, but it did not waver; nor did

her eyes once fall from his. The change in her was swift, no doubt.

But down there in the _Reserve_, where the lights were out, and the

sea echoed through empty rooms, she had had stern and savage teachers.

Terror, humiliation, and the spectacle of violence had torn away a

veil from before her eyes. She saw her own life in its true

perspective. And, that she might see it the more clearly and

understand, she had the story of another life wherewith to compare it.

It is a quality of big performances, whether in art or life, that

while they surprise when first apprehended, they appear upon thought

to be so simple that it is astonishing surprise was ever felt.

Something of that quality Tony's career possessed. It had come upon

Millie as a revelation, yet, now she was thinking: "Yes, that is what

Tony would do. How is it I never guessed?" She put him side by side

with that other man, the warrior of the drawing-rooms, and she was

filled with shame that ever she could have preferred the latter even

for a moment of madness.

They walked slowly on again. Millie drew her lace wrap more closely

about her throat.

"Are you cold?" asked Tony. "You are lightly clothed to be talking

here. We had better perhaps walk on, and keep what you have to tell me

until to-morrow."

"No," she answered quickly, "I am not cold. And I must tell you what I

have to tell you to-night. I want all this bad, foolish part of my

life to end to-night, to be extinguished just as those lights were

extinguished a minute since. Only there is something I should like to

say to you first." Millie's voice wavered now and broke. "If we do not

walk along the road together any more," she went on timidly, "I will

still be glad that you came back to-night. I do not know that you will

believe that--I do not, indeed, see why you should; but I should very

much like you to believe it; for it is the truth. I have learned a

good deal, I think, during the last three hours. I would rather go on

alone--if it is to be so--in this dim, clean starlight, than ever be

back again in the little room with its lights and flowers. Do you

understand me?"

"I think so," said Tony.

"At all events, the road is visible ahead," she went on. "One sees it

glimmering, one can keep between the banks; while, in the little

lighted room it is easy to get lost."

And thus to Millie now, as to Pamela when she rode back from her last

interview with Warrisden at the village of the three poplars, the

riband of white road stretching away in the dusk became a parable.

"Yes," said Tony, "perhaps my path was really the easier one to

follow. It was direct and plain."

"Ah," said Millie, "it only seems so because you have traversed it,

and are looking back. I do not think it was so simple and direct while

you walked upon it." And Tony, remembering the doubts and perplexities

which had besieged him, could not but assent.

"I do not think, too, that it was so easy to discover at the

beginning."

There rose before Tony's eyes the picture of a ketch-rigged boat

sailing at night over a calm sea. A man leaned over the bulwarks, and

the bright glare from a lightship ran across the waves and flashed

upon his face. Tony remembered the moment very clearly when he had

first hit upon his plan; he remembered the weeks of anxiety of which

it was the outcome. No, the road had not been easy to find at the

beginning. He was silent for a minute, and then he said gently--

"I am sorry that I asked you to tell your story--I am sorry that I

did not leave the decision to you. But it shall be as though you told

it of your own accord."

The sentence was a concession, no less in the manner of its utterance

than in the words themselves. Millie took heart, and told him the

whole story of her dealings with Lionel Callon, without excuses and

without concealments.

"I seemed to mean so much to him, so little to you," she said. "You

see, I did not understand you at all. You were away, too, and he was

near. I do not defend myself."

She did not spare herself, she taxed her memory for the details of her

days; and as she spoke the story seemed more utterly contemptible and

small than even she in her abasement had imagined it would be. But she

struggled through with it to the end.

"That night when you stood beneath the windows in Berkeley Square,"

she said, "he was with me. He ran in from Lady Millingham's party and

talked with me for half an hour. Yes, at the very time when you were

standing on the pavement he was within the house. I know, for you were

seen, and on the next day I was told of your presence. I was afraid

then. The news was a shock to me. I thought, 'Suppose you had come

in!'"

"But, back there, in the room," Tony interrupted, "you told me that

you wished I had come in."

"Yes," she answered. "And it is quite true; I wish now that you had

come in."

She told him of the drive round Regent's Park, and of the consent she

gave that night to Lionel Callon.

"I think you know everything now," she said. "I have tried to forget

nothing. I want you, whatever you decide to do, to decide knowing

everything."

"Thank you," said Tony, simply. And she added--

"I am not the first woman I know who has thrown away the substance for

the shadow."

Upon the rest of that walk little was said. They went forward beneath

the stars. A great peace lay upon sea and land. The hills rose dark

and high upon their left hand, the sea murmured and whispered to them

upon the right. Millie walked even more slowly as they neared the

hotel at Eze, and Tony turned to her with a question--

"You are tired?"

"No," she answered.

She was thinking that very likely she would never walk again on any

road with Tony at her side, and she was minded to prolong this last

walk to the last possible moment. For in this one night Tony had

reconquered her. It was not merely that his story had filled her with

amazement and pride, but she had seen him that night strong and

dominant, as she had never dreamed of seeing him. She loved his very

sternness towards herself. Not once had he spoken her name and called

her "Millie." She had watched for that and longed for it, and yet

because he had not used it she was the nearer to worship. Once she

said to him with a start of anxiety--

"You are not staying here under your own name?"

"No," he replied. "A friend has taken rooms in Monte Carlo for both of

us. Only his name has been given."

"And you will leave France to-morrow?"

"Yes."

"Promise!" she cried.

Tony promised, with a look of curiosity at his wife. Why should she be

so eager for his safety? He did not understand. He was wondering what

he must do in this crisis of their lives. Was he to come, in spite of

all his efforts, to that ordinary compromise which it had been his

object to avoid?

They reached the door of the hotel, and there Tony halted.

"Good night!" he said; he did not hold out his hand. He stood

confronting Millie with the light from the hall lamp falling full upon

his face. Millie hoped that he would say something more--just a little

word of kindness or forgiveness--if only she waited long enough

without answering him; and she was willing to wait until the morning

came, he did indeed speak again, and then Millie was sorry that she

had waited. For he said the one really cruel thing amongst all the

words he had said that night. He was not aware of its cruelty, he was

only conscious of its truth.

"Do you know." he said--and upon his tired face there came a momentary

smile--"to-night I miss the Legion very much." Again he said "Good

night."

This time Millie answered him; and in an instant he was gone. She

could have cried out; she could hardly restrain her voice from calling

him back to her. "Was this the end?" she asked of herself. "That one

cruel sentence, and then the commonplace Good night, without so much

as a touch of the hands. Was this the very end?" A sharp fear stabbed

her. For a few moments she heard Tony's footsteps upon the flags in

front of the hotel, and then for a few moments upon the gravel of the

garden path; and after that she heard only the murmur of the sea. And

all at once for her the world was empty. "Was this the end?" she asked

herself again most piteously; "this, which might have been the

beginning." Slowly she went up to her rooms. Sleep did not visit her

that night.

The Truants · 第 33 / 36 章