NO. IV.

In offering this fourth example of the New Poetry to his readers, _Mr.

Punch_ wishes it to be distinctly understood, that he is in no way

responsible, personally, for the curious mixture of divinities and

semi-divinities who figure in it. It is one of the distinguishing

marks of this particular sort of New Poetry to pile up a confusion of

more or less mythological names in a series of swinging and resonant

lines. In one line the reader may imagine himself to be embarked in

the River Cocytus. In the next, he will be surprised to find himself

in Eden. Blood, battle, bumptiousness, and an aggressive violence, are

special characteristics of this style of writing. Some of the lines

apparently mean nothing at all, others are calculated to make timid

people tremble; and the effect of the whole is generally picturesque,

lurid, and uncomfortable.

One of the great advantages of a poem like this, is that it may be

used for all kinds of purposes. For example, if it was originally

written as an invective against an opponent, it may afterwards, with

the utmost ease, be made to serve as a threnody. Here then without

further preface is:--

Punch, or the London Charivari, Volume 103, July 23, 1892 · 第 23 / 33 题