I turned it over in my hand, while Maggie talked.

"When I saw that girl crawling around," she said, "seems to me I

remembered all at once seeing Miss Emily, that day I found her, running

her finger along the baseboard. Says I to myself, there's something

more hidden, and she don't know where it is. But I do. So I lifted the

baseboard, and this was behind it."

Anne heard her from her room, and she went out soon afterward. I heard

her going down the stairs and called to her. But she did not answer. I

closed the door on Maggie and stood in my room, staring at the envelope.

I have wondered since whether Miss Emily, had she lived, would have put

the responsibility on Providence for the discovery of her pitiful story.

So many of us blame the remorseless hand of destiny for what is so

manifestly our own doing. It was her own anxiety, surely, that led to

the discovery in each instance, yet I am certain that old Emily Benton

died, convinced that a higher hand than any on earth had directed the

discovery of the confession.

Miss Emily has been dead for more than a year now. To publish the letter

can do her no harm. In a way, too, I feel, it may be the fulfilment of

that strange pact she made. For just as discovery was the thing she most

dreaded, so she felt that by paying her penalty here she would be saved

something beyond--that sort of spiritual book-keeping which most of us

call religion. Anne Sprague--she is married now to Martin has, I think,

some of Miss Emily's feeling about it, although she denies it. But I

am sure that in consenting to the recording of Miss Emily's story, she

feels that she is doing what that gentle fatalist would call following

the hand of Providence.

I read the letter that night in the library where the light was good. It

was a narrative, not a letter, strictly speaking. It began abruptly.

"I must set down this thing as it happened. I shall write it fully,

because I must get it off my mind. I find that I am always composing

it, and that my lips move when I walk along the street or even when I am

sitting in church. How terrible if I should some day speak it aloud. My

great-grandmother was a Catholic. She was a Bullard. Perhaps it is from

her that I have this overwhelming impulse to confession. And lately I

have been terrified. I must tell it, or I shall shriek it out some day,

in the church, during the Litany. 'From battle and murder, and from

sudden death, Good Lord, deliver us.'"

(There was a space here. When the writing began again, time had elapsed.

The ink was different, the writing more controlled.)

"What a terrible thing hate is. It is a poison. It penetrates the mind

and the body and changes everything. I, who once thought I could hate no

one, now find that hate is my daily life, my getting up and lying down,

my sleep, my waking.

"'From hatred, envy, and malice, and all uncharitableness, Good Lord,

deliver us.'

"Must one suffer twice for the same thing? Is it not true that we pay

but one penalty? Surely we pay either here or beyond, but not both. Oh,

not both!

"Will this ever be found? Where shall I hide it? For I have the feeling

that I must hide it, not destroy it--as the Catholic buries his sin with

the priest. My father once said that it is the healthful humiliation of

the confessional that is its reason for existing. If humiliation be a

virtue--"

I have copied the confession to this point, but I find I can not go on.

She was so merciless to herself, so hideously calm, so exact as to dates

and hours. She had laid her life on the table and dissected it--for the

Almighty!

I heard the story that night gently told, and somehow I feel that that

is the version by which Miss Emily will be judged.

"If humiliation be a virtue--" I read and was about to turn the page,

when I heard Anne in the hall. She was not alone. I recognized Doctor

Lingard's voice.

Five minutes later I was sitting opposite him, almost knee to knee,

and he was telling me how Miss Emily had come to commit her crime. Anne

Bullard was there, standing on the hearth rug. She kept her eyes on

me, and after a time I realized that these two simple people feared

me, feared for Miss Emily's gentle memory, feared that I--good

heaven!--would make the thing public.

"First of all, Miss Blakiston," said the doctor, "one must have known

the family to realize the situation--its pride in its own uprightness.

The virtue of the name, what it stood for in Bolivar County. She was

raised on that. A Benton could do no wrong, because a Benton would do no

wrong.

"But there is another side, also. I doubt if any girl was ever raised

as Miss Emily was. She--well, she knew nothing. At fifty she was as

childlike and innocent as she was at ten. She had practically never

heard of vice. The ugly things, for her, did not exist.

"And, all the time, there was a deep and strong nature underneath. She

should have married and had children, but there was no one here for

her to marry. I," he smiled faintly, "I asked for her myself, and was

forbidden the house for years as a result.

"You have heard of the brother? But of course you have. I know you have

found the books. Such an existence as the family life here was bound to

have its reactions. Carlo was a reaction. Twenty-five years ago he ran

away with a girl from the village. He did not marry her. I believe he

was willing at one time, but his father opposed it violently. It would

have been to recognize a thing he refused to recognize." He turned

suddenly to Anne. "Don't you think this is going to be painful?" he

asked.

"Why? I know it all."

"Very well. This girl--the one Carlo ran away with--determined to make

the family pay for that refusal. She made them actually pay, year by

year. Emily knew about it. She had to pinch to make the payments. The

father sat in a sort of detached position, in the center of Bolivar

County, and let her bear the brunt of it. I shall never forget the day

she learned there was a child. It--well, it sickened her. She had not

known about those things. And I imagine, if we could know, that that was

the beginning of things.

"And all the time there was the necessity for secrecy. She had never

known deceit, and now she was obliged to practice it constantly. She had

no one to talk to. Her father, beyond making entries of the amounts paid

to the woman in the case, had nothing to do with it. She bore it all,

year after year. And it ate, like a cancer.

"Remember, I never knew. I, who would have done anything for her--she

never told me. Carlo lived hard and came back to die. The father went.

She nursed them both. I came every day, and I never suspected. Only,

now and then, I wondered about her. She looked burned. I don't know any

other word.

"Then, the night after Carlo had been buried, she telephoned for me.

It was eleven o'clock, She met me, out there in the hall, and she said,

'John, I have killed somebody.'

"I thought she was out of her mind. But she opened the door, and--"

He turned and glanced at Anne.

"Please!" she said.

"It was Anne's mother. You have guessed it about Anne by now, of course.

It seems that the funeral had taken the money for the payment that was

due, and there had been a threat of exposure. And Emily had reached the

breaking-point. I believe what she said--that she had no intention

even of striking her. You can't take the act itself. You have to take

twenty-five years into account. Anyhow, she picked up a chair and

knocked the woman down. And it killed her." He ran his fingers through

his heavy hair. "It should not have killed her," he reflected. "There

must have been some other weakness, heart or something. I don't know.

But it was a heavy chair. I don't see how Emily--"

His voice trailed off.

"There we were," he said, with a long breath. "Poor Emily, and the other

poor soul, neither of them fundamentally at fault, both victims."

"I know about the books," I put in hastily. I could not have him going

over that again.

"You knew that, too!" He gazed at me.

"Poor Emily," he said. "She tried to atone. She brought Anne here, and

told her the whole story. It was a bad time--all round. But at last Anne

saw the light. The only one who would not see the light was Emily. And

at last she hit on this confession idea. I suspected it when she rented

the house. When I accused her of it, she said: 'I have given it to

Providence to decide. If the confession is found, I shall know I am to

suffer. And I shall not lift a hand to save myself.'"

So it went through the hours. Her fear, which I still think was the

terror that communicated itself to me; the various clues, which she,

poor victim, had overlooked; the articles laid carelessly in the

book she had been reading and accidentally hidden with her brother's

forbidden literature; the books themselves, with all of five years to

destroy them, and left untouched; her own anxiety about the confession

in the telephone-box, which led to our finding it; her espionage of the

house by means of the telephone; the doctor's night visit in search of

the confession; the daily penance for five years of the dead woman's

photograph in her room--all of these--and her occasional weakenings,

poor soul, when she tried to change her handwriting against discovery,

and refused to allow the second telephone to be installed.

How clear it was! How, in a way, inevitable! And, too, how really

best for her it had turned out. For she had made a pact, and she died

believing that discovery here had come, and would take the place of

punishment beyond.

Martin Sprague came the next day. I was in the library alone, and he was

with Anne in the garden, when Maggie came into the room with a saucer of

crab-apple jelly.

"I wish you'd look at this," she said. "If it's cooked too much, it gets

tough and--" She straightened suddenly and stood staring out through a

window.

"I'd thank you to look out and see the goings-on in our garden," she

said sharply. "In broad daylight, too. I--"

But I did not hear what else Maggie had to say. I glanced out, and

Martin had raised the girl's face to his and was kissing her, gently and

very tenderly.

And then--and again, as with fear, it is hard to put into words--I felt

come over me such a wave of contentment and happiness as made me close

my eyes with the sheer relief and joy of it. All was well. The past was

past, and out of its mistakes had come a beautiful thing. And, like the

fear, this joy was not mine. It came to me. I picked it up--a thought

without words.

Sometimes I think about it, and I wonder--did little Miss Emily know?

The Confession · 第 17 / 17 题