But the change, Kate felt, must not come on her too soon and too

suddenly, or it would rupture her and she would die. The old way

has its horror. The heavy-footed, _à terre_ spirit of aboriginal

Mexico could be so horrible to her, as to make her wicked. The slow,

indomitable kind of existing and persisting, without hope or élan,

which is in the aboriginal American, sometimes made her feel she would

go mad. The sullen will persisting over the slow, dark centuries,

counting the individual existence a trifle! A tenacity of demons, less

than human. And a sudden ferocity, a sudden lust of death rousing

incalculable and terrible.

People who never really changed. Men who were not faithful to life, to

the living actuality. Faithful to some dark necessity out of the past.

The actual present suddenly collapsing in the souls of the men and

the women, and the old, black, volcanic lava bursting up in violence,

followed by a lava-rock indifference.

The hope! The hope! Would it ever be possible to revive the hope in

these black souls, and achieve the marriage which is the only step to

the new world of man?

But meanwhile, a strange, almost torn nausea would come over Kate, and

she felt she must go away, to spare herself. The strange, reptilian

insistence of her very servants. _Blood is one blood. We are all of one

blood-stream._ Something aboriginal and tribal, and almost worse than

death to the white individual. Out of the dark eyes and the powerful

spines of these people, all the time the unknown assertion: _The blood

is one blood._ It was a strange, overbearing insistence, a claim of

blood-unison.

Kate was of a proud old family. She had been brought up with the

English-Germanic idea of the _intrinsic_ superiority of the hereditary

aristocrat. Her blood was different from the common blood, another,

finer fluid.

But in Mexico, none of this. Her criada Juana, the aquador who carried

the water, the boatman who rowed her on the lake, all looked at her

with one look in their eyes. _The blood is one blood. In the blood, you

and I are undifferentiated._ She saw it in their eyes, she heard it in

their words, it tinged their deference and their mockery. And sometimes

it made her feel physically sick: this overbearing blood-familiarity.

And sometimes, when she tried to hold herself up, in the proud old

assertion: _My blood is my own. Noli me tangere_, she would see the

terrible ancient hatred in their eyes, the hatred which leads them to

atrocities and fearful maimings.

They would defer to her spirit, her knowledge, her understanding. They

would give her deference, and a sort of grudging reverence for this.

She belonged to the ruling races, the clever ones. But back again they

demanded her acquiescence to the primeval assertion: _The blood is one

blood. We are one blood._ It was the assertion that swept away all

individualism, and left her immersed, drowned in the grand sea of the

living blood, in immediate contact with all these men and all these

women.

To this she must submit. Or they would persist in the slow revenge.

And she could not submit, off-hand. It had to be a slow, organic

process. Anything sudden or violent would destroy her.

Now she understood Ramón’s assertion: Man is a column of blood: Woman

is a valley of blood. It was the primeval oneness of mankind, the

opposite of the oneness of the spirit.

But Kate had always looked upon her blood as absolutely her own, her

individual own. Her spirit she shared, in the spirit she communed. But

her blood stayed by her in individuality.

Now she was confronted by the other great assertion: The blood is one

blood.--It meant a strange, marginless death of her individual self.

Now she understood why Ramón and Cipriano wore the white clothes and

the sandals, and were naked, or half-naked, as living gods. It was the

acquiescence in the primitive assertion. It was the renewal of the old,

terrible bond of the blood-unison of man, which made blood-sacrifice so

potent a factor of life. The blood of the individual is given back to

the great blood-being, the god, the nation, the tribe.

Now she understood the strange unison she could always feel between

Ramón and his men, and Cipriano and his men. It was the soft, quaking,

deep communion of blood-oneness. Sometimes it made her feel sick.

Sometimes it made her revolt. But it was the power she could not get

beyond.

Because, admitting his blood-unison, Ramón at the same time claimed a

supremacy, even a godliness. He was a man, as the lowest of his peons

was a man. At the same time, rising from the same pool of blood, from

the same roots of manhood as they, and being, as they were, a man of

the pulsing blood, he was still something more. Not in the blood nor in

the spirit lay his individuality and his supremacy, his godhead. But

in a star within him, an inexplicable star which rose out of the dark

sea and shone between the flood and the great sky. The mysterious star

which unites the vast universal blood with the universal breath of the

spirit, and shines between them both.

Not the rider on the white horse: nor the rider on the red. That which

is beyond the riders and the horses, the inexplicable mystery of the

star whence no horseman comes and to which no horseman can arrive. The

star which is a man’s innermost clue, which rules the power of the

blood on the one hand, and the power of the spirit on the other.

For this, the only thing which is supreme above all power in a man, and

at the same time, is power; which far transcends knowledge; the strange

star between the sky and the waters of the first cosmos: this is man’s

divinity.

And some men are not divine at all. They have only faculties. They are

slaves, or they should be slaves.

But many a man has his own spark of divinity, and has it quenched,

blown out by the winds of force or ground out of him by machines.

And when the spirit and the blood in man begin to go asunder, bringing

the great death, most stars die out.

Only the man of a great star, a great divinity, can bring the opposites

together again, in a new unison.

And this was Ramón, and this was his great effort: to bring the great

opposites into contact and into unison again. And this is the god-power

in man. By this power you shall know the god in man. By none other.

Ramón was a man as the least of his peons was a man, with the beating

heart and the secret loins and the lips closed on the same secret of

manhood. And he was human as Kate was human, with the same yearning of

the spirit, for pure knowledge and communion, the soul in the greatness

of its comprehending.

But only he had that starry power for bringing together the two great

human impulses to a point of fusion, for being the bird between the

vast wings of the dual-created power to which man has access and in

which man has his being. The Morning Star, between the breath of dawn

and the deeps of the dark.

Men had tried to murder him with knives. Carlota would have murdered

him with her spirit. Each half separately wanted to commit the murder

of him.

But he kept himself beyond. He was the living Quetzalcoatl, and the

tiny sparkle of a star was rising in his own men, in his own woman.

The star between the two wings of power: that alone was divinity in a

man, and final manhood.

Kate had a message from Cipriano to say he was coming out to stay in

the Villa Aragon. The Villa Aragon was the chief house on the lake, in

small but rather beautiful grounds with tufts of palm-trees and heavy

hedges of jasmine, a garden kept always green by constant watering.

The house was built rather like a little castle, absurd, yet its

deep, spacious verandahs opening on to the slopes and knolls of the

tree-clustered garden, above the lake, were pleasant.

Cipriano arrived very pleased, his black eyes shining with the boyish

look. He wanted Kate to marry him, go through the Mexican civil

marriage, and instal herself in the Villa Aragon. She hesitated. She

knew she must go back to Europe, to England and Ireland, very soon. The

necessity was imperative. The sense of menace that Mexico put over her,

and the feeling of inner nausea, was becoming too much to bear. She

felt she could not stand it, unless she went away to relax for a time.

This she told to Cipriano. And his face fell.

“It doesn’t matter to me very much whether I marry or not, before I

go,” she said. “But I must go soon--soon.”

“How soon?”

“By January.”

His face lightened again.

“Then marry me before you go,” he said. “Next week.”

She agreed, with curious indifference, and he, his eyes flashing again

like a boy’s, moved quickly, to make the necessary legal preparations.

She did not care whether she married or not. In one essential sense,

she had married Cipriano already. He was first and foremost a soldier,

swift to come to her, and swift to go. She would always be a good deal

alone.

And him alone, just as a man and a soldier, she could marry easily

enough. It was this terrible Mexico that frightened her with a sense of

doom.

The Quetzalcoatl movement had spread in the country, but sinisterly.

The Archbishop had declared against it, Ramón and Cipriano and their

adherents were excommunicated. An attempt had been made to assassinate

Montes.

The adherents of Quetzalcoatl in the capital had made the Church of

San Juan Bautisto, which was called the Church of the Black Saviour,

their Metropolitan House of Quetzalcoatl. The Archbishop, a choleric

man, had summoned his fervent followers to march in procession to this

Church of San Juan, now called the House of Quetzalcoatl, and seize it

and restore it to the Catholic Church. The government, knowing it would

have to fight sooner or later, arrested the Archbishop and broke up the

procession after some bloodshed.

Then a kind of war began. The Knights of Cortes brought out their

famous hidden stores of arms, not very impressive, after all, and a

clerical mob headed by a fanatical priest, surged into the Zócalo.

Montes had the guns turned on them. But it looked like the beginnings

of a religious war. In the streets the white and blue sarapes of

Quetzalcoatl and the scarlet and black sarapes of Huitzilopochtli

were seen in bands, marching to the sound of tom-toms, and holding up

the curious round banners, made of featherwork, of Quetzalcoatl, and

the tall scarlet signs of Huitzilopochtli, long poles with the soft

club of scarlet feathers at the top, tufted with a black point.--In

the churches, the priests were still inflaming the orthodox to a holy

war. In the streets, priests who had gone over to Quetzalcoatl were

haranguing the crowd.

It was a wild moment. In Zacatecas General Narciso Beltran had

declared against Montes and for the Church. But Cipriano with his

Huitzilopochtli soldiers had attacked with such swiftness and ferocity,

Beltran was taken and shot, his army disappeared.

Then Montes declared the old Church illegal in Mexico, and caused a

law to be passed, making the religion of Quetzalcoatl the national

religion of the Republic. All churches were closed. All priests were

compelled to take an oath of allegiance to the Republic, or condemned

to exile. The armies of Huitzilopochtli and the white and blue sarapes

of Quetzalcoatl appeared in all the towns and villages of the Republic.

Ramón laboured ceaselessly. Cipriano appeared in unexpected flashes, in

unexpected places. He managed to rouse the most discontented States,

Vera Cruz, Tamaulipas, Yucatan, to a sort of religious frenzy. Strange

baptisms took place in the sea, and a scarlet and black tower of

Huitzilopochtli rose along the shores.

The whole country was thrilling with a new thing, with a release of

new energy. But there was a sense of violence and crudity in it all, a

touch of horror.

The Archbishop was deported, no more priests were seen in the streets.

Only the white and blue and earth-coloured sarapes of Quetzalcoatl, and

the scarlet and black of Huitzilopochtli, were seen among the crowds.

There was a great sense of release, almost of exuberance.

This is why Cipriano came to Kate with those black, flashing, boyish

eyes. He was in strange state of triumph. Kate was frightened, and she

felt curiously hollow. Even the queer, new, flashing triumph and the

sense of a new thing on the face of the earth could not quite save her.

She belonged too much to the old world of Europe, she could not, could

not make herself over so quickly. But she felt that if she could go

back to Ireland, and let her life and her body _pause_ for a time, then

she could come back and take her share.

For it was not her spirit alone which was changing, it was her body,

and the constitution of her very blood. She could feel it, the terrible

katabolism and metabolism in her blood, changing her even as a

creature, changing her to another creature.

And if it went too fast, she would die.

So, she was legally married to Cipriano, and she went to live with him

in the Villa Aragon, for a month. After a month, she would sail away,

alone, to Ireland. He agreed too.

It was strange, to be married to him. He made her go all vague and

quiet, as if she sank away heavy and still, away from the surface of

life, and lay deep in the under-life.

The strange, heavy, _positive_ passivity. For the first time in her

life she felt absolutely at rest. And talk, and thought, had become

trivial, superficial to her: as the ripples on the surface of the lake

are as nothing, to the creatures that live away below in the unwavering

deeps.

In her soul, she was still and proud. If only the body had not suffered

the unbearable nausea of change. She had sunk to a final rest, within

a great, opened-out cosmos. The universe had opened out to her new and

vast, and she had sunk to the deep bed of pure rest. She had become

almost like Teresa in sureness.

Yet the process of change within her blood was terrible to her.

Cipriano was happy, in his curious Indian way. His eyes kept that

flashing, black, dilated look of a boy looking newly on a strange,

almost uncanny wonder of life. He did not look very definitely at Kate,

or even take much definite notice of her. He did not like talking to

her, in any serious way. When she wanted to talk seriously, he flashed

a cautious, dark look at her, and went away.

He was aware of things that she herself was hardly conscious of.

Chiefly, of the curious irritant quality of talk. And this he avoided.

Curious as it may seem, he made her aware of her own old desire for

frictional, irritant sensation. She realized how all her old love had

been frictional, charged with the fire of irritation and the spasms of

frictional voluptuousness.

Cipriano, curiously, by refusing to share any of this with her, made it

become external to her. Her strange seething feminine will and desire

subsided in her and swept away, leaving her soft and powerfully potent,

like the hot springs of water that gushed up so noiseless, so soft, yet

so powerful, with a sort of secret potency.

She realized, almost with wonder, the death in her of the Aphrodite of

the foam: the seething, frictional, ecstatic Aphrodite. By a swift dark

instinct, Cipriano drew away from this in her. When, in their love, it

came back on her, the seething electric female ecstasy, which knows

such spasms of delirium, he recoiled from her. It was what she used to

call her “satisfaction.” She had loved Joachim for this, that again,

and again, and again he could give her this orgiastic “satisfaction,”

in spasms that made her cry aloud.

But Cipriano would not. By a dark and powerful instinct he drew away

from her as soon as this desire rose again in her, for the white

ecstasy of frictional satisfaction, the throes of Aphrodite of the

foam. She could see that to him, it was repulsive. He just removed

himself, dark and unchangeable, away from her.

And she, as she lay, would realize the worthlessness of this

foam-effervescence, its strange externality to her. It seemed to come

upon her from without, not from within. And succeeding the first moment

of disappointment, when this sort of “satisfaction” was denied her,

came the knowledge that she did not really want it, that it was really

nauseous to her.

And he, in his dark, hot silence would bring her back to the new, soft,

heavy, hot flow, when she was like a fountain gushing noiseless and

with urgent softness from the volcanic deeps. Then she was open to him

soft and hot, yet gushing with a noiseless soft power. And there was

no such thing as conscious “satisfaction.” What happened was dark and

untellable. So different from the beak-like friction of Aphrodite of

the foam, the friction which flares out in circles of phosphorescent

ecstasy, to the last wild spasm which utters the involuntary cry, like

a death-cry, the final love-cry. This she had known, and known to the

end, with Joachim. And now this too was removed from her. What she had

with Cipriano was curiously beyond her knowing: so deep and hot and

flowing, as it were subterranean. She had to yield before it. She could

not grip it into one final spasm of white ecstasy which was like sheer

knowing.

And as it was in the love-act, so it was with him. She could not _know_

him. When she tried to know him, something went slack in her, and she

had to leave off. She had to let be. She had to leave him, dark and hot

and potent, along with the things that _are_, but are not known. The

presence. And the stranger. This he was always to her.

There was hardly anything to say to him. And there was no personal

intimacy. He kept his privacy round him like a cloak, and left her

immune within her own privacy. He was a stranger to her, she to him.

He accepted the fact absolutely, as if nothing else were possible. She,

sometimes, felt it strange. She had so craved for intimacy, _insisted_

on intimacy.

Now she found herself accepting him finally and forever as the stranger

in whose presence she lived. It was his impersonal presence which

enveloped her. She lived in his aura, and he, she knew, lived in hers,

with nothing said, and no personal or spiritual intimacy whatever. A

mindless communion of the blood.

Therefore, when he had to go away, it did not matter so very much. His

presence was something he left with her, and he took her presence along

with him. And somehow, there was no need for emotions.

He had to leave early one morning, for Mexico. The dawn came perfect

and clear. The sun was not yet on the lake, but it caught the mountains

beyond Tuliapan, and they shone magically distinct, as if some magic

light were focussed on them. The green furrows of the mountainsides

were as if in her own hand. Two white gulls, flying, suddenly got

the light, and glittered. But the full, soft, noiseless dun lake was

pallid, unlit.

She thought of the sea. The Pacific was not very far away. The sea

seemed to have retreated entirely out of her consciousness. Yet she

knew she needed its breath again.

Cipriano was going down to bathe. She saw him walk out on the masonry

of the square basin which was their own tiny harbour. He threw off

his wrap and stood dark in silhouette against the pale, unlit water.

How dark he was! Dark as a Malay. Curious that his body was as dark,

almost, as his face. And with that strange archaic fulness of physique,

with the full chest and the full, yet beautiful buttocks of men on old

Greek coins.

He dropped off the edge of masonry and waded out in the dim, soft,

uncanny water. And at that moment the light tipped over the edge of the

mountain and spilled gold upon the surface of the lake. And instantly

he was red as fire. The sunshine was not red, the sun was too high for

that. It was golden with morning. But as it flushed along the surface

of the lake it caught the body of Cipriano and he was red as fire, as a

piece of pure fire.

The Sons of the Morning! The column of blood! A Red Indian. She looked

at him in wonder, as he moved pure red and luminous further into the

lake, unconscious. As if on fire!

The Sons of the Morning! She let her effort at knowing slip away from

her once more, and remained without effort, within the communion.

It was his race, too. She had noticed before how the natives shone pure

red when morning or evening light caught them, rather level. As fires

they stood in the water. The Red Indian.

He went away, with his man, on horseback. And she watched him ride over

the brow of the road, sitting dark and still on his silky, roan horse.

He loved a red horse. And there was a curious motionlessness about him

as he rode horseback, an old, male pride, and at the same time the

half-ghostly, dark invisibility of the Indian, sitting close upon the

horse as if he and it belonged to one birth.

He was gone, and for a while she felt the old nostalgia for his

presence. Not for him, exactly. Not even to see him or touch him or

speak to him. Only to feel him about.

Then quickly she recovered. She adjusted herself to the presence he

left behind with her. As soon as he had _really_ gone, and the act of

going was over, his presence came back to her.

She walked a little while by the shore, beyond the breakwater wall. She

loved to be alone: a great deal alone, with a garden and the lake and

the morning.

“I am like Teresa, really,” she said to herself.

Suddenly before her she saw a long, dark soft rope, lying over a pale

boulder. But her soul was softly alert, at once. It was a snake, with a

subtle pattern along its soft dark back, lying there over a big stone,

with its head sunk down to earth.

It felt her presence, too, for suddenly, with incredible soft

quickness, it contracted itself down the boulder, and she saw it

entering a little gap in the bottom of the wall.

The hole was not very big. And as it entered it quickly looked back,

poising its little, dark, wicked, pointed head, and flickering a dark

tongue. Then it passed on, slowly easing its dark length into the hole.

When it had all gone in, Kate could see the last fold still, and the

flat little head resting on the fold, like the devil with his chin on

his arms, looking out of a loop-hole. So the wicked sparks of the eyes

looked out at her, from within the recess. Watching out of its own

invisibility.

So she wondered over it, as it lay in its hidden places. At all the

unseen things in the hidden places of the earth. And she wondered if it

was disappointed at not being able to rise higher in creation: to be

able to run on four feet, and not keep its belly on the ground.

Perhaps not! Perhaps it had its own peace. She felt a certain

reconciliation between herself and it.

CHAP: XXVII. HERE!

She and Teresa visited one another along the lake. There was a kinship

and a gentleness between them, especially now Kate was going away for a

while.

There was a certain autumnal purity and lull on the lake. The moisture

still lingered, the bushes on the wild hills were green in puffs.

Sunlight lay in a rich gleam on the mountains, and shadows were deep

and velvety. The green almost covered the rocks and the pinkish land.

Bright green the sugar cane, red the ploughed earth, dark the trees

with white specks of villages here and there. And over the wild places,

a sprinkle of bushes, then stark grey rock still coming out.

The sky was very high and pure. In the morning came the sound of drums,

and on the motionless, crystal air the cry for the pauses of the day.

And always the day seemed to be pausing and unfolding again to the

greater mystery. The universe seemed to have opened vast and soft and

delicate with life.

There was something curiously soothing even in the full, pale,

dove-brown water of the lake. A boat was coming over, with its sail

hollowed out like a shell, pearly white, and its sharp black canoe-beak

slipping past the water. It looked like the boat of Dionysos coming

with a message, and the vine sprouting.

Kate could hardly remember now the dry rigid pallor of the heat, when

the whole earth seemed to crepitate viciously with dry malevolence:

like memory gone dry and sterile, hellish.

Ramón and Teresa came along the lake, and rowed into the basin. It was

a morning when the shadows on the mountains were almost corn-flower

blue.

“Yet you must go away?” Ramón said to her.

“For a little while. You don’t think I am Lot’s wife, do you?”

“No!” laughed Ramón. “I think you’re Cipriano’s.”

“I am really. But I want to go back for a little while.”

“Ah yes! Better go, and then come again. Tell them in your Ireland to

do as we have done here.”

“But how?”

“Let them find themselves again, and their own universe, and their own

gods. Let them substantiate their own mysteries. The Irish have been

so wordy about their far-off heroes and green days of the heroic gods.

Now tell them to substantiate them, as we have tried to substantiate

Quetzalcoatl and Huitzilopochtli.”

“I will tell them,” she said. “If there is anybody to listen.”

“Yes!” he said.

The Plumed Serpent · 第 36 / 38 段