“What do you think of us?” Cipriano said to her.

“It is strange to me,” she replied, wondering and a little awed by the

night.

“Good, no?” he said, in an exultant tone.

“A little scaring,” she replied, with a slight laugh.

“When you are used to it,” he said, “it seems natural, no? It seems

natural so--as it is. And when you go to a country like England, where

all is so safe and ready-made, then you miss it. You keep saying to

yourself: ‘What am I missing? What is it that is not here?’”

He seemed to be gloating in his native darkness. It was curious, that

though he spoke such good English, it seemed always foreign to her,

more foreign than Doña Carlota’s Spanish.

“I can’t understand that people want to have everything, all life,

no?--so safe and ready-made as in England and America. It is good to be

_awake_. On the _qui vive_, no?”

“Perhaps,” she said.

“So I like it,” he said, “when Ramón tells the people the earth is

alive, and the sky has a big bird in it, that you don’t see. I think it

is true. Certainly! And it is good to know it, because then one is on

the _qui vive_, no?

“But it’s tiring to be always on the _qui vive_,” she said.

“Why? Why tiring? No, I think, on the contrary, it is refreshing.--Ah,

you should marry, and live in Mexico. At last, I am sure, you would

like it. You would keep waking up more and more to it.”

“Or else going more and more deadened,” she said. “That is how most

foreigners go, it seems to me.”

“Why deadened?” he said to her. “I don’t understand. Why deadened? Here

you have a country where night is night, and rain comes down and you

know it. And you have a people with whom you must be on the _qui vive_

all the time, all the time. And that is very good, no? You don’t go

sleepy. Like a pear! Don’t you say a pear goes sleepy, no?--cuando sé

echa a perder?”

“Yes!” she said.

“And here you have also Ramón. How does Ramón seem to you?”

“I don’t know. I don’t want to say anything. But I do think he is

almost too much: too far.--And I _don’t_ think he is Mexican.”

“Why not? Why not Mexican? He is Mexican.”

“Not as you are.”

“How not as I am? He is Mexican.”

“He seems to me to belong to the old, old Europe,” she said.

“And he seems to me to belong to the old, old Mexico--and also to the

new,” he added quickly.

“But you don’t believe in him.”

“How?”

“You--yourself. You don’t believe in him. You think it is like

everything else, a sort of game. Everything is a sort of game, a put-up

job, to you Mexicans. You don’t _really_ believe, in anything.”

“How not believe? I not believe in Ramón?--Well, perhaps not, in that

way of kneeling before him and spreading out my arms and shedding

tears on his feet. But I--I believe in him, too. Not in your way, but

in mine. I tell you why. Because he has the power to compel me. If he

hadn’t the power to _compel_ me, how should I believe?”

“It is a queer sort of belief that is compelled,” she said.

“How else should one believe, except by being compelled? I like Ramón

for that, that he can compel me. When I grew up, and my god-father

could not compel me to believe, I was very unhappy. It made me very

unhappy.--But Ramón _compels_ me, and that is very good. It makes me

very happy, when I know I can’t escape. It would make you happy too.”

“To know I could not escape from Don Ramón?” she said ironically.

“Yes, that also. And to know you could not escape from Mexico. And even

from such a man, as me.”

She paused in the dark before she answered, sardonically:

“I don’t think it would make me happy to feel I couldn’t escape from

Mexico. No, I feel, unless I was sure I could get out any day, I

couldn’t bear to be here.”

In her mind she thought: And perhaps Ramón is the only one I couldn’t

quite escape from, because he really touches me somewhere inside. But

from you, you little Cipriano, I should have no need even to escape,

because I could not be caught by you.

“Ah!” he said quickly. “You think so. But then you don’t know. You

can only think with American thoughts. It is natural. From your

education, you have only American thoughts, U.S.A. thoughts, to

think with. Nearly all women are like that: even Mexican women of

the Spanish-Mexican class. They are all thinking nothing but U.S.A.

thoughts, because those are the ones that go with the way they dress

their hair. And so it is with you. You think like a modern woman,

because you belong to the Anglo-Saxon or Teutonic world, and dress your

hair in a certain way, and have money, and are altogether free.--But

you only think like this because you have had these thoughts put in

your head, just as in Mexico you spend centavos and pesos, because that

is the Mexican money you have put in your pocket. It’s what they give

you at the bank.--So when you say you are free, you are _not_ free. You

are compelled all the time to be thinking U.S.A. thoughts--_compelled_,

I must say. You have not as much choice as a slave. As the peons must

eat tortillas, tortillas, tortillas, because there is nothing else, you

must think these U.S.A. thoughts, about being a woman and being free.

Every day you must eat those tortillas, tortillas.--Till you don’t know

how you would like something else.”

“What else should I like?” she said, with a grimace at the darkness.

“Other thoughts, other feelings.--You are afraid of such a man as

me, because you think I should not treat you _à l’américaine_. You

are quite right. I should not treat you as an American woman must be

treated. Why should I? I don’t wish to. It doesn’t seem good to me.”

“You would treat a woman like a real old Mexican, would you? Keep her

ignorant, and shut her up?” said Kate sarcastically.

“I could not keep her ignorant if she did not start ignorant. But what

more I had to teach her wouldn’t be in the American style of teaching.”

“What then?”

“Quien sabe! Ça reste à voir.”

“Et continuera a y rester,” said Kate, laughing.

CHAP: XIV. HOME TO SAYULA.

The morning came perfectly blue, with a freshness in the air and a blue

luminousness over the trees and the distant mountains, and birds so

bright, absolutely like new-opened buds sparking in the air.

Cipriano was returning to Guadalajara in the automobile, and Carlota

was going with him. Kate would be rowed home on the lake.

To Ramón, Carlota was still, at times, a torture. She seemed to have

the power still to lacerate him, inside his bowels. Not in his mind or

spirit, but in his old emotional, passional self: right in the middle

of his belly, to tear him and make him feel he bled inwardly.

Because he had loved her, he had cared for her: for the affectionate,

passionate, whimsical, sometimes elfish creature she had been. He had

made much of her, and spoiled her, for many years.

But all the while, gradually, his nature was changing inside him. Not

that he ceased to care for her, or wanted other women. That she could

have understood. But inside him was a slow, blind imperative, urging

him to cast his emotional and spiritual and mental self into the slow

furnace, and smelt them into a new, whole being.

But he had Carlota to reckon with. She loved him, and that, to her, was

the outstanding factor. She loved him, emotionally. And spiritually,

she loved mankind. And mentally, she was sure she was quite right.

Yet as time went on, he had to change. He had to cast that emotional

self, which she loved, into the furnace, to be smelted down to another

self.

And she felt she was robbed, cheated. Why couldn’t he go on being

gentle, good, and loving, and trying to make the whole world more

gentle, good, and loving?

He couldn’t, because it was borne in upon him that the world had gone

as far as it could go in the good, gentle, and loving direction, and

anything further in that line meant perversity. So the time had come

for the slow, great change to something else--what, he didn’t know.

The emotion of love, and the greater emotion of liberty for mankind

seemed to go hard and congeal upon him, like the shell on a chrysalis.

It was the old caterpillar stage of Christianity evolving into

something else.

But Carlota felt this was all she had, this emotion of love, for her

husband, her children, for her people, for the animals and birds and

trees of the world. It was her all, her Christ, and her Blessed Virgin.

How could she let it go?

So she continued to love him, and to love the world, steadily,

pathetically, obstinately and devilishly. She prayed for him, and she

engaged in works of charity.

But her love had turned from being the spontaneous flow, subject to the

unforseen comings and goings of the Holy Ghost, and had turned into

will. She loved now with her _will_: as the white world now tends to

do. She became filled with charity: that cruel kindness.

Her winsomeness and her elvishness departed from her, she began to

wither, she grew tense. And she blamed him, and prayed for him. Even as

the spontaneous mystery died in her, the will hardened, till she was

nothing but a will: a lost will.

She soon succeeded in drawing the life of her young boys all to

herself, with her pathos and her subtle will. Ramón was too proud and

angry to fight for them. They were her children. Let her have them.

They were the children of his old body. His new body had no children:

would probably never have any.

“But remember,” he said to her, with southern logic, “you do not love,

save with your will. I don’t like the love you have for your god: it is

an assertion of your own will. I don’t like the love you have for me:

it is the same. I don’t like the love you have for your children. If

ever I see in them a spark of desire to be saved from it, I shall do my

best to save them. Meanwhile have your love, have your will. But you

know I dislike it. I dislike your insistence. I dislike your monopoly

of one feeling, I dislike your charity works. I disapprove of the whole

trend of your life. You are weakening and vitiating the boys. You do

_not_ love them, you are only putting your love-will over them. One day

they will turn and hate you for it. Remember I have said this to you.”

Doña Carlota had trembled in every fibre of her body, under the shock

of this. But she went away to the chapel of the Annunciation Convent,

and prayed. And, praying for his soul, she seemed to gain a victory

over him, in the odour of sanctity. She came home in frail, pure

triumph, like a flower that blooms on a grave: his grave.

And Ramón henceforth watched her in her beautiful, rather fluttering,

rather irritating gentleness, as he watched his closest enemy.

Life had done its work on one more human being, quenched the

spontaneous life and left only the will. Killed the god in the woman,

or the goddess, and left only charity, with a will.

“Carlota,” he had said to her, “how happy you would be if you could

wear deep, deep mourning for me.--I shall not give you this happiness.”

She gave him a strange look from her hazel-brown eyes.

“Even that is in the hands of God,” she had replied, as she hurried

away from him.

And now, on this morning after the first rains, she came to the door of

his room as he was sitting writing. As yesterday, he was naked to the

waist, the blue-marked sash tied round his middle confined the white

linen, loose trousers--like big, wide pyjama trousers crossed in front

and tied round his waist.

“May I come in?” she said nervously.

“Do!” he replied, putting down his pen and rising.

There was only one chair--he was offering it her, but she sat down on

the unmade bed, as if asserting her natural right. And in the same way

she glanced at his naked breast--as if asserting her natural right.

“I am going with Cipriano after breakfast,” she said.

“Yes, so you said.”

“The boys will be home in three weeks.”

“Yes.”

“Don’t you want to see them?”

“If they want to see me.”

“I am sure they do.”

“Then bring them here.”

“Do you think it is pleasant for me?” she said, clasping her hands.

“You do not make it pleasant for me, Carlota.”

“How can I? You know I think you are wrong. When I listened to you

last night--there is something so beautiful in it all--and yet so

monstrous. So _monstrous_!--Oh! I think to myself: What is this man

doing? This man of all men, who might be such a blessing to his country

and mankind--”

“Well,” said Ramón. “And what is he instead?”

“You know! You know! I can’t bear it.--It _isn’t_ for you to save

Mexico, Ramón. Christ has already saved it.”

“It seems to me not so.”

“He has! He has! And He made you the wonderful being that you are, so

that you should _work out_ the salvation, in the name of Christ and of

love. Instead of which--”

“Instead of which, Carlota, I try something else.--But believe me, if

the real Christ has not been able to save Mexico,--and He hasn’t--then

I am sure, the white Anti-Christ of Charity, and socialism, and

politics, and reform, will only succeed in finally destroying her.

That, and that alone makes me take my stand.--You, Carlota, with your

charity works and your _pity_: and men like Benito Juarez, with their

Reform and their Liberty: and the rest of the benevolent people,

politicians and socialists and so forth, surcharged with pity for

living men, in their mouths, but really with hate--the hate of the

materialist _have-nots_ for the materialist _haves_: they are the

Anti-Christ. The old world, that’s just the world. But the new world,

that wants to save the People, this is the Anti-Christ. This is Christ

with real poison in the communion cup.--And for this reason I step

out of my ordinary privacy and individuality. I don’t want everybody

poisoned. About the great mass I don’t care. But I don’t want everybody

poisoned.”

“How can you be so sure that you yourself are not a poisoner of the

people?--I think you are.”

“Think it then. I think of you, Carlota, merely that you have not been

able to come to your complete, final womanhood: which is a different

thing from the old womanhoods.”

“Womanhood is always the same.”

“Ah, no it isn’t! Neither is manhood.”

“But what do you think you can do? What do you think this Quetzalcoatl

nonsense amounts to?”

“Quetzalcoatl is just a living word, for these people, no more.

All I want them to do is to find the beginnings of the way to their

own manhood, their own womanhood. Men are not yet men in full, and

women are not yet women. They are all half and half, incoherent, part

horrible, part pathetic, part good creatures. Half arrived.--I mean you

as well, Carlota. I mean all the world.--But these people don’t assert

any righteousness of their own, these Mexican people of ours. That

makes me think that grace is still with them. And so, having got hold

of some kind of clue to my own whole manhood, it is part of me now to

try with them.”

“You will fail.”

“I shan’t. Whatever happens to me, there will be a new vibration, a new

call in the air, and a new answer inside some men.”

“They will betray you.--Do you know what even your friend Toussaint

said of you?--Ramón Carrasco’s future is just the past of mankind.”

“A great deal of it is the past. Naturally Toussaint sees that part.”

“But the boys don’t believe in you. Instinctively, they disbelieve.

Cyprian said to me, when I went to see him: ‘Is father doing any more

of that silly talk about old gods coming back, mother? I wish he

wouldn’t. It would be pretty nasty for us if he got himself into the

newspapers with it.’”

Ramón laughed.

“Little boys,” he said, “are like little gramaphones. They only talk

according to the record that’s put into them.”

“_You_ don’t believe out of the mouths of babes and sucklings,” said

Carlota bitterly.

“Why Carlota, the babes and sucklings don’t get much chance. Their

mothers and their teachers turn them into little gramaphones from the

first, so what can they do, but say and feel according to the record

the mother and teacher puts into them. Perhaps in the time of Christ,

babes and sucklings were not so perfectly exploited by their elders.”

Suddenly, however, the smile went off his face. He rose up, and pointed

to the door.

“Go away,” he said in a low tone. “Go away! I have smelt the smell of

your spirit long enough.”

She sat on the bed, spell-bound, gazing at him with frightened, yet

obstinate, insolent eyes, wincing from his outstretched arm as if he

had threatened to strike her.

Then again the fire went out of his eyes, and his arm sank. The still,

far-away look came on his face.

“What have I to do with it!” he murmured softly.

And taking up his blouse and his hat, he went silently out on to the

terrace, departing from her in body and in soul. She heard the soft

swish of his sandals. She heard the faint resonance of the iron door to

the terrace, to which he alone had access. And she sat like a heap of

ash on his bed, ashes to ashes, burnt out, with only the coals of her

will still smouldering.

Her eyes were very bright, as she went to join Kate and Cipriano.

After breakfast, Kate was rowed home down the lake. She felt a curious

depression at leaving the hacienda: as if, for her, life now was there,

and not anywhere else.

Her own house seemed empty, banal, vulgar. For the first time in her

life, she felt the banality and emptiness even of her own milieu.

Though the Casa de las Cuentas was not purely her own milieu.

“Ah Niña, how good! How good that you have come! Ay, in the night,

how much water! Much! Much! But you were safe in the hacienda, Niña.

Ah, how nice, that hacienda of Jamiltepec. Such a good man, Don

Ramón--isn’t he, Niña? He cares a great deal for his people. And the

Señora, ah, how sympathetic she is!”

Kate smiled and was pleasant. But she felt more like going into her

room and saying: For God’s sake, leave me alone, with your cheap rattle.

She suffered again from the servants. Again that quiet, subterranean

insolence against life, which seems to belong to modern life. The

unbearable note of flippant jeering, which is underneath almost all

modern utterance. It was underneath Juana’s constant cry.--Niña! Niña!

At meal-times Juana would seat herself on the ground at a little

distance from Kate, and talk, talk in her rapid mouthfuls of

conglomerate words with trailing, wistful endings: and all the time

watch her mistress with those black, unseeing eyes on which the spark

of light would stir with the peculiar slow, malevolent jeering of the

Indian.

Kate was not rich--she had only her moderate income.

“Ah, the rich people--!” Juana would say.

“I am not rich,” said Kate.

“You are not rich, Niña?” came the singing, caressive bird-like voice:

“Then, you are poor?”--this was indescribable irony.

“No, I am not poor either. I am not rich, and I am not poor,” said Kate.

“You are not rich, and you are not poor, Niña!” repeated Juana, in

her bird-like voice, that covered the real bird’s endless, vindictive

jeering.

For the words meant nothing to her. To her, who had nothing, _could_

never have anything, Kate was one of that weird class, the rich. And,

Kate felt, in Mexico it was a crime to be rich, or to be classed with

the rich. Not even a crime, really, so much as a freak. The rich class

was a freak class, like dogs with two heads or calves with five legs.

To be looked upon, not with envy, but with the slow, undying antagonism

and curiosity which “normals” have towards “freaks.” The slow,

powerful, corrosive Indian mockery, issuing from the lava-rock Indian

nature, against anything which strives to be above the grey, lava-rock

level.

“Is it true, Niña, that your country is through there?” Juana asked,

jabbing her finger downward, towards the bowels of the earth.

“Not quite!” said Kate. “My country is more there--” and she slanted

her finger at the earth’s surface.

“Ah--that way!” said Juana. And she looked at Kate with a subtle leer,

as if to say: what could you expect from people who came out of the

earth sideways, like sprouts of camote!

“And is it true, that over there, there are people with only one

eye--here!” Juana punched herself in the middle of her forehead.

“No. That isn’t true. That is just a story.”

“Ah!” said Juana. “Isn’t it true! Do you know? Have you been to the

country where they are, these people?”

“Yes,” said Kate. “I have been to all the countries, and there are no

such people.”

“Verdad! Verdad!” breathed Juana, awestruck. “You have been to all the

countries, and there are no such people!--But in your country, they are

all _gringos_? Nothing but _gringos_?”

She meant, no real people and salt of the earth like her own Mexican

self.

“They are all people like me,” said Kate coldly.

“Like you, Niña? And they all talk like you?”

“Yes! Like me.”

“And there are many?”

“Many! Many!”

“Look now!” breathed Juana, almost awestruck to think that there could

be whole worlds of these freak, mockable people.

And Concha, that young, belching savage, would stare through her

window-grating at the strange menagerie of the Niña and the Niña’s

white visitors. Concha, slapping tortillas, was real.

Kate walked down towards the kitchen. Concha was slapping the _masa_,

the maize dough which she bought in the plaza at eight centavos a kilo.

“Niña!” she called in her raucous voice. “Do you eat tortillas?”

“Sometimes,” said Kate.

“Eh?” shouted the young savage.

“Sometimes.”

“Here! Eat one now!” And Concha thrust a brown paw with a pinkish palm,

and a dingy-looking tortilla, at Kate.

“Not now,” said Kate.

She disliked the heavy plasters that tasted of lime.

“Don’t you want it? Don’t you eat it?” said Concha, with an impudent,

strident laugh. And she flung the rejected tortilla on the little pile.

She was one of those who won’t eat bread: say they don’t like it, that

it is not food.

Kate would sit and rock on her terrace, while the sun poured in the

green square of the garden, the palm-tree spread its great fans

translucent at the light, the hibiscus dangled great double-red

flowers, rosy red, from its very dark tree, and the dark green oranges

looked as if they were sweating as they grew.

Came lunch time, madly hot: and greasy hot soup, greasy rice,

splintery little fried fishes, bits of boiled meat and boiled egg-plant

vegetables, a big basket piled with mangoes, papayas, zapotes--all the

tropical fruits one did not want, in hot weather.

And the barefoot little Maria, in a limp, torn, faded red frock, to

wait at table. She was the loving one. She would stand by Juana as

Juana bubbled with talk, like dark bubbles in her mouth, and she would

stealthily touch Kate’s white arm; stealthily touch her again. Not

being rebuked, she would stealthily lay her thin little black arm on

Kate’s shoulder, with the softest, lightest touch imaginable, and her

strange, wide black eyes would gleam with ghostly black beatitude, very

curious, and her childish, pock-marked, slightly imbecile face would

take on a black, arch, beatitudinous look. Then Kate would quickly

remove the thin, dark, pock-marked arm, the child would withdraw half

a yard, the beatitudinous look foiled, but her very black eyes still

shining exposed and absorbedly, in a rapt, reptilian sort of ecstasy.

Till Concha came to hit her with her elbow, making some brutal, savage

remark which Kate could not understand. So the glotzing black eyes of

the child would twitch, and Maria would break into meaningless tears,

Concha into a loud, brutal, mocking laugh, like some violent bird. And

Juana interrupted her black and gluey flow of words to glance at her

daughters and throw out some ineffectual remark.

The victim, the inevitable victim, and the inevitable victimiser.

The terrible, terrible hot emptiness of the Mexican mornings, the

weight of black _ennui_ that hung in the air! It made Kate feel as if

the bottom had fallen out of her soul. She went out to the lake, to

escape that house, that family.

Since the rains, the trees in the broken gardens of the lake front had

flamed into scarlet, and poured themselves out into lavender flowers.

Rose red, scarlet and lavender, quick, tropical flowers. Wonderful

splashes of colour. But that was all: splashes! They made a splash,

like fireworks.

And Kate thought of the black-thorn puffing white, in the early year,

in Ireland, and hawthorn with coral grains, in a damp still morning

in the lanes, and foxgloves by the bare rock, and tufts of ling and

heather, and a ravel of harebells. And a terrible, terrible longing for

home came over her. To escape from these tropical brilliancies and

meaninglessnesses.

In Mexico, the wind was a hard draught, the rain was a sluice of water,

to be avoided, and the sun hit down on one with hostility, terrific and

stunning. Stiff, dry, unreal land, with sunshine beating on it like

metal. Or blackness and lightning and crashing violence of rain.

The Plumed Serpent · 第 18 / 38 段