III

There was one thing about Bob Blake's four-room house--it exactly fitted

his family. The floor plan was simple and economically efficient.

Between the monolithic door slab--relic of a time when Bob's house had

been frankly "in the country"--and the public street lay a walk formed

of a single plank supported on chance-set bricks. From the door slab one

stepped through the front doorway directly into the parlor. Beyond the

parlor lay the kitchen, from which one could pass out through a narrow

door to a patch of weed-grown back yard. A ladderlike stair led up from

one side of the kitchen, opposite to the single window and the small

coal range. At the top of the stair was a slit of unlighted hallway with

a door near either end of it. The door toward Birch Street gave upon the

bedroom occupied by Bob and Pearl; the rearward door led to Susan's

sternly ascetic cubiculum. No one of these four rooms could be described

as spacious, but the parlor and Bob's bedroom may have been twelve by

fifteen or thereabouts. Susan's quarters were a scant ten by ten.

The solider and more useful pieces of furniture in the house belonged to

the regime of Susan's mother--the great black-walnut bed which almost

filled the front bedroom; Susan's single iron cot frame; the parlor

table with its marble top; the melodeon; the kitchen range; and the deal

table in the kitchen, upon which, impartially, food was prepared and

meals were served. To these respectable properties Pearl had added from

time to time certain other objects of interest or art.

Thus, in the parlor, there was a cane rocking-chair, gilded; and on the

wall above the melodeon hung a banjo suspended from a nail by a broad

sash of soiled blue ribbon. On the drumhead of the banjo someone had

painted a bunch of nondescript flowers, and Pearl always claimed these

as her own handiwork, wrought in happier days. This was her one eagerly

contested point of pride; for Bob, when in liquor, invariably denied the

possibility of her ever having painted "that there bouquet." This flat

denial was always the starting point for those more violent Sunday-night

quarrels, which had done so much to reduce the furniture of the house to

its stouter, more imperishable elements.

During the brief interval between the death of Susan's mother and the

arrival of Pearl, Bob had placed his domestic affairs in the hands of an

old negro-woman, who came in during the day to clean up, keep an eye on

Susan and prepare Bob's dinner. Most of the hours during Bob's absence

this poor old creature spent in a rocking-chair, nodding in and out of

sleep; and it was rather baby Susan, sprawling about the kitchen floor,

who kept an eye on her, than the reverse. Pearl's installation had

changed all that. Bob naturally expected any woman he chose to support

to work for her board and lodging; and it may be that at first Pearl had

been too grateful for any shelter to risk jeopardizing her good luck by

shirking. There seems to be no doubt that for a while she did her poor

utmost to keep house--but the sloven in her was too deeply rooted not to

flower.

By the time Susan was six or seven the interior condition of Bob's

house was too crawlingly unpleasant to bear exact description; and even

Bob, though callous enough in such matters, began to have serious

thoughts of giving Pearl the slip--not to mention his landlord--and of

running off with Susan to some other city, where he could make a fresh

start and perhaps contrive now and then to get something decent to eat

set before him. It never occurred to him to give Susan the slip as

well--which would have freed his hands; not because he had a soft spot

somewhere for the child, nor because he felt toward her any special

sense of moral obligation. Simply, it never occurred to him. Susan was

his kid; and if he went she went with him, along with his pipe, his shop

tools, and his set of six English razors--his dearest possession, of

which he was jealously and irascibly proud.

But, as it happens, Bob never acted upon this slowly forming desire to

escape; the desire was quietly checked and insensibly receded; and for

this Susan herself was directly responsible.

Very early in life she began to supplement Pearl's feeble housewifery,

but it was not until her ninth year that Susan decided to bring about a

domestic revolution. Whether or no hatred of dirt be inheritable, I

leave to biologists, merely thumbnailing two facts for their

consideration: Susan's mother had hated dirt with an unappeasable

hatred; her nightly, after-supper, insensate pursuit of imaginary

cobwebs had been one of Bob's choicest grievances against her. And

little Susan hated dirt, in all its forms, with an almost equal venom,

but with a brain at once more active and more unreeling. She had good

reason to hate it. She must either have hated it or been subdued to it.

For five years, more or less, she had lived in the midst of dirt and

suffered. It had seemed to her one of the inexpungable evils of

existence, like mosquitoes, or her father's temper, or the smell of

Pearl's cheap talcum powder when warmed by the fumes of cooking cabbage.

But gradually it came upon her that dirt only accumulated in the absence

of a will to removal.

Once her outreaching mind had grasped--without wordily

formulating--this physical and moral law, her course was plain. Since

the will to removal was dormant or missing in Pearl, she must supply it.

Within the scope of her childish strength, she did supply it. Susan

insists that it took her two years merely to overcome the handicap of

Pearl's neglect. Her self-taught technique was faulty; proper tools were

lacking. There was a bucket which, when filled, she could not lift; a

broom that tripped her; high corners she could not reach--corners she

had to grow up to, even with the aid of a chair. But in the end she

triumphed. By the time she was thirteen--she was thirteen when I first

saw in the Eureka Garage--Bob's four rooms were spotless six and

one-half days out of every seven.

Even Pearl, in her flaccid way, approved the change. "It beats hell,"

she remarked affably to Bob one night, "how that ugly little monkey

likes to scrub things. She's a real help to me, that child is. But no

comp'ny. And she's a sight."

"Well," growled Bob, "she comes by that honest. So was the old woman."

They were annoyed when Susan, sitting by them, for the first time within

their memory burst into flooding, uncontrollable tears.

The Book of Susan: A Novel · 第 10 / 87 题