CHAPTER XXIX.

THE ACCUSATION

After lying in a state of coma in his darkened room for over two

days, Don Mario slowly struggled back to consciousness.

When, on opening his eyes at last, he saw the pale, anxious face of

his friend Ambrose bent over him, he started, glaring at him in

horror, as though some hideous phantom of the past had risen against

him.

“Well, my dear friend,” exclaimed Ambrose softly, “are you better?”

“Eh? What? Where am I?” asked the priest, staring around his own room.

Then, a second later, he sank back, saying: “Ah! I see! Why--I’m at

home! I--dreamt I was somewhere else.”

Then for hours he lay motionless in silence, tended by old Teresa and

the snuffy old hunchback sacristan. For days he remained convalescent,

seated in his chair and receiving visits from the villagers, men and

women who came to offer their congratulations, and then went into the

church to offer thanks for his recovery.

The priest’s story of his attack was that, in walking along at early

morning, he had become suddenly seized by a curious pain in the head,

had become dazed, and fallen. More than that he did not know.

For nearly three weeks he remained indisposed; then of a sudden he

grew quite well. But none knew that during the whole period he was

secretly flinging away the doctor’s medicines and daily injecting a

certain antidote into his arm.

The truth was that he had half recovered while lying in his

laboratory, and had managed to get out, shut the door, and walk nearly

half a mile before sudden exhaustion overtook him and he fell where he

was found.

One warm night towards the end of June, when the whole village was

asleep, he crept forth again down to the cottage, and there secured

the little bottle sealed with black wax--the phial containing the

rediscovered poison of the Doge Dandolo. Then, noticing that the

rabbits in their cage were dead, he set to work to destroy all his

apparatus, and bury it in a hole he dug in the wood a little distance

from the house.

Afterwards he reascended to his presbytery, and just before dawn

returned again to bed.

Three days later Don Mario left Santa Lucia to spend a few weeks at

his imaginary home in the North, taking with him the Signor Inglese,

while the young priest, Don Lippo, from the Abruzzi had taken up his

temporary abode at the little white presbytery in the piazza.

Nearly six months went by.

In the dark November days in London--and the November of 1908 was

exceptionally dull--two men were occupying furnished lodgings in a

rather dingy, drab house in Walpole Street, off King’s Road, Chelsea.

One was Don Mario, the other his friend, John Ambrose.

A few evenings before a serious contretemps had occurred, for Ambrose,

while entering Sloane Square station, had been recognised by Medland,

who, in surprise, had accosted him.

They had walked side by side for a long distance, right from where

they met to Scotland Yard, whence the inspector invited him in, and

then closely questioned him.

When he emerged an hour later Ambrose’s expression was unusual.

Perhaps the detective’s questions had been disconcerting; but, in any

case, his manner had entirely changed. He seemed to have aged fully

ten years, for he retraced his steps to the underground station at

Westminster, bent, serious, and very thoughtful.

Next day he returned to Scotland Yard--at Medland’s request, be it

said--and was there interrogated by the Director of Criminal

Investigations himself, while his friend the priest remained at home,

as he always did during the day.

Of late the old priest had become silent and reserved, for he had been

seized by certain suspicions regarding his friend Ambrose, and was

calmly plotting a terrible vengeance.

One damp, foggy evening, about nine o’clock, Lady Ravenscourt and Mrs.

Beresford, being out to dinner with an old lady in Brook Street,

Maidee and Gordon were together in the drawing-room, happy in each

other’s love.

The girl, in a pretty gown of palest pink chiffon, was seated at the

piano, singing sweetly the old popular song, “_Le Flâneur_,” the

light, cheery chorus of which ran:

Moi, je flâne;

Qu’on m’approuve ou me condamne!

Moi, je flâne,

Je vois tout,

Je suis partout.

Suddenly she was interrupted by the entrance of a maid, bearing a

card.

She took it, rose from the piano, and for a second stood rigid.

“There are two gentlemen, miss--one is a clergyman, I think,” the girl

said.

“A clergyman!” exclaimed Maidee, who, turning to Gordon, who had also

risen and was standing beside her, added: “Uncle John has called! You

will now have an opportunity of meeting him. Show the gentlemen up,”

she added to the maid.

A few seconds later old Mr. Ambrose, well dressed and distinguished

looking, entered the room.

“Why!” gasped Cunningham, staring at him aghast. “You, Tulloch! What

does this mean?”

Maidee stood amazed as the two men faced each other.

“Yes,” replied Ambrose, “I am here to-night, Cunningham, to offer you

an explanation; and this gentleman with me is Don Mario Mellini, who,

like myself, knew your father very well.”

The priest, who had followed hat in hand, bowed low in his graceful

Italian manner, expressing his great delight at meeting the son of an

old friend.

“But, my dear Uncle John!” cried Maidee, “what does all this mean? Why

did you pretend to Gordon to be Tulloch, an adventurer. You surely are

not an adventurer!”

“Well, my child,” replied the old fellow, smiling upon her as he took

her little hand, “I fear that the world would, if it knew the truth,

condemn me as such. But I and my friend here have come to reveal to

you certain curious facts, and to make one or two matters quite plain.

Though it is much against my desire to disclose my real identity to

your lover, yet I do so because I feel that I have acted wrongly--that

I allowed my feelings of revenge to obtain the mastery. I regarded his

father as one of my friends, yet, alas! he proved to be one of my

worst enemies. Hence my brutal desire, first to raise his son to fame,

and then slowly to crush him by blackmail and threats of exposure of a

crime which I knew that he did not commit.”

“You refer to the mysterious death of his wife!” the girl cried. “Then

he is innocent?”

“Certainly. I can vouch for his innocence, and I am here to seek his

pardon--and yours, Maidee. When I formed my plot of vengeance I had no

idea that he would meet you, and fall in love with you. Surely it was

the irony of fate that my dear niece, to whom I have ever been

devoted, should love the son of my worst enemy--one of the men

responsible for my downfall.”

“What downfall?” inquired the girl. “Do tell us. You are always so

very mysterious, Uncle John,” while at the same moment Gordon placed

his arm about her slim, neat waist in protection as they stood

together.

“Maidee, listen then,” said the old man in a strange, tremulous voice,

after he had stood in silence for a few moments, looking into her dark

eyes. “Have you ever heard of a man--a politician of some note--called

the Earl of Ellersdale?”

“The Earl of Ellersdale!” cried Gordon Cunningham. “Why, he was Prime

Minister, and died about eighteen years or so ago. He was an intimate

friend of my father.”

“Yes, he was,” said Ambrose.

Maidee, staring straight at the old man at that moment, suddenly gave

vent to a loud cry of dismay.

“The Earl of Ellersdale!” she gasped. “Why--why, Inspector Medland

took me to see his statue in Westminster Abbey; and now--and now that

I see you side face, I--I recognise the likeness! Are you--are you his

brother?”

“No, Maidee,” was the low reply; “I am the dead Earl!”

The girl and her lover stood astounded. It was upon Cunningham’s lips

to jeer at the man’s amazing statement.

Next instant, however, the priest exclaimed in his very good English:

“If any corroborative evidence is necessary, I am here to testify that

my friend is actually the Earl of Ellersdale, with whom I was on terms

of intimate acquaintanceship until three days before his death.”

“Ever since my death--a death connived at, nay, insisted upon--by the

two persons into whose hands grave circumstances compelled me to place

my future, my friend Don Mario has continued to be my friend. I lived

in obscurity in Pimlico as Richard Goodrick.”

“Richard Goodrick! Are you, then, the man who died so mysteriously on

the night when Sir George was assassinated?” cried Maidee, astounded.

“Yes, my child,” replied the old gentleman, fire showing in his dark

eyes. “Let me explain.”

But Gordon Cunningham’s attitude was still antagonistic towards the

old man. He had neither forgotten nor forgiven how, as Tulloch, he had

bullied and blackmailed him.

“I do not see, dear, why we should be compelled to listen to all these

explanations,” he said, addressing his well-beloved.

“Hear me!” cried the Earl. “You must hear! It is but right that you

both should know the truth.”

“Yes, the truth!” interrupted the deep voice of a stranger, as at the

same moment the form of Inspector Medland--whose visit had been

arranged in secret with the Earl--entered the drawing-room.

“Excellent; let us, at last, hear the truth!”

The girl, her lover, and Don Mario all started, staring at the

intruder, who, bowing, smiled, merely explaining that he had called

upon Miss Lambton, as he desired to have a chat with her.

“I’m considerably interested in this meeting,” he added. “There are

one or two little matters which I am very anxious to clear up,” he

added, casting a meaning look towards the Earl.

Don Mario, his face livid, stood as though transfixed to the spot. He

was staggered by the turn of events.

“Well,” said the ex-Premier, drawing himself up proudly and clearing

his throat. “Let me explain--let me relate the strange events which

led to my supposed death and disappearance into obscurity,” and then

in a few brief sentences he described the house party at Ellersdale,

the mysterious death of Rollo, Maidee’s father, and the terrible

accusation brought against himself. He told them of the cigar found to

be poisoned, the second cigar lying in the box, and the phial

discovered in the buhl cabinet, of which he alone held the key; how

his friends Cunningham and Nesbitt had declared that all protest of

innocence would be unavailing with a jury in face of his

sister-in-law’s statement, and pointed out the scandal which must be

brought upon the Party. Hence, with the clever connivance of the

doctors and his friends, he had died, while those who had known the

truth were now also dead--all save his friend Don Mario.

Maidee listened to the old Earl’s story in silence. At last she said:

“Then my mother could, if she had chosen, have cleared you of the

terrible charge?”

“Yes, child,” was his slow reply. “Your mother, I fear, was fiercely

antagonistic towards me, because I had been strongly against your

father’s marriage. Hence she had made some statement that was false;

and I could no longer remain Prime Minister unless I could prove my

innocence. For that reason I went into obscurity, and am believed by

the world to have died.”

“Ah! it was a wicked conspiracy! Who, then, killed my poor father?”

“That still remains a mystery,” was the Earl’s slow response, “an

entire mystery.” He did not add that for some time he had suspected

Gordon’s father of the crime.

“But, surely, my mother ought never to have made a statement that was

deliberately false. It was shameful to have wrecked your life thus.

She----”

“Hush, child,” said the old gentleman reproachfully; “remember she was

your mother, and it pains me exceedingly to have related before you

what I have been compelled to tell.”

The priest stood there, his sallow, clean-shaven countenance pale and

drawn, his brow slightly knit, his sharp eyes fixed upon the speaker’s

face.

“But what evidence can you show that you were not responsible for your

brother’s tragic end?” asked Gordon Cunningham, still doubtful, and

recollecting that the Earl’s disappearance from the political world

had been accomplished mainly through his father.

“There is unfortunately no proof of my innocence,” replied the old

Earl. “Only my own word that, though Rollo had quarrelled with me, I

bore him no malice.”

Gordon smiled, but with a somewhat dissatisfied air. Whereupon

Medland, who had stood with his hands in his pockets, at that moment

stepped forward, saying:

“I think that this, which I found when searching the contents of the

safe in Sir George Ravenscourt’s library at Carlton House Terrace

after his death, may throw an interesting light upon the occurrence,”

and he produced a letter written in a feminine hand upon black-edged

notepaper, and addressed to Sir George from an hotel in Geneva.

The Earl took it with trembling fingers, read it through eagerly, and

then turning swiftly and fiercely upon Don Mario, he pointed at him

with his finger, saying:

“At last the truth is told! There stands the assassin of my brother

Rollo--he, the man who for twenty years I have regarded as my faithful

friend!”

Maidee and her lover stood aghast--dumbfounded.

Yet as they looked upon the priest they saw that his mouth was half

open, and that he stood motionless as a statue, unable to utter a

single word in self-defence.

His face had changed. Guilt was plainly written there. His tongue

clave to the roof of his mouth.

He had lowered his quick, penetrating eyes and drawn his pale lips

tightly before his accuser.

Fatal fingers · 第 29 / 30 章