CHAPTER XXI.

DON MARIO AT HOME

The sunny April afternoon was warm and drowsy in the high-up,

ancient rock-village of Santa Lucia which, perched upon the summit of

a conical hill, commands a magnificent view of the high purple

Apennines on the one hand, while on the other lies the broad Lake of

Bolsena, like a mirror in the sun, and beyond the great fertile plain

stretches away to the hazy horizon a white road running across it like

a ribbon--the ancient Via Cassia, the road to Rome.

Long ago, when the world was young, the place was an important centre,

and strongly fortified, as the grass-grown ruins of its cyclopean

walls and the round massive tower of its castello still mutely show.

Eretum was the name by which it was known to the Etruscans--the Romans

called it Sulmo, and in the eleventh century, when the church with its

high, square, inartistic tower was built, it was renamed Santa Lucia.

It is a village to which no traveller, save perhaps a stray motorist,

ever comes, far removed from the railway, lying midway between the

Mediterranean and the Apennines, fanned by the cool mountain winds in

summer and fresh in all seasons by breezes from the sea.

Like many another dwindling and obscure village in Central Italy, it

bears a bad reputation. Its people are not friendly towards the

stranger. Indeed, over the surface of the steep road which comes up

from the plain and over the hills to Siena the _contadini_ have placed

six inches of gravel, rendering it impassable to motor-cars, and

obliging motorists to hire bulls to draw them up the steep incline.

Those who refuse to submit to blackmail are stoned, and many a

motorist has returned to the Eternal City with his car badly damaged

and his wind-screen smashed by the hostile villagers.

Hence, nowadays, motorists, who might bring prosperity to the little

inn, the Gran’ Duca, give the place a wide berth.

Viewed from the plain it is most picturesque, the high, square

church-tower rising above the cluster of red roofs and white houses.

But on nearer acquaintance its ill-paved streets, where fowls run at

will, are very narrow and tortuous; the ancient houses, high and

prison-like, are huddled together as was the custom in ancient days,

for protection against the Saracens. In the little piazza the grass

grows over the stones, and there is everywhere signs of poverty and

decay.

Mighty in the days of the Papacy, Santa Lucia has now shrunk to a mere

miserable relic of its former self, a place wherein scarce any man

knows anything but of the few men and women who make their dwelling

there, sons of the soil who spring from its dust and return to it.

Yet they have earned for themselves a reputation of being a bad

people. They were feared in the days of the Papacy; they gave shelter

to the brigands of the Maremma until the last of them were killed ten

years ago, and even to-day the carabineers never ascend there unless

called, and then they go in force. The usual patrol, consisting of a

pair, refuse to enter the village. More than one has been shot from a

window and the assassin remained unknown. It is not surprising,

therefore, that the Italian Automobile Club issue an urgent warning to

motorists to avoid the place.

To this poverty-stricken village, fifteen years before, its hook-nosed

parish priest, or _curato_, Don Mario Mellini, had been sent from

Milan as chastisement for his too sceptical and inquiring mind. By

long, weary years in that solitude, and among that brutal, uncouth

people he had become chastened; the fire had died out of his soul and

the light out of his eyes.

The small white presbytery with the iron-barred windows stood in the

deserted little piazza where the lizards darted over the moss-grown

stones. Next it was the church, the stucco of which was peeling from

the old red bricks, while from the open door, disclosing a dark

interior with candles burning in the gloom, there issued the sweet

fragrance of incense.

In a bare room with stone floor, uncomfortable old rush-bottomed

chairs, a tiny shrine before which a light burned in a red glass, and

a crucifix upon the whitewashed wall--a room which opened upon a small

courtyard shaded by trailing vines and adorned by bits of broken

statuary--sat the thin old priest in rusty black cassock and black

biretta, lazily smoking his long Tuscan cigar after luncheon.

Upon the table there still stood a big rush-covered _fiasca_ of good

red Chianti and a couple of long glasses, while opposite, in a chair

drawn near the open door, sat John Ambrose.

Don Mario had just blown out the candle by which he had lit his long

thin cigar, as is the Italian habit, and as he did so glanced across

at his visitor, who sat drowsy and dozing.

The old _curato_, or rather _piovano_ was his actual title, was tall

and stately, but his clean-shaven face was thin and drawn for want of

good food, his eyes were dark and brilliant, impenetrable wells of

thought, his finely-cut lips smiled but rarely, and had upon them

always an expression of bitterness, while his complexion was yellow,

like old marble.

His was a cure of souls which covered many miles, but counted few

persons.

Below those great ruined walls of Santa Lucia nearly all the land lay

untilled, and within them the few wretched, half-starved people,

fierce in their antagonism towards the rich and against all forms of

law or government, dragged out a poverty-stricken existence, forgotten

by all save the tax-collector.

And for fifteen years, with many short vacations, Don Mario had lived,

a cultured scholar among the barbarians. In Milan he had preached in

the great Duomo and been popular. In London, in Turin and Genoa his

fame was known, and the women had crowded to hear his marvellous

discourses, and even in St. Peter’s itself had his clear voice

sounded. He would have been a great prelate, perhaps even a Cardinal,

but, being a reformer, the Vatican would have none of him; therefore,

like many another brilliant cleric, he had been crushed, broken and

banished to that lonely village of bad repute.

Late one night, a fortnight before, the Signor Inglese had arrived at

Santa Lucia in the dusty, ramshackle old _carrozzella_ in which Don

Mario had driven twenty miles to meet him at the wayside station. He

was a foreigner, and would have fared badly had he not been under the

protection of the Signor Piovano. At first the low-browed, sunburnt

men, some of whom were in sheepskins, scowled at him darkly as he

passed, but already he had chatted with some of them, and they had

therefore admitted him into their midst, even though they were not

altogether satisfied because of his inordinate inquisitiveness and his

constant poking about the old ruins of the castello and elsewhere.

Old Teresa, a bent, grey-haired old crone, the _donna di casa_, who

looked after the priest’s domestic affairs, hobbled across the

courtyard, arousing the Englishman from his drowsiness.

“This place, Santa Lucia, has a bad name,” the priest was remarking to

his guest. “Its people have earned it; they are mostly Anarchists and

law-breakers, some murderers who snap their fingers at the

_carabinieri_! Why? Who has made them Anarchists but the adventurers

who have lately been in power at Monte Citorio! They legislate for

themselves, put money into their pockets, in the shape of fat

commissions, and drive the _contadini_ to Anarchism, or else compel

them to emigrate. Already poor Italy has lost her backbone, her youth

and her energy. The condition of Santa Lucia is the condition of all

our remote villages. Ah! if the English only knew our dear unfortunate

Italy as she is, and would not look out upon her through the windows

of the grand hotels, I fear the charm she is supposed to possess would

soon be dispelled. Surely no peasantry in all Europe is so oppressed,

so hopeless, so famished, so despairing as our once light-hearted

people, the honest, easygoing men and women who, for the past ten

years, have been driven to desperation and to Anarchism--nay, to

death--by unfair taxation, the glorification of the signore, the lack

of justice in the courts, and the bribery and corruption on every

hand.”

“Pray be careful, Mario,” remarked his friend, glancing at the door.

“Some official may overhear you. Surely such sentiments had better

remain unuttered, for it would fare ill with you if your words were

reported to Rome.”

“Probably it would, my dear Ambrose,” laughed the old priest. “But I

only speak what I feel. Though this place is wretched,

poverty-stricken, and barbaric, yet I have the welfare of my people at

heart. They are not half as black as they are painted. Here, a word is

quickly followed by a knife-thrust, and jealousy is often responsible

for a secret stab in the dark. Quick, hot-headed, hot-tempered, they

are swift to take offence or execute vendetta, and so strange are

their religious convictions that I have actually known men pray before

the wayside Madonna that the theft they were about to commit might be

successful, and remain undiscovered!”

Ambrose smiled.

“And you, my dear Mario, are trying to teach them different!” he said.

“A hard task, I should fancy, with such a people.”

Don Mario sighed sadly, then, tapping his big horn snuff-box, he

opened it and took a pinch. His white collar was soiled, his cassock

was greasy, and down its many-buttoned front were the marks of many of

old Teresa’s soups, her stews and her minestras. Upon his chin was a

three days’ growth of beard. He was passing from neglect into

oblivion, for now that the Sacred College was against him, no one at

the Vatican dared to speak in his favour.

Only on the previous night, as he sat chatting with his guest beneath

the oil lamp, he had declared with a bitter laugh that he was as

forgotten as a folio upon a library shelf, and that nowadays his only

object in life was to gabble through the ritual twice a day in the

big, gloomy church, heedless whether anybody were present or not.

Once he had had pious women of rank pleading at Rome for him, and

magnates soliciting his preferment. Once he was fêted in the big

cities, women hung upon his words, and crowds jostled in the great

cathedrals to hear his remarkable and scholarly discourses.

But that was all of the past. Instead of becoming an archbishop he was

merely Don Mario Mellini, _piovano_, or parish priest of Santa Lucia,

an obscure rock-village.

He rose, and, opening the rickety old _persiennes_, let light and air

into the bare room. Then he took from a drawer in a side table a small

roll of ancient brown parchments--musty manuscripts of the Middle

Ages, closely written in Latin with many contractions, and sat down to

study them with the aid of a big lens.

As with many priests in Italy, his hobby was the study of

palæography. From the old Franciscan monastery of Radicofani, across

the valley, he obtained many of the documents on loan, and spent

hours, weeks, nay, years, in poring over them, deciphering them, and

from them gaining a knowledge of local history and customs.

It was his only pleasure--the only pastime allowed him--the only

pursuit which caused him to forget the brilliant past.

Through the open door came the hum of the insects and the constant

crick of the _cicale_, that harbinger of heat which the dweller in

Italy knows so well. And as he unrolled one of the half faded

parchment rolls and began to pore over it with his lens and slowly

transcribe it from the abbreviated Latin into modern Italian, his

guest sat regarding him in silence.

A secret existed between the pair--one of the strangest and most

remarkable of the many secrets in this modern world of ours--a secret

of which neither ever spoke. They always kept a mutual silence upon

the point.

Fatal fingers · 第 21 / 30 章