XXXV.

EDGAR DE MEILHAN _to the_ PRINCE DE MONBERT,

Poste-Restante (Rouen).

Paris, August 12th 18--.

What I wrote you yesterday was very infamous and incredible. You think

that is all; well, no! you have only half of the story. My hand trembles

with rage so that I can scarcely hold my pen. What remains to be told is

the acme of perfidy; a double-dyed treason; we have been made game of,

you as a plighted husband, I as a lover. All this seems as incoherent to

you as a dream. What can I have in common with Irene whom I have never

seen? Wait, you shall see!

My faithful Joseph discovered that the marriage was to take place at the

Church of the Madeleine, at six o'clock in the morning.

I was so agitated, so restless, so tormented by gloomy presentiments

that I did not go to bed. At the given hour I went out wrapped in my

cloak. Although it is summer-time I was cold; a slight feverish chill

ran through me. The catastrophe to come had already turned me pale.

The Madeleine stood out faintly against the gray morning sky. The livid

figures of some revellers, surprised by the day, were seen here and

there on the street corners. The stir of the great city had not yet

begun. I thought I had arrived too soon, but a carriage with neither

crest nor cipher, in charge of a servant in quiet livery, was stationed

in one of the cross-streets that run by the church.

I ascended the steps with uncertain footing, and soon saw, in one of

those spurious chapels, which have been stuck with so much trouble in

that counterfeit Greek temple, wax lights and the motions of the priest

who officiated.

The bride, enveloped in her veil, prostrated before the altar, seemed to

be praying fervently; the husband, as if he were not the most

contemptible of men, stood erect and proud, his face beaming with joy.

The ceremony drew to a close, Irene raised her head, but I was so placed

as not to be able to distinguish her features.

I leaned against a column in order to whisper in Irene's ear, as she

passed, a word as cutting as the crystal poniards of the bravos of

Venice, which break in the wound and slay without a drop of blood. Irene

advanced buoyantly along, leaning on Raymond's arm, with an undulating,

rhythmical grace, as if her feet trod the yielding clouds, instead of

the cold stones of the aisle. She no longer walked the earth, her

happiness lifted her up; the ardor of her delight made me comprehend

those assumptions of the Saints, who soared in their ecstasy above the

floors of their narrow cells and caverns; she felt the deep delight of a

woman who sacrifices herself.

When she reached the column that concealed me, an electrical current

doubtless warned her of my presence, for she shuddered as if struck by

an unseen arrow, and quickly turned her head; a stray sunbeam lit up her

face, and I recognised in Irene de Chateaudun, Louise Guérin; in the

rich heiress, the screen-painter of Pont de l'Arche!

Irene and Louise were the same person!

We have been treated as Cassandras of comedy; we have played in all

seriousness the scene between Horace and Arnolphe. We have confided to

each other our individual loves, hopes and sorrows. It is very amusing;

but, contrary to custom, the tragedy will come after the farce, and we

will play it so well that no one will be tempted to laugh at our

expense; we will convert ridicule into terror. Ah! Mademoiselle Irene de

Chateaudun, you imagined that you could amuse yourself with two such men

as the Prince de Moubert and Edgar de Meilhan! that there it would end,

and you had only to say to them: "I love another better!" And you,

Master Raymond, thought that your virtuous reputation would make your

perfidy appear like an act of devotion! No, no, in the drama where the

great lady was an adventuress, the artless girl a fast woman, the hero

a traitor, the lover a fool, and the betrothed husband a Geronte, the

rôles are to be changed.

A hoarse cry escaped me, Irene clung convulsively to Raymond's arm, and

precipitately left the church. Raymond, without understanding this

sudden flight, yielded to it and rapidly descended the steps. The

carriage was in waiting; they got into it; the coachman whipped up his

horses and soon they were out of sight.

Irene, Louise, whatever may be your name or your mask, you shall not

long remain Madame de Villiers; a speedy widowhood will enable you to

begin your coquetries again. I regret to be compelled to strike you

through another, for _you_ merit death.

The Cross of Berny; Or, Irene's Lovers · 第 85 / 98 题