RICHEPORT, June 3d, 18--

It seems, my dear Roger, that we are engaged in a game of interrupted

addresses. For my Louise Guérin, like your Irene de Chateaudun, has gone

I know not where, leaving me to struggle, in this land of apple trees,

with an incipient passion which she has planted in my breast. Flight has

this year become an epidemic among women.

The day after that famous soirée, I went to the post-office ostensibly

to carry the letter containing those triumphant details, but in reality

to see Louise, for any servant possessed sufficient intelligence to

acquit himself of such a commission. Imagine my surprise and

disappointment at finding instead of Madame Taverneau a strange face,

who gruffly announced that the post-mistress had gone away for a few

days with Madame Louise Guérin. The dove had flown, leaving to mark its

passage a few white feathers in its mossy nest, a faint perfume of grace

in this common-place mansion!

I could have questioned Madame Taverneau's fat substitute, but I am

principled against asking questions; things are explained soon enough.

Disenchantment is the key to all things. When I like a woman I carefully

avoid all her acquaintance, any one who can tell me aught about her. The

sound of her name pronounced by careless lips, puts me to flight; the

letters that she receives might be given me open and I should throw

them, unread, into the fire. If in speaking she makes any allusion to

the past events of her life, I change the conversation; I tremble when

she begins a recital, lest some disillusionizing incident should escape

her which would destroy the impression I had formed of her. As

studiously as others hunt after secrets I avoid them; if I have ever

learned anything of a woman I loved, it has always been in spite of my

earnest efforts, and what I have known I have carefully endeavored to

forget.

Such is my system. I said nothing to the fat woman, but entered Louise's

deserted chamber.

Everything was as she had left it.

A bunch of wild flowers, used as a model, had not had time to fade; an

unfinished bouquet rested on the easel, as if awaiting the last touches

of the pencil. Nothing betokened a final departure. One would have said

that Louise might enter at any moment. A little black mitten lay upon a

chair; I picked it up--and would have pressed it to my lips, if such an

action had not been deplorably rococo.

Then I threw myself into an old arm-chair, by the side of the bed--like

Faust in Marguerite's room--lifting the curtains with as much precaution

as if Louise reposed beneath. You are going to laugh at me, I know, dear

Roger, but I assure you, I have never been able to gaze upon a young

girl's bed without emotion.

That little pillow, the sole confidant of timid dreams, that narrow

couch, fitted like a tomb for but one alabaster form, inspired me with

tender melancholy. No anacreontic thoughts came to me, I assure you, nor

any disposition to rhyme in _ette_, herbette, filette, coudrette. The

love I bear to noble poesy saved me from such an exhibition of bad

taste.

A crucifix, over which hung a piece of blessed box, spread its ivory

arms above Louise's untroubled slumber. Such simple piety touched me. I

dislike bigots, but I detest atheists.

Musing there alone it flashed upon me that Louise Guérin had never been

married, in spite of her assertion. I am disposed to doubt the existence

of the late Albert Guérin. A sedate and austere atmosphere surrounds

Louise, suggesting the convent or the boarding-school.

I went into the garden; the sunbeams checkered the steps of the porch;

the wilted iris drooped on its stem, and the acacia flowers strewed the

pathway. Apropos of acacia flowers, do you know, that fried in batter,

they make excellent fritters? Finding myself alone in the walks where I

had strolled with her, I do not know how it happened, but I felt my

heart swell, and I sighed like a young abbé of the 17th century.

I returned to the château, having no excuse for remaining longer, vexed,

disappointed, wearied, idle--the habit of seeing Louise every day had

grown upon me.

And habit is everything to poor humanity, as that graceful poet Alfred

de Musset says. My feet only know the way to the post-office; what shall

I do with myself while this visit lasts? I tried to read, but my

attention wandered; I skipped the lines, and read the same paragraph

over twice; my book having fallen down I picked it up and read it for

one whole hour upside down, without knowing it--I wished to make a

monosyllabic sonnet--extremely interesting occupation--and failed. My

quatrains were tedious, and my tercets entirely too diffuse.

My mother begins to be uneasy at my dullness; she has asked twice if I

were sick--I have fallen off already a quarter of a pound; for nothing

is more enraging than to be deserted at the most critical period of

one's infatuation! Ixion of Normandy, my Juno is a screen-painter, I

open my arms and clasp only a cloud! My position, similar to yours,

cannot, however, be compared with it--mine only relates to a trifling

flirtation, a thwarted fancy, while yours is a serious passion for a

woman of your own rank who has accepted your hand, and therefore has no

right to trifle with you,--she must be found, if only for vengeance!

Remorse consumes me because of my sentimental stupidity by moonlight.

Had I profited by the night, the solitude and the occasion, Louise had

not left me; she saw clearly that I loved her, and was not displeased at

the discovery. Women are strange mixtures of timidity and rashness.

Perhaps she has gone to join her lover, some saw-bones, some

counting-house Lovelace, while I languish here in vain, like Celadon or

Lygdamis of cooing memory.

This is not at all probable, however, for Madame Taverneau would not

compromise her respectability so far as to act as chaperon to the loves

of Louise Guérin. After all, what is it to me? I am very good to trouble

myself about the freaks of a prudish screen-painter! She will return,

because the hired piano has not been sent back to Rouen, and not a soul

in the house knows a note of music but Louise, who plays quadrilles and

waltzes with considerable taste, an accomplishment she owes to her

mistress of painting, who had seen better days and possessed some skill.

Do not be too much flattered by this letter of grievances, for I only

wanted an excuse to go to the post-office to see if Louise has

returned--suppose she has not! the thought drives the blood back to my

heart.

Isn't it singular that I should fall desperately in love with this

simple shepherdess--I who have resisted the sea-green glances and smiles

of the sirens that dwell in the Parisian ocean? Have I escaped from the

Marquise's Israelite turbans only to become a slave to a straw bonnet? I

have passed safe and sound through the most dangerous defiles to be

worsted in open country; I could swim in the whirlpool, and now drown in

a fish-pond; every celebrated beauty, every renowned coquette finds me

on my guard. I am as circumspect as a cat walking over a table covered

with glass and china. It is hard to make me pose, as they say in a

certain set; but when the adversary is not to be feared, I allow him so

many advantages that in the end he subdues me.

The Cross of Berny; Or, Irene's Lovers · 第 29 / 98 题