VII.

IRENE DE CHATEAUDUN _to_ MME. LA VICOMTESSE DE BRAIMES,

Hotel of the Prefecture, Grenoble (Isère).

PONT DE L'ARCHE, May 29th 18--.

Valentine, this time I rebel, and question your infallibility.

It is useless for you to say to me, "You do not love him." I tell you I

do love him, and intend to marry him. Nevertheless you excite my

admiration in pronouncing against me this very well-turned sentence.

"Genuine and fervid love is not so ingenuous. When you love deeply, you

respect the object of your devotion and are fearful of giving offence by

daring to test him.

"When you love sincerely you are not so venturesome. It is so necessary

for you to trust him, that you treasure up your faith and risk it not in

suspicious trifling.

"Real love is timid, it would rather err than suspect, it buries doubts

instead of nursing them, and very wisely, for love cannot survive

faith."

This is a magnificent period, and you should send it to Balzac; he

delights in filling his novels with such very woman-like phrases.

I admit that your ideas are just and true when applied to love alone;

but if this love is to end in marriage, the "test" is no longer

"suspicious trifling," and one has the right to try the constancy of a

character without offending the dignity of love.

Marriage, and especially a marriage of inclination, is so serious a

matter, that we cannot exercise too much prudence and reasonable delay

before taking the final step.

You say, "Love is timid;" well, so is Hymen. One dares not lightly utter

the irrevocable promise, "Thine for life!" these words make us hesitate.

When we wish to be honorable and faithfully keep our oaths, we pause a

little before we utter them.

Now I can hear you exclaim, "You are not in love; if you were, instead

of being frightened by these words, they would reassure you; you would

be quick to say 'Thine for life,' and you could never imagine that there

existed any other man you could love."

I am aware that this gives you weapons to be used against me; I know I

am foolish! but--well, I feel that there is some one somewhere that I

could love more deeply!

This silly idea sometimes makes me pause and question, but it grows

fainter daily, and I now confess that it is folly, childish to cherish

such a fancy. In spite of your opinion, I persist in believing that I am

in love with Roger. And when you know him, you will understand how

natural it is for me to love him.

I would at this very moment be talking to him in Paris but for you!

Don't be astonished, for your advice prevented my returning to Paris

yesterday.

Alas! I asked you for aid, and you add to my anxiety.

I left the hotel de Langeac with a joyful heart. The test will be

favorable, thought I,--and when I have seen Roger in the depths of

despair for a few days, seeking me everywhere, impatiently expecting me,

blaming me a little and regretting me deeply, I will suddenly appear

before him, happy and smiling! I will say, "Roger, you love me; I left

you to think of you from afar, to question my own heart--to try the

strength of your devotion; I now return without fear and with renewed

confidence in myself and in you; never again shall we be separated!"

I intend to frankly confess everything to him; but you say the

confession will be fatal to me. "If you intend to marry M. de Moubert,

for Heaven's sake keep him in ignorance of the motive of your departure;

invent an excuse--be called off to perform a duty--to nurse a sick

friend; choose any story you please, rather than let him suspect you ran

away to experiment upon the degree of his love."

You add, "he loves you devotedly and never will he forgive you for

inflicting on him these unnecessary sufferings; a proud and deserving

love never pardons suspicious and undeserved trials of its faith."

Now what can I do? Invent a falsehood? All falsehoods are stupid! Then I

would have to write it, for I could not undertake to lie to his face.

With strangers and people indifferent to me, I might manage it; but to

look into the face of the man who loves me, who gazes so honestly into

my eyes when I speak to him, who understands every expression of my

countenance, who observes and admires the blush that flushes my cheek,

who is familiar with every modulation of my voice, as a musician with

the tones of his instrument--

Why, it is a moral impossibility to attempt such a thing! A forced

smile, a false tone, would put him on his guard at once; he becomes

suspicious.

At his first question my fine castle of lies vanishes into air, and I

have to fall back on the unvarnished truth.

To gratify you, Valentine, I will lie, but lie at a distance. I feel

that it is necessary to put many stations and provinces between my

native candor and the people I am to deceive.

Why do you scold me so much? You must see that I have not acted

thoughtlessly; my conduct is strange, eccentric and mysterious to no one

but Roger.

To every one else it is perfectly proper. I am supposed to be in the

neighborhood of Fontainebleau, with the Duchess de Langeac, at her

daughter's house; and as the poor girl is very sick and receives no

company, I can disappear for a short time without my absence calling

forth remark, or raising an excitement in the country.

I have told my cousin a part of the truth--she understands my scruples

and doubts. She thinks it very natural that I should wish to consider

the matter over before engaging myself for life; she knows that I am

staying with an old friend, and as I have promised to return home in two

weeks, she is not a bit uneasy about me.

"My child," she said when we parted, "if you decide to marry, I will go

with you to Paris; if not, you shall go with us to enjoy the waters of

Aix." I have discovered that Aix is a good place to learn news of our

friends in Isère. You also reproach me for not having told Roger all my

troubles; for having hidden from him what you flatteringly call "the

most beautiful pages of my life."

O, Valentine! in this matter I am wiser than you, in spite of your

matronly experience and acknowledged wisdom. Doubtless you understand

better than I do, the serious affairs of life, but about the

frivolities, I think I know best, and I tell you that courage in a woman

is not an attraction in the eyes of these latter-day beaux.

Their weak minds, with an affected nicety, prefer a sighing,

supplicating coquette, decked in pretty ribbons, surrounded by luxuries

that are the price of her dignity; one who pours her sorrows into the

lover's ear--yes! I say they prefer such a one to a noble woman who

bravely faces misery with proud resignation, who refuses the favors of

those she despises, and calm, strong, self-reliant, waters with her

tears her hard-earned bread.

Believe me, men are more inclined to love women they can pity than women

they must admire and respect; feminine courage in adversity is to them a

disagreeable picture in an ugly frame; that is to say, a poorly dressed

woman in a poorly furnished room. So you now see why, not wishing to

disgust my future husband, I was careful that he should not see this

ugly picture.

Ah! you speak to me of my dear ideal, and you say you love him? Ah! to

him alone could I fearlessly read these beautiful pages of my life. But

let us banish him from our minds; I would forget him!

Once I was very near betraying myself; my cousin and I called on a

Russian lady residing in furnished apartments on Rivoli street.

M. de Monbert was there--as I took a seat near the fire, the Countess R.

handed me a screen--I at once recognised a painting of my own. It

represented Paul and Virginia gardening with Domingo.

How horrible did all three look! Time and dust had curiously altered the

faces of my characters; by an inexplicable phenomenon Virginia and

Domingo had changed complexions; Virginia was a negress, and Domingo was

enfranchised, bleached, he had cast aside the tint of slavery and was a

pure Caucasian. The absurdity of the picture made me laugh, and M. de

Monbert inquired the cause of my merriment. I showed him the screen, and

he said "How very horrible!" and I was about to add "I painted it," when

some one interrupted us, and so prevented the betrayal of my secret.

You will not have to scold me any more; I am going to take your advice

and leave Pont de l'Arche to-day. Oh I how I wish I were in Paris this

minute! I am dreadfully tired of this little place, it is so wearying to

play poverty.

When I was really poor, the modest life I had to lead, the cruel

privations I had to suffer, seemed to me to be noble and dignified.

Misery has its grandeur, and every sorrow has its poetry; but when the

humility of life is voluntary and privations mere caprices, misery loses

all its prestige, and the romantic sufferings we needlessly impose on

ourselves, are intolerable, because there is no courage or merit in

enduring them.

This sentiment I feel must be natural, for my old companion in

misfortune, my good and faithful Blanchard, holds the same views that I

do. You know how devoted she was to me during my long weary days of

trouble!

She faithfully served me three years with no reward other than the

approval of her own conscience. She, who was so proud of keeping my

mother's house, resembling a stewardess of the olden time; when

misfortune came, converted herself for my sake into maid of all work!

Inspired by love for me, she patiently endured the hardships and

dreariness of our sad situation; not a complaint, not a murmur, not a

reproach. To see her so quietly resigned, you would have supposed that

she had been both chamber-maid and cook all her life, that is if you

never tasted her dishes! I shall always remember her first dinner. O,

the Spartan broth of that day! She must have gotten the receipt from

"The Good Lacedemonian Cook Book."

I confidently swallowed all she put before me. Strange and mysterious

ragout! I dared not ask what was in it, but I vainly sought for the

relics of any animal I had ever seen; what did she make it of? It is a

secret that I fear I shall die without discovering.

Well, this woman, so devoted, so resigned in the days of adversity; this

feminine Caleb, whose generous care assuaged my misery; who, when I

suffered, deemed it her duty to suffer with me; when I worked day and

night, considered it an honor to labor day and night with me--now that

she knows we are restored to our fortune, cannot endure the least

privation.

All day long she complains. Every order is received with imprecatory

mutterings, such as "What an idiotic idea! What folly! to be as rich as

Croesus and find amusement in poverty! To come and live in a little hole

with common people and refuse to visit duchesses in their castles!

People must not be surprised if I don't obey orders that I don't

understand."

She is stubborn and refractory. She will drive me to despair, so

determined does she seem to thwart all my plans. I tell her to call me

Madame; she persists in calling me Mademoiselle. I told her to bring

simple dresses and country shoes; she has brought nothing but

embroidered muslins, cobweb handkerchiefs and gray silk boots. I

entreated her to put on a simple dress, when she came with me. This made

her desperate, and through vengeance and maliciously exaggerated zeal

she bundled herself up like an old witch. I tried to make her comprehend

that her frightfulness far exceeded my wildest wishes; she thereupon

disarmed me with this sublime reply:

"I had nothing but new hats and new shawls, and so had to _borrow_ these

clothes to obey Mademoiselle's orders."

Would you believe it? The proud old woman has destroyed or hidden all

the old clothes that were witnesses of our past misery. I am more

humble, and have kept everything. When I returned to my little garret, I

was delighted to see again my modest furniture, my pretty pink chintz

curtains, my thin blue carpet, my little ebony shelves, and then all the

precious objects I had saved from the wreck; my father's old

easy-chair, my mother's work-table, and all of our family portraits,

concealed, like proud intruders, in one corner of the room, where

haughty marshals, worthy prelates, coquettish marquises, venerable

abbesses, sprightly pages and gloomy cavaliers all jostled together, and

much astonished to find themselves in such a wretched little room, and

what is worse, shamefully disowned by their unworthy descendant. I love

my garret, and remained there three days before coming here; and there I

left my fine princess dresses and put on my modest travelling suit;

there the elegant Irene once more became the interesting widow of the

imaginary Albert Guérin. We started at nine in the morning. I had the

greatest difficulty in getting ready for the early train, so soon have I

forgotten my old habit of early rising. When I look back and recall how

for three years I arose at dawn, it looks like a wretched dream. I

suppose it is because I have become so lazy.

It is distressing to think that only six months have passed since I was

raised from the depths of poverty, and here I am already spoiled by good

fortune!

Misfortune is a great master, but like all masters he only is obeyed

when present; we work with him, but when his back is turned forget his

admonitions.

We reached the depot as the train was starting, obtaining comfortable

seats. I met with a most interesting adventure, that is, interesting to

me; how small the world is! I had for a companion an old friend of

Roger, but who fortunately did not know me; it was M. Edgar de Meilhan,

the poet, whose talents I admire, and whose acquaintance I had long

desired; judging from his conversation he must be quite an original

character. But he was accompanied by one of those explanatory gossips

who seem born to serve as cicerones to the entire world, and render

useless all penetrating perspicacity.

These sort of bores are amusing to meet on a journey; rather well

informed, they quote their favorite authors very neatly in order to

display the extent of their information; they also have a happy way of

imposing on the ignorant people, who sit around with wide-stretched

mouths, listening to the string of celebrated names so familiarly

repeated as to indicate a personal intimacy with each and all of them;

in a word, it is a way of making the most of your acquaintance, as your

witty friend M.L. would say. Now I must give you a portrait of this

gentleman; it shall be briefly done.

He was an angular man, with a square forehead, a square nose, a square

mouth, a square chin, a square smile, a square hand, square shoulders,

square gayety, square jokes; that is to say, he is coarse, heavy and

rugged. A coarse mind cultivated often appears smooth and moves easily

in conversation, but a square mind is always awkward and threatening.

Well, this square man evidently "made the most of his acquaintances" for

my benefit, for poor little me, an humble violet met by chance on the

road! He spoke of M. Guizot having mentioned this to him; of M. Thiers,

who dined with him lately, having said that to him; of Prince Max de

Beauvau, whom he bet with at the last Versailles races; of the beautiful

Madame de Magnoncourt, with whom he danced at the English ambassador's

ball; of twenty other distinguished personages with whom he was

intimate, and finally he mentioned Prince Roger de Monbert, the

eccentric tiger-hunter, who for the last two months had been the lion of

Paris. At the name of Roger I became all attention; the square man

continued:

"But you, my dear Edgar, were brought up with him, were you not?"

"Yes," said the poet.

"Have you seen him since his return?"

"Not yet, but I hear from him constantly; I had a letter yesterday."

"They say he is engaged to the beautiful heiress, Irene de Chateaudun,

and will be married very soon."

"'Tis an idle rumor," said M. de Meilhan, in a dry tone that forced his

dreadful friend to select another topic of conversation.

Oh, how curious I was to find out what Roger had written to M. de

Meilhan! Roger had a confidant! He had told him about me! What could he

have said? Oh, this dreadful letter! What would I not give to see it! My

sole thought is, how can I obtain it; unconsciously I gazed at M. de

Meilhan, with an uneasy perplexity that must have astonished him and

given him a queer idea of my character.

I was unable to conceal my joy, when I heard him say he lived at

Richeport, and that he intended stopping at Pont de l'Arche, which is

but a short distance from his estate; my satisfaction must have appeared

very strange.

A dreadful storm detained us two hours in the neighborhood of the depot.

We remained in company under the shed, and watched the falling rain. My

situation was embarrassing; I wished to be agreeable and polite to M. de

Meilhan that I might encourage him to call at Madama Taverneau's, Pont

de l'Arche, and then again I did not wish to be so very gracious and

attentive as to inspire him with too much assurance. It was a difficult

game to play. I must boldly risk making a bad impression, and at the

same time keep him at a respectful distance. Well, I succeeded in

solving the problem within the pale of legitimate curiosity, offering to

share with my companion in misfortune a box of bon-bons, intended for

Madame Taverneau.

But what attentions he showered on me before meriting this great

sacrifice! What ingenious umbrellas he improvised for me under this

inhospitable shed, that grudgingly lent us a perfidious and capricious

shelter! What charming seats, skilfully made of sticks and logs driven

into the wet ground!

When the storm was over M. de Meilhan offered to escort us to Pont de

l'Arche; I accepted, much to the astonishment of the severe Blanchard,

who cannot understand the sudden change in my conduct, and begins to

suspect me of being in search of adventures.

When we reached our destination, and Madam Taverneau heard that M. de

Meilhan had been my escort, she was in such a state of excitement that

she could talk of nothing else. M. de Meilhan is highly thought of

here, where his family have resided many years; his mother is venerated,

and he himself beloved by all that know him. He has a moderate fortune;

with it he quietly dispenses charity and daily confers benefits with an

unknown hand. He seems to be very agreeable and witty. I have never met

so brilliant a man, except M. de Monbert. How charming it would be to

hear them talk together!

But that letter! What would I not give for that letter! If I could only

read the first four lines! I would find out what I want to know. These

first lines would tell me if Roger is really sad; if he is to be pitied,

and if it is time for me to console him. I rely a little upon the

indiscretion of M. de Meilhan to enlighten me. Poets are like doctors;

all artists are kindred spirits; they cannot refrain from telling a

romantic love affair any more than a physician can from citing his last

remarkable case; the former never name their friends, the latter never

betray their patients. But when we know beforehand, as I do, the name of

the hero or patient, we soon complete the semi-indiscretion.

So I mercilessly slander all heiresses and capricious women of fashion

that I may incite Roger's confidant to relate me my own history. I

forgot to mention that since my arrival here M. de Meilhan has been

every day to call on Madame Taverneau. She evidently imagines herself

the object of his visits. I am of a different opinion. Indeed, I fear I

have made a conquest of this dark-eyed young poet, which is not at all

flattering to me. This sudden adoration shows that he has not a very

elevated opinion of me. How he will laugh when he recognises this

adventurous widow in the proud wife of his friend!

You reproach me bitterly for having sacrificed you to Madame Taverneau.

Cruel Prefect that you are, go and accuse the government and your

consul-general of this unjust preference.

Can I reach Grenoble in three hours, as I do Rouen? Can I return from

Grenoble to Paris in three hours; fly when I wish, reappear when 'tis

necessary? In a word have you a railway? No! Well, then, trust to my

experience and believe that where locomotion is concerned there is an

end to friendship, gratitude, sympathy and devotion. Nothing is to be

considered but railways, roads, wagons that jolt you to death, but carry

you to your destination, and stages that upset and never arrive.

We cannot visit the friends we love best, but those we can get away from

with the greatest facility.

Besides, for a heroine wishing to hide herself, the asylum you offer has

nothing mysterious, it is merely a Thebais of a prefecture; and there I

am afraid of compromising you.

A Parisian in a provincial town is always standing on a volcano, one

unlucky word may cause destruction.

How difficult it is to be a Prefect! You have commenced very

properly--four children! All that is necessary to begin with. They are

such convenient excuses. To be a good Prefect one must have four

children. They are inexhaustible pretexts for escaping social horrors;

if you wish to decline a compromising invitation, your dear little girl

has got the whooping cough; when you wish to avoid dining a friend _in

transitu_, your eldest son has a dreadful fever; you desire to escape a

banquet unadorned by the presence of the big-wigs--brilliant idea! all

four children have the measles.

Now confess you did well to have the four lovely children! Without them

you would be conquered in spite of your wisdom; it requires so much

skill for a Parisian to live officially in a province!

There all the women are clever; the most insignificant citizen's wife

can outwit an old diplomat. What science they display under the most

trying and peculiar circumstances! What profound combination in their

plans of vengeance! What prudence in their malice! What patience in

their cruelty! It is dreadful! I will visit you when you reside in the

country, but while you reign over a prefecture, I have for you the

respectful horror that a democratic mind has for all authorities.

Who is this poor convalescent whose wound caused you so much anxiety?

You don't tell me his name! I understand you, Madame! Even to an old

friend you must show your administrative discretion!

Is this wounded hero young? I suppose he is, as you do not say he is

old. He is "about to leave, and return to his home;" "his home" is

rather vague, as you don't tell me his name! Now, I am different from

you; I name and fully describe every one I meet, you respond with

enigmas.

I well know that your destiny is fulfilled, and that mine has all the

attractiveness of a new romance. Nevertheless, you must be more

communicative if you expect to be continued in office as my confidant.

Embrace for me your dear little ones, whom I insist upon regarding as

your best counsellors at the prefecture, and tell my goddaughter, Irene,

to kiss you for me.

The Cross of Berny; Or, Irene's Lovers · 第 23 / 98 题