I made her sit up and tried to face her.

"This is what I want. Four years ago you and your father sent me to

prison for a crime that I didn't commit. Go over to that table and

write and sign me my clearance--tell the bald truth and sign your name

to it--and you shall have your money."

In a flash she slipped from her place on the arm of the chair and stood

before me transformed into a flaming incarnation of vindictive rage.

In spite of the pace she had been keeping she was still very beautiful,

and her anger served to heighten that physical charm which was the

keynote of her power over men.

"_Oh_!" she panted; "so _that_ was what you were willing to pay for!

You want a bill of health so you can go back to that little hussy in

Cripple Creek! Listen to me, Bert Weyburn: you've broken the last

thread. I could kill you if you couldn't serve my turn better alive

than dead! _I want that money_. If you don't bring it here to me by

ten o'clock, the Denver police are going to find out that you, the

wealthy third partner in the Little Clean-Up, are the man they

photographed nearly a year ago, the man whose thumb-print they took,

the man who is wanted as an escaped convict who has broken his

parole--No, don't speak; let me finish. For the money you are going to

bring me, I'll keep still--to the police. But for the slap you've just

given me. . . . Did you ever read that line of Congreve's about a

woman scorned? You've had your last little love-scene with Polly

Everton!"

I'll tell it all. This time the murder demon proved too strong for me.

It was a sheer madman who sprang at her out of the depths of the

arm-chair and bent her back over the little oak writing-table with his

hands at her throat. She was not womanly enough to scream; instead,

she fought silently and with the strength and cunning of mortal fear.

Even as my fingers clutched at her for the strangling hold she twisted

herself free and put the breadth of the table between us; then I found

myself looking into the muzzle of a small silver-mounted revolver.

"You fool!" she gasped. "Do you think I would take any chances with

you? If you should kill me, the axe would fall and find your neck,

just the same! I put it in a letter to the chief of police. Get me

that money before ten o'clock if you want me to stop the letter!"

I was beaten, this time not by fear of her or what she could do, but by

the crushing loss I had suffered in those few mad moments. I had done

the thing that no man may do and still claim that he has a single drop

of gentle blood in his veins; I had laid my hands in violence upon a

woman, and with murder in my heart.

Convinced now that there was no deeper depth of degradation to which I

could sink, I set about the task she had given me, laboring through it

like a man in a dream. To gather up such a huge sum of money after

banking hours was well nigh impossible; but I compassed the end by

chartering a cab and going to anybody and everybody who could by any

possibility cash my checks, leaving a disgraceful trail of the bank

paper in dives and gambling dens and night resorts without

number--driven to this because all respectable sources were closed at

that time in the evening.

Returning to the hotel only a few minutes before the critical hour, I

went directly to her rooms, carrying the money in a small hand-bag that

I had bought for the purpose. I found her waiting for me, gowned and

hatted as if for a journey. She was standing before a mirror, dabbing

her neck with a powder-puff--histronic to the last; she was showing me

how she had to resort to this to cover up the marks of my assault. I

have failed in my picture of her if I have not portrayed her as a woman

of moods and lightning changes. There was no trace of the late

volcanic outburst in her manner when she greeted me and handed me a

sealed and stamped envelope addressed to the Denver chief of police.

"You got the money?" she said quietly. "I knew you would." And then

with a sudden passion: "Oh, Bertie! if you weren't such a cold-blooded

fish of a man!--but never mind; it's too late now."

I placed the small hand-bag on the table, pocketed the fateful letter,

and backed toward the door. "If there is nothing else," I said.

"Oh, but there is!" she put in quickly. "I want you to get a cab and

take me to the station. I'm leaving for California. Don't you want to

go with me?"

"God forbid!" I exclaimed, and it came out of a full heart. Then I

went down to order the cab.

She was curiously silent on the short drive down Seventeenth Street to

the Union Station, sitting with the little hand-bag on her knees and

breathing as they say the Australian pearl fishers breathe before

taking the deep-sea dive. In the station she stood at a window in the

women's room and waited while I purchased her ticket for San Francisco

and paid for the sleeper section which had evidently been reserved some

time in advance.

It is perhaps needless to say that I did not buy my own California

ticket at the same time, though the train she was taking was the one I

had planned to take. My journey could be postponed; and in the light

of what had happened, and what was now happening, I was beginning to

understand that my runaway trip to the Pacific Coast was no longer

necessary, on one account, at least. But in any event, wild horses

couldn't have dragged me aboard of the same train with Agatha Geddis.

She seemed strangely perturbed when I went to her with the tickets, and

she made no move to leave the window.

"Your train is ready," I told her, as she thrust the ticket envelope

into the bosom of her gown.

"Wait!" she commanded; then she turned back to the window which looked

out upon the cab rank.

There were cabs coming and going constantly, and I didn't know until

afterward what she saw that made her eyes light up and the blood surge

into her cheeks.

"Now I'm ready," she announced quickly. "Put me on the sleeper."

I took her through the gates and at the gate-man's halting of us I saw

that we were followed.

Our shadow was an alert, dapper young man who wore glasses, and I

remembered having seen him, both at the ticket window and in the

women's room. Outside of the gates he confirmed my suspicion by

trailing us to the steps of the sleeping-car.

Even then I didn't suspect what was going on. While the sleeping-car

conductor was examining the tickets and taking the section number I saw

the young man with the spectacles making a hurried reconnaissance of

the car by walking back and forth beside it and peering curiously in

through the lighted windows. Then I missed him for a minute or two

until he came running from the gates with a railroad ticket in his hand.

"I'm going to Cheyenne, and I want a berth in this car," he told the

Pullman conductor, "They said they couldn't sell me one at the

office--that you had the diagram."

The conductor looked over his list. "Nothing doing," he returned.

"All sold out."

"That's all right," snapped the young man; "I'll take my chance sitting

up." With that, he climbed aboard and disappeared in the car.

All this time we had been waiting for the conductor to return my

companion's tickets. When he did so, I helped her up the steps. The

air-brakes were sighing the starting signal, and she turned in the

lighted vestibule and blew me a kiss.

"Good-by, Bertie, dear," I heard her say. "Be a good boy, and give my

love to Little Brown-Eyes." Then, as if to prove the immortal saying

that there is no such thing as ultimate total depravity in the human

atom, she leaned over to whisper the parting word: "Make good with her

if you can, and want to, Bertie: I didn't mean it when I said I'd spoil

your chances. Good-night and good-by." And with that the train moved

off and she was gone.

I slept late in my room at the hotel the next morning, waking with a

vague sense of inexpressible relief, which was quickly followed by the

emotions which may come to a man regaining consciousness after he has

been sandbagged and robbed. At table in the breakfast-room the boy

brought me a morning paper. On the first page, in screaming headlines,

I saw the complete explanation of the mysteries of the previous

evening. Agatha Geddis had eloped with a married man notably prominent

in social and business circles. The newspaper had two reliable sources

of information. The deserted wife had been interviewed, and the guilty

pair had been followed on the train by a reporter.

I laid the paper aside and stared out of the breakfast-room window like

a man awakening from a horrid dream. Once again the submerging wave of

realization and relief rushed over me. Truly, I had been held up and

robbed; had in fact innocently financed this city-shaking elopement.

But, so far as Agatha Geddis's banishment from Denver and Colorado

could accomplish it, I was once more a free man.

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