ECHOES OF WAR.

[Illustration]

“I SUPPOSE, Captain,” said Dr. Hartel to Allan, “that if we have war—”

“If we have war!” cried Allan; “we _must_ have war. They have blown up

one of our battle ships!”

“Well,” said the Doctor, quietly, “we don’t know that yet. And I should

hardly say that we must have war. War is a very serious business.”

“I think we ought to make it very serious for the other side,” insisted

Allan, heatedly.

“It would be very serious for both sides,” said the Doctor. “I was going

to say that I supposed you would want to go to the front with your

camera. There seems to be no doubt of that.”

“I should rather go with a gun,” said Allan.

“With your kodak on your shoulder?”

“You are making fun of me, father.”

“I hope you don’t wish me to take you seriously.”

“No,” interposed Edith; “no one shall take him seriously. The idea! If

he talks war like this, we’ll lock him up in the dark-room.”

“With nothing to eat but pyro and hypo,” laughed Mrs. Hartel.

“Look out!” pursued the Doctor, with a twinkle in his eye, “or the

Captain may indignantly resign his commission.”

“Anyway,” said Allan, “if I was a few years older, I’d join Company K.”

The fate of the _Maine_ and the prospect of war entirely changed the

current of photographic enthusiasm at the club. The boys, especially,

turned unanimously to war themes. Owen had made some pictures at the

Brooklyn Navy Yard when he first had his camera. He had a picture of the

_Boston_ taking coal, and another showing the terrible twin guns in the

forward turret of the _New York_. At the second lantern show in

February, Major Mines displayed the mechanism of some of the rapid-fire

guns, and had a capital plate showing the disappearing gun at Sandy

Hook. The pictures were all quite warlike at this February meeting.

At the March meetings there came pictures of the forts in the harbor,

camera sketches by Mr. Thornton from the State Camp at Peekskill the

year before, and Mrs. Creigh’s picture made on the deck of the _Maine_.

Then came the declaration of war, the thrill of Dewey’s victory at

Manila, the capture of the first sea prizes, the stir and excitement of

recruiting. Big McConnell joined Company K.

Hazenfield broke out with all sorts of flags. Little McConnell boasted

that he hoisted the first flag in the town; though this seemed to be a

matter of debate, since Allan had swung out the Hartel flag immediately

after breakfast on reading of the actual declaration of war.

[Illustration:

“The ‘sky scrapers.’”

]

For the next six months a large proportion of Allan’s pictures had flags

in them. Indeed, there was a great deal of flag in everything for a

time. When Allan was in New York in July and looked up at the “sky

scrapers,” the sky seemed full of flags.

Of course the boys of the club lamented that they could not be at the

front. The next best thing was to go to the camps; and this they did,

and found the soldiers so accustomed to cameras that being photographed

seemed to cause them no uneasiness or resentment whatever.

[Illustration:

A “snap” at a cruiser.

]

The chief trouble, Allan found, was that he had to promise a good many

prints to different soldiers who stood for him or helped him with groups

and camp scenes. He had learned that promising prints is one of the most

entertaining features of photography, and that keeping the promises is

one of the most troublesome. However, a soldier seemed to deserve a

print if he wanted it, and Allan never promised prints with more of

genuine willingness than during the exciting weeks of the war.

It was at the Hempstead Camp that Allan, McConnell, and Owen found Big

McConnell, who had become a corporal, and who was glad to show the boys

around.

“I’m dead tired of this show,” grumbled Big McConnell. “I wish they’d

send us somewhere. The rations are spoiling my naturally sweet

disposition. You didn’t happen to see the pie-woman, did you, as you

came in?”

“No,” said Allan.

“I’m looking for her about now,” went on Big McConnell. “I need pie, I

do.”

“Doesn’t the cook give you pie once in a while?”

“Pie?” shouted Big McConnell. “Well, I guess not. I wish you could

photograph the slush we had for dinner. You would need an orthochromatic

plate and a microscopic lens.”

“Did you finish the box mother sent down?” asked Little McConnell.

“Finish it?” His brother looked down in dramatic disdain. “Young fellow,

I was eating the nails in the cover before eleven o’clock the next day.”

“I wonder what makes you so hungry?” said Little McConnell.

The Corporal pointed across the field where the second battalion was

drilling. “That, for one thing. Did you ever stop to think how heavy a

musket is, and how many times its weight doubles in an hour’s drill?”

Across the company street Corporal Dacey was showing his cousin Cora how

to hold a musket, and they all laughed at Cora’s brave attempt to ignore

the weight of the weapon.

[Illustration:

“How to hold a musket.”

]

Over by the Y. M. C. A. tent Big McConnell found the pie-woman, and they

all went to work on pie of various denominations.

“What kind is yours?” asked Owen of the Corporal.

“I don’t know,” grunted Big McConnell, his mouth full. “All pie tastes

alike to me. What’s the Captain doing?”

This meant Allan, who had slipped off with his camera. McConnell, who

went to reconnoitre, reported that Allan was taking a group of soldiers.

The Corporal looked out. “The old guard,” he said.

“What is the ‘old guard’?” asked Owen.

“They are changing the guard,” replied the Corporal. “This is the guard

that has just come off duty. I shouldn’t think there was light enough

left for a picture.”

The day had almost gone, and in half an hour the boys were on the train

again on their way back to New York, where the newsboys were shouting

about battles, and the papers had stupendous news eight inches high.

“I hear,” said Owen, “that our smoky powder is making it awfully hard

for anybody to get good bombardment pictures.” Allan thought it would be

hard to report a bombardment from the ship that was doing the

bombarding. “But I can’t see,” he said, “why they shouldn’t get good

shots from the boats that were looking on.” “I tell you what I’d like to

have had,” said McConnell, “and that was a good chance at that Matanzas

mule when the shell hit him!”

[Illustration:

“‘The old guard.’”

]

Both Allan and McConnell were greatly interested in the war-ships, and

read news of their doings with particular attention. When the victorious

ships of Sampson’s fleet returned northward, the club hired a launch and

went down the river to see and picture the inspiriting naval parade. The

scenes in the bay and up the river to Grant’s tomb furnished material

for one of the most beautiful lantern displays the club ever held.

Allan determined to make a special trip to see and to photograph the

_Oregon_, of which he was a great admirer, because “the bull-dog of the

navy” seemed to embody so much of what was most American in the United

States battle ships. When the _Oregon_ and _Iowa_ afterward came out of

dry dock, and were ordered away to Manila, Allan and McConnell started

off early one morning for Tompkinsville, Staten Island, off which town

the war-ships were to anchor.

It happened, however, that the _Iowa_ had not yet come into the bay,

though the _Brooklyn_ was there, and the boys recognized the graceful

prow of the _Gloucester_, the plucky little converted yacht that had

figured so prominently and creditably at the sinking of Cervera’s fleet.

It was the _Oregon_, however, that the boys most wished to see more of,

and to photograph at close quarters.

The boatmen at Tompkinsville had been charging high prices since the

fighting ships had anchored off shore, and the boys were a little

discouraged in their first inquiries.

In the midst of their discouragement a sailorish-looking man on one of

the docks asked them if they wanted a cheap boat. This was precisely

what the boys did want, and they indicated the fact to the

sailorish-looking man, who thereupon lifted his finger and motioned to

the boys to follow him.

The boys followed their guide for some distance and finally reached a

low-roofed shop where a man with a pipe was scraping an oar. This man

had a dory, but he would not rent it unless he went with it. “I’ll tell

you what I’ll do,” he said, “I’ll row you around all the ships for a

dollar.”

“No,” said Allan, “that’s too much.”

[Illustration:

“The graceful prow of the _Gloucester_.”

]

“Too much!” cried the man who had a dory, “why, I have been getting a

dollar and a half a trip. What did you expect to pay?”

“I expected to pay about fifty cents an hour,” admitted Allan. “And an

hour was all we wanted.”

“Well, I’ll be losin’ money,” said the man; “but call it seventy-five

cents.”

The boys finally agreed to these terms and were soon afloat with the

dory, the man pulling at the oars and asking questions about the

cameras.

“Sakes alive!” he said, “but there’s been camera cranks around here. It

must be lots of fun, though.” There was a strong tide and the man had to

bend hard at the oars while Allan and McConnell adjusted their cameras

and peeped at the war-ships with the aid of their finders.

It was rather a misty morning. There was a peculiar silvery light on the

water and the ships looked queerly on the shadow side next the shore.

The _Gloucester_ was dainty and trim. To make the glimpse of her more

entertaining, a message arrived on a launch, and within five minutes the

anchor had been lifted and she steamed away, evidently toward the

Brooklyn Yard. The _Brooklyn_, with the shot-hole in her smoke-stack

(carefully pointed out by the man of the dory), floated quietly at her

moorings. There was bustle on the _Oregon_—and it was washday,

evidently.

“I wonder,” said Allan, resentfully, “why they always have their wash

out when a fellow wants to make pictures?”

The man of the dory laughed. He couldn’t explain it, he said.

“How near do you want to get?” he asked. “I want a good full-length

picture,” said Allan. “I think we are far enough away from her now if

you will pull south a little ways.”

When they had pulled south for a short distance Allan found that the

three hundred feet of the _Oregon_ required a long range, and the man

swung the bow again to the east.

They had made several shots from their seats; but Allan now stood on the

forward seat, the man slowing down again as Allan got the range.

“I’ll steady you,” said McConnell, bracing Allan and watching the

_Oregon_ as her lines swung into favorable view.

“Click!” sounded the camera, and Allan rolled the film for another shot,

this time getting an almost perfect profile of the ship.

“Now, McConnell, I’ll steady you.”

“Oh, never mind,” said McConnell, confidently; “I think I could stand

better alone.”

“Pull up a few strokes,” Allan suggested to the oars-man, for the tide

was carrying them north. “Better let me hold you, McConnell.”

But McConnell, who was studying his finder, protested that he was all

right. And he did make a successful shot with no more assistance than

Allan’s one hand at his back—assistance which he seemed to feel that he

might have done without. Yet his confidence, if it had not been too

great when he occupied a place on the seat, made him reckless in the

moment of his success; for in stepping down his foot slipped, and the

quick turn which he made to save himself sent him into the bay.

[Illustration:

“‘I’ll steady you,’ said McConnell.”

]

Allan sprang forward to reach McConnell, and the boatman tugged at the

oars in the moment of confusion when he did not realize on which side of

the stern the boy had fallen. There was a stir among the jackies in the

starboard bow of the _Oregon_.

“I’m all right!” shouted McConnell.

Allan had caught an oar from the boatman’s hand and now held it within

McConnell’s reach.

“I don’t want that!” laughed McConnell, as he swam to the side of the

dory. But he consented to let the boatman and Allan lift him over the

side.

“Pull ashore!” said Allan to the boatman. “We must get these clothes dry

somehow.”

“Well, we had all we wanted everyway, didn’t we?” said McConnell, trying

to wring some of the water out of his clothes. “Wasn’t it good that the

camera dropped into the boat!”

Allan had scarcely noticed what became of the camera. He had a feeling

of being responsible in some degree for McConnell’s mishap, and realized

that the wet clothes must be removed at the earliest possible moment,

for it was a cool morning that threatened a chill.

As the boatman pulled under the bow of the _Oregon_, there was a shout

from some of the jackies, and McConnell waved his hat, which the boatman

had recovered with his oar.

“And so,” said McConnell to his mother that afternoon, “we went to the

boatman’s shop and he rubbed me down with a dirty, rough towel, and put

my clothes to dry by the stove while I sat on a stool with Allan’s coat

and an old pair of overalls on, and something like a boat sail wrapped

around me. Then Allan got me a cup of tea and a sandwich from a

restaurant. It was great fun; and we’ve got all the ships!”

Allan’s report was somewhat different, naturally, but it was fully as

enthusiastic in the matter of the pictures of the famous ships.

As for McConnell, he dried off so thoroughly in the boatman’s shop that

he suffered not a whit from his ducking.

“There’s no harm in a salt-water wetting,” he said, “and I got a good

snap-shot at the war-ships, anyhow.”

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