CHAPTER II.

Produced by Annie R. McGuire

[Illustration: HARPER'S ROUND TABLE]

Copyright, 1896, by HARPER & BROTHERS. All Rights Reserved.

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PUBLISHED WEEKLY. NEW YORK, TUESDAY, JUNE 23, 1896. FIVE CENTS A COPY.

VOL. XVII.--NO. 869. TWO DOLLARS A YEAR.

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[Illustration]

A VIRGINIA CAVALIER.

BY MOLLY ELLIOT SEAWELL.

CHAPTER II.

The full flood of the sun, now low in the heavens, poured through the

western windows upon the figure of the boy standing in the doorway. The

room was beginning to darken, and the ruddy firelight, too, fell

glowingly upon him.

The Earl was instantly roused, and could scarcely persuade himself that

the boy before him was only fifteen; seventeen, or even eighteen, would

have seemed nearer the mark, so tall and well-developed was he. Like all

creatures of the highest breeding, George looked handsomer the handsomer

his dress; and although his costume was really simple enough, he had the

splendid air that made him always appear to be in the highest fashion.

His coat and knee-breeches were of dark blue cloth, spun, woven, and

dyed at home. His waistcoat, however, was of white brocade, and was made

of his mother's wedding-gown, Madam Washington having indulged her pride

so far as to lay this treasured garment aside for waistcoats for her

sons, while Mistress Betty was to inherit the lace veil and the string

of pearls which had gone with the gown.

George's shoebuckles and knee-buckles were much finer than the Earl's,

being of paste, and having been once worn by his father. His blond hair

was made into a club and tied with a black ribbon, while under his arm

he carried a smart three-cornered hat--for the hat made a great figure

in the ceremonious bows of the period. His dog; a beautiful creature,

stood beside him.

Never in all his life had the Earl of Fairfax seen so noble a boy. The

sight of him smote the older man's heart; it flashed through him how

easy it would be to exchange all his honors and titles for such a son.

He rose and saluted him, as Madam Washington said, in a tone that had

pride in every accent,

"My lord, this is my son, Mr. Washington."

George responded with one of those graceful inclinations which, years

after, made the entrance of Colonel Washington at the Earl of Dunmore's

levee at Williamsburg a lesson in grace and good-breeding. Being "Mr.

Washington" and the head of the house, it became his duty to speak

first:

"I am most happy to welcome you, my lord, to our home."

"And I am most happy," said the Earl, "to meet once more my old friend

Madam Washington, and the goodly sons and sweet daughter with which she

has been blessed."

"My mother has often told us of you, sir, in speaking of her life during

the years she spent in England."

"Ah, my lord," said Madam Washington, "I perceive I am no longer young,

for I love to dwell upon those times, and to tell my children of the

great men I met in England, chiefly through your lordship's kindness."

"It was my good fortune," said the Earl, "to be a humble member of the

Spectator Club, and through the ever-lasting goodness of Mr. Joseph

Addison I had the advantage of knowing men so great of soul and so

luminous of mind that I think I can never forget them."

"I had not the honor of knowing Mr. Addison. He died before I ever saw

England," replied Madam Washington.

"Unfortunately, yes, madam. But of those you knew, Mr. Pope, poor

Captain Steele, and even Dean Swift, with all his ferocious wit, his

tremendous invective, his savage thirst for place and power, respected

Mr. Addison. He was a man of great dignity--not odd and misshapen, like

little Mr. Pope, not frowsy like poor Dick Steele, nor rude and

overbearing like the fierce Dean--but ever gentle, mild, and of a most

manly bearing. For all Mr. Addison's mildness, I think there was no man

that Dean Swift feared so much. When we would all meet at the club, and

the Dean would begin his railing at persons of quality--for he always

chose that subject when I was present--Mr. Addison would listen with a

smile to the Dean as he lolled over the table in his huge periwig and

roared out in his great rich voice all the sins of all the people,

always beginning and ending with Sir Robert Walpole, whom he hated most

malignantly. Once, a pause coming in the Dean's talk, Mr. Addison,

calmly taking out his snuff-box and helping himself to a pinch, remarked

that he had always thought Dean Swift's chiefest weakness, until he had

been assured to the contrary, was his love for people of quality. We

each held our breath. Dick Steele quietly removed a pewter mug from the

Dean's elbow; Mr. Pope, who sat next Mr. Addison, turned pale and

slipped out of his chair; the Dean turned red and breathed hard, glaring

at Mr. Addison, who only smiled a little; and then he--the great Dean

Swift, the man who could make governments tremble and Parliaments

afraid; who made duchesses weep from his rude sneers, and great ladies

almost go down on their knees to him--sneaked out of the room at this

little thrust from Mr. Addison. For 'twas the man, madam--the honest

soul of him--that could cow that great swashbuckler of a genius. Mr.

Addison abused no one, and he was exactly what he appeared to be."

"That, indeed, is the highest praise, as it shows the highest wisdom,"

answered Madam Washington.

George listened with all his mind to this. He had read the _Spectator_,

and Mr. Addison's tragedy of _Cato_ had been read to him by Mr. Hobby,

the Scotch schoolmaster who taught him, and he loved to hear of these

great men. The Earl, although deep in talk with Madam Washington, was by

no means unmindful of the boy, but, without seeming to notice him,

watched every expression of his earnest face.

"I once saw Dean Swift," continued Madam Washington. "It was at a London

rout, where I went with my brother's wife, Madam Joseph Ball, when we

were visiting in London. He had great dark eyes, and sat in a huge

chair, and called ladies of quality 'my dear,' as if they were

dairy-maids. And the ladies seemed half to like it and half to hate it.

They told me that two ladies had died of broken hearts for him."

"I believe it to be true," replied the Earl. "That was the last time the

Dean ever saw England. He went to Ireland, and, as he said, 'commenced

Irishman in earnest,' and died very miserably. He could not be bought

for money, but he could very easily be bribed with power."

"And that poor Captain Steele?"

The Earl's grave face was suddenly illuminated with a smile.

"Dear Dick Steele--the softest-hearted, bravest, gentlest

fellow--always drunk, and always repenting. There never was so great a

sermon preached on drunkenness as Dick Steele himself was. But for drink

he would have been one of the happiest, as he was by nature one of the

best and truest gentlemen in the world; but he was weak, and he was in

consequence forever miserable. Drink brought him to debts and duns and

prison and rags and infamy. Ah, madam, 'twould have made your heart

bleed, as it made mine, to see poor Dick reeling along the street,

dirty, unkempt, his sword bent, and he scarce knowing what he was doing;

and next day, at home, where his wife and children were in hunger and

cold and poverty, behold him, lying in agony on his wretched bed,

weeping, groaning, reproaching himself, and suffering tortures for one

hour's wicked indulgence! Then would he turn gentleman again, and for a

long time be our own dear Dick Steele--his wife smiling, his children

happy. I love to think on honest Dick at these times. It was then he

wrote that beautiful little book, which should be in every soldier's

hands, _The Christian Hero_. We could always tell at the club whether

Dick Steele were drunk or sober by Mr. Addison's face. When Steele was

acting the beast, Mr. Addison sighed often and looked melancholy all the

time, and spent his money in taking such care as he could of the poor

wife and children. Poor Dick! The end came at last in drunkenness and

beastliness; but before he died, for a little while, he was the Dick

Steele we loved, and shall ever love."

"And Mr. Pope--the queer little gentleman--who lived at Twickenham, and

was so kind to his old mother?"

"Mr. Pope was a very great genius, madam, and had he not been born

crooked he would have been an admirable man; but the crook in his body

seemed to make a crook in his mind. He died but last year, outliving

many strong men who pitied his puny frame. But let me not disparage Mr.

Pope. My Lord Chesterfield, who was a very good judge of men, as well as

the first gentleman of his time, entertained a high esteem for Mr.

Pope."

"I also had the honor of meeting the Earl of Chesterfield," continued

Madam Washington, with animation, "and he well sustained the reputation

for politeness that I had heard of him, for he made as much of me as if

I had been a great lady instead of a young girl from the colonies, whom

chance and the kindness of a brother had brought to England, and your

lordship's goodness had introduced to many people of note. 'Tis true I

saw them but for a glimpse or two, but that was enough to make me

remember them forever. I have tried to teach my son Lord Chesterfield's

manner of saluting ladies, in which he not only implied the deepest

respect for the individual, but the greatest reverence for all women."

"That is true of my Lord Chesterfield," replied the Earl, who found it

enchanting to recall these friends of his youth with whom he had lived

in close intimacy, "and his manners revealed the man. He had also a

monstrous pretty wit. There is a great lumbering fellow of prodigious

learning, one Samuel Johnson, with whom my Lord Chesterfield has become

most friendly. I never saw this Johnson myself, for he is much younger

than the men of whom we are speaking; but I hear from London that he is

a wonder of learning, and although almost indigent, will not accept aid

from his friends, but works manfully for the booksellers. He has

described my Lord Chesterfield as 'a wit among lords, and a lord among

wits.' I heard something of this Dr. Johnson, in a late letter from

London, that I think most praiseworthy, and affording a good example to

the young. His father, it seems, was a bookseller at Lichfield, where on

market-days he would hire a stall in the market for the sale of his

wares. One market-day, when Samuel was a youth, his father, being ill

and unable to go himself, directed him to fit up the book-stall in the

market and attend to it during the day. The boy, who was otherwise a

dutiful son, refused to do this. Many years afterwards, his father being

dead, Johnson, being as he is in great repute for learning, was so

preyed upon by remorse for his undutiful conduct that he went to

Lichfield and stood bareheaded in the market-place, before his father's

old stall, for one whole market-day, as an evidence of his sincere

penitence. I hear that some of the thoughtless jeered at him, but the

better class of people respected his open acknowledgment of his

fault--the more so as he was in a higher worldly position than his

father had ever occupied, and it showed that he was not ashamed of an

honest parent because he was of a humble class. I cannot think, madam,

of that great scholar, standing all day with bare, bowed head, bearing

with silent dignity the remarks of the curious, the jeers of the

scoffers, without in spirit taking off my hat to him."

During this story Madam Washington fixed her eyes on George, who colored

slightly, but remarked, as the Earl paused:

"It was the act of a brave man and a gentleman. There are not many of us

who could do it."

Just then the door opened, and Uncle Jasper, bearing a huge tray,

entered. He placed it on a round mahogany table, and Madam Washington

proceeded to make tea, and offered it to the Earl with her own hands.

The Earl, while drinking his tea, glanced first at George and then at

pretty little Betty, who, feeling embarrassed at the notice she

received, produced her sampler from her pocket and began to work

demurely in cross stitch on it. Presently Lord Fairfax noticed the open

harpsichord.

"I remember, madam," he said to Madam Washington, as they gravely sipped

their tea together, "that you had a light hand on the harpsichord."

"I have never touched it since my husband's death," answered she, "but

my daughter Betty can perform with some skill."'

Mistress Betty, obeying a look from her mother, rose at once and went to

the harpsichord, never thinking of the ungraceful and disobliging

protest of more modern days. She seated herself, and struck boldly into

"The Marquis of Huntley's Rigadoon." She had, indeed, a skilful little

hand, and as the touch of her small fingers filled the room with quaint

music the Earl sat tapping with his foot to mark the time, and smiling

at the little maid's grave air while she played. When her performance

was over she rose, and, making a reverence to her mother and her guest,

returned to her sampler.

The Earl had now spent nearly two hours with his old friend, and the sun

was near setting, but he could scarcely make up his mind to leave. The

interest he felt in her seemed transferred to her children, especially

the two elder, and the resolve entered his mind that he would see more

of that splendid boy. He turned to George and said to him:

"Will you be so good, Mr. Washington, as to order my people to put to my

horses, as I find that time has flown surprisingly fast?"

"Will you not stay the night, my lord?" asked Madam Washington. "We can

amply accommodate you and your servants."

"Nothing would please me more, madam, but it is my duty to reach

Fredericksburg to-night, where I have business, and I am now seeking a

ferry where I can be moved across."

"Then you have not to seek far, sir, for this place is called Ferry

Farm; and we have several small boats, and a large one that will easily

hold your coach; and, with the assistance of your servants, all of them,

as well as your horses, can be ferried over at once."

The Earl thanked her, and George left the room promptly to make the

necessary arrangements. In a few moments the horses were put to the

coach, as the ferry was half a mile from the house; and George, ordering

his saddle clapped on his horse, that was just then being brought from

the pasture, galloped down to the ferry to superintend the

undertaking--not a light one--of getting a coach, eight horses, and

eight persons across the river.

The coach being announced as ready, Madam Washington and the Earl rose

and walked together to the front porch, accompanied by little Mistress

Betty, who hung fondly to her mother's hand. Outside stood the three

younger boys, absorbed in contemplation of the grandeur of the equipage.

They came forward promptly to say good-by to their mother's guest, and

then slipped around into the chimney-corner, that they might see the

very last of the sight so new to them. Little Betty also disappeared in

the house after the Earl had gallantly kissed her hand, and predicted

that her bright eyes would yet make many a heart ache. Left alone on the

porch in the twilight with Madam Washington, he said to her, very

earnestly:

"Madam, I do not speak the language of compliment when I say that you

may well be the envy of persons less fortunate than you when they see

your children. Of your eldest boy I can truly say I never saw a nobler

youth, and I hope you will place no obstacle in the way of my seeing him

again. Greenway Court is but a few days' journey from here, and if I

could have him there it would be one of the greatest pleasures I could

possibly enjoy."

"Thank you, my lord," answered Madam Washington, simply. "My son George

has, so far, never caused me a moment's uneasiness, and I can very well

trust him with persons less improving to him than your lordship. It is

my wish that he should have the advantage of the society of learned and

polished men, and your kind invitation shall some day be accepted."

"You could not pay me a greater compliment, madam, than to trust your

boy with me, and I shall claim the fulfilment of your promise," replied

Lord Fairfax. "Farewell, madam; the sincere regard I have cherished

during nearly twenty years for you will be extended to your children,

and your son shall never want a friend while I live. I do not know that

I shall ever travel three days' journey from Greenway again, so this may

be our last meeting."

"Whether it be or not, my lord," said Madam Washington, "I can only

assure you of my friendship and gratitude for your good-will towards my

son."

The Earl then respectfully kissed her hand, as he had done little

Betty's, and stepped into the coach. With a great smacking of whips and

rattle and clatter and bang the equipage rolled down the road in the

dark towards the ferry.

A faint moon trembled in the heavens, and it was so dark that torches

were necessary on the river-bank. George had dismounted from his horse,

and with quiet command had got everything in readiness to transport the

cavalcade. The Earl, sitting calmly back in the chariot, watched the

proceedings keenly. He knew that it required good judgment in a boy of

fifteen to take charge of the ferriage of so many animals and men

without haste or confusion. He observed that in the short time George

had preceded him everything was exactly as it should be--the large boat

drawn up ready for the coach, and two smaller boats and six stalwart

negro ferrymen to do the work.

"I have arranged, my lord, with your permission," he said, "to ferry the

coach and horses, with your own servants, over first, as it is not worth

while taking any risks in crowding the boats; then, when the boats

return, the outriders and their horses may return in the large boat."

"Quite right, Mr. Washington," answered the Earl, briskly; "your

dispositions do credit to you, and I believe you could transport a

regiment with equal ease and precision."

George's face colored with pleasure at this. "I shall go on with you

myself," he said, "if you will allow me."

The boat was drawn up, a rude but substantial raft was run from the

shore to the boat, the horses were taken from the coach, and it was

rolled on board by the strong arms of a dozen men. The horses were

disposed to balk at getting in the boat, but, after a little coaxing,

trotted quietly aboard; the ferrymen, re-enforced by two of Lord

Fairfax's servants, took the oars, and the boat, followed by two smaller

ones, was pulled rapidly across the river. After a few minutes, seeing

that everything was going right, George entered the coach and sat by the

Earl's side. The Earl lighted his travelling-lamp, and the two sat in

earnest conversation. Lord Fairfax wished to find out something more

about the boy who had made so strong an impression on him. He found that

George had been well taught, and although not remarkable in general

literature, he knew more mathematics than most persons of twice his age

and opportunities. He had been under the care of the old Scotchman, Mr.

Hobby, who was, in a way, a mathematical genius, and George had profited

by it.

"And what, may I ask, Mr. Washington, is your plan for the future?"

"I hope, sir," answered George, modestly, "that I shall be able to get a

commission in his Majesty's army or navy. As you know, although I am my

mother's eldest son, my brother Laurence, of Mount Vernon, is my

father's eldest son, and the head of our family. My younger brothers and

I have small fortunes, and I would like to see something of the world

and some service in arms before I set myself to increasing my part."

"Very creditable to you, and you may count upon whatever influence I

have towards getting you a commission in either branch of the military

service. I myself served in the Low Countries under the Duke of

Marlborough in my youth, and although I have long since given up the

profession of arms, I can never lose my interest in it. Your honored

mother has promised me the pleasure of your company for a visit at

Greenway Court, when we may discuss the matter of your commission at

length. I am not far from an old man, Mr. Washington, but I retain my

interest in youth, and I like to see young faces about me at Greenway."

"Thank you, my lord," answered George, with secret delight. "I shall not

let my mother forget her promise--but she never does that."

"There is excellent sport at Greenway, and I have kept a choice breed of

deer-hounds, as well as fox-hounds. I brought with me from England a

considerable library, and you can, I hope, amuse yourself with a book;

but if you cannot amuse yourself with a book, you will always be

dependent upon others for your entertainment."

"I am fond of reading--on rainy days," said George; at which candid

acknowledgment the Earl smiled.

What a delightful vista this opened before George, who was, like other

healthy-minded boys, devoted to reading and hearing of battles, and

fencing, and all manly sports! He glanced at Lance, standing erect and

soldierly, as the boat moved through the water. He meant to hear all

about the siege of Bouchain from Lance before the year was out, and

blushed when he was obliged to acknowledge to himself that he had never

heard of the siege of Bouchain.

[TO BE CONTINUED.]

HOW MAGIC IS MADE.

BY HENRY HATTON.

V.

About the year 1864 Carl Herrmann introduced at the old Academy of

Music, New York, a trick never seen here before, which he called "The

Miser." It has since become common, and, under the more prosaic title of

"Catching Money in the Air," is exhibited more or less skilfully by many

of the present-day conjurers. None, however, has presented it so

artistically as the originator, for in his hands it was a very clever

bit of melodramatic acting.

Borrowing a hat from the audience, he crept about the dimly lighted

stage to the accompaniment of weird music, and with eager eyes and

avaricious clutch seemingly plucked from the air half-dollars

innumerable, which he deposited in the hat, until he had accumulated

twenty-five or thirty.

[Illustration: FIG. 1.]

[Illustration: FIG. 2.]

[Illustration: FIG. 3.]

More modern conjurers have tried to improve on Herrmann's method by

using apparatus of one kind or another in the trick, but he relied

exclusively on his ability to palm a coin.

As it will be necessary for my readers first to master this important

element of conjuring, I shall try to teach it before explaining the

other details of the trick. To palm a coin, hold it lightly between the

tips of the second and third fingers and the thumb of either hand, as

shown in Fig. 1. Balancing it on the finger-tips, let the thumb resume

its normal position, and at the same moment let the two fingers press

the coin into the hollow of the palm. See Fig. 2. Now contract the thumb

so that the coin will be held by the ball on one side, and on the other

by the opposite fleshy part of the hand, as in Fig. 3. Though at first

it may be difficult to press the coin into the exact position, practice

will soon make it easy.

The beginner is apt to try to have his hand appear perfectly flat when

seen from the back; but let him notice the open hand of a friend as it

hangs in a normal condition, and he will find that it is slightly

arched. Supposing that my reader is now an adept at palming, let us

proceed with "The Miser" as Herrmann did it.

When he came on the stage he held twenty-five or thirty coins in his

left hand and one coin in his right. As an excuse for keeping the left

hand closed it grasped the lower part of the lapel of his coat. In the

right hand he carried his wand, or badge of office, a round ebony stick

about eighteen inches long, fitted at the ends with ivory ferrules.

Approaching some man in the audience, he asked for a high hat, and as it

was handed to him he thrust the left hand inside of it, the thumb only

remaining outside to grasp the rim. Extending his arms, he struck the

left arm with his wand and the closed right hand, asking the nearest

person to feel his arms and body so as to assure himself that nothing

was concealed there. This examination over, he turned to go back to the

stage, throwing his wand ahead of him, and letting the coin in the right

hand slip into his sleeve.

Now began his search for the money. As he moved about the stage the

audience was allowed to see that the right hand was empty. Suddenly he

grasped at the air, and then peering into his hand, he struck his

forehead as if in despair at finding nothing. Then as the right hand

fell to his side the sleeved half-dollar slipped into it.

Now began the money hunt in earnest. With his right side toward the

audience, he again clutched at the air, and this time, letting the coin

drop to his finger-tips, showed it. Then he tossed it visibly, so that

all might see it, into the hat, where it was heard to fall. The next

moment, as if with the instinct of the miser, he took it out again and

pressed it to his lips, and once more threw it into the hat. This time,

however, he only apparently did so, for as the hand went inside the hat

he palmed the coin, and let drop one of the coins from the left hand

instead.

Round and round the stage he went, catching the coin, palming it, and

apparently adding it to the store in the hat, which was each time

supplied from the left hand.

When only four or five coins were left in the hand, he actually threw

the coin which he "caught" into the hat, turned the empty hand toward

the audience--without speaking, however, for the whole trick was carried

out in pantomime--and then placing it inside the hat, as if to hold it,

took the remaining coins from the left hand. Withdrawing that hand, he

turned it, palm outward, toward the audience, and then took the hat with

it again, this time keeping the fingers outside. In the mean time he had

palmed the four or five remaining coins, for it is as easy for the

practised conjurer to palm six as one. These coins he proceeded to

"catch," one at a time--which requires considerable practice--and threw

each visibly into the hat. This last move set at rest any suspicions

which might exist that he had been using one coin throughout the trick.

During the course of the trick, Herrmann at times pretended to pass the

coin through the bottom or side of the hat. To do this he merely showed

the coin, which he palmed as his hand approached the hat, and let the

tips of his fingers touch the plush, as if pushing the coin through. At

the same time he dropped a coin from the left hand, and the chink as it

came in contact with the others heightened the illusion.

Herrmann played to very large audiences, and this trick proved so

popular that Robert Heller decided to reproduce it; but he varied it as

follows: Besides the lot of half-dollars in his left hand, he had six or

eight in his right. Making a grab at the air, he thus "caught" a number

of coins, which he appeared to throw into the hat. In fact, he merely

closed his hand over the captured coins without any palming, and let six

or eight drop from his left hand. Of course his stock was soon

exhausted; but when that happened he threw the coins from his right hand

bodily into the hat. Then for the next two or three times when he

grabbed at the air he kept the right hand closed, and putting the empty

hand over the hat, shook up the coins already in, thus giving the

impression that he had thrown a number of coins in. Finally he went

among his audience, and taking a heaping handful of coins out of the

hat, poured them back, retaining six or seven in his hand. These latter

he then shook from a lady's handkerchief or her muff, or pretended to

take them from the long whiskers of some man.

Two or three years later Hartz did the trick, and as he could not palm a

coin, he used a flat tin tube which held about six coins. This tube hung

by a hook inside the right breast of his vest; the lower end just

reached the bottom of the vest. By putting the tips of the fingers under

the vest and pressing a lever, a coin dropped into the hand, and the

performer was thus enabled, from time to time, to show a half-dollar and

throw it into the hat. The other times he merely pretended to catch a

coin, and put his closed empty hand over the mouth of the hat, and "made

believe," as the children say, to drop the money in.

Another mechanical arrangement that is used by some performers is

strapped just above the wrist, inside the sleeve, and is so constructed

that by extending the arm suddenly a coin is shot out by means of a

spring to about the tips of the fingers, and the performer really

catches it. Still another coin-holder is used, but the pump-handle

movement necessary to release the coins is inartistic. There is one

little wrinkle, however, in connection with this trick which is worth

describing and worth using. It is a coin with a tiny hole drilled

through it near its edge. A human hair or a bit of fine sewing silk is

run through this hole and formed into a loop. In this way the coin is

hung from the thumb. When the performer wishes to "catch" it, a slight

jerk brings it to the front of the hand, where he seizes it; and as he

puts it into the hat he lets it swing to the back of the hand, which can

then be shown empty.

A very good trick, somewhat akin to palming, is done with five

half-dollars. In palming proper, a new coin with a sharp, milled edge is

the best to use, as the milling helps to hold it in place, but for this

trick well-worn pieces of money which have become quite smooth are

necessary.

[Illustration: FIG. 4.]

[Illustration: FIG. 5.]

[Illustration: FIG. 6.]

Begin by rolling up the sleeves so that the arms are bared. Hold the

left-hand extended, palm upwards, and on the tip of each finger and

thumb balance a coin. Place the right hand on top of the left, so that

the money is held between the tips of the fingers of the two hands. Now

turn the hands until the back of the right hand is towards the audience,

as in Fig. 4. Fix your eyes on the ceiling, as if that had something to

do with the trick; move the hands rapidly upward and downward twice, and

while doing so bring the tips of the fingers together, causing the coins

to lap one over another. Then surround them, as it were, with the tips

of the left hand fingers and thumb, and quickly slide them down into the

right palm, where they are to be held by pressing on them with the tip

of the left thumb; finally, at almost the same moment make a third

upward move, keeping the hands together and the eyes fixed above; the

hands will appear to be empty and the coins to have vanished. Figs. 5

and 6 show the fronts and backs of the hands. During the applause which

always follows this trick, quietly withdraw your thumb, close the right

hand over the money, and put it noiselessly away, either in your pocket

or other receptacle.

The mere learning of a move like palming is hardly interesting unless it

avails for some trick. As "The Miser" is not suitable for all occasions,

here is a little trick which will answer to show my amateur friend's

proficiency:

Place two half-dollar's on a table. Pick up one with the right hand,

palm it, and pretend to place it in the left hand. To do this naturally

let the tips of the right-hand fingers touch the left hand, and at the

same time close that hand and draw the other away. To the general

spectator it will appear as if the coin really remained in the left

hand. Turn the left wrist, so that the back of the hand will be toward

your audience.

Now pick up the second coin with the tips of the right-hand fingers and

thumb, cry, "Pass!" Clink the two coins together, and it will seem as if

the left-hand coin had at that moment passed to the right.

Besides the method of palming described, which may be called the

orthodox, there are several other methods, one of which I will briefly

describe.

[Illustration: FIG. 7.]

[Illustration: FIG. 8.]

With the palm upward, hold the coin between the thumb and second finger

of the left hand, the tip of the forefinger touching it from below, as

in Fig. 7. Let the right thumb go under and the other fingers over it,

as if taking it. If at the same time you withdraw the right forefinger

and release the grasp of the thumb and second finger, the coin will fall

into the left palm, as in Fig. 8. Close the right hand and hold it

aloft, letting the left hand drop to the side or rest on the hip. The

effect is exactly as if the coin had been taken away by the right hand.

The coin may be made to appear as if taken from the leg by merely

dropping it to the tips of the left-hand fingers, which must then be

laid on the spot it is desired to have it appear.

If, instead of a coin, a small ball is used, a very laughable effect may

be produced by appearing to swallow it. To do this show the ball, throw

it into the air once or twice, and at last palm it. Place the

gathered-up tips of the fingers and thumb to the lips, and at that

moment thrust the tongue into the left cheek, which will give it the

appearance of having the ball there. Point to the cheek with the right

forefinger; then let the right hand drop to the side, holding the ball

palmed. To reproduce it lift the lower front of the vest with the left

hand, and thrusting the right hand under, let the ball find its way to

the finger-tips; leave it under the vest a second, and then withdraw it

slowly.

THE HIDDEN TREASURE OF KING OBANI.

BY RICHARD BARRY.

This is the story of an American boy in far-off Africa. He was sixteen

years of age--very near seventeen, in fact--at the time of this tale;

but he had led such a strange life and had been in so many places that

he had probably seen more of the world than many grown men who consider

themselves great travellers.

The boy's name did not have an American sound; it was Malcolm McFee, and

that is Scotch, as any one can tell at half a glance, and the only

reason he was an American was because he happened to be born in the

United States, on the slopes of the Sierra Nevada.

In his early youth Malcolm's father had been a sailor, and after that a

soldier of the Queen in India, where, after serving bravely, and being

wounded in one of the campaigns against the mountain tribes, he had

taken it into his head to leave before his time was up, and start on the

peculiar crusade which filled the next thirty years or so of his life,

and which, at the end of that time found him in the far-away diamond and

gold country of the dark continent.

One day Malcolm McFee was sitting in front of the little sheet-iron

house in which he and his father lived off in the interior of one of the

British Colonies in South Africa, when he saw the latter coming rapidly

towards him with his arms swinging. Mr. McFee was a small wiry man, all

thews and sinews. He had never abused himself in any way, and he could

strike a trot and hold it open-mouthed all day like a dog. He was loping

along through the dust, and Malcolm saw that he was evidently laboring

under some excitement. Now his father was never despondent or cast down,

but he was sometimes more enthusiastic than at others, that was all, and

never had the boy seen his father so wrought up as at this very moment.

He entered the house and closed the door behind him. Then, not even

breathing hard from his running, he put both hands on Malcolm's

shoulders, and exclaimed, "Laddie, laddie, but we are going to strike it

rich!"

Now Malcolm had heard this before, so he waited for further

developments. But the strange tale that was told him succeeded at last

in arousing even his calmer nature.

A year previously the British government had conducted a campaign way to

the northwest of the South African Dutch republic. They had humbled the

little black native King and made him pay tribute, but the loot and

treasure that they expected to find (for he had been reputed to be

wealthy) were not forth-coming. This is the key to this story, and there

is no use of going into the details of the conversation between Malcolm

and his father. It is what they did that is interesting--and what took

place afterwards.

That night an Englishman named Gifford, a tall, gaunt, fanatical-looking

being, entered their hut. He was accompanied by a gray-headed, wizened

negro, whose ribs and joints showed plainly beneath his shrivelled,

dusty skin. A rather remarkable council was held--the Englishman

translating as the negro talked.

"He says he knows exactly the place," Gifford said. "He saw them burying

it, and after they had walked away from the spot old Obani had every one

of the men who digged for him killed--heads chopped off, you know.

That's the reason Tommy Atkins didn't find anything up there, eh?

Listen, man! We can get it--gold and sparklers! old Grumpah here

says--handfuls of them. Are you game, man, to try it? I tell you frankly

why I come to you," Gifford continued. "I know you can be trusted, and

we will need some money for the outfit. I say, old Juggins, come, are

you with me?"

"How did you get such a hold over the old boy?" asked Mr. McFee, nodding

towards the squatting black figure.

"That's a short story," answered the Englishman, laughing. "I have had

my eye on him for a long time. He let something slip once, and I tell

you, man, I worked with my hands to keep that old nig in idleness--for

three years I've worked for him. I arranged it so that he thinks I saved

his life, too; and that was easy. And now the point--will you join me?"

This question was superfluous, as any one who had known Malcolm's father

would have testified.

Three weeks later two large ox-carts, with four blacks to drive them,

and three white men--at least two white men and a boy--were treaking

across the flat plains, equipped apparently for a hunting excursion into

the game-abounding country where beasts with strange horns and names are

found in plenty, and where the lion's roar often breaks the stillness of

the night.

Privation and hardship, death and disease they faced, and at last, a

month later, with only one wagon left, and the loss of one of the negro

drivers (by drowning at a river ford) they arrived at the great fertile

border-land that edges the deep forest of the outermost possessions of

King Obani, chief of the Bangwalis. Here they rested for a week,

regaining strength, for they had made the trip in the unhealthy season

of the year. They had traded their way peaceably, so far, with what

natives they had met, and had encountered no hostile resistance. But the

hardest work was yet to come.

Leaving the cattle in charge of one of the natives in a little hidden

valley, the four men and Malcolm entered the shadows of the forest. For

ten days they struggled on, cutting their way slowly through the massive

undergrowth. Each one was laden down with a heavy pack, pickaxes, and

long-handled shovels, not forgetting a few coils of rope, and iron bolts

which came in handy afterwards. Besides, the three white men (I can

speak of Malcolm as a man) carried rifles and well-filled

cartridge-boxes.

On the tenth day old Grumpah, who was leading, stopped and made a

strange clucking sound, the sound that the African used universally to

attract attention. He pointed with his long bony arm. Half hidden by the

vines and weeds lay a white rain-washed skeleton, and only a few feet

away lay another. They counted thirty of them in all. It was here that

the sharers of King Obani's secret had been put past the revealing of

it. Grumpah was talking excitedly now, using long words, but Malcolm had

picked up a little of the language, and he caught the gist of it even

before Gifford turned and spoke.

"Old 'Grumpah' says it is only five miles further on," he whispered.

For some time they had been following quite a distinct path, and now it

was better going. In a little over an hour, Gifford, who had forged

ahead, uttered a shout that startled some great billed birds squawking

out of the tree-tops.

"By George," the Englishman exclaimed, "the old fellow has not lied!

Here is the place."

It was evident that a clearing had been made, and at the foot of a great

white-trunked tree a mound could be seen covered and grown with

underbrush, but hanging from the branch of a tall bush was a strange

object. It was an ordinary gin bottle with a label blown into the glass,

and on another branch hung a dinner-bell with the clapper removed.

Gifford struck the bell with the point of his rifle--it tinkled

musically in the silence, and he said, "Come in," jocosely. Mr. McFee's

eyes, however, were shining like coals; he removed his coat and laid

about him with an axe, cutting away the shrubbery and clearing up the

ground. Evidently the mound had been made by hands--no mistaking that.

"Ask him how deep it is," Mr. McFee said, eagerly, driving the point of

a pickaxe into the earth.

"The depth of four men!" returned Gifford--"less than thirty feet. How

long will it take us?"

McFee looked about him.

"Four days at the most," he said, "if it is easy digging. But now let us

go at it right and dig it well fashion. We must make a windlass."

Even before dark--and it grows dark very suddenly in the African

forest--a rough winch had been constructed from the trunk of a tree;

with the aid of the iron bolts it was strongly held together, and

handles were placed on each end, so they could be worked the way a

bucket is lowered and raised in a mine shaft. By noon the next day all

this was completed and the digging fairly commenced. When they had gone

down some ten feet or more, and it became difficult to throw up the

spadefuls of the black rich earth, the windlass was placed in position,

a basket constructed with the aid of twigs and vines, and the two

negroes were set to work hauling the earth to the surface as the white

men below filled the improvised carrier. Malcolm's back ached from the

constant bending and lifting, but his father labored as might a fireman

in a burning house, and Gifford, stripped to the waist and dripping with

perspiration like a stoker, delved with the strength of two men. Twenty

feet, twenty-five feet, thirty feet were reached, and the only

encouraging thing about it was that there were signs that the earth had

been disturbed before them.

At noon of the third day they had all gone to the surface except Sandy

McFee, when the latter gave utterance to a shout from the shaft,

"Here's something," he called; "look out!"

A shining object thrown from his hand sailed up from out the shaft. It

was another gin bottle. (Alas! the mark of on-sweeping civilization.)

It struck against the handle of the windlass and shivered into a hundred

sparkling bits. One of them fell at Malcolm's feet.

"Look out, McFee, you idiot!" cried Gifford, springing up. "You came

near braining us."

"I have struck a layer of tree trunks," came the answer from below. "The

treasure must be underneath."

But Malcolm was sitting there gazing at something that he held between

his thumb and forefinger.

"What's the matter, lad?" asked Gifford, turning.

Malcolm handed the shining thing up to him.

"Diamonds!" exclaimed the older man, with a gasp; "the bottle was filled

with 'em!"

Most of its contents had fallen back into the shaft. Gifford slipped the

stone into his mouth and made a spring for the rope. He slid down it

sailor fashion, and one of the blacks followed him. Malcolm hastened to

the edge. There they were, on their hands and knees, searching the loose

earth, beneath which showed clearly the heavy beams that protected the

rest of King Obani's treasure.

They were picking things up, objects to right and left, as children do

scattered sugar-plums.

Malcolm had about made up his mind to go down also, when suddenly he

heard a weird call off in the woods. It reminded him of the "coo-ee" of

the Australian bushmen. It was evidently the sound of a human voice.

Another answered it. The black man who had staid on the surface with old

Grumpah and himself gave a startled look around, and without a word put

off into the woods.

"Some one is coming," shouted Malcolm down the shaft.

Again the call was heard. This time those below heard it also.

"Hurry up! get us out!" shouted Gifford. "It's the Bangwalis. I know the

cry."

Hurriedly he emptied the earth out of the basket, and, with Mr. McFee,

stepped inside, holding fast to the rope. Malcolm took one handle and

Grumpah the other. Slowly they turned the windlass that was supporting

more than its usual weight. They had raised it perhaps ten feet or so

when there was a sharp crack, and old Grumpah gave a groan. The handle

on his side had broken. The old man, who had been straining forward with

all his strength, slipped his footing and plunged headlong into the pit.

The weight now was more than Malcolm's arms could stand, and do his best

he could not help the windlass slipping from his grasp. Down went the

basket.

"Are you hurt?" he shouted.

"Steady, Mal, my boy," came his father's voice in reply. "Keep cool. Now

try again. One at a time!"

Malcolm put forth all the might of his strong young back, and slowly the

bucket came to the surface, this time with his father alone.

"The old nig broke his neck," were the first words he said. "Come, get

the others out."

[Illustration: McFEE AND MALCOLM GRASPED THE WINCH HANDLE.]

At this moment, nearer than before, sounded the strange cry. McFee

grasped the winch handle with his son, and they had wound Gifford nearly

to the top, when Malcolm heard a noise and looked up. Not thirty feet

away, parting the bushes, stood a strange figure. Over the top of a long

shield peered an excited black face, and behind it another. The gleam of

a broad spear-head and the tossing of a headdress farther back showed

that there were more to come.

So paralyzed were the natives by astonishment at what they saw that they

stood there for a moment like ebony statues. McFee saw his opportunity.

"Pull hard, boy," he said. "This affair has gone past treating;" and he

stooped quickly and picked up the Martini rifle from the ground. The

shot rang out at once, and the nearest two figures lunged forward, for

the ball had passed through both of them.

Gifford was now swarming up the rope faster than Malcolm could raise the

bucket. A wild cry rang through the woods, but dismayed by the death of

the foremost two, the rest of the Bangwalis had taken to their heels.

"Get your guns," cried Gifford. "We must make for the high ground down

the path."

The black man down at the bottom of the pit set up a piteous howl.

"We can't leave him," cried Malcolm, letting the bucket go by the run.

The negro seized the rope and came up it like a monkey, leaving the body

of poor old Grumpah where he fell. All four now struck off through the

woods to the northward. The cries and the pounding of a tomtom were

heard from the south, and then a wild scream, as it was evident the

blacks had determined on a charge across the open.

"They'll be on us in about five minutes," panted Gifford, looking back

over his shoulder. "What in the world are we to do? We must leave the

path."

They crushed their way through the thickets a dozen yards or so, each

man fighting as if the leaves would drown him, when Malcolm pointed with

his finger. There, towering straight up to the sky, was the trunk of a

huge tree. At the roots was a small opening, large enough to all

appearances for a man to squeeze his way in. No sooner had he seen it

than the black darted toward it on hands and knees like a rabbit, and

before the others could tell what he was going to do, nothing but his

heels were to be seen. Gifford turned and reached up overhead. With the

stroke of his knife he clipped off the top of one of the overhanging

bushes.

"In with you!" he cried--"in with you! That tree trunk is nothing but a

chimney. It will hold us all."

Malcolm and his father and lastly the lanky Englishman crawled into the

damp-smelling interior, and Gifford pulled the ends of the branch in

after him, so that the spreading leaves would hide the opening. Now the

cries sounded all about. On the path not forty feet away a crowd of

natives went by on the rush, the ornaments on their knees jingling as

they ran. Crouching in the crowded space the fugitives waited

breathlessly. They heard more cries, and once some one had passed

through the bushes so close to them that they could hear the swishing of

the leaves. It had grown so dark that perhaps their footprints could not

be seen; their hiding-place was not discovered.

Now a consultation was held.

"I wish old Grumpah was here," said Clifford. "He knows the country."

The black whose teeth were chattering was mumbling something.

"What's that?" asked Gifford, turning to him.

"Ribber not far off," the man replied.

Gifford spoke to him in his own language, and then he addressed the

others in a whisper.

"This boy was a slave to the Bangwalis," he said. "He tells me there is

a stream to the northward. We might make it and find a canoe at the

banks. It's our only chance for life."

"Will we have to leave the treasure behind?" asked Mr. McFee, hoarsely.

"Confound the treasure!" responded Gifford. "It may be the death of us

yet. We have enough white stones to make us rich."

It was midnight, judging as well as they could, when they crawled from

their hiding-place, and there was nothing for it but to take the path

again and go cautiously, as it was impossible in the darkness to travel

through the forest. But after following the path for half an hour it

lightened suddenly, and they perceived that it was only the thick

foliage that had kept the moonlight from reaching them. A few rods

further on they went, and a broad stream lay spread before them. On the

opposite shore lights could be seen, and the sound of wailing voices and

the beating of drums proclaimed the fact that some negro rite was there

in progress. The black man pointed with his finger, and Gifford held up

his hand as an order to halt.

"King Obani, he home," said the negro boy, nodding across the river.

"Three year ago English too 'm. No find gold."

"I know where I am now," whispered Gifford, excitedly. "This river is

the Mmymbi; that is Obani's chief town. Willoughby and the rangers took

it three years ago, and were fooled in getting the loot, don't you

remember. Eh? the idiots!"

"Well, what are we to do?" asked Mr. McFee.

"Thirty-five miles below is an English trading-station," Gifford said,

eagerly. "We must get a boat of some kind."

Tho black had waded knee-deep into the stream. He bent over with his

face close to the water, and then struck out silently.

"Come back here, you black rascal," hissed Gifford, raising his rifle.

But the boy's reply caused him to lower it.

"He says there's a boat tied to the branches of yonder tree," he

murmured.

Now by bending over all could see it plainly. The negro slid over the

side, and soon came back paddling it silently along the shore; the

others crawled in, and now, keeping well in the deep shadow of the

trees, they drifted down the stream; the cries and lights of the

Bangwali village grew fainter and fainter in the distance. When around

the bend of the river Gifford picked up a paddle, and they struck out at

full speed. Three hours' paddling and they were beyond King Obani's

jurisdiction, and by daylight they saw the clearing of the English

trader.

For some reason they chose not to tell their story, and the next morning

as they sat at breakfast a canoe shot down the stream. Some natives

landed.

"Hullo, here's news," said the trader's clerk as he approached the house

after meeting the native boat. "King Obani is dead."

"Then the mystery of his treasure dies with him," said the trader, for

the story was well known.

"Humph," observed Gifford, lighting his pipe.

"Mal, my boy, we'll return for the rest of it some day," whispered Mr.

McFee.

But he never did. Adventure seemed to be killed within him, and he and

Malcolm composed the firm McFee & Son, general merchants, at K----. And

here is where the story comes from.

RICK DALE.

BY KIRK MUNROE,

AUTHOR OF "SNOW-SHOES AND SLEDGES," "THE FUR-SEAL'S TOOTH," "THE 'MATE'

SERIES," "FLAMINGO FEATHER," ETC.

Harper's Round Table, June 23, 1896 · 第 1 / 3 章