CHAPTER XV.

A MATTER OF BUSINESS.

The weeks that followed the coming of Betty Jo to the little log house

by the river passed quickly for Brian Kent. Perhaps it was the peculiar

circumstances of their first meeting that made the man feel so strongly

that he had known her for many years, instead of for only those few

short weeks. That could easily have been the reason, because the

young woman had stepped so suddenly into his life at a very critical

time;--when his mental faculties were so confused by the turmoil and

suffering of his emotional self that the past was to him, at the moment,

far more real than the present.

And Betty Jo had not merely come into his life casually, as a

disinterested spectator; but, by the peculiar appeal of herself, she

had led Brian to take her so into his confidence that she had become

immediately a very real part of the experience through which he was then

passing, and thus was identified with his past experience out of which

the crisis of the moment had come.

Again Betty Jo, in the naturalness of her manner toward him, and by her

matter-of-fact, impersonal consideration of his perplexing situation,

had brought to his unsettled and chaotic mind a sense of stability and

order; and by subtly insinuating her own practical decisions as to the

course he should follow, had made herself a very literal part of his

inner life. In fact, Betty Jo knew Brian Kent more intimately at the

close of their first meeting than she could have known him after years

of acquaintanceship under the ordinary course of development.

Brian's consciousness of this would naturally cause him to feel toward

the young woman as though she had long been a part of his life. Still

other causes might have contributed to the intimate companionship that

so quickly became to them both an established and taken-for-granted

fact; but, the circumstances of their first meeting, given, of course,

their peculiar individualities, were, really, quite enough. The fact

that it was springtime might also have had something to do with it.

The morning after her arrival, Betty Jo set to work typing the

manuscript. Brian went to his work on the timbered hillside. In the

evenings, Brian worked over the typewitten pages,--revising, correcting,

perfecting,--and then, as Betty Jo made the final copy for the printers,

they went critically over the work together.

So the hours flew past on busy wings, and the days of the springtime

drew toward summer. The tender green of the new-born leaves and grasses

changed to a stronger, deeper tone. The air, which had been so filled

with the freshness and newness of bursting buds and rain-blessed soil,

and all the quickening life of tree and bush and plant, now carried the

perfume of strongly growing things,--the feel of maturing life.

To Brian, the voices of the river brought a fuller, deeper message, with

a subtle undertone of steady and enduring purpose.

From the beginning, Betty Jo established for herself the habit of

leaving her work at the typewriter in the afternoons, and going for

a walk over the hills. Quite incidentally, at first, her walks

occasionally led her by way of the clearing where Brian was at work

with his ax, and it followed, naturally, that as the end of the day drew

near, the two would go together down the mountain-side to the evening

meal. But long before the book was finished, the little afternoon visit

and the walk together at the day's close had become so established as a

custom that they both accepted it as a part of their day's life; and to

Brian, at least, it was an hour to which he looked forward as the most

delightful hour of the twenty-four. As for Betty Jo,--well, it was

really Betty Jo who established the custom and developed it to that

point where it was of such importance.

Auntie Sue was too experienced from her life-long study of boys and

girls not to observe the deepening of the friendship between the man and

the woman whom she had brought together. But if the dear old lady felt

any twinges of an apprehensive conscience, when she saw the pair day

after day coming down the mountain-side through the long shadows of

the late afternoon, she very promptly banished them, and, quite

consistently, with what Brian called her “River philosophy,” made no

attempt to separate these two life currents, which, for the time at

least, seemed to be merging into one.

And often, as the three sat together on the porch after supper to watch

the sunsets, or later in the evening as Auntie Sue sat with her sewing

while they were busy with their work and unobserving, the dear old lady

would look at them with a little smile of tender meaning, and into the

gentle eyes would come that far-away look that was born of the memories

that had so sweetened the long years of her life, and of the hope and

dream of a joy unspeakable that awaited her beyond the sunset of her

day.

In her long letter to Betty Jo, asking the girl to come, Auntie Sue had

told the young woman the main facts of Brian's history as she knew them,

omitting only the man's true name and the name of the bank. She had even

mentioned her conviction that there had been a woman in his trouble. But

Auntie Sue had not mentioned in her letter the money she had lost; nor

did she now know that Brian had himself told Betty Jo at the time of

their first meeting.

On the day that Betty Jo typed the last page, and the book was ready for

the printers, the young woman went earlier than usual to the clearing

where Brian was at work. The sound of his ax reached her while she was

yet some distance away, and guided her to the spot where he was chopping

a big white oak.

Brian, with his eyes fixed on the widening cut at the base of the tree,

did not notice the girl, who stood watching him. She was smiling to

herself at his ignorance of her presence and in anticipation of the

moment when he should discover her, and there was in her eyes a look of

wholesome womanly admiration for the man who swung his ax with such easy

strength. In truth, Brian Kent at his woodman's labor made a picture not

at all unattractive.

Swiftly, the cut in the tree-trunk widened as the ax bit deeply at every

skilful stroke, and the chips flew about the chopper's feet. The acrid

odor of the freshly cut oak mingled with the woodland perfume. The

sun warmly flooded the clearing with its golden light, and, splashing

through the openings in the forest foliage, formed pools of yellow

beauty amid the dark, rich green of the shadowy undergrowth. The air was

filled with the sense of life, vital and real, and strong and beautiful.

And the young woman, as she stood smiling there, was keenly conscious

of it all. Most of all, perhaps, Betty Jo was conscious of the man, who

worked with such vigor at his manly task.

Slowly, accurately, the bright ax sank deeper and deeper into the heart

of the tree. The chips increased in scattered profusion. And then, as

Betty Jo watched, the swinging ax cut through the last fibre of the

tree's strength, and the leafy top swayed gently toward its fall. Almost

imperceptibly, at first, it moved while Betty Jo watched breathlessly.

Brian swung his ax with increasing vigor, now, while the wood, still

remaining, cracked and snapped as the weight of the tree completed the

work of the chopper. Faster and faster the towering mass of foliage

swung in a wide graceful arc toward the ground. The man with the ax

stepped back, his eyes fixed on the falling tree as, with swiftly

increasing momentum, its great weight swept swiftly downward to its

crashing end.

Betty Jo clapped her hands in triumph; and Brian, turning, saw her

standing there. His face was flushed and glistening with perspiration;

his broad chest heaved with the deep breathing gained by his exertion,

and his eyes shone with the gladness of her presence.

“You are early, to-day!” he cried. “Have you finished? Is it actually

completed?”

“All finished,” she returned; and, going to the fallen tree, she put her

hands curiously on the trunk, which lay a little higher than her waist.

“Help me up,” she commanded.

Brian set his ax against the stump, and, laughingly, lifted her to the

seat she desired. Then he stood watching her face as she surveyed the

tangled mass of branches.

“It looks so strange from here, doesn't it?” she said.

“Yes; and I confess I don't like to see it that way;” he returned. “I

wish they didn't have to be cut. I feel like a murderer,--every one I

fall.”

She looked down into his eyes, as she returned: “I know you must. YOU

would, of course. But, after all, it has to be, and I don't suppose the

tree minds so much, do you?”

“No; I don't suppose it feels it much.” He laughed, and, throwing aside

his hat, he ran his fingers through his tumbled hair for all the world

like a schoolboy confused by being caught in some sentimental situation

which he finds not only embarrassing, but puzzling as well.

“I like you for feeling that way about it, though,” Betty Jo confessed

with characteristic frankness. “And I am sure it must be a very good

thing for the world that every one is not so intensely practical that

they can chop down trees without a pang. And that reminds me: Speaking

of the practical, now that the book is finished, what are we going to do

with it?”

“Send it to some publisher, I suppose,” answered Brian, soberly; “and

then, when they have returned it, send it to some other publisher.”

“Have you any particular publisher to whom you will send it first?” she

asked.

“They are all alike, so far as my experience goes,” he returned.

“I suppose it would be best if you could take your book East, and

interview the publishers personally, don't you think?”

Brian shook his head: “I am not sure that it would make any difference,

and, in any case, I couldn't do it.”

“I know,” said Betty Jo, “and that is what I wanted to get at. Why don't

you appoint me your agent, and let me take your book East, and make the

publishing arrangements for you?”

Brian looked at her with such delighted surprise that Betty Jo smiled

back at him well pleased.

“Would you really do it?” he demanded, as though he feared she was

jesting.

“You are sure that you don't mean 'COULD I do it'?”--she

returned,--“sure you could trust me?”

To which Brian answered enthusiastically: “You could do anything! If you

undertake the job of landing a publisher for my stuff, it is as good as

done.”

“Thank you,” she said, jumping down from the tree-trunk. “Now that we

have settled it, let us go to the house and tell Auntie Sue, and I will

start in the morning.”

As they went down the hill, they discussed the matter further, and,

later, at the house, Brian took a moment, when Auntie Sue was in her

room, to hand an envelope to his assistant. “Your salary,” he said,

hurriedly, “and expense money for the trip.”

“Oh!” Betty Jo's exclamation was one of surprise. Then she said, in

her most matter-of-fact, businesslike tone: “Thank you. I will render a

statement of my account, but--” For once, Betty Jo seemed at a loss for

words. “You don't mind if I ask--is--is this money--?”

Brian's face was a study. “Yes,” he said, “it is really Auntie Sue's

money; but it is all I have, and I can't return it to her--without her

knowing--so I--”

Betty Jo interrupted: “I understand. It is all we can do,--forgive me?”

Brian Kent did not know that Betty Jo, a few minutes later, buried the

envelope he had given her deep in the bottom of her trunk without even

opening it.

The next day, Brian drove to Thompsonville with Betty Jo, who took the

noon train for the East.

The two were rather quiet as “Old Prince” jogged soberly along the

beautiful river road. Only now and then did they exchange a few words of

the most commonplace observation.

They were within sight of the little Ozark settlement when Brian said,

earnestly: “I wish I could tell you, Miss Williams, just what your

coming to help me with this work has meant to me.”

“It has meant a great deal to me, too, Mr. Burns,” she returned.

Then she added quickly: “I suppose the first real work one does after

finishing school always means more than any position following could

possibly mean, don't you think? Just like your book. No matter how many

you may write in the future, this will always mean more to you than any

one of them.”

“Yes,” he said slowly. “This book will always mean more to me than all

the others I may write.”

For a moment their eyes met with unwavering frankness. Then Betty Jo

turned her face away, and Brian stiffened his shoulders, and sat a

little straighter in the seat beside her. That was all.

Very brave they were at the depot purchasing Betty Jo's ticket and

checking her trunk. With brave commonplaces they said good-bye when the

train pulled in. Bravely she waved at him from the open window of the

coach. And bravely Brian stood there watching until the train rounded

the curve and disappeared from sight between the hills.

The world through which Brian Kent drove that afternoon on his way back

to Auntie Sue and Judy in the little log house by the river was a very

dull and uninteresting world indeed. All its brightness and its beauty

seemed suddenly to have vanished. And as “Old Prince” jogged patiently

on his way, sleepily content with thoughts of his evening meal of hay

and grain, the man's mind was disturbed with thoughts which he dared not

own even to his innermost self.

“Circumstances to a man,” Auntie Sue had said, “always meant a woman.”

And Brian Kent, while he never under any pressure would have admitted

it, knew within his deepest self that it was a woman who had set him

adrift on the dark river that dreadful night when he had cursed the

world which he thought he was leaving forever.

“Circumstances” in the person of Auntie Sue had saved him from

destruction, and, in the little log house by the river, had brought

about his Re-Creation.

And then, when that revelation of his crime toward Auntie Sue had

come, and the labor of months, with all that it implied of the enduring

salvation of himself and the happiness of Auntie Sue, hung wavering in

the balance, it was the “Circumstances” of Betty Jo's coming that had

set him in the right current of action again.

What waited for him around the next bend in the river, Brian

wondered,--calm and peaceful waters, with gently flowing currents, or

the wild tumult of dangerous rapids wherein he would be forced to fight

for his very existence? Would Betty Jo succeed as his agent to the

publishers? If she did succeed in finding a publisher to accept

his book, would the reading public receive his message? And if

that followed, what then? When Betty Jo's mission in the East was

accomplished, she was to return to Auntie Sue for the summer. Then--?

“Old Prince,” of his own accord, was turning in at the gate, and Brian

awoke from his abstraction to see Auntie Sue and Judy waiting for him.

All during the evening meal and while he sat with Auntie Sue on the

porch overlooking the river, as their custom was, Brian was preoccupied

and silent; while his companion, with the wisdom of her seventy years,

did not force the conversation.

It was the time of the full moon, and when Auntie Sue at last bade him

good-night, Brian, saying that the evening was too lovely to waste in

sleep, remained on the porch. For an hour, perhaps, he sat there alone;

but his thoughts were not on the beauties of the scene that lay before

him in all its dreamy charm of shadowy hills and moonlit river. He had

no ear for the soft voices of the night. The gentle breeze carried to

him the low, deep-toned roar of the crashing waters at Elbow Rock; but

he did not hear. Moved at last by a feeling of restless longing, and the

certainty that only a sleepless bed awaited him in the house, he left

the porch to stroll along the bank of the river.

The Re-Creation of Brian Kent · 第 15 / 25 章