CHAPTER V

FILMING THE PRINCE OF WALES

How I Made a "Hide-up"--And Secured a Fine Picture of the

Prince Inspecting some Gun-pits--His Anxiety to Avoid the

Camera--And His Subsequent Remarks--How a German Block-house

was Blown to Smithereens--And the Way I Managed to Film it

Under Fire.

To-day has certainly been most interesting, and not without excitement.

I was to film the bombardment of a concrete German block-house from the

Guards' trenches at ----. Previous to starting out from ---- news came

through from headquarters that the Prince of Wales was going to inspect

some guns with Lord Cavan.

The staff officer who told me this knew the trouble I had previously

experienced in trying to obtain good films of the Prince, and warned me

to be very careful. I enquired the time of his arrival at the gun-pits.

So far as I could ascertain, it was to be at 11.30 a.m. I therefore

decided to be there half an hour earlier, and make a "hide-up" for

myself and camera. I was determined to succeed this time. Proceeding by

way of ----, which place has suffered considerable bombardment, the

church and surrounding buildings having been utterly destroyed, I stayed

awhile to film the interior and exterior of the church, and so add

another to the iniquitous record of the Bosche for destroying everything

held sacred.

[Illustration: ON THE WAY TO THE "MENIN GATE" WITH AN ARTILLERY OFFICER,

TO FILM OUR GUNS IN ACTION]

A short distance outside the town I came upon the gun positions, and

crossing a field--or rather shall I say a mud-pond, for the mud very

nearly reached my knees--I selected a point of vantage at one side of

a hedge which ran at right angles to the gun-pits. There was only one

path fit to traverse, and getting hold of an officer, I asked him if we

could so arrange it that the Prince started from the further end of the

path and came towards camera. He said he would try. Fixing up the

camera, I got in front of the hedge facing the path, and completely hid

all signs of the machine with bracken and branches of trees. Pushing the

lens well through the hedge, I ripped open an old sandbag, cut a hole in

it and hung it on the hedge, with my lens pointing through. By such

means it was quite impossible for anyone in front to see either myself

or the camera, and having completed my preparations, I settled down to

patiently await the arrival of the Prince.

In about half an hour he came along with Lord Cavan, a general, and

other officers of the staff. True to his promise, Captain ---- got the

Prince to follow the path I had indicated. When he arrived at the

further end of the row of guns, I started filming. He came direct

towards the camera, but when within fifteen feet of it the noise of

handle turning attracted his attention. He stood fully fifteen seconds

gazing in my direction, evidently wondering what it was on the other

side of the hedge. Then he passed out of range. I hurried across the

field with my aeroscope (an automatic camera), and stood at the end of

the path waiting for him to pass.

In a few moments he came along, and I started filming. The smiles of the

staff officers were pleasing to behold. One of them remarked to the

Prince that it was quite impossible to escape this time. As he passed

inside the farm-house, I heard him remark: "That was the man I tried to

dodge on Christmas Day. How did he know I was coming here? Who told

him?" The enquiry was followed by some good-natured laughter, and

feeling satisfied with my work, I hurried away.

I had now to proceed to the front line trenches, taking the car, as far

as possible, along the road. I had hidden it under cover of some ruined

buildings, and taking the camera, and bidding my chauffeur bring the

tripod, I started out. A captain conducted me. We quickly got to the

communication trenches. As usual, a good deal of "strafing" was going

on, and the German snipers were very busy. When we reached the first

line firing trenches, I peered over the parapet through a periscope, but

found I was too far south of the block-house. So I proceeded higher up,

and about eight hundred yards further on came a traverse, which I had

chosen, and the loophole through which I was going to film the scene.

The distance to the German block-house from where I was standing was

about 150 yards.

The thickness of the parapet, I should say, was roughly four feet; and

through the parapet was a conical, square-shaped, wooden cylinder. In

front, under cover of darkness, the night previous, I had had two

sandbags placed, so that when everything was ready, and my camera fixed,

a slight push from the back with a stick would shift them clear of the

opening. Fixing up the camera, I very carefully pinned an empty sandbag

over the back of the aperture, with the object of keeping any daylight

from streaming through. I placed a long stick ready to push the sandbags

down. I intended doing that after the first shell had fallen.

This particular loophole had been severely sniped all the morning, the

Germans evidently thinking it was a new Maxim-gun emplacement. Time was

drawing near. I thought I would try with the stick whether the sandbags

would fall easily. Evidently I gave them too vigorous a push, for the

next moment they came toppling down. Knowing such a movement as that was

certain to attract the German snipers' attention, I quickly ducked my

head down and hoped our 9.2's would soon open fire. I did not relish

the idea of having a bullet through my camera.

Sure enough the Germans had seen the movement, for bullets began

battering into sandbags around the loophole. At that moment the C.O.

withdrew the whole of the men from that section of the trench, and I was

left alone. But the prospect of getting a fine film drove all other

thoughts from my mind.

A few minutes later the first shell came hurtling over and exploded

within ten yards of the block-house. I started filming. Shell after

shell I recorded as it exploded, first on one side then on the other,

until at last the eighth shell fell directly on top of the block-house,

and with a tremendous explosion the whole fabric disappeared in a cloud

of smoke and flame. Débris of every description rattled in the trench

all round me, and continued to fall for some moments, but luckily I was

not hit. Being unable to resist the temptation of looking over the

parapet, I jumped up and gazed at the remains of the building which now

consisted of nothing more than a twisted, churned-up mass of concrete

and iron rails. Our artillery had done its work, and done it well.

How I Filmed the War A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc. · 第 5 / 29 章