POSSESSION.

The dear old home has been let to strangers. An interloper occupies the

messuage. A foreign master controls the demesne.

To-day especially, when as I write the air is balmy and the skies are blue,

it is agonising to feel that our own spring rhubarb is growing crimson only

to be toyed with by alien lips, and that the thrush on our pear-tree

bough----But no, I am wrong; the pear-tree bough is in the garden of No. 9;

it is only the trunk that stands in the garden of No. 10. That, by the way,

is an accident that frequently occurs to estate-owners. Consider critically

for a moment those well-known lines in which BROWNING says--

"Hark where my blossom'd pear-tree in the hedge

Leans to the field,"

and then goes on to speak of "the wise thrush" on "the bent spray's edge"

as "singing his song twice over." It is pretty obvious that the reason the

poet assigns to this action on the bird's part is not the correct one.

Evidently the part of the tree on which it was sitting was on the other

side of the hedge in the next-door fellow's garden, and it was

conscientiously trying to allot one performance to each of the two rival

householders. But I seem to have wandered a little from the ancient home.

Come with me in imagination, reader, and let us have a look at it together.

The fourth house to the left in this winding road that fringes the common,

you see it standing there gazing a little wistfully, yet with a quiet air

of semi-detachment, out over the wide expanse of green. Half right and half

left are two monstrous blocks of red brick flats overlooking it with a

thousand envious eyes. The middle distance is dotted pleasantly with

hawthorn bushes and the pretty pieces of sandwich-paper that are always the

harbingers of London's Spring. Beyond these things, and far away to the

front, you may detect on clear days a white church-tower nestling like

Swiss milk amongst immemorial trees. And this view is mine--mine, like the

old home. If we linger for a moment in the road we shall probably see the

scornful face of the proud usurper at one of the windows calmly enjoying

this view of mine, all unconscious that I, the rightful owner, am standing

beneath. Does it not remind you of the films?--

"_Charles Carruthers_, an outcast from his ancestral halls, eyes mournfully

the scene of merry junketing within. _Charles Carruthers_--_blick!

blick!_"--and you see him eyeing mournfully outside--"_blick! blick!_"--and

you see the junketers eating his junket within.

On looking back in a calmer mood on the lines which I have just written, I

feel it possible that I may have let my emotions run away with me and

conveyed a slightly false impression. I may have suggested that the old

home has belonged to my family since Domesday Book or dear-knows-when or

some other historic date in our island story. That would not be strictly

true. As a matter of fact I have never lived in the house, nor have any of

my relations either. It has belonged to me, to be quite accurate, since

March 25th, 1920, and the interloper was interloping on a short lease when

I bought the long lease over his head. It is also true that by an awkward

and absurd convention I have to restore the old home to the ground landlord

in 1941. But who cares about what is going to happen in 1941? The Coalition

may have come to an end by that time, and the first Labour Government,

under Lord NORTHCLIFFE or Mr. JACK JONES, may be in power. Some bricklayer,

in a mood of artistic frenzy, may have designed the plan of a new brick and

had it passed by the Ministry of Housing. DEMPSEY may have met CARPENTIER.

No, the trouble is about the interloper. It appears that, having the

remainder of a lease to run, he can go on anteloping (you know what I mean)

for two years more if he likes. To do him justice he admits that the place

is mine and wants to leave it. He has no real love for the priceless old

spot. All that he asks is somewhere better to go to. So I am gladly doing

my best to help him. I send him notices of forty-roomed Tudor mansions,

which seem to abound in the market, mansions with timbered parks,

ornamental waters, Grecian temples, ha-has, gazebos, herds of graceful

bounding gazebos, and immediate possession. I do more than this. I send him

extravagant eulogies of lands across the seas, where the grapes grow

larger, the pear-trees blossom all the year round and separate thrushes

laid on to each estate never cease to sing. I suggest the advantages of the

mercantile marine and a life on the rolling main, of big game shooting,

polar exploration, and the residential attractions of Constantinople,

Berlin, Dublin and Vladivostok.

Concurrently with this I try hard to cultivate in him a certain distaste

for the dear old home. I walk up and down the road in front of it with a

pair of field-glasses, and, if I see that a little chip has fallen off

anywhere or the paint on the gate has been scratched, I call on him at

once.

"I happened to be passing the demesne," I say, "when I noticed a rather

serious item of dilapidation," or "A word with you about the messuage; it

looks a trifle off colour to-day. Have you had it blistered lately?" And

this worries him a good deal, because he is responsible for all repairs.

I do not fail to point out to my friends, either, that this is my

well-known family seat, and I persuade them from time to time to go and ask

for me at the door. "What, isn't he living here _yet_?" I get them to say,

with a well-feigned surprise. "It is his house, isn't it?" I frequently

have letters addressed to myself sent there, and every morning and

afternoon the nurse takes the children past it for a walk. The children are

well drilled.

"Look, Priscilla, that's our garden," says Richard in a high penetrating

treble; and

"There's a darlin' little buttercup. I want to go in," Priscilla replies.

All this quiet steady pressure is bound to have its due effect in time.

Gradually I think he will begin to feel that a shadow haunts the ancestral

halls (the front one, you know, and the back passage), that a footstep not

his own treads behind him on the stair, that the dear old home will never

be happy until it is occupied by its rightful lord.

Punch, or the London Charivari, Vol. 158, 1920-04-07 · 第 5 / 33 题