Not only was there no trace of her former irony, of her old hatred and

enmity, and of that dreadful laughter, the very recollection of which

sent a cold chill down Totski’s back to this very day; but she seemed

charmed and really glad to have the opportunity of talking seriously

with him for once in a way. She confessed that she had long wished to

have a frank and free conversation and to ask for friendly advice, but

that pride had hitherto prevented her; now, however, that the ice was

broken, nothing could be more welcome to her than this opportunity.

First, with a sad smile, and then with a twinkle of merriment in her

eyes, she admitted that such a storm as that of five years ago was now

quite out of the question. She said that she had long since changed her

views of things, and recognized that facts must be taken into

consideration in spite of the feelings of the heart. What was done was

done and ended, and she could not understand why Totski should still

feel alarmed.

She next turned to General Epanchin and observed, most courteously,

that she had long since known of his daughters, and that she had heard

none but good report; that she had learned to think of them with deep

and sincere respect. The idea alone that she could in any way serve

them, would be to her both a pride and a source of real happiness.

It was true that she was lonely in her present life; Totski had judged

her thoughts aright. She longed to rise, if not to love, at least to

family life and new hopes and objects, but as to Gavrila

Ardalionovitch, she could not as yet say much. She thought it must be

the case that he loved her; she felt that she too might learn to love

him, if she could be sure of the firmness of his attachment to herself;

but he was very young, and it was a difficult question to decide. What

she specially liked about him was that he worked, and supported his

family by his toil.

She had heard that he was proud and ambitious; she had heard much that

was interesting of his mother and sister, she had heard of them from

Mr. Ptitsin, and would much like to make their acquaintance,

but—another question!—would they like to receive her into their house?

At all events, though she did not reject the idea of this marriage, she

desired not to be hurried. As for the seventy-five thousand roubles,

Mr. Totski need not have found any difficulty or awkwardness about the

matter; she quite understood the value of money, and would, of course,

accept the gift. She thanked him for his delicacy, however, but saw no

reason why Gavrila Ardalionovitch should not know about it.

She would not marry the latter, she said, until she felt persuaded that

neither on his part nor on the part of his family did there exist any

sort of concealed suspicions as to herself. She did not intend to ask

forgiveness for anything in the past, which fact she desired to be

known. She did not consider herself to blame for anything that had

happened in former years, and she thought that Gavrila Ardalionovitch

should be informed as to the relations which had existed between

herself and Totski during the last five years. If she accepted this

money it was not to be considered as indemnification for her misfortune

as a young girl, which had not been in any degree her own fault, but

merely as compensation for her ruined life.

She became so excited and agitated during all these explanations and

confessions that General Epanchin was highly gratified, and considered

the matter satisfactorily arranged once for all. But the once bitten

Totski was twice shy, and looked for hidden snakes among the flowers.

However, the special point to which the two friends particularly

trusted to bring about their object (namely, Gania’s attractiveness for

Nastasia Philipovna), stood out more and more prominently; the

pourparlers had commenced, and gradually even Totski began to believe

in the possibility of success.

Before long Nastasia and Gania had talked the matter over. Very little

was said—her modesty seemed to suffer under the infliction of

discussing such a question. But she recognized his love, on the

understanding that she bound herself to nothing whatever, and that she

reserved the right to say “no” up to the very hour of the marriage

ceremony. Gania was to have the same right of refusal at the last

moment.

It soon became clear to Gania, after scenes of wrath and quarrellings

at the domestic hearth, that his family were seriously opposed to the

match, and that Nastasia was aware of this fact was equally evident.

She said nothing about it, though he daily expected her to do so.

There were several rumours afloat, before long, which upset Totski’s

equanimity a good deal, but we will not now stop to describe them;

merely mentioning an instance or two. One was that Nastasia had entered

into close and secret relations with the Epanchin girls—a most unlikely

rumour; another was that Nastasia had long satisfied herself of the

fact that Gania was merely marrying her for money, and that his nature

was gloomy and greedy, impatient and selfish, to an extraordinary

degree; and that although he had been keen enough in his desire to

achieve a conquest before, yet since the two friends had agreed to

exploit his passion for their own purposes, it was clear enough that he

had begun to consider the whole thing a nuisance and a nightmare.

In his heart passion and hate seemed to hold divided sway, and although

he had at last given his consent to marry the woman (as he said), under

the stress of circumstances, yet he promised himself that he would

“take it out of her,” after marriage.

Nastasia seemed to Totski to have divined all this, and to be preparing

something on her own account, which frightened him to such an extent

that he did not dare communicate his views even to the general. But at

times he would pluck up his courage and be full of hope and good

spirits again, acting, in fact, as weak men do act in such

circumstances.

However, both the friends felt that the thing looked rosy indeed when

one day Nastasia informed them that she would give her final answer on

the evening of her birthday, which anniversary was due in a very short

time.

A strange rumour began to circulate, meanwhile; no less than that the

respectable and highly respected General Epanchin was himself so

fascinated by Nastasia Philipovna that his feeling for her amounted

almost to passion. What he thought to gain by Gania’s marriage to the

girl it was difficult to imagine. Possibly he counted on Gania’s

complaisance; for Totski had long suspected that there existed some

secret understanding between the general and his secretary. At all

events the fact was known that he had prepared a magnificent present of

pearls for Nastasia’s birthday, and that he was looking forward to the

occasion when he should present his gift with the greatest excitement

and impatience. The day before her birthday he was in a fever of

agitation.

Mrs. Epanchin, long accustomed to her husband’s infidelities, had heard

of the pearls, and the rumour excited her liveliest curiosity and

interest. The general remarked her suspicions, and felt that a grand

explanation must shortly take place—which fact alarmed him much.

This is the reason why he was so unwilling to take lunch (on the

morning upon which we took up this narrative) with the rest of his

family. Before the prince’s arrival he had made up his mind to plead

business, and “cut” the meal; which simply meant running away.

He was particularly anxious that this one day should be

passed—especially the evening—without unpleasantness between himself

and his family; and just at the right moment the prince turned up—“as

though Heaven had sent him on purpose,” said the general to himself, as

he left the study to seek out the wife of his bosom.

V.

Mrs. General Epanchin was a proud woman by nature. What must her

feelings have been when she heard that Prince Muishkin, the last of his

and her line, had arrived in beggar’s guise, a wretched idiot, a

recipient of charity—all of which details the general gave out for

greater effect! He was anxious to steal her interest at the first

swoop, so as to distract her thoughts from other matters nearer home.

Mrs. Epanchin was in the habit of holding herself very straight, and

staring before her, without speaking, in moments of excitement.

She was a fine woman of the same age as her husband, with a slightly

hooked nose, a high, narrow forehead, thick hair turning a little grey,

and a sallow complexion. Her eyes were grey and wore a very curious

expression at times. She believed them to be most effective—a belief

that nothing could alter.

“What, receive him! Now, at once?” asked Mrs. Epanchin, gazing vaguely

at her husband as he stood fidgeting before her.

“Oh, dear me, I assure you there is no need to stand on ceremony with

him,” the general explained hastily. “He is quite a child, not to say a

pathetic-looking creature. He has fits of some sort, and has just

arrived from Switzerland, straight from the station, dressed like a

German and without a farthing in his pocket. I gave him twenty-five

roubles to go on with, and am going to find him some easy place in one

of the government offices. I should like you to ply him well with the

victuals, my dears, for I should think he must be very hungry.”

“You astonish me,” said the lady, gazing as before. “Fits, and hungry

too! What sort of fits?”

“Oh, they don’t come on frequently, besides, he’s a regular child,

though he seems to be fairly educated. I should like you, if possible,

my dears,” the general added, making slowly for the door, “to put him

through his paces a bit, and see what he is good for. I think you

should be kind to him; it is a good deed, you know—however, just as you

like, of course—but he is a sort of relation, remember, and I thought

it might interest you to see the young fellow, seeing that this is so.”

“Oh, of course, mamma, if we needn’t stand on ceremony with him, we

must give the poor fellow something to eat after his journey;

especially as he has not the least idea where to go to,” said

Alexandra, the eldest of the girls.

“Besides, he’s quite a child; we can entertain him with a little

hide-and-seek, in case of need,” said Adelaida.

“Hide-and-seek? What do you mean?” inquired Mrs. Epanchin.

“Oh, do stop pretending, mamma,” cried Aglaya, in vexation. “Send him

up, father; mother allows.”

The general rang the bell and gave orders that the prince should be

shown in.

“Only on condition that he has a napkin under his chin at lunch, then,”

said Mrs. Epanchin, “and let Fedor, or Mavra, stand behind him while he

eats. Is he quiet when he has these fits? He doesn’t show violence,

does he?”

“On the contrary, he seems to be very well brought up. His manners are

excellent—but here he is himself. Here you are, prince—let me introduce

you, the last of the Muishkins, a relative of your own, my dear, or at

least of the same name. Receive him kindly, please. They’ll bring in

lunch directly, prince; you must stop and have some, but you must

excuse me. I’m in a hurry, I must be off—”

“We all know where _you_ must be off to!” said Mrs. Epanchin, in a

meaning voice.

“Yes, yes—I must hurry away, I’m late! Look here, dears, let him write

you something in your albums; you’ve no idea what a wonderful

caligraphist he is, wonderful talent! He has just written out ‘Abbot

Pafnute signed this’ for me. Well, _au revoir!_”

“Stop a minute; where are you off to? Who is this abbot?” cried Mrs.

Epanchin to her retreating husband in a tone of excited annoyance.

“Yes, my dear, it was an old abbot of that name—I must be off to see

the count, he’s waiting for me, I’m late—Good-bye! _Au revoir_,

prince!”—and the general bolted at full speed.

“Oh, yes—I know what count you’re going to see!” remarked his wife in a

cutting manner, as she turned her angry eyes on the prince. “Now then,

what’s all this about?—What abbot—Who’s Pafnute?” she added, brusquely.

“Mamma!” said Alexandra, shocked at her rudeness.

Aglaya stamped her foot.

“Nonsense! Let me alone!” said the angry mother. “Now then, prince, sit

down here, no, nearer, come nearer the light! I want to have a good

look at you. So, now then, who is this abbot?”

“Abbot Pafnute,” said our friend, seriously and with deference.

“Pafnute, yes. And who was he?”

Mrs. Epanchin put these questions hastily and brusquely, and when the

prince answered she nodded her head sagely at each word he said.

“The Abbot Pafnute lived in the fourteenth century,” began the prince;

“he was in charge of one of the monasteries on the Volga, about where

our present Kostroma government lies. He went to Oreol and helped in

the great matters then going on in the religious world; he signed an

edict there, and I have seen a print of his signature; it struck me, so

I copied it. When the general asked me, in his study, to write

something for him, to show my handwriting, I wrote ‘The Abbot Pafnute

signed this,’ in the exact handwriting of the abbot. The general liked

it very much, and that’s why he recalled it just now.”

“Aglaya, make a note of ‘Pafnute,’ or we shall forget him. H’m! and

where is this signature?”

“I think it was left on the general’s table.”

“Let it be sent for at once!”

“Oh, I’ll write you a new one in half a minute,” said the prince, “if

you like!”

“Of course, mamma!” said Alexandra. “But let’s have lunch now, we are

all hungry!”

“Yes; come along, prince,” said the mother, “are you very hungry?”

“Yes; I must say that I am pretty hungry, thanks very much.”

“H’m! I like to see that you know your manners; and you are by no means

such a person as the general thought fit to describe you. Come along;

you sit here, opposite to me,” she continued, “I wish to be able to see

your face. Alexandra, Adelaida, look after the prince! He doesn’t seem

so very ill, does he? I don’t think he requires a napkin under his

chin, after all; are you accustomed to having one on, prince?”

“Formerly, when I was seven years old or so. I believe I wore one; but

now I usually hold my napkin on my knee when I eat.”

“Of course, of course! And about your fits?”

“Fits?” asked the prince, slightly surprised. “I very seldom have fits

nowadays. I don’t know how it may be here, though; they say the climate

may be bad for me.”

“He talks very well, you know!” said Mrs. Epanchin, who still continued

to nod at each word the prince spoke. “I really did not expect it at

all; in fact, I suppose it was all stuff and nonsense on the general’s

part, as usual. Eat away, prince, and tell me where you were born, and

where you were brought up. I wish to know all about you, you interest

me very much!”

The prince expressed his thanks once more, and eating heartily the

while, recommenced the narrative of his life in Switzerland, all of

which we have heard before. Mrs. Epanchin became more and more pleased

with her guest; the girls, too, listened with considerable attention.

In talking over the question of relationship it turned out that the

prince was very well up in the matter and knew his pedigree off by

heart. It was found that scarcely any connection existed between

himself and Mrs. Epanchin, but the talk, and the opportunity of

conversing about her family tree, gratified the latter exceedingly, and

she rose from the table in great good humour.

“Let’s all go to my boudoir,” she said, “and they shall bring some

coffee in there. That’s the room where we all assemble and busy

ourselves as we like best,” she explained. “Alexandra, my eldest, here,

plays the piano, or reads or sews; Adelaida paints landscapes and

portraits (but never finishes any); and Aglaya sits and does nothing. I

don’t work too much, either. Here we are, now; sit down, prince, near

the fire and talk to us. I want to hear you relate something. I wish to

make sure of you first and then tell my old friend, Princess

Bielokonski, about you. I wish you to know all the good people and to

interest them. Now then, begin!”

“Mamma, it’s rather a strange order, that!” said Adelaida, who was

fussing among her paints and paint-brushes at the easel. Aglaya and

Alexandra had settled themselves with folded hands on a sofa, evidently

meaning to be listeners. The prince felt that the general attention was

concentrated upon himself.

“I should refuse to say a word if _I_ were ordered to tell a story like

that!” observed Aglaya.

“Why? what’s there strange about it? He has a tongue. Why shouldn’t he

tell us something? I want to judge whether he is a good story-teller;

anything you like, prince—how you liked Switzerland, what was your

first impression, anything. You’ll see, he’ll begin directly and tell

us all about it beautifully.”

“The impression was forcible—” the prince began.

“There, you see, girls,” said the impatient lady, “he _has_ begun, you

see.”

“Well, then, _let_ him talk, mamma,” said Alexandra. “This prince is a

great humbug and by no means an idiot,” she whispered to Aglaya.

“Oh, I saw that at once,” replied the latter. “I don’t think it at all

nice of him to play a part. What does he wish to gain by it, I wonder?”

“My first impression was a very strong one,” repeated the prince. “When

they took me away from Russia, I remember I passed through many German

towns and looked out of the windows, but did not trouble so much as to

ask questions about them. This was after a long series of fits. I

always used to fall into a sort of torpid condition after such a

series, and lost my memory almost entirely; and though I was not

altogether without reason at such times, yet I had no logical power of

thought. This would continue for three or four days, and then I would

recover myself again. I remember my melancholy was intolerable; I felt

inclined to cry; I sat and wondered and wondered uncomfortably; the

consciousness that everything was strange weighed terribly upon me; I

could understand that it was all foreign and strange. I recollect I

awoke from this state for the first time at Basle, one evening; the

bray of a donkey aroused me, a donkey in the town market. I saw the

donkey and was extremely pleased with it, and from that moment my head

seemed to clear.”

“A donkey? How strange! Yet it is not strange. Anyone of us might fall

in love with a donkey! It happened in mythological times,” said Madame

Epanchin, looking wrathfully at her daughters, who had begun to laugh.

“Go on, prince.”

“Since that evening I have been specially fond of donkeys. I began to

ask questions about them, for I had never seen one before; and I at

once came to the conclusion that this must be one of the most useful of

animals—strong, willing, patient, cheap; and, thanks to this donkey, I

began to like the whole country I was travelling through; and my

melancholy passed away.”

“All this is very strange and interesting,” said Mrs. Epanchin. “Now

let’s leave the donkey and go on to other matters. What are you

laughing at, Aglaya? and you too, Adelaida? The prince told us his

experiences very cleverly; he saw the donkey himself, and what have you

ever seen? _You_ have never been abroad.”

“I have seen a donkey though, mamma!” said Aglaya.

“And I’ve heard one!” said Adelaida. All three of the girls laughed out

loud, and the prince laughed with them.

“Well, it’s too bad of you,” said mamma. “You must forgive them,

prince; they are good girls. I am very fond of them, though I often

have to be scolding them; they are all as silly and mad as march

hares.”

“Oh, why shouldn’t they laugh?” said the prince. “I shouldn’t have let

the chance go by in their place, I know. But I stick up for the donkey,

all the same; he’s a patient, good-natured fellow.”

“Are you a patient man, prince? I ask out of curiosity,” said Mrs.

Epanchin.

All laughed again.

“Oh, that wretched donkey again, I see!” cried the lady. “I assure you,

prince, I was not guilty of the least—”

“Insinuation? Oh! I assure you, I take your word for it.” And the

prince continued laughing merrily.

“I must say it’s very nice of you to laugh. I see you really are a

kind-hearted fellow,” said Mrs. Epanchin.

“I’m not always kind, though.”

“I am kind myself, and _always_ kind too, if you please!” she retorted,

unexpectedly; “and that is my chief fault, for one ought not to be

always kind. I am often angry with these girls and their father; but

the worst of it is, I am always kindest when I am cross. I was very

angry just before you came, and Aglaya there read me a lesson—thanks,

Aglaya, dear—come and kiss me—there—that’s enough” she added, as Aglaya

came forward and kissed her lips and then her hand. “Now then, go on,

prince. Perhaps you can think of something more exciting than about the

donkey, eh?”

“I must say, again, _I_ can’t understand how you can expect anyone to

tell you stories straight away, so,” said Adelaida. “I know I never

could!”

“Yes, but the prince can, because he is clever—cleverer than you are by

ten or twenty times, if you like. There, that’s so, prince; and

seriously, let’s drop the donkey now—what else did you see abroad,

besides the donkey?”

“Yes, but the prince told us about the donkey very cleverly, all the

same,” said Alexandra. “I have always been most interested to hear how

people go mad and get well again, and that sort of thing. Especially

when it happens suddenly.”

“Quite so, quite so!” cried Mrs. Epanchin, delighted. “I see you _can_

be sensible now and then, Alexandra. You were speaking of Switzerland,

prince?”

“Yes. We came to Lucerne, and I was taken out in a boat. I felt how

lovely it was, but the loveliness weighed upon me somehow or other, and

made me feel melancholy.”

“Why?” asked Alexandra.

“I don’t know; I always feel like that when I look at the beauties of

nature for the first time; but then, I was ill at that time, of

course!”

“Oh, but I should like to see it!” said Adelaida; “and I don’t know

_when_ we shall ever go abroad. I’ve been two years looking out for a

good subject for a picture. I’ve done all I know. ‘The North and South

I know by heart,’ as our poet observes. Do help me to a subject,

prince.”

“Oh, but I know nothing about painting. It seems to me one only has to

look, and paint what one sees.”

“But I don’t know _how_ to see!”

“Nonsense, what rubbish you talk!” the mother struck in. “Not know how

to see! Open your eyes and look! If you can’t see here, you won’t see

abroad either. Tell us what you saw yourself, prince!”

“Yes, that’s better,” said Adelaida; “the prince _learned to see_

abroad.”

“Oh, I hardly know! You see, I only went to restore my health. I don’t

know whether I learned to see, exactly. I was very happy, however,

nearly all the time.”

“Happy! you can be happy?” cried Aglaya. “Then how can you say you did

not learn to see? I should think you could teach _us_ to see!”

“Oh! _do_ teach us,” laughed Adelaida.

“Oh! I can’t do that,” said the prince, laughing too. “I lived almost

all the while in one little Swiss village; what can I teach you? At

first I was only just not absolutely dull; then my health began to

improve—then every day became dearer and more precious to me, and the

longer I stayed, the dearer became the time to me; so much so that I

could not help observing it; but why this was so, it would be difficult

to say.”

“So that you didn’t care to go away anywhere else?”

“Well, at first I did; I was restless; I didn’t know however I should

manage to support life—you know there are such moments, especially in

solitude. There was a waterfall near us, such a lovely thin streak of

water, like a thread but white and moving. It fell from a great height,

but it looked quite low, and it was half a mile away, though it did not

seem fifty paces. I loved to listen to it at night, but it was then

that I became so restless. Sometimes I went and climbed the mountain

and stood there in the midst of the tall pines, all alone in the

terrible silence, with our little village in the distance, and the sky

so blue, and the sun so bright, and an old ruined castle on the

mountain-side, far away. I used to watch the line where earth and sky

met, and longed to go and seek there the key of all mysteries, thinking

that I might find there a new life, perhaps some great city where life

should be grander and richer—and then it struck me that life may be

grand enough even in a prison.”

“I read that last most praiseworthy thought in my manual, when I was

twelve years old,” said Aglaya.

“All this is pure philosophy,” said Adelaida. “You are a philosopher,

prince, and have come here to instruct us in your views.”

“Perhaps you are right,” said the prince, smiling. “I think I am a

philosopher, perhaps, and who knows, perhaps I do wish to teach my

views of things to those I meet with?”

“Your philosophy is rather like that of an old woman we know, who is

rich and yet does nothing but try how little she can spend. She talks

of nothing but money all day. Your great philosophical idea of a grand

life in a prison and your four happy years in that Swiss village are

like this, rather,” said Aglaya.

“As to life in a prison, of course there may be two opinions,” said the

prince. “I once heard the story of a man who lived twelve years in a

prison—I heard it from the man himself. He was one of the persons under

treatment with my professor; he had fits, and attacks of melancholy,

then he would weep, and once he tried to commit suicide. _His_ life in

prison was sad enough; his only acquaintances were spiders and a tree

that grew outside his grating—but I think I had better tell you of

another man I met last year. There was a very strange feature in this

case, strange because of its extremely rare occurrence. This man had

once been brought to the scaffold in company with several others, and

had had the sentence of death by shooting passed upon him for some

political crime. Twenty minutes later he had been reprieved and some

other punishment substituted; but the interval between the two

sentences, twenty minutes, or at least a quarter of an hour, had been

passed in the certainty that within a few minutes he must die. I was

very anxious to hear him speak of his impressions during that dreadful

time, and I several times inquired of him as to what he thought and

felt. He remembered everything with the most accurate and extraordinary

distinctness, and declared that he would never forget a single iota of

the experience.

“About twenty paces from the scaffold, where he had stood to hear the

sentence, were three posts, fixed in the ground, to which to fasten the

criminals (of whom there were several). The first three criminals were

taken to the posts, dressed in long white tunics, with white caps drawn

over their faces, so that they could not see the rifles pointed at

them. Then a group of soldiers took their stand opposite to each post.

My friend was the eighth on the list, and therefore he would have been

among the third lot to go up. A priest went about among them with a

cross: and there was about five minutes of time left for him to live.

“He said that those five minutes seemed to him to be a most

interminable period, an enormous wealth of time; he seemed to be

living, in these minutes, so many lives that there was no need as yet

to think of that last moment, so that he made several arrangements,

dividing up the time into portions—one for saying farewell to his

companions, two minutes for that; then a couple more for thinking over

his own life and career and all about himself; and another minute for a

last look around. He remembered having divided his time like this quite

well. While saying good-bye to his friends he recollected asking one of

them some very usual everyday question, and being much interested in

the answer. Then having bade farewell, he embarked upon those two

minutes which he had allotted to looking into himself; he knew

beforehand what he was going to think about. He wished to put it to

himself as quickly and clearly as possible, that here was he, a living,

thinking man, and that in three minutes he would be nobody; or if

somebody or something, then what and where? He thought he would decide

this question once for all in these last three minutes. A little way

off there stood a church, and its gilded spire glittered in the sun. He

remembered staring stubbornly at this spire, and at the rays of light

sparkling from it. He could not tear his eyes from these rays of light;

he got the idea that these rays were his new nature, and that in three

minutes he would become one of them, amalgamated somehow with them.

“The repugnance to what must ensue almost immediately, and the

uncertainty, were dreadful, he said; but worst of all was the idea,

‘What should I do if I were not to die now? What if I were to return to

life again? What an eternity of days, and all mine! How I should grudge

and count up every minute of it, so as to waste not a single instant!’

He said that this thought weighed so upon him and became such a

terrible burden upon his brain that he could not bear it, and wished

they would shoot him quickly and have done with it.”

The prince paused and all waited, expecting him to go on again and

finish the story.

“Is that all?” asked Aglaya.

“All? Yes,” said the prince, emerging from a momentary reverie.

“And why did you tell us this?”

“Oh, I happened to recall it, that’s all! It fitted into the

conversation—”

“You probably wish to deduce, prince,” said Alexandra, “that moments of

time cannot be reckoned by money value, and that sometimes five minutes

are worth priceless treasures. All this is very praiseworthy; but may I

ask about this friend of yours, who told you the terrible experience of

his life? He was reprieved, you say; in other words, they did restore

to him that ‘eternity of days.’ What did he do with these riches of

time? Did he keep careful account of his minutes?”

“Oh no, he didn’t! I asked him myself. He said that he had not lived a

bit as he had intended, and had wasted many, and many a minute.”

“Very well, then there’s an experiment, and the thing is proved; one

cannot live and count each moment; say what you like, but one

_cannot_.”

“That is true,” said the prince, “I have thought so myself. And yet,

why shouldn’t one do it?”

“You think, then, that you could live more wisely than other people?”

said Aglaya.

“I have had that idea.”

“And you have it still?”

“Yes—I have it still,” the prince replied.

He had contemplated Aglaya until now, with a pleasant though rather

timid smile, but as the last words fell from his lips he began to

laugh, and looked at her merrily.

“You are not very modest!” said she.

“But how brave you are!” said he. “You are laughing, and I—that man’s

tale impressed me so much, that I dreamt of it afterwards; yes, I

dreamt of those five minutes...”

He looked at his listeners again with that same serious, searching

expression.

“You are not angry with me?” he asked suddenly, and with a kind of

nervous hurry, although he looked them straight in the face.

“Why should we be angry?” they cried.

“Only because I seem to be giving you a lecture, all the time!”

At this they laughed heartily.

“Please don’t be angry with me,” continued the prince. “I know very

well that I have seen less of life than other people, and have less

knowledge of it. I must appear to speak strangely sometimes...”

He said the last words nervously.

“You say you have been happy, and that proves you have lived, not less,

but more than other people. Why make all these excuses?” interrupted

Aglaya in a mocking tone of voice. “Besides, you need not mind about

lecturing us; you have nothing to boast of. With your quietism, one

could live happily for a hundred years at least. One might show you the

execution of a felon, or show you one’s little finger. You could draw a

moral from either, and be quite satisfied. That sort of existence is

easy enough.”

“I can’t understand why you always fly into a temper,” said Mrs.

Epanchin, who had been listening to the conversation and examining the

faces of the speakers in turn. “I do not understand what you mean. What

has your little finger to do with it? The prince talks well, though he

is not amusing. He began all right, but now he seems sad.”

“Never mind, mamma! Prince, I wish you had seen an execution,” said

Aglaya. “I should like to ask you a question about that, if you had.”

“I have seen an execution,” said the prince.

“You have!” cried Aglaya. “I might have guessed it. That’s a fitting

crown to the rest of the story. If you have seen an execution, how can

you say you lived happily all the while?”

“But is there capital punishment where you were?” asked Adelaida.

“I saw it at Lyons. Schneider took us there, and as soon as we arrived

we came in for that.”

“Well, and did you like it very much? Was it very edifying and

instructive?” asked Aglaya.

“No, I didn’t like it at all, and was ill after seeing it; but I

confess I stared as though my eyes were fixed to the sight. I could not

tear them away.”

“I, too, should have been unable to tear my eyes away,” said Aglaya.

“They do not at all approve of women going to see an execution there.

The women who do go are condemned for it afterwards in the newspapers.”

“That is, by contending that it is not a sight for women they admit

that it is a sight for men. I congratulate them on the deduction. I

suppose you quite agree with them, prince?”

“Tell us about the execution,” put in Adelaida.

“I would much rather not, just now,” said the prince, a little

disturbed and frowning slightly.

“You don’t seem to want to tell us,” said Aglaya, with a mocking air.

“No,—the thing is, I was telling all about the execution a little while

ago, and—”

“Whom did you tell about it?”

“The man-servant, while I was waiting to see the general.”

“Our man-servant?” exclaimed several voices at once.

“Yes, the one who waits in the entrance hall, a greyish, red-faced

man—”

“The prince is clearly a democrat,” remarked Aglaya.

“Well, if you could tell Aleksey about it, surely you can tell us too.”

“I do so want to hear about it,” repeated Adelaida.

“Just now, I confess,” began the prince, with more animation, “when you

asked me for a subject for a picture, I confess I had serious thoughts

of giving you one. I thought of asking you to draw the face of a

criminal, one minute before the fall of the guillotine, while the

wretched man is still standing on the scaffold, preparatory to placing

his neck on the block.”

“What, his face? only his face?” asked Adelaida. “That would be a

strange subject indeed. And what sort of a picture would that make?”

“Oh, why not?” the prince insisted, with some warmth. “When I was in

Basle I saw a picture very much in that style—I should like to tell you

about it; I will some time or other; it struck me very forcibly.”

“Oh, you shall tell us about the Basle picture another time; now we

must have all about the execution,” said Adelaida. “Tell us about that

face as it appeared to your imagination—how should it be drawn?—just

the face alone, do you mean?”

“It was just a minute before the execution,” began the prince, readily,

carried away by the recollection and evidently forgetting everything

else in a moment; “just at the instant when he stepped off the ladder

on to the scaffold. He happened to look in my direction: I saw his eyes

and understood all, at once—but how am I to describe it? I do so wish

you or somebody else could draw it, you, if possible. I thought at the

time what a picture it would make. You must imagine all that went

before, of course, all—all. He had lived in the prison for some time

and had not expected that the execution would take place for at least a

week yet—he had counted on all the formalities and so on taking time;

but it so happened that his papers had been got ready quickly. At five

o’clock in the morning he was asleep—it was October, and at five in the

morning it was cold and dark. The governor of the prison comes in on

tip-toe and touches the sleeping man’s shoulder gently. He starts up.

‘What is it?’ he says. ‘The execution is fixed for ten o’clock.’ He was

only just awake, and would not believe at first, but began to argue

that his papers would not be out for a week, and so on. When he was

wide awake and realized the truth, he became very silent and argued no

more—so they say; but after a bit he said: ‘It comes very hard on one

so suddenly’ and then he was silent again and said nothing.

“The three or four hours went by, of course, in necessary

preparations—the priest, breakfast, (coffee, meat, and some wine they

gave him; doesn’t it seem ridiculous?) And yet I believe these people

give them a good breakfast out of pure kindness of heart, and believe

that they are doing a good action. Then he is dressed, and then begins

the procession through the town to the scaffold. I think he, too, must

feel that he has an age to live still while they cart him along.

Probably he thought, on the way, ‘Oh, I have a long, long time yet.

Three streets of life yet! When we’ve passed this street there’ll be

that other one; and then that one where the baker’s shop is on the

right; and when shall we get there? It’s ages, ages!’ Around him are

crowds shouting, yelling—ten thousand faces, twenty thousand eyes. All

this has to be endured, and especially the thought: ‘Here are ten

thousand men, and not one of them is going to be executed, and yet I am

to die.’ Well, all that is preparatory.

“At the scaffold there is a ladder, and just there he burst into

tears—and this was a strong man, and a terribly wicked one, they say!

There was a priest with him the whole time, talking; even in the cart

as they drove along, he talked and talked. Probably the other heard

nothing; he would begin to listen now and then, and at the third word

or so he had forgotten all about it.

“At last he began to mount the steps; his legs were tied, so that he

had to take very small steps. The priest, who seemed to be a wise man,

had stopped talking now, and only held the cross for the wretched

fellow to kiss. At the foot of the ladder he had been pale enough; but

when he set foot on the scaffold at the top, his face suddenly became

the colour of paper, positively like white notepaper. His legs must

have become suddenly feeble and helpless, and he felt a choking in his

throat—you know the sudden feeling one has in moments of terrible fear,

when one does not lose one’s wits, but is absolutely powerless to move?

If some dreadful thing were suddenly to happen; if a house were just

about to fall on one;—don’t you know how one would long to sit down and

shut one’s eyes and wait, and wait? Well, when this terrible feeling

came over him, the priest quickly pressed the cross to his lips,

without a word—a little silver cross it was—and he kept on pressing it

to the man’s lips every second. And whenever the cross touched his

lips, the eyes would open for a moment, and the legs moved once, and he

kissed the cross greedily, hurriedly—just as though he were anxious to

catch hold of something in case of its being useful to him afterwards,

though he could hardly have had any connected religious thoughts at the

time. And so up to the very block.

“How strange that criminals seldom swoon at such a moment! On the

contrary, the brain is especially active, and works

incessantly—probably hard, hard, hard—like an engine at full pressure.

I imagine that various thoughts must beat loud and fast through his

head—all unfinished ones, and strange, funny thoughts, very

likely!—like this, for instance: ‘That man is looking at me, and he has

a wart on his forehead! and the executioner has burst one of his

buttons, and the lowest one is all rusty!’ And meanwhile he notices and

remembers everything. There is one point that cannot be forgotten,

round which everything else dances and turns about; and because of this

point he cannot faint, and this lasts until the very final quarter of a

second, when the wretched neck is on the block and the victim listens

and waits and _knows_—that’s the point, he _knows_ that he is just

_now_ about to die, and listens for the rasp of the iron over his head.

If I lay there, I should certainly listen for that grating sound, and

hear it, too! There would probably be but the tenth part of an instant

left to hear it in, but one would certainly hear it. And imagine, some

people declare that when the head flies off it is _conscious_ of having

flown off! Just imagine what a thing to realize! Fancy if consciousness

were to last for even five seconds!

“Draw the scaffold so that only the top step of the ladder comes in

clearly. The criminal must be just stepping on to it, his face as white

as note-paper. The priest is holding the cross to his blue lips, and

the criminal kisses it, and knows and sees and understands everything.

The cross and the head—there’s your picture; the priest and the

executioner, with his two assistants, and a few heads and eyes below.

Those might come in as subordinate accessories—a sort of mist. There’s

a picture for you.” The prince paused, and looked around.

“Certainly that isn’t much like quietism,” murmured Alexandra, half to

herself.

“Now tell us about your love affairs,” said Adelaida, after a moment’s

pause.

The prince gazed at her in amazement.

“You know,” Adelaida continued, “you owe us a description of the Basle

picture; but first I wish to hear how you fell in love. Don’t deny the

fact, for you did, of course. Besides, you stop philosophizing when you

are telling about anything.”

“Why are you ashamed of your stories the moment after you have told

them?” asked Aglaya, suddenly.

“How silly you are!” said Mrs. Epanchin, looking indignantly towards

the last speaker.

“Yes, that wasn’t a clever remark,” said Alexandra.

“Don’t listen to her, prince,” said Mrs. Epanchin; “she says that sort

of thing out of mischief. Don’t think anything of their nonsense, it

means nothing. They love to chaff, but they like you. I can see it in

their faces—I know their faces.”

“I know their faces, too,” said the prince, with a peculiar stress on

the words.

“How so?” asked Adelaida, with curiosity.

“What do _you_ know about our faces?” exclaimed the other two, in

chorus.

But the prince was silent and serious. All awaited his reply.

“I’ll tell you afterwards,” he said quietly.

“Ah, you want to arouse our curiosity!” said Aglaya. “And how terribly

solemn you are about it!”

“Very well,” interrupted Adelaida, “then if you can read faces so well,

you _must_ have been in love. Come now; I’ve guessed—let’s have the

secret!”

“I have not been in love,” said the prince, as quietly and seriously as

before. “I have been happy in another way.”

“How, how?”

“Well, I’ll tell you,” said the prince, apparently in a deep reverie.

VI.

“Here you all are,” began the prince, “settling yourselves down to

listen to me with so much curiosity, that if I do not satisfy you you

will probably be angry with me. No, no! I’m only joking!” he added,

hastily, with a smile.

“Well, then—they were all children there, and I was always among

children and only with children. They were the children of the village

in which I lived, and they went to the school there—all of them. I did

not teach them, oh no; there was a master for that, one Jules Thibaut.

I may have taught them some things, but I was among them just as an

outsider, and I passed all four years of my life there among them. I

wished for nothing better; I used to tell them everything and hid

nothing from them. Their fathers and relations were very angry with me,

because the children could do nothing without me at last, and used to

throng after me at all times. The schoolmaster was my greatest enemy in

the end! I had many enemies, and all because of the children. Even

Schneider reproached me. What were they afraid of? One can tell a child

everything, anything. I have often been struck by the fact that parents

know their children so little. They should not conceal so much from

them. How well even little children understand that their parents

conceal things from them, because they consider them too young to

understand! Children are capable of giving advice in the most important

matters. How can one deceive these dear little birds, when they look at

one so sweetly and confidingly? I call them birds because there is

nothing in the world better than birds!

“However, most of the people were angry with me about one and the same

thing; but Thibaut simply was jealous of me. At first he had wagged his

head and wondered how it was that the children understood what I told

them so well, and could not learn from him; and he laughed like

anything when I replied that neither he nor I could teach them very

much, but that _they_ might teach us a good deal.

“How he could hate me and tell scandalous stories about me, living

among children as he did, is what I cannot understand. Children soothe

and heal the wounded heart. I remember there was one poor fellow at our

professor’s who was being treated for madness, and you have no idea

what those children did for him, eventually. I don’t think he was mad,

but only terribly unhappy. But I’ll tell you all about him another day.

Now I must get on with this story.

“The children did not love me at first; I was such a sickly, awkward

kind of a fellow then—and I know I am ugly. Besides, I was a foreigner.

The children used to laugh at me, at first; and they even went so far

as to throw stones at me, when they saw me kiss Marie. I only kissed

her once in my life—no, no, don’t laugh!” The prince hastened to

suppress the smiles of his audience at this point. “It was not a matter

of _love_ at all! If only you knew what a miserable creature she was,

you would have pitied her, just as I did. She belonged to our village.

Her mother was an old, old woman, and they used to sell string and

thread, and soap and tobacco, out of the window of their little house,

and lived on the pittance they gained by this trade. The old woman was

ill and very old, and could hardly move. Marie was her daughter, a girl

of twenty, weak and thin and consumptive; but still she did heavy work

at the houses around, day by day. Well, one fine day a commercial

traveller betrayed her and carried her off; and a week later he

deserted her. She came home dirty, draggled, and shoeless; she had

walked for a whole week without shoes; she had slept in the fields, and

caught a terrible cold; her feet were swollen and sore, and her hands

torn and scratched all over. She never had been pretty even before; but

her eyes were quiet, innocent, kind eyes.

“She was very quiet always—and I remember once, when she had suddenly

begun singing at her work, everyone said, ‘Marie tried to sing today!’

and she got so chaffed that she was silent for ever after. She had been

treated kindly in the place before; but when she came back now—ill and

shunned and miserable—not one of them all had the slightest sympathy

for her. Cruel people! Oh, what hazy understandings they have on such

matters! Her mother was the first to show the way. She received her

wrathfully, unkindly, and with contempt. ‘You have disgraced me,’ she

said. She was the first to cast her into ignominy; but when they all

heard that Marie had returned to the village, they ran out to see her

and crowded into the little cottage—old men, children, women,

girls—such a hurrying, stamping, greedy crowd. Marie was lying on the

floor at the old woman’s feet, hungry, torn, draggled, crying,

miserable.

“When everyone crowded into the room she hid her face in her

dishevelled hair and lay cowering on the floor. Everyone looked at her

as though she were a piece of dirt off the road. The old men scolded

and condemned, and the young ones laughed at her. The women condemned

her too, and looked at her contemptuously, just as though she were some

loathsome insect.

“Her mother allowed all this to go on, and nodded her head and

encouraged them. The old woman was very ill at that time, and knew she

was dying (she really did die a couple of months later), and though she

felt the end approaching she never thought of forgiving her daughter,

to the very day of her death. She would not even speak to her. She made

her sleep on straw in a shed, and hardly gave her food enough to

support life.

“Marie was very gentle to her mother, and nursed her, and did

everything for her; but the old woman accepted all her services without

a word and never showed her the slightest kindness. Marie bore all

this; and I could see when I got to know her that she thought it quite

right and fitting, considering herself the lowest and meanest of

creatures.

“When the old woman took to her bed finally, the other old women in the

village sat with her by turns, as the custom is there; and then Marie

was quite driven out of the house. They gave her no food at all, and

she could not get any work in the village; none would employ her. The

men seemed to consider her no longer a woman, they said such dreadful

things to her. Sometimes on Sundays, if they were drunk enough, they

used to throw her a penny or two, into the mud, and Marie would

silently pick up the money. She had began to spit blood at that time.

“At last her rags became so tattered and torn that she was ashamed of

appearing in the village any longer. The children used to pelt her with

mud; so she begged to be taken on as assistant cowherd, but the cowherd

would not have her. Then she took to helping him without leave; and he

saw how valuable her assistance was to him, and did not drive her away

again; on the contrary, he occasionally gave her the remnants of his

dinner, bread and cheese. He considered that he was being very kind.

When the mother died, the village parson was not ashamed to hold Marie

up to public derision and shame. Marie was standing at the coffin’s

head, in all her rags, crying.

“A crowd of people had collected to see how she would cry. The parson,

a young fellow ambitious of becoming a great preacher, began his sermon

and pointed to Marie. ‘There,’ he said, ‘there is the cause of the

death of this venerable woman’—(which was a lie, because she had been

ill for at least two years)—‘there she stands before you, and dares not

lift her eyes from the ground, because she knows that the finger of God

is upon her. Look at her tatters and rags—the badge of those who lose

their virtue. Who is she? her daughter!’ and so on to the end.

“And just fancy, this infamy pleased them, all of them, nearly. Only

the children had altered—for then they were all on my side and had

learned to love Marie.

“This is how it was: I had wished to do something for Marie; I longed

to give her some money, but I never had a farthing while I was there.

But I had a little diamond pin, and this I sold to a travelling pedlar;

he gave me eight francs for it—it was worth at least forty.

“I long sought to meet Marie alone; and at last I did meet her, on the

hillside beyond the village. I gave her the eight francs and asked her

to take care of the money because I could get no more; and then I

kissed her and said that she was not to suppose I kissed her with any

evil motives or because I was in love with her, for that I did so

solely out of pity for her, and because from the first I had not

accounted her as guilty so much as unfortunate. I longed to console and

encourage her somehow, and to assure her that she was not the low, base

thing which she and others strove to make out; but I don’t think she

understood me. She stood before me, dreadfully ashamed of herself, and

with downcast eyes; and when I had finished she kissed my hand. I would

have kissed hers, but she drew it away. Just at this moment the whole

troop of children saw us. (I found out afterwards that they had long

kept a watch upon me.) They all began whistling and clapping their

hands, and laughing at us. Marie ran away at once; and when I tried to

talk to them, they threw stones at me. All the village heard of it the

same day, and Marie’s position became worse than ever. The children

would not let her pass now in the streets, but annoyed her and threw

dirt at her more than before. They used to run after her—she racing

away with her poor feeble lungs panting and gasping, and they pelting

her and shouting abuse at her.

“Once I had to interfere by force; and after that I took to speaking to

them every day and whenever I could. Occasionally they stopped and

listened; but they teased Marie all the same.

“I told them how unhappy Marie was, and after a while they stopped

their abuse of her, and let her go by silently. Little by little we got

into the way of conversing together, the children and I. I concealed

nothing from them, I told them all. They listened very attentively and

soon began to be sorry for Marie. At last some of them took to saying

‘Good-morning’ to her, kindly, when they met her. It is the custom

there to salute anyone you meet with ‘Good-morning’ whether acquainted

or not. I can imagine how astonished Marie was at these first greetings

from the children.

“Once two little girls got hold of some food and took it to her, and

came back and told me. They said she had burst into tears, and that

they loved her very much now. Very soon after that they all became fond

of Marie, and at the same time they began to develop the greatest

affection for myself. They often came to me and begged me to tell them

stories. I think I must have told stories well, for they did so love to

hear them. At last I took to reading up interesting things on purpose

to pass them on to the little ones, and this went on for all the rest

of my time there, three years. Later, when everyone—even Schneider—was

angry with me for hiding nothing from the children, I pointed out how

foolish it was, for they always knew things, only they learnt them in a

way that soiled their minds but not so from me. One has only to

remember one’s own childhood to admit the truth of this. But nobody was

convinced... It was two weeks before her mother died that I had kissed

Marie; and when the clergyman preached that sermon the children were

all on my side.

“When I told them what a shame it was of the parson to talk as he had

done, and explained my reason, they were so angry that some of them

went and broke his windows with stones. Of course I stopped them, for

that was not right, but all the village heard of it, and how I caught

it for spoiling the children! Everyone discovered now that the little

ones had taken to being fond of Marie, and their parents were terribly

alarmed; but Marie was so happy. The children were forbidden to meet

her; but they used to run out of the village to the herd and take her

food and things; and sometimes just ran off there and kissed her, and

said, ‘_Je vous aime, Marie!_’ and then trotted back again. They

imagined that I was in love with Marie, and this was the only point on

which I did not undeceive them, for they got such enjoyment out of it.

And what delicacy and tenderness they showed!

“In the evening I used to walk to the waterfall. There was a spot there

which was quite closed in and hidden from view by large trees; and to

this spot the children used to come to me. They could not bear that

their dear Leon should love a poor girl without shoes to her feet and

dressed all in rags and tatters. So, would you believe it, they

actually clubbed together, somehow, and bought her shoes and stockings,

and some linen, and even a dress! I can’t understand how they managed

it, but they did it, all together. When I asked them about it they only

laughed and shouted, and the little girls clapped their hands and

kissed me. I sometimes went to see Marie secretly, too. She had become

very ill, and could hardly walk. She still went with the herd, but

could not help the herdsman any longer. She used to sit on a stone

near, and wait there almost motionless all day, till the herd went

home. Her consumption was so advanced, and she was so weak, that she

used to sit with closed eyes, breathing heavily. Her face was as thin

as a skeleton’s, and sweat used to stand on her white brow in large

drops. I always found her sitting just like that. I used to come up

quietly to look at her; but Marie would hear me, open her eyes, and

tremble violently as she kissed my hands. I did not take my hand away

because it made her happy to have it, and so she would sit and cry

quietly. Sometimes she tried to speak; but it was very difficult to

understand her. She was almost like a madwoman, with excitement and

ecstasy, whenever I came. Occasionally the children came with me; when

they did so, they would stand some way off and keep guard over us, so

as to tell me if anybody came near. This was a great pleasure to them.

“When we left her, Marie used to relapse at once into her old

condition, and sit with closed eyes and motionless limbs. One day she

could not go out at all, and remained at home all alone in the empty

hut; but the children very soon became aware of the fact, and nearly

all of them visited her that day as she lay alone and helpless in her

miserable bed.

“For two days the children looked after her, and then, when the village

people got to know that Marie was really dying, some of the old women

came and took it in turns to sit by her and look after her a bit. I

think they began to be a little sorry for her in the village at last;

at all events they did not interfere with the children any more, on her

account.

“Marie lay in a state of uncomfortable delirium the whole while; she

coughed dreadfully. The old women would not let the children stay in

the room; but they all collected outside the window each morning, if

only for a moment, and shouted ‘_Bon jour, notre bonne Marie!_’ and

Marie no sooner caught sight of, or heard them, and she became quite

animated at once, and, in spite of the old women, would try to sit up

and nod her head and smile at them, and thank them. The little ones

used to bring her nice things and sweets to eat, but she could hardly

touch anything. Thanks to them, I assure you, the girl died almost

perfectly happy. She almost forgot her misery, and seemed to accept

their love as a sort of symbol of pardon for her offence, though she

never ceased to consider herself a dreadful sinner. They used to

flutter at her window just like little birds, calling out: ‘_Nous

t’aimons, Marie!_’

“She died very soon; I had thought she would live much longer. The day

before her death I went to see her for the last time, just before

sunset. I think she recognized me, for she pressed my hand.

“Next morning they came and told me that Marie was dead. The children

could not be restrained now; they went and covered her coffin with

flowers, and put a wreath of lovely blossoms on her head. The pastor

did not throw any more shameful words at the poor dead woman; but there

were very few people at the funeral. However, when it came to carrying

the coffin, all the children rushed up, to carry it themselves. Of

course they could not do it alone, but they insisted on helping, and

walked alongside and behind, crying.

“They have planted roses all round her grave, and every year they look

after the flowers and make Marie’s resting-place as beautiful as they

can. I was in ill odour after all this with the parents of the

children, and especially with the parson and schoolmaster. Schneider

was obliged to promise that I should not meet them and talk to them;

but we conversed from a distance by signs, and they used to write me

sweet little notes. Afterwards I came closer than ever to those little

souls, but even then it was very dear to me, to have them so fond of

me.

“Schneider said that I did the children great harm by my pernicious

‘system’; what nonsense that was! And what did he mean by my system? He

said afterwards that he believed I was a child myself—just before I

came away. ‘You have the form and face of an adult’ he said, ‘but as

regards soul, and character, and perhaps even intelligence, you are a

child in the completest sense of the word, and always will be, if you

live to be sixty.’ I laughed very much, for of course that is nonsense.

But it is a fact that I do not care to be among grown-up people and

much prefer the society of children. However kind people may be to me,

I never feel quite at home with them, and am always glad to get back to

my little companions. Now my companions have always been children, not

because I was a child myself once, but because young things attract me.

On one of the first days of my stay in Switzerland, I was strolling

about alone and miserable, when I came upon the children rushing

noisily out of school, with their slates and bags, and books, their

games, their laughter and shouts—and my soul went out to them. I

stopped and laughed happily as I watched their little feet moving so

quickly. Girls and boys, laughing and crying; for as they went home

many of them found time to fight and make peace, to weep and play. I

forgot my troubles in looking at them. And then, all those three years,

I tried to understand why men should be for ever tormenting themselves.

I lived the life of a child there, and thought I should never leave the

little village; indeed, I was far from thinking that I should ever

return to Russia. But at last I recognized the fact that Schneider

could not keep me any longer. And then something so important happened,

that Schneider himself urged me to depart. I am going to see now if can

get good advice about it. Perhaps my lot in life will be changed; but

that is not the principal thing. The principal thing is the entire

change that has already come over me. I left many things behind me—too

many. They have gone. On the journey I said to myself, ‘I am going into

the world of men. I don’t know much, perhaps, but a new life has begun

for me.’ I made up my mind to be honest, and steadfast in accomplishing

my task. Perhaps I shall meet with troubles and many disappointments,

but I have made up my mind to be polite and sincere to everyone; more

cannot be asked of me. People may consider me a child if they like. I

am often called an idiot, and at one time I certainly was so ill that I

was nearly as bad as an idiot; but I am not an idiot now. How can I

possibly be so when I know myself that I am considered one?

“When I received a letter from those dear little souls, while passing

through Berlin, I only then realized how much I loved them. It was

very, very painful, getting that first little letter. How melancholy

they had been when they saw me off! For a month before, they had been

talking of my departure and sorrowing over it; and at the waterfall, of

an evening, when we parted for the night, they would hug me so tight

and kiss me so warmly, far more so than before. And every now and then

they would turn up one by one when I was alone, just to give me a kiss

and a hug, to show their love for me. The whole flock went with me to

the station, which was about a mile from the village, and every now and

then one of them would stop to throw his arms round me, and all the

little girls had tears in their voices, though they tried hard not to

cry. As the train steamed out of the station, I saw them all standing

on the platform waving to me and crying ‘Hurrah!’ till they were lost

in the distance.

“I assure you, when I came in here just now and saw your kind faces (I

can read faces well) my heart felt light for the first time since that

moment of parting. I think I must be one of those who are born to be in

luck, for one does not often meet with people whom one feels he can

love from the first sight of their faces; and yet, no sooner do I step

out of the railway carriage than I happen upon you!

“I know it is more or less a shamefaced thing to speak of one’s

feelings before others; and yet here am I talking like this to you, and

am not a bit ashamed or shy. I am an unsociable sort of fellow and

shall very likely not come to see you again for some time; but don’t

think the worse of me for that. It is not that I do not value your

society; and you must never suppose that I have taken offence at

anything.

“You asked me about your faces, and what I could read in them; I will

tell you with the greatest pleasure. You, Adelaida Ivanovna, have a

very happy face; it is the most sympathetic of the three. Not to speak

of your natural beauty, one can look at your face and say to one’s

self, ‘She has the face of a kind sister.’ You are simple and merry,

but you can see into another’s heart very quickly. That’s what I read

in your face.

“You too, Alexandra Ivanovna, have a very lovely face; but I think you

may have some secret sorrow. Your heart is undoubtedly a kind, good

one, but you are not merry. There is a certain suspicion of ‘shadow’ in

your face, like in that of Holbein’s Madonna in Dresden. So much for

your face. Have I guessed right?

“As for your face, Lizabetha Prokofievna, I not only think, but am

perfectly _sure_, that you are an absolute child—in all, in all, mind,

both good and bad—and in spite of your years. Don’t be angry with me

for saying so; you know what my feelings for children are. And do not

suppose that I am so candid out of pure simplicity of soul. Oh dear no,

it is by no means the case! Perhaps I have my own very profound object

in view.”

VII.

When the prince ceased speaking all were gazing merrily at him—even

Aglaya; but Lizabetha Prokofievna looked the jolliest of all.

“Well!” she cried, “we _have_ ‘put him through his paces,’ with a

vengeance! My dears, you imagined, I believe, that you were about to

patronize this young gentleman, like some poor _protégé_ picked up

somewhere, and taken under your magnificent protection. What fools we

were, and what a specially big fool is your father! Well done, prince!

I assure you the general actually asked me to put you through your

paces, and examine you. As to what you said about my face, you are

absolutely correct in your judgment. I am a child, and know it. I knew

it long before you said so; you have expressed my own thoughts. I think

your nature and mine must be extremely alike, and I am very glad of it.

We are like two drops of water, only you are a man and I a woman, and

I’ve not been to Switzerland, and that is all the difference between

us.”

“Don’t be in a hurry, mother; the prince says that he has some motive

behind his simplicity,” cried Aglaya.

“Yes, yes, so he does,” laughed the others.

“Oh, don’t you begin bantering him,” said mamma. “He is probably a good

deal cleverer than all three of you girls put together. We shall see.

Only you haven’t told us anything about Aglaya yet, prince; and Aglaya

and I are both waiting to hear.”

“I cannot say anything at present. I’ll tell you afterwards.”

“Why? Her face is clear enough, isn’t it?”

“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so

beautiful that one is afraid to look at you.”

“Is that all? What about her character?” persisted Mrs. Epanchin.

“It is difficult to judge when such beauty is concerned. I have not

prepared my judgment. Beauty is a riddle.”

“That means that you have set Aglaya a riddle!” said Adelaida. “Guess

it, Aglaya! But she’s pretty, prince, isn’t she?”

“Most wonderfully so,” said the latter, warmly, gazing at Aglaya with

admiration. “Almost as lovely as Nastasia Philipovna, but quite a

different type.”

All present exchanged looks of surprise.

“As lovely as _who?_” said Mrs. Epanchin. “As _Nastasia Philipovna?_

Where have you seen Nastasia Philipovna? What Nastasia Philipovna?”

“Gavrila Ardalionovitch showed the general her portrait just now.”

“How so? Did he bring the portrait for my husband?”

“Only to show it. Nastasia Philipovna gave it to Gavrila Ardalionovitch

today, and the latter brought it here to show to the general.”

“I must see it!” cried Mrs. Epanchin. “Where is the portrait? If she

gave it to him, he must have it; and he is still in the study. He never

leaves before four o’clock on Wednesdays. Send for Gavrila

Ardalionovitch at once. No, I don’t long to see _him_ so much. Look

here, dear prince, _be_ so kind, will you? Just step to the study and

fetch this portrait! Say we want to look at it. Please do this for me,

will you?”

“He is a nice fellow, but a little too simple,” said Adelaida, as the

prince left the room.

“He is, indeed,” said Alexandra; “almost laughably so at times.”

Neither one nor the other seemed to give expression to her full

thoughts.

“He got out of it very neatly about our faces, though,” said Aglaya.

“He flattered us all round, even mamma.”

“Nonsense!” cried the latter. “He did not flatter me. It was I who

found his appreciation flattering. I think you are a great deal more

foolish than he is. He is simple, of course, but also very knowing.

Just like myself.”

“How stupid of me to speak of the portrait,” thought the prince as he

entered the study, with a feeling of guilt at his heart, “and yet,

perhaps I was right after all.” He had an idea, unformed as yet, but a

strange idea.

Gavrila Ardalionovitch was still sitting in the study, buried in a mass

of papers. He looked as though he did not take his salary from the

public company, whose servant he was, for a sinecure.

He grew very wroth and confused when the prince asked for the portrait,

and explained how it came about that he had spoken of it.

“Oh, curse it all,” he said; “what on earth must you go blabbing for?

You know nothing about the thing, and yet—idiot!” he added, muttering

the last word to himself in irrepressible rage.

“I am very sorry; I was not thinking at the time. I merely said that

Aglaya was almost as beautiful as Nastasia Philipovna.”

Gania asked for further details; and the prince once more repeated the

conversation. Gania looked at him with ironical contempt the while.

“Nastasia Philipovna,” he began, and there paused; he was clearly much

agitated and annoyed. The prince reminded him of the portrait.

“Listen, prince,” said Gania, as though an idea had just struck him, “I

wish to ask you a great favour, and yet I really don’t know—”

He paused again, he was trying to make up his mind to something, and

was turning the matter over. The prince waited quietly. Once more Gania

fixed him with intent and questioning eyes.

“Prince,” he began again, “they are rather angry with me, in there,

owing to a circumstance which I need not explain, so that I do not care

to go in at present without an invitation. I particularly wish to speak

to Aglaya, but I have written a few words in case I shall not have the

chance of seeing her” (here the prince observed a small note in his

hand), “and I do not know how to get my communication to her. Don’t you

think you could undertake to give it to her at once, but only to her,

mind, and so that no one else should see you give it? It isn’t much of

a secret, but still—Well, will you do it?”

“I don’t quite like it,” replied the prince.

“Oh, but it is absolutely necessary for me,” Gania entreated. “Believe

me, if it were not so, I would not ask you; how else am I to get it to

her? It is most important, dreadfully important!”

Gania was evidently much alarmed at the idea that the prince would not

consent to take his note, and he looked at him now with an expression

of absolute entreaty.

“Well, I will take it then.”

“But mind, nobody is to see!” cried the delighted Gania “And of course

I may rely on your word of honour, eh?”

“I won’t show it to anyone,” said the prince.

“The letter is not sealed—” continued Gania, and paused in confusion.

“Oh, I won’t read it,” said the prince, quite simply.

He took up the portrait, and went out of the room.

Gania, left alone, clutched his head with his hands.

“One word from her,” he said, “one word from her, and I may yet be

free.”

He could not settle himself to his papers again, for agitation and

excitement, but began walking up and down the room from corner to

corner.

The prince walked along, musing. He did not like his commission, and

disliked the idea of Gania sending a note to Aglaya at all; but when he

was two rooms distant from the drawing-room, where they all were, he

stopped as though recalling something; went to the window, nearer the

light, and began to examine the portrait in his hand.

He longed to solve the mystery of something in the face of Nastasia

Philipovna, something which had struck him as he looked at the portrait

for the first time; the impression had not left him. It was partly the

fact of her marvellous beauty that struck him, and partly something

else. There was a suggestion of immense pride and disdain in the face

almost of hatred, and at the same time something confiding and very

full of simplicity. The contrast aroused a deep sympathy in his heart

as he looked at the lovely face. The blinding loveliness of it was

almost intolerable, this pale thin face with its flaming eyes; it was a

strange beauty.

The prince gazed at it for a minute or two, then glanced around him,

and hurriedly raised the portrait to his lips. When, a minute after, he

reached the drawing-room door, his face was quite composed. But just as

he reached the door he met Aglaya coming out alone.

“Gavrila Ardalionovitch begged me to give you this,” he said, handing

her the note.

Aglaya stopped, took the letter, and gazed strangely into the prince’s

eyes. There was no confusion in her face; a little surprise, perhaps,

but that was all. By her look she seemed merely to challenge the prince

to an explanation as to how he and Gania happened to be connected in

this matter. But her expression was perfectly cool and quiet, and even

condescending.

So they stood for a moment or two, confronting one another. At length a

faint smile passed over her face, and she passed by him without a word.

Mrs. Epanchin examined the portrait of Nastasia Philipovna for some

little while, holding it critically at arm’s length.

“Yes, she is pretty,” she said at last, “even very pretty. I have seen

her twice, but only at a distance. So you admire this kind of beauty,

do you?” she asked the prince, suddenly.

“Yes, I do—this kind.”

“Do you mean especially this kind?”

“Yes, especially this kind.”

“Why?”

“There is much suffering in this face,” murmured the prince, more as

though talking to himself than answering the question.

“I think you are wandering a little, prince,” Mrs. Epanchin decided,

after a lengthened survey of his face; and she tossed the portrait on

to the table, haughtily.

Alexandra took it, and Adelaida came up, and both the girls examined

the photograph. Just then Aglaya entered the room.

“What a power!” cried Adelaida suddenly, as she earnestly examined the

portrait over her sister’s shoulder.

“Whom? What power?” asked her mother, crossly.

“Such beauty is real power,” said Adelaida. “With such beauty as that

one might overthrow the world.” She returned to her easel thoughtfully.

Aglaya merely glanced at the portrait—frowned, and put out her

underlip; then went and sat down on the sofa with folded hands. Mrs.

Epanchin rang the bell.

“Ask Gavrila Ardalionovitch to step this way,” said she to the man who

answered.

“Mamma!” cried Alexandra, significantly.

“I shall just say two words to him, that’s all,” said her mother,

silencing all objection by her manner; she was evidently seriously put

out. “You see, prince, it is all secrets with us, just now—all secrets.

It seems to be the etiquette of the house, for some reason or other.

Stupid nonsense, and in a matter which ought to be approached with all

candour and open-heartedness. There is a marriage being talked of, and

I don’t like this marriage—”

“Mamma, what are you saying?” said Alexandra again, hurriedly.

“Well, what, my dear girl? As if you can possibly like it yourself? The

heart is the great thing, and the rest is all rubbish—though one must

have sense as well. Perhaps sense is really the great thing. Don’t

smile like that, Aglaya. I don’t contradict myself. A fool with a heart

and no brains is just as unhappy as a fool with brains and no heart. I

am one and you are the other, and therefore both of us suffer, both of

us are unhappy.”

“Why are you so unhappy, mother?” asked Adelaida, who alone of all the

company seemed to have preserved her good temper and spirits up to now.

“In the first place, because of my carefully brought-up daughters,”

said Mrs. Epanchin, cuttingly; “and as that is the best reason I can

give you we need not bother about any other at present. Enough of

words, now! We shall see how both of you (I don’t count Aglaya) will

manage your business, and whether you, most revered Alexandra Ivanovna,

will be happy with your fine mate.”

“Ah!” she added, as Gania suddenly entered the room, “here’s another

marrying subject. How do you do?” she continued, in response to Gania’s

bow; but she did not invite him to sit down. “You are going to be

married?”

“Married? how—what marriage?” murmured Gania, overwhelmed with

confusion.

“Are you about to take a wife? I ask,—if you prefer that expression.”

“No, no I—I—no!” said Gania, bringing out his lie with a tell-tale

blush of shame. He glanced keenly at Aglaya, who was sitting some way

off, and dropped his eyes immediately.

Aglaya gazed coldly, intently, and composedly at him, without taking

her eyes off his face, and watched his confusion.

“No? You say no, do you?” continued the pitiless Mrs. General. “Very

well, I shall remember that you told me this Wednesday morning, in

answer to my question, that you are not going to be married. What day

is it, Wednesday, isn’t it?”

“Yes, I think so!” said Adelaida.

“You never know the day of the week; what’s the day of the month?”

“Twenty-seventh!” said Gania.

“Twenty-seventh; very well. Good-bye now; you have a good deal to do,

I’m sure, and I must dress and go out. Take your portrait. Give my

respects to your unfortunate mother, Nina Alexandrovna. _Au revoir_,

dear prince, come in and see us often, do; and I shall tell old

Princess Bielokonski about you. I shall go and see her on purpose. And

listen, my dear boy, I feel sure that God has sent you to Petersburg

from Switzerland on purpose for me. Maybe you will have other things to

do, besides, but you are sent chiefly for my sake, I feel sure of it.

God sent you to me! _Au revoir!_ Alexandra, come with me, my dear.”

Mrs. Epanchin left the room.

Gania—confused, annoyed, furious—took up his portrait, and turned to

the prince with a nasty smile on his face.

“Prince,” he said, “I am just going home. If you have not changed your

mind as to living with us, perhaps you would like to come with me. You

don’t know the address, I believe?”

“Wait a minute, prince,” said Aglaya, suddenly rising from her seat,

“do write something in my album first, will you? Father says you are a

most talented caligraphist; I’ll bring you my book in a minute.” She

left the room.

“Well, _au revoir_, prince,” said Adelaida, “I must be going too.” She

pressed the prince’s hand warmly, and gave him a friendly smile as she

left the room. She did not so much as look at Gania.

“This is your doing, prince,” said Gania, turning on the latter so soon

as the others were all out of the room. “This is your doing, sir! _You_

have been telling them that I am going to be married!” He said this in

a hurried whisper, his eyes flashing with rage and his face ablaze.

“You shameless tattler!”

“I assure you, you are under a delusion,” said the prince, calmly and

politely. “I did not even know that you were to be married.”

“You heard me talking about it, the general and me. You heard me say

that everything was to be settled today at Nastasia Philipovna’s, and

you went and blurted it out here. You lie if you deny it. Who else

could have told them? Devil take it, sir, who could have told them

except yourself? Didn’t the old woman as good as hint as much to me?”

“If she hinted to you who told her you must know best, of course; but I

never said a word about it.”

“Did you give my note? Is there an answer?” interrupted Gania,

impatiently.

But at this moment Aglaya came back, and the prince had no time to

reply.

“There, prince,” said she, “there’s my album. Now choose a page and

write me something, will you? There’s a pen, a new one; do you mind a

steel one? I have heard that you caligraphists don’t like steel pens.”

Conversing with the prince, Aglaya did not even seem to notice that

Gania was in the room. But while the prince was getting his pen ready,

finding a page, and making his preparations to write, Gania came up to

the fireplace where Aglaya was standing, to the right of the prince,

and in trembling, broken accents said, almost in her ear:

“One word, just one word from you, and I’m saved.”

The prince turned sharply round and looked at both of them. Gania’s

face was full of real despair; he seemed to have said the words almost

unconsciously and on the impulse of the moment.

Aglaya gazed at him for some seconds with precisely the same composure

and calm astonishment as she had shown a little while before, when the

prince handed her the note, and it appeared that this calm surprise and

seemingly absolute incomprehension of what was said to her, were more

terribly overwhelming to Gania than even the most plainly expressed

disdain would have been.

“What shall I write?” asked the prince.

“I’ll dictate to you,” said Aglaya, coming up to the table. “Now then,

are you ready? Write, ‘I never condescend to bargain!’ Now put your

name and the date. Let me see it.”

The prince handed her the album.

“Capital! How beautifully you have written it! Thanks so much. _Au

revoir_, prince. Wait a minute,” she added, “I want to give you

something for a keepsake. Come with me this way, will you?”

The prince followed her. Arrived at the dining-room, she stopped.

“Read this,” she said, handing him Gania’s note.

The prince took it from her hand, but gazed at her in bewilderment.

“Oh! I _know_ you haven’t read it, and that you could never be that

man’s accomplice. Read it, I wish you to read it.”

The letter had evidently been written in a hurry:

“My fate is to be decided today” (it ran), “you know how. This day I

must give my word irrevocably. I have no right to ask your help, and I

dare not allow myself to indulge in any hopes; but once you said just

one word, and that word lighted up the night of my life, and became the

beacon of my days. Say one more such word, and save me from utter ruin.

Only tell me, ‘break off the whole thing!’ and I will do so this very

day. Oh! what can it cost you to say just this one word? In doing so

you will but be giving me a sign of your sympathy for me, and of your

pity; only this, only this; nothing more, _nothing_. I dare not indulge

in any hope, because I am unworthy of it. But if you say but this word,

I will take up my cross again with joy, and return once more to my

battle with poverty. I shall meet the storm and be glad of it; I shall

rise up with renewed strength.

“Send me back then this one word of sympathy, only sympathy, I

swear to you; and oh! do not be angry with the audacity of despair,

with the drowning man who has dared to make this last effort to

save himself from perishing beneath the waters.

“G.L.”

“This man assures me,” said Aglaya, scornfully, when the prince had

finished reading the letter, “that the words ‘break off everything’ do

not commit me to anything whatever; and himself gives me a written

guarantee to that effect, in this letter. Observe how ingenuously he

underlines certain words, and how crudely he glosses over his hidden

thoughts. He must know that if he ‘broke off everything,’ _first_, by

himself, and without telling me a word about it or having the slightest

hope on my account, that in that case I should perhaps be able to

change my opinion of him, and even accept his—friendship. He must know

that, but his soul is such a wretched thing. He knows it and cannot

make up his mind; he knows it and yet asks for guarantees. He cannot

bring himself to _trust_, he wants me to give him hopes of myself

before he lets go of his hundred thousand roubles. As to the ‘former

word’ which he declares ‘lighted up the night of his life,’ he is

simply an impudent liar; I merely pitied him once. But he is audacious

and shameless. He immediately began to hope, at that very moment. I saw

it. He has tried to catch me ever since; he is still fishing for me.

Well, enough of this. Take the letter and give it back to him, as soon

as you have left our house; not before, of course.”

“And what shall I tell him by way of answer?”

“Nothing—of course! That’s the best answer. Is it the case that you are

going to live in his house?”

“Yes, your father kindly recommended me to him.”

“Then look out for him, I warn you! He won’t forgive you easily, for

taking back the letter.”

Aglaya pressed the prince’s hand and left the room. Her face was

serious and frowning; she did not even smile as she nodded good-bye to

him at the door.

“I’ll just get my parcel and we’ll go,” said the prince to Gania, as he

re-entered the drawing-room. Gania stamped his foot with impatience.

His face looked dark and gloomy with rage.

At last they left the house behind them, the prince carrying his

bundle.

“The answer—quick—the answer!” said Gania, the instant they were

outside. “What did she say? Did you give the letter?” The prince

silently held out the note. Gania was struck motionless with amazement.

“How, what? my letter?” he cried. “He never delivered it! I might have

guessed it, oh! curse him! Of course she did not understand what I

meant, naturally! Why—why—_why_ didn’t you give her the note, you—”

“Excuse me; I was able to deliver it almost immediately after receiving

your commission, and I gave it, too, just as you asked me to. It has

come into my hands now because Aglaya Ivanovna has just returned it to

me.”

“How? When?”

“As soon as I finished writing in her album for her, and when she asked

me to come out of the room with her (you heard?), we went into the

dining-room, and she gave me your letter to read, and then told me to

return it.”

“To _read?_” cried Gania, almost at the top of his voice; “to _read_,

and you read it?”

And again he stood like a log in the middle of the pavement; so amazed

that his mouth remained open after the last word had left it.

“Yes, I have just read it.”

“And she gave it you to read herself—_herself?_”

“Yes, herself; and you may believe me when I tell you that I would not

have read it for anything without her permission.”

Gania was silent for a minute or two, as though thinking out some

problem. Suddenly he cried:

“It’s impossible, she cannot have given it to you to read! You are

lying. You read it yourself!”

“I am telling you the truth,” said the prince in his former composed

tone of voice; “and believe me, I am extremely sorry that the

circumstance should have made such an unpleasant impression upon you!”

“But, you wretched man, at least she must have said something? There

must be _some_ answer from her!”

“Yes, of course, she did say something!”

“Out with it then, damn it! Out with it at once!” and Gania stamped his

foot twice on the pavement.

“As soon as I had finished reading it, she told me that you were

fishing for her; that you wished to compromise her so far as to receive

some hopes from her, trusting to which hopes you might break with the

prospect of receiving a hundred thousand roubles. She said that if you

had done this without bargaining with her, if you had broken with the

money prospects without trying to force a guarantee out of her first,

she might have been your friend. That’s all, I think. Oh no, when I

asked her what I was to say, as I took the letter, she replied that ‘no

answer is the best answer.’ I think that was it. Forgive me if I do not

use her exact expressions. I tell you the sense as I understood it

myself.”

Ungovernable rage and madness took entire possession of Gania, and his

fury burst out without the least attempt at restraint.

“Oh! that’s it, is it!” he yelled. “She throws my letters out of the

window, does she! Oh! and she does not condescend to bargain, while I

_do_, eh? We shall see, we shall see! I shall pay her out for this.”

He twisted himself about with rage, and grew paler and paler; he shook

his fist. So the pair walked along a few steps. Gania did not stand on

ceremony with the prince; he behaved just as though he were alone in

his room. He clearly counted the latter as a nonentity. But suddenly he

seemed to have an idea, and recollected himself.

“But how was it?” he asked, “how was it that you (idiot that you are),”

he added to himself, “were so very confidential a couple of hours after

your first meeting with these people? How was that, eh?”

Up to this moment jealousy had not been one of his torments; now it

suddenly gnawed at his heart.

“That is a thing I cannot undertake to explain,” replied the prince.

Gania looked at him with angry contempt.

“Oh! I suppose the present she wished to make to you, when she took you

into the dining-room, was her confidence, eh?”

“I suppose that was it; I cannot explain it otherwise.”

“But why, _why?_ Devil take it, what did you do in there? Why did they

fancy you? Look here, can’t you remember exactly what you said to them,

from the very beginning? Can’t you remember?”

“Oh, we talked of a great many things. When first I went in we began to

speak of Switzerland.”

“Oh, the devil take Switzerland!”

“Then about executions.”

“Executions?”

“Yes—at least about one. Then I told the whole three years’ story of my

life, and the history of a poor peasant girl—”

“Oh, damn the peasant girl! go on, go on!” said Gania, impatiently.

“Then how Schneider told me about my childish nature, and—”

“Oh, _curse_ Schneider and his dirty opinions! Go on.”

“Then I began to talk about faces, at least about the _expressions_ of

faces, and said that Aglaya Ivanovna was nearly as lovely as Nastasia

Philipovna. It was then I blurted out about the portrait—”

“But you didn’t repeat what you heard in the study? You didn’t repeat

that—eh?”

“No, I tell you I did _not_.”

“Then how did they—look here! Did Aglaya show my letter to the old

lady?”

“Oh, there I can give you my fullest assurance that she did _not_. I

was there all the while—she had no time to do it!”

“But perhaps you may not have observed it, oh, you damned idiot, you!”

he shouted, quite beside himself with fury. “You can’t even describe

what went on.”

Gania having once descended to abuse, and receiving no check, very soon

knew no bounds or limit to his licence, as is often the way in such

cases. His rage so blinded him that he had not even been able to detect

that this “idiot,” whom he was abusing to such an extent, was very far

from being slow of comprehension, and had a way of taking in an

impression, and afterwards giving it out again, which was very

un-idiotic indeed. But something a little unforeseen now occurred.

“I think I ought to tell you, Gavrila Ardalionovitch,” said the prince,

suddenly, “that though I once was so ill that I really was little

better than an idiot, yet now I am almost recovered, and that,

therefore, it is not altogether pleasant to be called an idiot to my

face. Of course your anger is excusable, considering the treatment you

have just experienced; but I must remind you that you have twice abused

me rather rudely. I do not like this sort of thing, and especially so

at the first time of meeting a man, and, therefore, as we happen to be

at this moment standing at a crossroad, don’t you think we had better

part, you to the left, homewards, and I to the right, here? I have

twenty-five roubles, and I shall easily find a lodging.”

Gania was much confused, and blushed for shame “Do forgive me, prince!”

he cried, suddenly changing his abusive tone for one of great courtesy.

“For Heaven’s sake, forgive me! You see what a miserable plight I am

in, but you hardly know anything of the facts of the case as yet. If

you did, I am sure you would forgive me, at least partially. Of course

it was inexcusable of me, I know, but—”

“Oh, dear me, I really do not require such profuse apologies,” replied

the prince, hastily. “I quite understand how unpleasant your position

is, and that is what made you abuse me. So come along to your house,

after all. I shall be delighted—”

“I am not going to let him go like this,” thought Gania, glancing

angrily at the prince as they walked along. “The fellow has sucked

everything out of me, and now he takes off his mask—there’s something

more than appears, here we shall see. It shall all be as clear as water

by tonight, everything!”

But by this time they had reached Gania’s house.

VIII.

The flat occupied by Gania and his family was on the third floor of the

house. It was reached by a clean light staircase, and consisted of

seven rooms, a nice enough lodging, and one would have thought a little

too good for a clerk on two thousand roubles a year. But it was

designed to accommodate a few lodgers on board terms, and had been

taken a few months since, much to the disgust of Gania, at the urgent

request of his mother and his sister, Varvara Ardalionovna, who longed

to do something to increase the family income a little, and fixed their

hopes upon letting lodgings. Gania frowned upon the idea. He thought it

_infra dig_, and did not quite like appearing in society

afterwards—that society in which he had been accustomed to pose up to

now as a young man of rather brilliant prospects. All these concessions

and rebuffs of fortune, of late, had wounded his spirit severely, and

his temper had become extremely irritable, his wrath being generally

quite out of proportion to the cause. But if he had made up his mind to

put up with this sort of life for a while, it was only on the plain

understanding with his inner self that he would very soon change it

all, and have things as he chose again. Yet the very means by which he

hoped to make this change threatened to involve him in even greater

difficulties than he had had before.

The flat was divided by a passage which led straight out of the

entrance-hall. Along one side of this corridor lay the three rooms

which were designed for the accommodation of the “highly recommended”

lodgers. Besides these three rooms there was another small one at the

end of the passage, close to the kitchen, which was allotted to General

Ivolgin, the nominal master of the house, who slept on a wide sofa, and

was obliged to pass into and out of his room through the kitchen, and

up or down the back stairs. Colia, Gania’s young brother, a school-boy

of thirteen, shared this room with his father. He, too, had to sleep on

an old sofa, a narrow, uncomfortable thing with a torn rug over it; his

chief duty being to look after his father, who needed to be watched

more and more every day.

The prince was given the middle room of the three, the first being

occupied by one Ferdishenko, while the third was empty.

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