It was nearly six o'clock when Pierre got back to the Boccanera mansion.

As a rule, he passed in all modesty down the lane, and entered by the

little side door, a key of which had been given him. But he had that

morning received a letter from M. de la Choue, and desired to communicate

it to Benedetta. So he ascended the grand staircase, and on reaching the

anteroom was surprised to find nobody there. As a rule, whenever the

man-servant went out Victorine installed herself in his place and busied

herself with some needlework. Her chair was there, and Pierre even

noticed some linen which she had left on a little table when probably

summoned elsewhere. Then, as the door of the first reception-room was

ajar, he at last ventured in. It was almost night there already, the

twilight was softly dying away, and all at once the young priest stopped

short, fearing to take another step, for, from the room beyond, the large

yellow /salon/, there came a murmur of feverish, distracted words, ardent

entreaties, fierce panting, a rustling and a shuffling of footsteps. And

suddenly Pierre no longer hesitated, urged on despite himself by the

conviction that the sounds he heard were those of a struggle, and that

some one was hard pressed.

And when he darted into the further room he was stupefied, for Dario was

there, no longer showing the degenerate elegance of the last scion of an

exhausted race, but maddened by the hot, frantic blood of the Boccaneras

which had bubbled up within him. He had clasped Benedetta by the

shoulders in a frenzy of passion and was scorching her face with his hot,

entreating words: "But since you say, my darling, that it is all over,

that your marriage will never be dissolved--oh! why should we be wretched

for ever! Love me as you do love me, and let me love you--let me love

you!"

But the Contessina, with an indescribable expression of tenderness and

suffering on her tearful face, repulsed him with her outstretched arms,

she likewise evincing a fierce energy as she repeated: "No, no; I love

you, but it must not, it must not be."

At that moment, amidst the roar of his despair, Dario became conscious

that some one was entering the room. He turned and gazed at Pierre with

an expression of stupefied insanity, scarce able even to recognise him.

Then he carried his two hands to his face, to his bloodshot eyes and his

cheeks wet with scalding tears, and fled, heaving a terrible,

pain-fraught sigh in which baffled passion mingled with grief and

repentance.

Benedetta seated herself, breathing hard, her strength and courage

wellnigh exhausted. But as Pierre, too much embarrassed to speak, turned

towards the door, she addressed him in a calmer voice: "No, no, Monsieur

l'Abbe, do not go away--sit down, I pray you; I should like to speak to

you for a moment."

He thereupon thought it his duty to account for his sudden entrance, and

explained that he had found the door of the first /salon/ ajar, and that

Victorine was not in the ante-room, though he had seen her work lying on

the table there.

"Yes," exclaimed the Contessina, "Victorine ought to have been there; I

saw her there but a short time ago. And when my poor Dario lost his head

I called her. Why did she not come?" Then, with sudden expansion, leaning

towards Pierre, she continued: "Listen, Monsieur l'Abbe, I will tell you

what happened, for I don't want you to form too bad an opinion of my poor

Dario. It was all in some measure my fault. Last night he asked me for an

appointment here in order that we might have a quiet chat, and as I knew

that my aunt would be absent at this time to-day I told him to come. It

was only natural--wasn't it?--that we should want to see one another and

come to an agreement after the grievous news that my marriage will

probably never be annulled. We suffer too much, and must form a decision.

And so when he came this evening we began to weep and embrace, mingling

our tears together. I kissed him again and again, telling him how I

adored him, how bitterly grieved I was at being the cause of his

sufferings, and how surely I should die of grief at seeing him so

unhappy. Ah! no doubt I did wrong; I ought not to have caught him to my

heart and embraced him as I did, for it maddened him, Monsieur l'Abbe; he

lost his head, and would have made me break my vow to the Blessed

Virgin."

She spoke these words in all tranquillity and simplicity, without sign of

embarrassment, like a young and beautiful woman who is at once sensible

and practical. Then she resumed: "Oh! I know my poor Dario well, but it

does not prevent me from loving him; perhaps, indeed, it only makes me

love him the more. He looks delicate, perhaps rather sickly, but in truth

he is a man of passion. Yes, the old blood of my people bubbles up in

him. I know something of it myself, for when I was a child I sometimes

had fits of angry passion which left me exhausted on the floor, and even

now, when the gusts arise within me, I have to fight against myself and

torture myself in order that I may not act madly. But my poor Dario does

not know how to suffer. He is like a child whose fancies must be

gratified. And yet at bottom he has a good deal of common sense; he waits

for me because he knows that the only real happiness lies with the woman

who adores him."

As Pierre listened he was able to form a more precise idea of the young

prince, of whose character he had hitherto had but a vague perception.

Whilst dying of love for his cousin, Dario had ever been a man of

pleasure. Though he was no doubt very amiable, the basis of his

temperament was none the less egotism. And, in particular, he was unable

to endure suffering; he loathed suffering, ugliness, and poverty, whether

they affected himself or others. Both his flesh and his soul required

gaiety, brilliancy, show, life in the full sunlight. And withal he was

exhausted, with no strength left him but for the idle life he led, so

incapable of thought and will that the idea of joining the new /regime/

had not even occurred to him. Yet he had all the unbounded pride of a

Roman; sagacity--a keen, practical perception of the real--was mingled

with his indolence; while his inveterate love of woman, more frequently

displayed in charm of manner, burst forth at times in attacks of frantic

sensuality.

"After all he is a man," concluded Benedetta in a low voice, "and I must

not ask impossibilities of him." Then, as Pierre gazed at her, his

notions of Italian jealousy quite upset, she exclaimed, aglow with

passionate adoration: "No, no. Situated as we are, I am not jealous. I

know very well that he will always return to me, and that he will be mine

alone whenever I please, whenever it may be possible."

Silence followed; shadows were filling the room, the gilding of the large

pier tables faded away, and infinite melancholy fell from the lofty, dim

ceiling and the old hangings, yellow like autumn leaves. But soon, by

some chance play of the waning light, a painting stood out above the sofa

on which the Contessina was seated. It was the portrait of the beautiful

young girl with the turban--Cassia Boccanera the forerunner, the

/amorosa/ and avengeress. Again was Pierre struck by the portrait's

resemblance to Benedetta, and, thinking aloud, he resumed: "Passion

always proves the stronger; there invariably comes a moment when one

succumbs--"

But Benedetta violently interrupted him: "I! I! Ah! you do not know me; I

would rather die!" And with extraordinary exaltation, all aglow with

love, as if her superstitious faith had fired her passion to ecstasy, she

continued: "I have vowed to the Madonna that I will belong to none but

the man I love, and to him only when he is my husband. And hitherto I

have kept that vow, at the cost of my happiness, and I will keep it

still, even if it cost me my life! Yes, we will die, my poor Dario and I,

if it be necessary; but the holy Virgin has my vow, and the angels shall

not weep in heaven!"

She was all in those words, her nature all simplicity, intricate,

inexplicable though it might seem. She was doubtless swayed by that idea

of human nobility which Christianity has set in renunciation and purity;

a protest, as it were, against eternal matter, against the forces of

Nature, the everlasting fruitfulness of life. But there was more than

this; she reserved herself, like a divine and priceless gift, to be

bestowed on the one being whom her heart had chosen, he who would be her

lord and master when God should have united them in marriage. For her

everything lay in the blessing of the priest, in the religious

solemnisation of matrimony. And thus one understood her long resistance

to Prada, whom she did not love, and her despairing, grievous resistance

to Dario, whom she did love, but who was not her husband. And how

torturing it was for that soul of fire to have to resist her love; how

continual was the combat waged by duty in the Virgin's name against the

wild, passionate blood of her race! Ignorant, indolent though she might

be, she was capable of great fidelity of heart, and, moreover, she was

not given to dreaming: love might have its immaterial charms, but she

desired it complete.

As Pierre looked at her in the dying twilight he seemed to see and

understand her for the first time. The duality of her nature appeared in

her somewhat full, fleshy lips, in her big black eyes, which suggested a

dark, tempestuous night illumined by flashes of lightning, and in the

calm, sensible expression of the rest of her gentle, infantile face. And,

withal, behind those eyes of flame, beneath that pure, candid skin, one

divined the internal tension of a superstitious, proud, and self-willed

woman, who was obstinately intent on reserving herself for her one love.

And Pierre could well understand that she should be adored, that she

should fill the life of the man she chose with passion, and that to his

own eyes she should appear like the younger sister of that lovely, tragic

Cassia who, unwilling to survive the blow that had rendered self-bestowal

impossible, had flung herself into the Tiber, dragging her brother Ercole

and the corpse of her lover Flavio with her.

However, with a gesture of kindly affection Benedetta caught hold of

Pierre's hands. "You have been here a fortnight, Monsieur l'Abbe," said

she, "and I have come to like you very much, for I feel you to be a

friend. If at first you do not understand us, at least pray do not judge

us too severely. Ignorant as I may be, I always strive to act for the

best, I assure you."

Pierre was greatly touched by her affectionate graciousness, and thanked

her whilst for a moment retaining her beautiful hands in his own, for he

also was becoming much attached to her. A fresh dream was carrying him

off, that of educating her, should he have the time, or, at all events,

of not returning home before winning her soul over to his own ideas of

future charity and fraternity. Did not that adorable, unoccupied,

indolent, ignorant creature, who only knew how to defend her love,

personify the Italy of yesterday? The Italy of yesterday, so lovely and

so sleepy, instinct with a dying grace, charming one even in her

drowsiness, and retaining so much mystery in the fathomless depths of her

black, passionate eyes! And what a /role/ would be that of awakening her,

instructing her, winning her over to truth, making her the rejuvenated

Italy of to-morrow such as he had dreamt of! Even in that disastrous

marriage with Count Prada he tried to see merely a first attempt at

revival which had failed, the modern Italy of the North being over-hasty,

too brutal in its eagerness to love and transform that gentle, belated

Rome which was yet so superb and indolent. But might he not take up the

task? Had he not noticed that his book, after the astonishment of the

first perusal, had remained a source of interest and reflection with

Benedetta amidst the emptiness of her days given over to grief? What! was

it really possible that she might find some appeasement for her own

wretchedness by interesting herself in the humble, in the happiness of

the poor? Emotion already thrilled her at the idea, and he, quivering at

the thought of all the boundless love that was within her and that she

might bestow, vowed to himself that he would draw tears of pity from her

eyes.

But the night had now almost completely fallen, and Benedetta rose to ask

for a lamp. Then, as Pierre was about to take leave, she detained him for

another moment in the gloom. He could no longer see her; he only heard

her grave voice: "You will not go away with too bad an opinion of us,

will you, Monsieur l'Abbe? We love one another, Dario and I, and that is

no sin when one behaves as one ought. Ah! yes, I love him, and have loved

him for years. I was barely thirteen, he was eighteen, and we already

loved one another wildly in those big gardens of the Villa Montefiori

which are now all broken up. Ah! what days we spent there, whole

afternoons among the trees, hours in secret hiding-places, where we

kissed like little angels. When the oranges ripened their perfume

intoxicated us. And the large box-plants, ah, /Dio!/ how they enveloped

us, how their strong, acrid scent made our hearts beat! I can never smell

then nowadays without feeling faint!"

A man-servant brought in the lamp, and Pierre ascended to his room. But

when half-way up the little staircase he perceived Victorine, who started

slightly, as if she had posted herself there to watch his departure from

the /salon/. And now, as she followed him up, talking and seeking for

information, he suddenly realised what had happened. "Why did you not go

to your mistress instead of running off," he asked, "when she called you,

while you were sewing in the ante-room?"

At first she tried to feign astonishment and reply that she had heard

nothing. But her good-natured, frank face did not know how to lie, and

she ended by confessing, with a gay, courageous air. "Well," she said,

"it surely wasn't for me to interfere between lovers! Besides, my poor

little Benedetta is simply torturing herself to death with those ideas of

hers. Why shouldn't they be happy, since they love one another? Life

isn't so amusing as some may think. And how bitterly one regrets not

having seized hold of happiness when the time for it has gone!"

Once alone in his room, Pierre suddenly staggered, quite overcome. The

great box-plants, the great box-plants with their acrid, perturbing

perfume! She, Benedetta, like himself, had quivered as she smelt them;

and he saw them once more in a vision of the pontifical gardens, the

voluptuous gardens of Rome, deserted, glowing under the August sun. And

now his whole day crystallised, assumed clear and full significance. It

spoke to him of the fruitful awakening, of the eternal protest of Nature

and life, Venus and Hercules, whom one may bury for centuries beneath the

soil, but who, nevertheless, one day arise from it, and though one may

seek to wall them up within the domineering, stubborn, immutable Vatican,

reign yet even there, and rule the whole, wide world with sovereign

power!

The Three Cities Trilogy: Rome, Volume 2 · 第 10 / 10 段