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GRAHAM’S MAGAZINE.
Vol. XXXI. August, 1847. No. 2.
Table of Contents
Fiction, Literature and Articles
Love’s Last Supper
The Islets of the Gulf
The Darkened Hearth
Sophy’s Flirtation
The Widow and the Deformed
An Assiniboin Lodge
Review of New Books
Poetry and Fashion
Sonnet.—To Mary M. R. W.
The Last Tilt
Blind!
My Loved—My Own
The Wayside Dream
Sonnet
Thou’rt Not Alone
On a Sleeping Child
Stanzas for Music
Description of the Fashion Plate
Le Follet
Transcriber’s Notes can be found at the end of this eBook.
* * * * *
[Illustration: Figures from J. P. Davis., Drawn with original scenery
& Engraved by Geo. B. Ellis.
THE TROUBADOUR.
_Engraved expressly for Graham’s Magazine._]
* * * * *
GRAHAM’S MAGAZINE.
Vol. XXXI. PHILADELPHIA, DECEMBER, 1847. No. 6.
* * * * *
LOVE’S LAST SUPPER.
OR THE TRUE STORY OF A TROUBADOUR.
A PROVENÇAL BIOGRAPHY.
BY WM. GILMORE SIMMS, AUTHOR OF “THE YEMASSE,” “RICHARD HURDIS,” ETC.
In the first conception of the institution of chivalry it was doubtless
a device of great purity, and contemplated none but highly proper and
becoming purposes. Those very features which, in our more sophisticated
era, seem to have been the most absurd, or at least fantastic, were,
perhaps among its best securities. The sentiment of love, apart from its
passion, is what a very earnest people, in a very selfish period, cannot
so well understand; but it was this very separation of interests, which
we now hold to be inseparable, that constituted the peculiarity of
chivalry—the fanciful in its characteristics rendering sentiment
independent of passion, and refining the crude desire by the exercise
and influence of tastes, which do not usually accompany it. Among the
Provençal knights and troubadours, in the palmy days of their progress,
love was really the most innocent and the most elevated of sentiments.
It seems to have been nursed without guile, and was professed, even when
seemingly in conflict with the rights of others, without the slightest
notion of wrong doing or offence. It did not vex the temper, or impair
the marital securities of the husband, that the beauties of his dame
were sung with enthusiasm by the youthful poet; on the contrary, he who
gloried in the possession of a jewel, was scarcely satisfied with
fortune unless she brought to a just knowledge of its splendors, the
bard who alone could convey to the world a similar sense of the value of
his treasure. The narrative which we have gathered from the ancient
chronicles of Provence, and which we take occasion to say is drawn from
the most veracious sources of history, will illustrate the correctness
of these particulars.
One of the most remarkable instances of the sentiment of love, warmed
into passion, yet without evil in its objects, is to be found in the
true and touching history of Guillaume de Cabestaign, a noble youth of
Roussillon. Though noble of birth, Guillaume was without fortune, and it
was not thought improper or humiliating in those days that he should
serve, as a page, the knight whose ancestors were known to his own as
associates. It was in this capacity that he became the retainer of
Raymond, Lord of Roussillon. Raymond, though a haughty baron, was one
who possessed certain generous tastes and sentiments, and who showed
himself capable of appreciating the talents and great merits of
Guillaume de Cabestaign. His endowments, indeed were of a character to
find ready favor with all parties. The youth was not only graceful of
carriage, and particularly handsome of face and person, but he possessed
graces of mind and manner which especially commended him to knightly
sympathy and admiration. He belonged to that class of _improvisatori_ to
whom the people of Provence gave the name of troubadour, and was quite
as ready to sing the praises of his mistress, as he was to mount horse,
and charge with sword and lance in her defence and honor. His muse,
taking her moral aspect from his own, was pure and modest in her
behavior—indulging in no song or sentiment which would not fall
becomingly on the most virgin ear. His verses were distinguished equally
by their delicacy and fancy, and united to a spirit of the most generous
and exulting life a taste of the utmost simplicity and purity. Not less
gentle than buoyant, he was at once timid in approach, and joy-giving in
society; and while he compelled the respect of men by his frank and
fearless manhood, he won the hearts of the other sex by those gentle
graces which, always prompt and ready, are never obtrusive, and which
leave us only to the just appreciation of their value, when they are
withdrawn from our knowledge and enjoyment.
It happened, unfortunately for our troubadour, that he won too many
hearts. Raised by the Lord of Roussillon to the rank of gentleman usher
to the Lady Marguerite, his young and beautiful wife, the graces and
accomplishments of Guillaume de Cabestaign, soon became quite as
apparent and agreeable to her as to the meanest of the damsels in her
train. She was never so well satisfied as in his society; and her young
and ardent soul, repelled rather than solicited by the stern nature of
Raymond, her lord, was better prepared and pleased to sympathize with
the more beguiling and accessible spirit of the page. The tenderest
impressions of love, without her own knowledge, soon seized upon her
heart; and she had learned to sigh as she gazed upon the person that she
favored, long before she entertained the slightest consciousness that he
was at all precious to her eyes. He himself, dutiful as devoted, for a
long season beheld none of these proofs of favor on the part of his
noble mistress. She called him her servant, it is true, and he as such,
sung daily in her praises the equal language of the lover and the
knight. These were words, however, of specific and conventional meaning,
to which her husband listened with indifferent ear. In those days every
noble lady entertained a lover, who was called her servant. It was a
prerogative of nobility that such should be the case. It spoke for the
courtliness and aristocracy of the party; and to be without a lover,
though in the possession of a husband, was to be an object of scornful
sympathy in the eyes of the sex. Fashion, in other words, had taken the
name of chivalry; and it was one of her regulations that the noble lady
should possess a lover, who should of necessity be other than her lord.
In this capacity, Raymond of Roussillon, found nothing of which to
complain in the devotion of Guillaume de Cabestaign to Marguerite, his
wife. But the courtiers who gathered in her train were not so indulgent,
or were of keener sight. They soon felt the preference which she gave,
over all others, to our troubadour. They felt, and they resented it the
more readily, as they were not insensible to his personal superiority.
Guillaume himself, was exceeding slow in arriving at a similar
consciousness. Touched with a fonder sentiment for his mistress than was
compatible with his security, his modesty had never suffered him to
suppose that he had been so fortunate as to inspire her with a feeling
such as he now knew within himself. It was at a moment when he least
looked for it, that he made the perilous discovery. It was in the course
of a discussion upon the various signs of love—such a discussion as
occupied the idle hours, and the wandering fancies of chivalry—that she
said to him, somewhat abruptly,
“Surely thou, Guillaume, thou, who canst sing of love so tenderly, and
with so much sweetness, thou, of all persons, should be the one to
distinguish between a feigned passion and a real one. Methinks the eye
of him who loves truly, could most certainly discover from the eye of
the beloved one, whether the real flame were yet burning in her heart.”
And even as she spoke, the glance of her dark and lustrous eye settled
upon his own with such a dewy and quivering fire, that his soul at once
became enlightened with her secret. The troubadour was necessarily an
_improvisatore_. Guillaume de Cabestaign was admitted to be one of the
most spontaneous in his utterance of all his order. His lyre took for
him the voice which he could not well have used at that overpowering
moment. He sung wildly and triumphantly, inspired by his new and
rapturous consciousness, even while her eyes were yet fixed upon him,
full still of the involuntary declaration which made the inspiration of
his song. These verses, which embodied the first impulsive sentiment
which he had ever dared to breathe from his heart of the passion which
had long been lurking within it, have been preserved for us by the
damsels of Provence. We translate them, necessarily to the great
detriment of their melody, from the sweet South, where they had birth,
to our harsher Runic region. The song of Guillaume was an apostrophe.
Touch the weeping string!
Those whose beauty fires me;
Oh! how vainly would I sing
The passion that inspires me.
This, dear heart, believe,
Were the love I’ve given,
Half as warm for Heaven as thee,
I were worthy heaven!
Ah! should I lament,
That, in evil hour,
Too much loving to repent,
I confess thy power.
Too much blessed to fly,
Yet, with shame confessing,
That I dread to meet the eye,
Where my heart finds blessing.
Such a poem is beyond analysis. It was simply a gush of enthusiasm—the
lyrical overflow of sentiment and passion, such as a song should be
always. The reader will easily understand that the delicacy of the tune,
the epigrammatic intenseness of the expression, is totally lost in the
difficulty of subjugating our more stubborn language to the uses of the
poet. A faint and inferior idea of what was said, sung at this moment of
wild and almost spasmodical utterance, is all that we design to convey.
The spot in which this scene took place was amid the depth of umbrageous
trees, in the beautiful garden of Chateau Roussillon. A soft and
persuasive silence hung suspended in the atmosphere. Not a leaf stirred,
not a bird chirruped in the foliage; and however passionate was the
sentiment expressed by the troubadour, it scarcely rose beyond a
whisper—harmonizing in the subdued utterance, and the sweet delicacy of
its sentiment with the exquisite repose and languor of the scene.
Carried beyond herself by the emotions of the moment, the feeling of
Marguerite became so far irresistible that she stooped ere the song of
the troubadour had subsided from the ear, and pressed her lips upon the
forehead of her kneeling lover. He seized her hand at this moment and
carried it to his own lips, in an equally involuntary impulse. This act
awakened the noble lady to a just consciousness of her weakness. She at
once recoiled from his grasp.
“Alas!” she exclaimed, with clasped hands, “what have I done?”
“Ah, lady!” was the answer of the troubadour, “it is thy goodness which
has at length discovered how my heart is devoted to thee. It is thy
truth, and thy nobleness, dear lady, which I love and worship.”
“By these shalt thou know me ever, Guillaume of Cabestaign,” was the
response; “and yet I warn thee,” she continued, “I warn and I entreat
thee, dear servant, that thou approach me not so near again. Thou hast
shown to me, and surprised from me, a most precious but an unhappy
secret. Thou hast, too, deeply found thy way into my heart. Alas!
wherefore! wherefore!” and the eyes of the amiable and virtuous woman
were suffused with tears, as her innocent soul trembled under the
reproaches of her jealous conscience. She continued,
“I cannot help but love thee, Guillaume of Cabestaign, but it shall
never be said that the love of the Lady Marguerite of Roussillon was
other than became the wife of her lord. Thou, too, shall know me by love
only, Guillaume; but it shall be such a love as shall work neither of us
trespass. Yet do not thou cease to love me as before, for, of a truth,
dear servant, the affections of thy heart are needful to the life of
mine.”
The voice of the troubadour was only in his lyre. At all his events, his
reply has been only preserved to us in song. It was in the fullness of
his joy that he again poured forth his melody.
Where spreads the pleasant garden,
Where blow the precious flowers,
My happy lot hath found me
The bud of all the bowers.
Heaven framed it with a likeness,
Its very self in sweetness,
Where virtue crowns the beauty,
And love bestows completeness.
Still humble in possessions,
That humble all that prove her,
I joy in the affections,
That suffer me to love her;
And in my joy I sorrow,
And in my tears I sing her,
The love that others hide away,
She suffers me to bring her.
This right is due my homage,
For while they speak her beauty,
’Tis I alone that feel it well,
And love with perfect duty.
It does not appear that love trespassed in this instance beyond the
sweet but narrow boundaries of sentiment. The lovers met daily, as
usual, secretly as well as publicly, and their professions of attachment
were frankly made in the hearing of the world; but the vows thus spoken
were not articulated any longer in that formal, conventional phraseology
and manner, which, in fact, only mocked the passion which it affectedly
professed. It was soon discovered that the songs of Guillaume de
Cabestaign were no longer the frigid effusions of mere gallantry, the
common, stilt style of artifice and commonplace. There was life, and
blood, and a rare enthusiasm in his lyrics. His song was no longer a
thing of air, floating, as it had done, on the winglets of a simple
fancy, but a living and a burning soul, borne upward and forward, by the
gales of an intense and earnest passion. It was seen, that when the poet
and his noble mistress spoke together, the tones of their voices
mutually trembled as if with a strange and eager sympathy. When they
met, it was noted that their eyes seemed to dart at once into each
other, with the intensity of two wedded fires, which high walls would
vainly separate, and which, however sundered, show clearly that they
will overleap their bounds, and unite themselves in one at last. Theirs
was evidently no simulated passion. It was too certainly real, as well
in other eyes as their own. The world, though ignorant of the mutual
purity of their hearts, were yet quick enough to discern what were their
real sentiments. They saw the affections of which they soon learned,
naturally enough, to conjecture the worst only. The rage of rivals, the
jealousy of inferiors, the spite of the envious, the malice of the
wantonly scandalous, readily found cause of evil where in reality
offence was none. To conceive the crime, was to convey the cruel
suspicion, as a certainty, to the mind of him whom the supposed offence
most affected. Busy tongues soon assailed the ears of the Lord of
Roussillon, in relation to his wife. They whispered him to watch the
lovers—to remark the eager intimacy of their eyes—the tremulous
sweetness of their voices, and their subdued tones whenever they
met—the frequency of their meetings—the reluctance with which they
separated; and they dwelt with emphasis upon the pointed and passionate
declarations, the intensity and ardor of the sentiments which now filled
the songs of the troubadour—so very different from what they had ever
been before. In truth, the new passion of Guillaume had wrought
wondrously in favor of his music. He who had been only a clever and
dextrous imitator of the artificial strains of other poets, had broken
down all the fetters of convention, and now poured forth the most
natural and original poetry of his own, greatly to the increase of his
reputation as a troubadour.
Raymond de Roussillon hearkened to these suggestions in silence, and
with a gloomy heart. He loved his wife truly, as far as it was possible
for him to love. He was a stern, harsh man, fond of the chase, of the
toils of chivalry rather than its sports; was cold in his own emotions,
and with an intense self-esteem, that grew impatient under every sort of
rivalry. It was not difficult to impress him with evil thoughts, even
where he had bestowed his confidence; and to kindle his mind with the
most terrible suspicions of the unconsciously offending parties. Once
aroused, the dark, stern man, resolved to avenge his supposed wrong; and
hearing one day that Guillaume had gone out hawking, and alone, he
hastily put on his armor, concealing it under his courtly and silken
vestments, took his weapon, and rode forth in the direction which the
troubadour had taken. He overtook the latter after a while, upon the
edge of a little river that wound slowly through a wood. Guillaume de
Cabestaign approached his lord without any misgiving; but as he drew
near, a certain indefinable something in the face of Raymond, inspired a
feeling of anxiety in his mind, and, possibly, the secret consciousness
in his own bosom, added to his uneasiness. He remembered that it was not
often that great lords thus wandered forth unattended; and the path
which Raymond pursued was one that Guillaume had taken because of its
obscurity, and with the desire to find a solitude in which he might
brood securely over his own secret fancies and affections. His doubts
thus awakened, our troubadour prepared to guard his speech. He boldly
approached his superior, however, and was the first to break silence.
“You here, my lord, and alone! How does this chance?”
“Nay, Guillaume,” answered the other, mildly, “I heard that you were
here, and hawking, and resolved to share your amusement. What has been
your sport?”
“Nothing, my lord. I have scarcely seen a single bird; and you remember
the proverb—‘Who finds nothing, takes not much.’”
The artlessness and simplicity of the troubadour’s speech and manner,
for the first time, inspired some doubts in the mind of Raymond, whether
he could be so guilty as his enemies had reported him. His purpose, when
he came forth that morning, had been to ride the supposed offender down,
whenever he encountered him, and to thrust his boar-spear through his
body. Such was the summary justice of the feudal baron. Milder thoughts
had suddenly possessed him. If Raymond of Roussillon was a stern man,
jealous of his honor, and prompt in his resentment, he at least desired
to be a just man; and a lurking doubt of the motives of those by whom
the troubadour had been slandered, now determined him to proceed more
deliberately in the work of justice. He remembered the former confidence
which he had felt in the fidelity of the page, and he was not insensible
to the charm of his society. Every sentence which had been spoken since
their meeting, had tended to make him hesitate before he hurried to
judgment in a matter where it was scarcely possible to repair the wrong
which a rash and hasty vengeance might commit. By this time, they had
entered the wood together, and were now concealed from all human eyes.
The Lord of Roussillon alighted from his horse, and motioned his
companion to seat himself beside him in the shade. When both were
seated, and, after a brief pause, Raymond addressed the troubadour in
the following language:
“Guillaume de Cabestaign,” said he, “be sure I came not hither this day
to talk to you of birds and hawking, but of something more serious. Now,
look upon me, and as a true and loyal servant, see that thou answer
honestly to all that I shall ask of thee.”
The troubadour was naturally impressed by the stern simplicity and
solemnity of this exordium. He was not unaware that, as the knight had
alighted from his steed, he had done so heavily, and under the
impediment of concealed armor. His doubts and anxieties were necessarily
increased by this discovery, but so also was his firmness. He left that
much depended upon his coolness and address, and he steeled himself,
with all his soul, to the trial which was before him. The recollection
of Marguerite, and of her fate and reputation depending upon his own,
was the source of no small portion of his present resolution. His
reflections were instantaneous; there was no unreasonable delay in his
answer, which was at once manly and circumspect.
“I know not what you aim at or intend, my lord, but, by heaven! I swear
to you that, if it be proper for me to answer you in that you seek, I
will keep nothing from your knowledge that you desire to know!”
“Nay, Guillaume,” replied the knight, “I will have no conditions. You
shall reply honestly, and without reserve, to all the questions I shall
put to you.”
“Let me hear them, my lord—command me, as you have the right,” was the
reply of the troubadour, “and I will answer you, with my conscience, as
far as I can.”
“I would then know from you,” responded Raymond, very solemnly, “on your
faith, and by your God, whether the verses that you make are inspired by
a real passion?”
A warm flush passed over the cheeks of the troubadour; the pride of the
artist was offended by the inquiry. That it should be questioned whether
he really felt what he so passionately declared, was a disparaging
judgment upon the merits of his song.
“Ah! my lord,” was the reply, expressed with some degree of
mortification, “how could I sing as I do, unless I really felt all the
passion which I declare. In good sooth, then, I tell you, love has the
entire possession of my soul.”
“And, verily, I believe thee, Guillaume,” was the subdued answer of the
baron; “I believe thee, my friend, for unless a real passion was at his
heart, no troubadour could ever sing as thou. But, something more of
thee, Guillaume de Cabestaign. Prithee, now, declare to me the name of
the lady whom thy verses celebrate.”
Then it was that the cheek of our troubadour grew pale, and his heart
sunk within him; but the piercing eye of the baron was upon him. He had
no moment for hesitation. To falter now, he was well assured, was to
forfeit love, life, and every thing that was proud and precious in his
sight. In the moment of exigency the troubadour found his answer. It was
evasive, but adroitly conceived and expressed.
“Nay, my lord, will it please you to consider? I appeal to your own
heart and honour—can any one, without perfidy, declare such a secret?
Reveal a thing that involves the rights and the reputation of another,
and that other a lady of good fame and quality? Well must you remember
what is said on this subject by the very master of our art, no less a
person than the excellent Bernard de Ventadour. He should know—what
says he?”
The baron remained silent, while Guillaume repeated the following verses
of the popular troubadour, whose authority he appealed to:
“The spy your secret still would claim,
And asks to know your lady’s name;
But tell it not for very shame!
“The loyal lover sees the snare,
And neither to the waves nor air,
Betrays the secret of his fair.
“The duty that to love we owe,
Is, while to her we all may show,
On others nothing to bestow.”
Though seemingly well adapted to his objects, the quotation of our
troubadour was unfortunate. There were yet other verses to this
instructive ditty, and the Baron of Roussillon, who had listened very
patiently as his companion recited the preceding, soon proved himself to
have a memory for good songs, though he never pretended to make them
himself. When Guillaume had fairly finished, he took up the strain after
a brief introduction.
“That is all very right and very proper, Guillaume, and I gainsay not a
syllable that Master Bernard hath written; nay, methinks my proper
answer to thee lieth in another of his verses, which thou shouldst not
have forgotten while reminding me of its companions. I shall refresh thy
memory with the next that follows.” And without waiting for any answer,
the baron proceeded to repeat another stanza of the old poem, in very
creditable style and manner for an amateur. This remark Guillaume de
Cabestaign could not forbear making to himself, though he was conscious
at the same time that the utterance of the baron was in singularly slow
and subdued accents—accents that scarcely rose above a whisper, and
which were timed as if every syllable were weighed and spelled, ere it
was confided to expression. The verse was as follows:
“We yield her name to those alone,
Who, when the sacred truth is shown,
May help to make the maid our own.”
“Now, methinks,” continued the baron, “here lieth the wisdom of my
quest. Who better than myself can help to secure thee thy desires, to
promote thy passion, and gain for thee the favor of the fair? Tell me,
then, I command thee, Guillaume, and I promise to help thee with my best
efforts and advice.”
Here was a dilemma. The troubadour was foiled with his own weapons. The
quotation from his own authority was conclusive against him. The
argument of Raymond was irresistible. Of his ability to serve the young
lover there could be no question; and as little could the latter doubt
the readiness of that friendship—assuming his pursuit to be a proper
one—to which he had been so long indebted for favor and protection. He
could excuse himself by no further evasion; and having admitted that he
really and deeply loved, and that his verses declared a real and living
passion, it became absolutely necessary that our troubadour, unless he
would confirm the evident suspicions of his lord, should promptly find
for her a name. He did so. The emergency seemed to justify a falsehood;
and, with firm accents, Guillaume did not scruple to declare himself
devoted, heart and soul, to the beautiful Lady Agnes de Tarrascon, the
sister of Marguerite, his real mistress. At the pressing solicitation of
Raymond, and in order to render applicable to this case certain of his
verses, he admitted himself to have received from this lady certain
favoring smiles, upon which his hopes of future happiness were founded.
Our troubadour was persuaded to select the name of this lady, over all
others, for two reasons. He believed that she suspected, or somewhat
knew of the mutual flame which existed between himself and her sister;
and he had long been conscious of that benevolence of temper which the
former possessed, and which he fondly thought would prompt her in some
degree to sympathize with him in his necessity, and lend herself
somewhat to his own and the extrication of Marguerite. After making his
confession, he concluded by imploring Raymond to approach his object
cautiously, and by no means to peril his fortunes in the esteem of the
lady he professed to love.
But the difficulties of Guillaume de Cabestaign were only begun. It was
not the policy of Raymond to be satisfied with his simple asseverations.
The suspicions which had been awakened in his mind by the malignant
suggestions of his courtiers, were too deeply and skillfully infixed
there, to suffer him to be soothed by the mere statement of the supposed
offender. He required something of a confirmatory character from the
lips of Lady Agnes herself. Pleased, nevertheless, at what he had heard,
and at the readiness and seeming frankness with which the troubadour had
finally yielded his secret to his keeping, he eagerly assured the latter
of his assistance in the prosecution of his quest; and he, who a moment
before had coolly contemplated a deliberate murder, to revenge a
supposed wrong to his own honor, did not now scruple to profess his
willingness to aid his companion in compassing the dishonor of another.
It did not matter much to our sullen baron that the victim was the
sister of his own wife. The human nature of Lord Raymond of Roussillon,
his own dignity uninjured, had but little sympathy with his neighbor’s
rights and sensibilities. He promptly proposed, at that very moment, to
proceed on his charitable mission. The castle of Tarrascon was in sight;
and, pointing to its turrets, that rose loftily above the distant hills,
the imperious finger of Raymond gave the direction to our troubadour,
which he shuddered to pursue, but did not dare to decline. He now began
to feel all the dangers and embarrassments which he was about to
encounter, and to tremble at the disgrace and ruin which seemed to rise,
threatening and dead before him. Never was woman more virtuous than the
Lady Agnes. Gentle and beautiful, like her sister Marguerite, her
reputation had been more fortunate in escaping wholly the assaults of
the malignant. She had always shown an affectionate indulgence for our
troubadour, and a delighted interest in his various accomplishments; and
he now remembered all her goodness and kindness only to curse himself,
in his heart, for the treachery of which he had just been guilty. His
remorse at what he had said to Raymond, was not the less deep and
distressing from the conviction that he felt, that there had been no
other way left him of escape from his dilemma.
We are bound to believe that the eagerness which Raymond of Roussillon
now exhibited was not so much because of a desire to bring about the
dishonor of another, as to be perfectly satisfied that he himself was
free from injury. At the Castle of Tarrascon, the Lady Agnes was found
alone. She gave the kindest reception to her guests; and, anxious to
behold things through the medium of his wishes rather than his doubts
and fears, Raymond fancied that there was a peculiar sort of tenderness
in the tone and spirit of the compliments which she addressed to the
dejected troubadour. That he was disquieted and dejected she was soon
able to discover. His uneasiness made itself apparent before they had
been long together; and the keen intelligence of the feminine mind was
accordingly very soon prepared to comprehend the occasion of his
disquiet, when drawn aside by Raymond at the earliest opportunity, she
found herself cross-examined by the impatient baron on the nature and
object of her own affections. A glance of the eye at Guillaume de
Cabestaign, as she listened to the inquiries of the suspicious Raymond,
revealed to the quick-witted woman the extent of his apprehensions, and
possibly the danger of her sister. Her ready instinct and equally prompt
benevolence of heart, at once decided all the answers of the lady.
“Why question me of lovers,” she replied to Raymond, with a pretty
querulousness of tone and manner, “certainly, I have lovers enow, as
many as I choose to have. Would you that I should live unlike other
women of birth and quality, without my servant to sing my praises, and
declare his readiness to die in my behalf?”
“Ay, ay, my lady,” answered the knight, “lovers, I well know, you
possess; for of these, I trow, that no lady of rank and beauty such as
yours, can or possibly should be without; but is there not one lover
over all whom you not only esteem for his grace and service, but for
whom you feel the tenderest interest, whom, in fact, you prefer to the
full surrender of your whole heart, and were this possible or proper, of
your whole person?”
For a moment the gentle lady hesitated in her answer. The question was
one of a kind to startle a delicate and faithful spirit; but, as her
eyes wandered off to the place where the troubadour stood trembling—as
she detected the pleading terror that was apparent in his face—her
benevolence got the better of her scruples, and she frankly admitted
that there really was one person in the world for whom her sentiments
were even thus lively, and her sympathies thus broad and active.
“And now, I beseech you, Lady Agnes,” urged the anxious baron, “that you
deal with me like a brother who will joy to serve you, and declare to me
the name of the person whom you so much favor?”
“Now, out upon it, my Lord of Roussillon;” was the quick and somewhat
indignant reply of the lady, “that you should presume thus greatly upon
the kindred that lies between us. Women are not to be constrained to
make such confession as this. It is their prerogative to be silent when
the safety of their affections may suffer from their speech. To urge
them to confess, in such cases, is only to compel them to speak
unnecessary falsehoods. And know I not you husbands all—you have but a
feeling in common; and if I reveal myself to you, it were as well that I
should go at once and make full confession to my own lord.”
“Nay, dearest Lady Agnes, have no such doubt of my loyalty. I will
assure you that what you tell me never finds its way to the ear of your
lord. I pray thee do not fear to make this confession to me; nay, but
thou must, Agnes,” exclaimed the rude baron, his voice rising more
earnestly, and his manner becoming passionate and stern, while he
grasped her wrist firmly in his convulsive fingers, and drawing her
toward him, added, in the subdued but intense tones of half-suppressed
passion, “I tell thee, lady, it behooves me much to know this secret.”
The lady did not immediately yield, though the manner of Raymond, from
this moment, determined her that she would do so. She now conjectured
all the circumstances of the case, and felt the necessity of saving the
troubadour for the sake of her sister. But she played with the excited
baron awhile longer, and when his passion grew so impatient as to be
almost beyond his control, she admitted, as a most precious secret,
confided to his keeping only that he might serve her in its
gratification, that she had a burning passion for Guillaume de
Cabestaign, of which he himself was probably not conscious. The
invention of the lady was as prompt and accurate as if the troubadour
had whispered at her elbow. Raymond was now satisfied. He was relieved
of his suspicions, turned away from the Lady of Tarrascon, to embrace
her supposed lover, and readily accepted an invitation from the former,
for himself and companion, to remain that night to supper. At that
moment the great gates of the castle was thrown open, and the Lord of
Tarrascon made his appearance. He confirmed the invitation extended by
his wife; and, as usual, gave a most cordial reception to his guests. As
soon as an opportunity offered, and before the hour of supper arrived,
the Lady Agnes contrived to withdraw her lord to her own apartments, and
there frankly revealed to him all that had taken place. He cordially
gave his sanction to all that she had done. Guillaume de Cabestaign was
much more of a favorite than his jealous master; and the sympathies of
the noble and the virtuous, in those days, were always accorded to those
who professed a love so innocent as, it was justly believed by this
noble couple, was that of the Lady Marguerite and the troubadour. The
harsh suspicions of Raymond were supposed to characterize only a coarse
and brutal nature, which, in the assertion of its unquestionable rights,
would abridge all those freedoms which courtliness and chivalry had
established for the pleasurable intercourse of other parties. A perfect
understanding thus established between the wife and husband, in behalf
of the troubadour, and in misleading the baron, these several persons
sat down to supper in the rarest good humor and harmony. Guillaume de
Cabestaign recovered all his confidence, and with it his inspiration. He
made several improvisations during the evening, which delighted the
company—all in favor of the Lady Agnes, and glimpsing faintly at his
attachment for her. These, unhappily, have not been preserved to us.
They are said to have been so made as to correspond to the exigency of
his recent situation; the excellent Baron Raymond all the while
supposing that he alone possessed the key to their meaning. The Lady
Agnes, meanwhile, under the approving eye of her husband, was at special
pains to show such an interest in the troubadour, and such a preference
for his comfort, over that of all persons present, as contributed to
confirm all the assurances she had given to her brother-in-law in regard
to her affections. The latter saw this with perfect satisfaction; and
leaving Guillaume to pass the night where he was so happily entertained,
he hurried home to Roussillon, eager to reveal to his own wife, the
intrigue between her lover and her sister. It is quite possible that, if
his suspicions of the troubadour were quieted, he still entertained some
with regard to Marguerite. It is not improbable that a conviction that
he was giving pain at every syllable he uttered entered into his
calculations, and prompted what he said. He might be persuaded of the
innocence of the parties, yet doubtful of their affections; and though
assured now that he was mistaken in respect to the tendency of those of
Guillaume, his suspicions were still lively in regard to those of his
wife. His present revelations might be intended to probe her to the
quick, and to gather from her emotions, at his recital, in how much she
was interested in the sympathies of the troubadour.
How far he succeeded in diving into her secret, has not been confided to
the chronicle. It is very certain, however, that he succeeded in making
Marguerite very unhappy. She now entertained no doubt, after her
husband’s recital, of the treachery of her sister, and the infidelity of
her lover; and though she herself had permitted him no privilege,
inconsistent with the claims of her lord, she was yet indignant that he
should have proved unfaithful to a heart which he so well knew to be
thoroughly his own. The pure soul itself entirely devoted to the beloved
object, thus always revolts at a consciousness of its fall from its
purity and its pledges; and though itself denied—doomed only to a
secret worship, to which no altar may be raised, and to which there is
no offering but the sacrifice of constant privation—yet it greatly
prefers to entertain this sacred sense of isolation, to any enjoyment of
mere mortal happiness. To feel that our affections are thus isolated in
vain; that we have yielded them to one who is indifferent to the trust,
and lives still for his earthly passions, is to suffer from a more than
mortal deprivation. Marguerite of Roussillon passed the night in extreme
agony of mind, the misery of which was greatly aggravated by the
necessity, in her husband’s presence, of suppressing every feeling of
uneasiness. But her feelings could not always be suppressed; and when,
the next day, on the return of the troubadour from Tarrascon, she
encountered him in those garden walks which had been made sacred to
their passion by its first mutual revelation, the pang grew to
utterance, which her sense of dignity and propriety in vain endeavored
to subdue. Her eyes brightened indignantly through her tears; and she
whose virtue had withheld every gift of passion from the being whom she
yet professed to love, at once, but still most tenderly, reproached him
with his infidelity.
“Alas! Guillaume,” she continued, after telling him all that she had
heard, “alas! that my soul should have so singled thine out from all the
rest, because of its purity, and should find thee thus, like all the
rest, incapable of a sweet and holy love such as thou didst promise. I
had rather died, Guillaume, a thousand deaths, than that thou shouldst
have fallen from thy faith to me.”
“But I have not fallen—I have not faltered in my faith, Marguerite! I
am still true to thee—to thee only, though I sigh for thee vainly, and
know that thou livest only for another. Hear me, Marguerite, while I
tell thee what has truly happened. Thou hast heard something, truly, but
not all the truth.”
And he proceeded with the narrative to which we have already listened.
He had only to show her what had passed between her lord and himself, to
show how great had been his emergency. The subsequent events at
Tarrascon, only convinced her of the quick intelligence, and sweet
benevolence of purpose by which her sister had been governed. Her
charitable sympathies had seen and favored the artifice in which lay the
safety equally of her lover and herself. The revulsion of her feelings
from grief to exultation, spoke in a gust of tears, which relieved the
distresses of her soul. The single kiss upon his forehead, with which
she rewarded the devotion of the troubadour, inspired his fancy. He made
the event the subject of a sonnet, which has fortunately been preserved
to us.
MARGUERITE.
That there should be a question whom I love,
As if the world had more than one so fair!
_Would’st know her name, behold the letters rare,_
_God-written, on the wing of every dove!_
Ask if a blindness darkens my fond eyes,
That I should doubt me whither I should turn;
Ask if my soul, in cold abeyance lies,
That I should fail at sight of her to burn.
That I should wander to another’s sway,
Would speak a blindnesss worse than that of sight,
Since here, though nothing I may ask of right,
Blessings most precious woo my heart to stay.
High my ambition, since at heaven it aims,
Yet humble, _since a daisy’s all it claims_.
The lines first italicized embody the name of the lady, by a periphrasis
known to the Provençal dialect, and the name of the daisy, as used in
the closing line, is Marguerite’s. The poem is an unequivocal
declaration of attachment, obviously meant to do away with all adverse
declarations. To those acquainted with the previous history, it unfolds
another history quite as significant; and to those who knew nothing of
the purity of the parties, and who made no allowance for the exaggerated
manner in which a troubadour would be apt to declare the privileges he
had enjoyed, it would convey the idea of a triumph inconsistent with the
innocence of the lovers, and destructive of the rights of the injured
husband. Thus, full of meaning, it is difficult to conceive by what
imprudence of the parties, this fatal sonnet found its way to the hands
of Raymond of Roussillon. It is charged by the biographers, in the
absence of other proofs, that the vanity of Marguerite, in her moments
of exultation—greater than her passion—proud of the homage which she
inspired, and confident in the innocence which the world had too
slanderously already begun to question—could not forbear the temptation
of showing so beautiful a testimony of the power of her charms. But the
suggestion lacks in plausibility. It is more easy to conceive that the
fond heart of the woman would not suffer her to destroy so exquisite a
tribute, and that the jealousy of her lord, provoked by the arts of
envious rivals, conducted him to the place of safe-keeping where her
treasure was concealed. At all events, it fell into his hands, and
revived all his suspicions. In fact, it gave the lie to the artful story
by which he had been lulled into confidence, and was thus, in a manner,
conclusive of the utter guilt of the lovers. His pride was outraged as
well as his honor. He had been gulled by all upon whom he had
relied—his wife, his page, and his sister. He no longer doubted
Marguerite’s infidelity and his own disgrace; and breathing nothing but
vengeance, he yet succeeded in concealing from all persons the
convictions which he felt, of the guilt which dishonored him, and the
terrible vengeance which he meditated for its punishment. He was a cold
and savage man, who could suppress, in most cases, the pangs which he
felt, and could deliberately restrain the passions which yet occupied
triumphant places in his heart and purpose. It was not long before he
found the occasion which he desired. The movements of the troubadour
were closely watched, and one day when he had wandered forth from the
castle, seeking solitude, as was his frequent habit, Raymond contrived
to steal away from observation, and to follow him out into the forest.
He was successful in his quest. He found Guillaume resting at the foot
of a shady tree, in a secluded glen, with his tablets before him. The
outlines of a tender ballad, tender but spiritual, as was the character
of all his melodies, were already inscribed upon the paper. The poet was
meditating, as usual, the charms of that dangerous mistress, whose
beauty was destined to become his bane. Raymond threw himself upon the
ground beside him.
“Ah! well,” said he, as he joined the troubadour, “this love of the Lady
Agnes is still a distressing matter in thy thoughts.”
“In truth, my lord, I think of her with the greatest love and
tenderness,” was the reply of Guillaume.
“Verily, thou dost well,” returned the baron; “she deserves requital at
thy hands. Thou owest her good service. And yet, for one who so greatly
affects a lady, and who hath found so much favor in her sight, methinks
thou seek’st her but seldom. Why is this, Sir Troubadour?”
Without waiting for the answer, Raymond added, “But let me see what thou
hast just written in her praise. It is by his verses that we understand
the devotion of the troubadour.”
Leaning over the poet as he spoke, as if his purpose had been to possess
himself of his tablets, he suddenly threw the whole weight of his person
upon him, and, in the very same moment, by a quick movement of the hand,
he drove the _couteau de chasse_, with which he was armed, and which he
had hitherto concealed behind him, with a swift, unerring stroke deep
down into the bosom of the victim. Never was blow better aimed, or with
more energy delivered. The moment of danger was that of death. The
unfortunate troubadour was conscious of the weapon only when he felt the
steel. It was with a playful smile that Raymond struck, and so innocent
was the expression of his face, even while his arm was extended and the
weight of his body was pressing upon Guillaume, that the only solicitude
of the latter had been to conceal his tablets. One convulsive cry, one
hideous contortion, and Guillaume de Cabestaign was no more. The name of
Marguerite was the only word which escaped him with his dying shriek.
The murderer placed his hand upon the heart of the victim. It had
already ceased to beat.
“Thou wilt mock me no more!” he muttered fiercely, as he half rose from
the body now stiffening fast. But his fierce vengeance was by no means
completed. As if a new suggestion had seized upon his mind, while his
hand rested upon the heart of the troubadour, he suddenly started and
tore away the garments from the unconscious bosom. Once more he struck
it deeply with the keen and heavy blade. In a few moments he had laid it
open. Then he plunged his naked hand into the gaping wound, and tore out
the still quivering heart. This he wrapped up with care, and concealed
in his garments. With another stroke he smote the head from the body,
and this he also concealed, in fragments torn from the person of his
victim. With these proofs of his terrible revenge, he made his way,
under cover of the dusk, in secret to the castle. What remains to be
told is still more dreadful—beyond belief indeed, were it not that the
sources of our history are wholly above discredit or denial. The cruel
baron, ordering his cook into his presence, then gave the heart of the
troubadour into his keeping, with instructions to dress it richly, and
after a manner of dressing certain favorite portions of venison, of
which Marguerite was known to be particularly fond. The dish was a
subject of special solicitude with her husband. He himself superintended
the preparation, and furnished the spices. That night, he being her only
companion at the feast, it was served up to his wife, at the usual time
of supper. He had assiduously subdued every vestige of anger, unkindness
or suspicion from his countenance. Marguerite was suffered to hear and
see nothing which might provoke her apprehensions or arrest her
appetite. She was more than usually serene and cheerful, as, that day
and evening, her lord was more than commonly indulgent. He, too, could
play a part when it suited him to do so; and, like most men of stern
will and great experience, could adapt his moods and manners to that
livelier cast, and more pliant temper, which better persuade the
feminine heart into confidence and pleasure. He smiled upon her now with
the most benevolent sweetness; but while he earnestly encouraged her to
partake of the delicacy specially put before her, he himself might be
seen to eat of any other dish. The wretched woman, totally unsuspicious
of guile or evil, undreaming of disaster, and really conscious of but
little self-reproach, ate freely of the precious meat which had been
placed before her. The eyes of Raymond greedily followed every morsel
which she carried to her lips. She evidently enjoyed the dish which had
been spiced for her benefit, and as she continued to draw upon it, he
could no longer forbear to unfold the exultation which he felt at the
entire satisfaction of his vengeance.
“You seem very much to like your meats to-night, Marguerite. Do you find
them good?”
“Verily,” she answered, “this venison is really delicious.”
“Eat then,” he continued, “I have had it dressed purposely for you. You
ought to like it. It is a dish of which you have always shown yourself
very fond.”
“Nay, my lord, but you surely err. I cannot think that I have ever eaten
before of any thing so very delicious as this.”
“Nay, nay, Marguerite, it is you that err. I _know_ that the meat of
which you now partake, is one which you have always found the sweetest.”
There was something now in the voice of the speaker that made Marguerite
look up. Her eyes immediately met his own, and the wolfish exultation
which they betrayed confounded her and made her shudder. She felt at
once terrified with a nameless fear. There was a sudden sickness and
sinking of her heart. She felt that there was a terrible meaning, a
dreadful mystery in his looks and words, the solution of which she
shrunk from with a vague but absorbing terror. She was too well
acquainted with the sinister expression of that glance. She rallied
herself to speak.
“What is it that you mean, my lord? Something dreadful! What have you
done? This food—”
“Ay, this food! I can very well understand that you should find it
delicious. It is such as you have always loved a little too much. It is
but natural that you should relish, now that it is dead, that which you
so passionately enjoyed while living. Marguerite, the meat of that dish
which you have eaten was once the heart of Guillaume de Cabestaign!”
The lips of the wretched woman parted spasmodically. Her jaws seemed to
stretch asunder. Her eyes dilated in a horror akin to madness. Her arms
were stretched out and forward. She half rose from the table, which she
at length seized upon for her support.
“No!” she exclaimed, hoarsely, at length. “No! no! It is not true. It is
not possible. I will not—I dare not believe it.”
“You shall have a witness, Marguerite! You shall hear it from one whom,
heretofore, you have believed always, and who will find it impossible
now to lie. Behold! This is the head of him whose heart you have eaten!”
With these dreadful words, the cruel baron raised the ghastly head of
the troubadour, which he had hitherto concealed beneath the table, and
which he now placed upon it. At this horrible spectacle the wretched
woman sunk down in a swoon, from which, however, she awakened but too
quickly. The wan and bloody aspect of her lover, the eyes glazed in
death, but full still of the tenderest expression, met her gaze as it
opened upon the light. The savage lord who had achieved the horrid
butchery stood erect, and pointing at the spectacle of terror. His
scornful and demoniac glance—the horrid cruelty of which he continued
to boast—her conscious innocence and that of her lover—her complete
and deep despair—all conspired to arm her soul with a courage which she
had never felt till now. In the ruin of her heart she had grown reckless
of her life. Her eye confronted the murderer.
“Be it so!” she exclaimed. “As I have eaten of meat so precious, it fits
not that inferior food should ever again pass these lips! This is the
last supper which I shall taste on earth!”
“What! dare you thus shamelessly avow to me your passion?”
“Ay! as God who beholds us knows, never did woman more passionately and
truly love mortal man, than did Marguerite of Roussillon the pure and
noble Guillaume de Cabestaign. It is true! I fear not to say it now!
Now, indeed, I am his only and forever!”
Transported with fury at what he heard, Raymond drew his dagger, and
rushed to where she stood. But she did not await his weapon.
Anticipating his wrath, she darted headlong through a door which opened
upon a balcony, over the balustrade of which, with a second effort, she
flung herself into the court below. All this was the work of but one
impulse and of a single instant Raymond reached the balcony as the
delicate frame of the beautiful woman was crushed upon the flag-stones
of the court. Life had utterly departed when they raised her from the
ground!
* * * * *
This terrible catastrophe struck society every where with consternation.
At a season, when not only chivalry, but the church, gave its most
absolute sanction to the existence and encouragement of that strange
conventional love which we have sought to describe, the crime of Raymond
provoked an universal honor. Love, artificial and sentimental rather
than passionate, was the soul equally of military achievement and of
aristocratic society. It was then of vast importance, as an element of
power, in the use of religious enthusiasm. The shock given to those who
cherished this sentiment, by this dreadful history, was felt to all the
extremities of the social circle. The friends and kindred of the
lovers—the princes and princesses of the land—noble lords, knights and
ladies, all combined, as by a common impulse, to denounce and to destroy
the bloody-minded criminal. Alphonso, King of Arragon, devoted himself
to the work of justice. Raymond was seized and cast into a dungeon. His
castle was razed to the ground, under a public decree, which scarcely
anticipated the eager rage of hundreds who rushed to the work of
demolition. The criminal himself was suffered to live; but he lived
either in prison or in exile, with loss of caste and society, and amidst
universal detestation!
Very different was the fate of the lovers, whom man could no more harm
or separate. They were honored, under the sanction of Alphonso, with a
gorgeous funeral procession. They were laid together, in the same tomb,
before the church of Perpignan, and their names and cruel history were
duly engraven upon the stone raised to their memory. According the
Provençal historians, it was afterward a custom with the knights of
Roussillon, of Cerdagne, and of Narbonnois, every year to join with the
noble dames and ladies of the same places, in a solemn service, in
memory of Marguerite of Roussillon, and William of Cabestaign. At the
same time came lovers of both sexes, on a pilgrimage to their tomb,
where they prayed for the repose of their souls. The anniversary of this
service was instituted by Alphonso. We may add that romance has more
than once seized upon this tragic history, out of which to weave her
fictions. Boccaccio has found in it the material for one of the stories
of the Decameron, in which, however, while perverting history, he has
done but little to merit the gratulation of Art. He has failed equally
to do justice to himself, and to his melancholy subject.
* * * * *
SONNET.—TO MARY M. R. W.
Both when the morning and the evening dews
Moisten the earth, I pray thee, lady, seek
Some lofty hill, whence many a swelling peak
May be descried far in the distance. Views
Like these shall tune thy spirit, and infuse
Thoughts worthy of immortal life: thy cheek
Shall glow with rosier healthfulness; thy meek
And dove-like eyes shall drink in tints and hues
Like those of heaven; and when the magic play
Of colors, shifting o’er the mountain-side,
Has mingled with thy fancy; when the ray
Of rising or of setting sun has dyed
Thy inmost soul with splendor—come away—
For then thou shalt be almost deified.
T. E. V. B.
* * * * *
THE LAST TILT.
BY HENRY B. HIRST.
At twilight, through the shadow, fled
An ancient, war-worn knight,
Arrayed in steel, from head to heel,
And on a steed of white;
And, in the knight’s despite,
The horse pursued his flight:
For the old man’s cheek was pale,
And his hands strove at the rein,
With the clutch of frenzied pain;
And his courser’s streaming mane
Swept, disheveled, on the gale.
_“Dong—dong!” And the sound of a bell_
_Went wailing away over meadow and mere—_“Seven!”
_Counted aloud by the sentinel clock_
_On the turret of Time; and the regular beat_
_Of his echoing feet_
_Fell—like lead—on the ear—_
_As he left the dead Hour on its desolate bier._
The old knight heard the mystic clock;
And the sound, like a funeral bell,
Rang in his ears till their caverns were full
Of the knoll of the desolate knell.
And the steed, as aroused by a spell,
Sprang away with a withering yell,
While the old man strove again,
But each time, with feebler force,
To arrest the spectral horse
In its mad, remorseless course,
But, alas! he strove in vain.
_“Dong—dong!” And the sound of a bell_
_Went wailing away over meadow and mere—_ “Eight!”
_Counted aloud by the sentinel clock_
_On the turret of Time; and the regular beat_
_Of his echoing feet_
_Fell—like lead—on the ear—_
_As he left the dead Hour on its desolate bier._
The steed was white, and gaunt, and grim,
With lidless, leaden eyes
That burned with the lurid, livid glare
Of the stars of Stygian skies;
And the wind, behind, with sighs,
Mimicked his maniac cries,
While through the ebony gloom, alone,
Wan-visaged Saturn gazed
On the warrior—unamazed—
On the steed whose eye-balls blazed
With a lustre like his own.
_“Dong—dong!” And the sound of a bell_
_Went wailing away over meadow and mere—_ “Nine!”
_Counted aloud by the sentinel clock_
_On the turret of Time; and the regular beat_
_Of his echoing feet_
_Fell—like lead—on the ear—_
_As he left the dead Hour on its desolate bier._
Athwart a swart and shadowy moor
The struggling knight was borne,
And far away, before him, gleamed
A light like the gray of morn;
While the old man, weak, forlorn,
And wan, and travel-worn,
Gazed, mad with deathly fear:
For he dreamed it was the day,
Though the dawn was far away,
And he trembled with dismay
In the desert—dark and drear.
_“Dong—dong!” And the sound of a bell_
_Went wailing away over meadow and mere—_“Ten!”
_Counted aloud by the sentinel clock_
_On the turret of Time; and the regular beat_
_Of his echoing feet_
_Fell—like lead—on the ear—_
_As he left the dead Hour on its desolate bier._
In casque and cuirass, white as snow,
Came, merrily, over the wold,
A maiden knight, with lance and shield,
And a form of manly mould,
And a beard of woven gold,
When—suddenly!—behold!
With a loud defiant cry,
And a tone of stern command,
The ancient knight, with lance in hand,
Rushed, thundering, over the frozen land,
And bade him “Stand! or die!”
_“Dong—dong!” And the sound of a bell_
_Went wailing away over meadow and mere—_“Eleven!”
_Counted aloud by the sentinel clock_
_On the turret of Time; and the regular beat_
_Of his echoing feet_
_Fell—like lead—on the ear—_
_As he left the dead Hour on its desolate bier._
With his ashen lance in rest,
Careered the youthful knight,
With a haughty heart, and an eagle eye,
And a visage burning bright—
For he loved the tilted fight—
And, under Saturn’s light,
With a shock that shook the world,
The rude old warrior fell—and lay
A corpse—along the frozen clay!
As with a crash the gates of day
Their brazen valves unfurled.
_“Dong—dong!” And the sound of a bell_
_Went wailing away over meadow and mere—_“Twelve!”
_Counted aloud by the sentinel clock_
_On the turret of Time; and the regular beat_
_Of his echoing feet_
_Fell—like lead—on the ear—_
_As he left the dead Year on his desolate bier._
* * * * *
THE ISLETS OF THE GULF;
OR, ROSE BUDD.
Ay, now I am in Arden; the more fool
I; when I was at home I was in a better place; but
Travelers must be content. As You Like It.
BY THE AUTHOR OF “PILOT,” “RED ROVER,” “TWO ADMIRALS,” “WING-AND-WING,”
“MILES WALLINGFORD,” ETC.
[Entered, according to the Act of Congress, in the year 1846, by
J. Fenimore Cooper, in the Clerk’s Office of the District Court
of the United States, for the Northern District of New York.]
(_Continued from page 252._)
PART XIV.
She’s in a scene of nature’s war,
The winds and waters are at strife;
And both with her contending for
The brittle thread of human life.—Miss Gould.
Spike was sleeping hard in his berth, quite early on the following
morning, before the return of light, indeed, when he suddenly started
up, rubbed his eyes, and sprang upon deck like a man alarmed. He had
heard, or fancied he had heard, a cry. A voice once well known and
listened to, seemed to call him in the very portals of his ear. At first
he had listened to its words in wonder, entranced like the bird by the
snake, the tones recalling scenes and persons that had once possessed a
strong control over his rude feelings. Presently the voice became
harsher in its utterance, and it said,
“Stephen Spike, awake! The hour is getting late, and you have enemies
nearer to you than you imagine. Awake, Stephen, awake!”
When the captain was on his feet, and had plunged his head into a basin
of water that stood ready for him in the state-room, he could not have
told, for his life, whether he had been dreaming or waking, whether what
he had heard was the result of a feverish imagination, or of the laws of
nature. The call haunted him all that morning, or until events of
importance so pressed upon him as to draw his undivided attention to
them alone.
It was not yet day. The men were still in heavy sleep, lying about the
decks, for they avoided the small and crowded forecastle in that warm
climate, and the night was apparently at its deepest hour. Spike walked
forward to look for the man charged with the anchor-watch. It proved to
be Jack Tier, who was standing near the galley, his arms folded as
usual, apparently watching the few signs of approaching day that were
beginning to be apparent in the western sky. The captain was in none of
the best humors with the steward’s assistant; but Jack had unaccountably
got an ascendency over his commander, which it was certainly very
unusual for any subordinate in the Swash to obtain. Spike had deferred
more to Mulford than to any mate he had ever before employed; but this
was the deference due to superior information, manners, and origin. It
was common-place, if not vulgar; whereas, the ascendency obtained by
little Jack Tier was, even to its subject, entirely inexplicable. He was
unwilling to admit it to himself in the most secret manner, though he
had begun to feel it on all occasions which brought them in contact, and
to submit to it as a thing not to be averted.
“Jack Tier,” demanded the captain, now that he found himself once more
alone with the other, desirous of obtaining his opinion on a point that
harrassed him, though he knew not why; “Jack Tier, answer me one thing.
Do you believe that we saw the form of a dead or of a living man at the
foot of the light-house?”
“The dead are never seen leaning against walls in that manner, Stephen
Spike,” answered Jack, coolly, not even taking the trouble to uncoil his
arms. “What you saw was a living man; and you would do well to be on
your guard against him. Harry Mulford is not your friend—and there is
reason for it.”
“Harry Mulford, and living! How can that be, Jack? You know the port in
which he chose to run.”
“I know the rock on which you chose to abandon him, Capt. Spike.”
“If so, how could he be living and at the Dry Tortugas? The thing is
impossible!”
“The thing is so. You saw Harry Mulford, living and well, and ready to
hunt you to the gallows. Beware of him, then; and beware of his handsome
wife!”
“Wife! the fellow has no wife—he has always professed to be a single
man!”
“The man is married—and I bid you beware of his handsome wife. She,
too, will be a witness ag’in you.”
“This will be news, then, for Rose Budd. I shall delight in telling it
to _her_, at least.”
“’Twill be _no_ news to Rose Budd. She was present at the wedding, and
will not be taken by surprise. Rose loves Harry too well to let him
marry, and she not present at the wedding.”
“Jack, you talk strangely! What is the meaning of all this? I am captain
of this craft, and will not be trifled with—tell me at once your
meaning, fellow.”
“My meaning is simple enough, and easily told. Rose Budd is the wife of
Harry Mulford.”
“You’re dreaming, fellow, or are wishing to trifle with me!”
“It may be a dream, but it is one that will turn out to be true. If they
have found the Poughkeepsie sloop-of-war, as I make no doubt they have
by this time, Mulford and Rose are man and wife.”
“Fool! you know not what you say! Rose is at this moment in her berth,
sick at heart on account of the young gentleman who preferred to live on
the Florida Reef rather than to sail in the Molly!”
“Rose is not in her berth, sick or well; neither is she on board this
brig at all. She went off in the light-house boat to deliver her lover
from the naked rock—and well did she succeed in so doing. God was of
her side, Stephen Spike; and a body seldom foils with such a friend to
support one.”
Spike was astounded at these words, and not less so at the cool and
confident manner with which they were pronounced. Jack spoke in a
certain dogmatical, oracular manner, it is true, one that might have
lessened his authority with a person over whom he had less influence;
but this in no degree diminished its effect on Spike. On the contrary,
it even disposed the captain to yield an implicit faith to what he
heard, and all so much the more because the facts he was told appeared
of themselves to be nearly impossible. It was half a minute before he
had sufficiently recovered from his surprise to continue the discourse.
“The light-house boat!” Spike then slowly repeated. “Why, fellow, you
told me the light-house boat went adrift from your own hands!”
“So it did,” answered Jack, coolly, “since I cast off the painter—and
what is more, went in it.”
“You! This is impossible. You are telling me a fabricated lie. If you
had gone away in that boat, how could you now be here? No, no—it is a
miserable lie, and Rose is below!”
“Go and look into her state-room, and satisfy yourself with your own
eyes.”
Spike did as was suggested. He went below, took a lamp that was always
suspended, lighted, in the main cabin, and, without ceremony, proceeded
to Rose’s state-room, where he soon found that the bird had really
flown. A direful execration followed this discovery, one so loud as to
awaken Mrs. Budd and Biddy. Determined not to do things by halves, he
broke open the door of the widow’s state-room, and ascertained that the
person he sought was not there. A fierce explosion of oaths and
denunciations followed, which produced an answer in the customary
screams. In the midst of this violent scene, however, questions were
put, and answers obtained, that not only served to let the captain know
that Jack had told him nothing but truth, but to put an end to every
thing like amicable relations between himself and the relict of his old
commander. Until this explosion, appearances had been observed between
them; but, from that moment, there must necessarily be an end of all
professions of even civility. Spike was never particularly refined in
his intercourse with females, but he now threw aside even its
pretension. His rage was so great that he totally forgot his manhood,
and lavished on both Mrs. Budd and Biddy epithets that were altogether
inexcusable, and many of which it will not do to repeat. Weak and silly
as was the widow, she was not without spirit; and on this occasion she
was indisposed to submit to all this unmerited abuse in silence. Biddy,
as usual, took her cue from her mistress, and between the two, their
part of the wordy conflict was kept up with a very respectable degree of
animation.
“I know you—I know you, now!” screamed the widow, at the top of her
voice; “and you can no longer deceive me, unworthy son of Neptune as you
are! You are unfit to be a lubber, and would be log-booked for an
or’nary by every gentleman on board ship. You, a full-jiggered seaman!
No, you are not even half-jiggered, sir; and I tell you so to your
face.”
“Yes, and it isn’t _half_ that might be tould the likes of yees!” put in
Biddy, as her mistress stopped to breathe. “And it’s Miss Rose you’d
have for a wife, when Biddy Noon would be too good for ye! We knows ye,
and all about ye, and can give yer history as complate from the day ye
was born down to the present moment, and not find a good word to say in
yer favor in all that time—and a precious time it is, too, for a
gentleman that would marry pretthy, _young_ Miss Rose! Och! I scorn to
look at ye, yer so ugly!”
“And trying to persuade me you were a friend of my poor, dear Mr. Budd,
whose shoe you are unworthy to touch, and who had the heart and soul for
the noble profession you disgrace,” cut in the widow, the moment Biddy
gave her a chance, by pausing to make a wry face as she pronounced the
word “ugly.” “I now believe you capasided them poor Mexicans, in order
to get their money; and the moment we cast anchor in a road-side, I’ll
go ashore, and complain of you for murder, I will.”
“Do, missus, dear, and I’ll be your bail, will I, and swear to all that
happened, and more too. Och! yer a wretch, to wish to be the husband of
Miss Rose, and she so young and pretthy, and you so ould and ugly!”
“Come away—come away, Stephen Spike, and do not stand wrangling with
women, when you and your brig, and all that belongs to you are in
danger,” called out Jack Tier from the companion-way. “Day is come; and
what is much worse for you, your most dangerous enemy is coming with
it.”
Spike was almost livid with rage, and ready to burst out in awful
maledictions; but at this summons he sprang to the ladder, and was on
deck in a moment. At first, he felt a strong disposition to wreak his
vengeance on Tier, but, fortunately for the latter, as the captain’s
foot touched the quarter-deck, his eye fell on the Poughkeepsie, then
within half a league of the Swash, standing in toward the reef, though
fully half a mile to leeward. This spectre drove all other subjects from
his mind, leaving the captain of the Swash in the only character in
which he could be said to be respectable, or that of a seaman. Almost
instinctively he called all hands, then he gave one brief minute to a
survey of his situation.
It was, indeed, time for the Swash to be moving. There she lay, with
three anchors down, including that of the schooner, all she had, in
fact, with the exception of her best bower, and one kedge, with the
purchases aloft, in readiness for hooking on to the wreck, and all the
extra securities up that had been given to the masts. As for the
sloop-of-war, she was under the very same canvas as that with which she
had come out from the Dry Tortugas, or her three top-sails, spanker, and
jib; but most of her other sails were loose, even to her royals and
flying-jibs, though closely gathered into their spars by means of the
running gear. In a word, every sailor would know, at a glance, that the
ship was merely waiting for the proper moment to spread her wings, when
she would be flying through the water at the top of her speed. The
weather looked dirty, and the wind was gradually increasing, threatening
to blow heavily as the day advanced.
“Unshackle, unshackle!” shouted Spike to the boatswain, who was the
first man that appeared on deck. “The bloody sloop-of-war is upon us,
and there is not a moment to lose. We must get the brig clear of the
ground in the shortest way we can, and abandon every thing. Unshackle,
and cast off for’ard and aft, men.”
A few minutes of almost desperate exertion succeeded. No men work like
sailors, when the last are in a hurry, their efforts being directed to
counteracting squalls, and avoiding emergencies of the most pressing
character. Thus was it now with the crew of the Swash. The clanking of
chains lasted but a minute, when the parts attached to the anchors were
thrust through the hawse-holes, or were dropped into the water from
other parts of the brig. This at once released the vessel, though a
great deal remained to be done to clear her for working, and to put her
in her best trim.
“Away with this out-hauler!” again shouted Spike, casting loose the
main-brails as he did so; “loose the jibs!”
All went on at once, and the Swash moved away from the grave of the poor
carpenter with the ease and facility of motion that marked all her
evolutions. Then the top-sail was let fall, and presently all the upper
square-sails were sheeted home, and hoisted, and the fore-tack was
hauled aboard. The Molly was soon alive, and jumping into the seas that
met her with more power than was common, as she drew out from under the
shelter of the reef into rough water. From the time when Spike gave his
first order, to that when all his canvas was spread, was just seven
minutes.
The Poughkeepsie, with her vastly superior crew, was not idle the while.
Although the watch below was not disturbed, she tacked beautifully, and
stood off the reef, in a line parallel to the course of the brig, and
distant from her about half a mile. Then sail was made, her tacks having
been boarded in stays. Spike knew the play of his craft was short legs,
for she was so nimble in her movements that he believed she could go
about in half the time that would be required for a vessel of the
Poughkeepsie’s length. “Ready about,” was his cry, therefore, when less
than a mile distant from the reef—“ready about, and let her go round.”
Round the Molly did go, like a top, being full on the other tack in just
fifty-six seconds. The movement of the corvette was more stately, and
somewhat more deliberate. Still, she stayed beautifully, and both Spike
and the boatswain shook their heads, as they saw her coming into the
wind with her sails all lifting and the sheets flowing.
“That fellow will fore-reach a cable’s length before he gets about!”
exclaimed Spike. “He will prove too much for us at this sport! Keep her
away, my man—keep the brig away for the passage. We must run through
the reef, instead of trusting ourselves to our heels in open water.”
The brig was kept away accordingly, and sheets were eased off, and
braces just touched, to meet the new line of sailing. As the wind stood,
it was possible to lay through the passage on an easy bowline, though
the breeze, which was getting to be fresher than Spike wished it to be,
promised to haul more to the southward of east, as the day advanced.
Nevertheless, this was the Swash’s best point of sailing, and all on
board of her had strong hopes of her being too much for her pursuer,
could she maintain it. Until this feeling began to diffuse itself in the
brig, not a countenance was to be seen on her decks that did not betray
intense anxiety; but now something like grim smiles passed among the
crew, as their craft seemed rather to fly than force her way through the
water, toward the entrance of the passage so often adverted to in this
narrative.
On the other hand, the Poughkeepsie was admirably sailed and handled.
Everybody was now on deck, and the first lieutenant had taken the
trumpet. Capt. Mull was a man of method, and a thorough man-of-war’s
man. Whatever he did was done according to rule, and with great system.
Just as the Swash was about to enter the passage, the drum of the
Poughkeepsie beat to quarters. No sooner were the men mustered, in the
leeward, or starboard batteries, than orders were sent to cast loose the
guns, and to get them ready for service. Owing to the more leeward
position of his vessel, and to the fact that she always head-reached so
much in stays, Capt. Mull knew that she would not lose much by luffing
into the wind, or by making half boards, while he might gain every thing
by one well directed shot.
The strife commenced by the sloop-of-war firing her weather bow-gun,
single-shotted, at the Swash. No damage was done, though the fore-yard
of the brig had a very narrow escape. This experiment was repeated three
times, without even a rope-yarn being carried away, though the gun was
pointed by Wallace himself and well pointed, too. But it is possible for
a shot to come very near its object and still to do no injury. Such was
the fact on this occasion, though the “ship’s gentleman” was a good deal
mortified by the result. Men look so much at success as the test of
merit, that few pause to inquire into the reasons of failures, though it
frequently happens that adventurers prosper by means of their very
blunders. Capt. Mull now determined on a half board, for his ship was
more to leeward than he desired. Directions were given to the officers
in the batteries to be deliberate, and the helm was put down. As the
ship shot into the wind, each gun was fired, as it could be brought to
bear, until the last of them all was discharged. Then the course of the
vessel was changed, the helm being righted before the ship had lost her
way, and the sloop-of-war fell off again to her course.
All this was done in such a short period of time as scarcely to cause
the Poughkeepsie to lose any thing, while it did the Swash the most
serious injury. The guns had been directed at the brig’s spars and
sails, Capt. Mull desiring no more than to capture his chase, and the
destruction they produced aloft was such as to induce Spike and his men,
at first, to imagine that the whole hamper above their heads was about
to come clattering down on deck. One shot carried away all the weather
fore-topmast rigging of the brig, and would no doubt have brought about
the loss of the mast, if another, that almost instantly succeeded it had
not cut the spar itself in two, bringing down, as a matter of course,
every thing above it. Nearly half of the main-mast was gouged out of
that spar, and the gaff was taken fairly out of its jaws. The fore-yard
was cut in the slings, and various important ropes, were carried away in
different parts of the vessel.
Flight under such circumstances, was impossible, unless some
extraordinary external assistance was to be obtained. This Spike saw at
once, and he had recourse to the only expedient that remained; which
might possibly yet save him. The guns were still belching forth their
smoke and flames, when he shouted out the order to put the helm hard up.
The width of the passage in which the vessels were was not so great but
that he might hope to pass across it and to enter a channel among the
rocks, which was favorably placed for such a purpose, ere the
sloop-of-war could overtake him. Whither that channel led, what water it
possessed, or whether it were not a shallow _cul de sac_, were all facts
of which Spike was ignorant. The circumstances, however, would not admit
of an alternative.
Happily for the execution of Spike’s present design, nothing from aloft
had fallen into the water, to impede the brig’s way. Forward, in
particular, she seemed all wreck; her fore-yard having come down
altogether, so as to encumber the forecastle, while her top-mast, with
its dependent spars and gear, was suspended but a short distance above.
Still, nothing had gone over the side, so as actually to touch the
water, and the craft obeyed her helm as usual. Away she went, then, for
the lateral opening in the reef just mentioned, driven ahead by the
pressure of a strong breeze on her sails, which still offered large
surfaces to the wind, at a rapid rate. Instead of keeping away to
follow, the Poughkeepsie maintained her luff, and just as the Swash
entered the unknown passage, into which she was blindly plunging, the
sloop-of war was about a quarter of a mile to windward, and standing
directly across her stern. Nothing would have been easier, now, than for
Capt. Mull to destroy his chase; but humanity prevented his firing. He
knew that her career must be short, and he fully expected to see her
anchor; when it would be easy for him to take possession with his boats.
With this expectation, indeed, he shortened sail, furling
top-gallant-sails, and hauling up his courses. By this time, the wind
had so much freshened, as to induce him to think of putting in a reef,
and the step now taken had a double object in view.
To the surprise of all on board the man-of-war, the brig continued on,
until she was fully a mile distant, finding her way deeper and deeper
among the mazes of the reef without meeting with any impediment! This
fact induced Capt. Mull to order his Paixhan’s to throw their shells
beyond her, by way of a hint to anchor. While the guns were getting
ready, Spike stood on boldly, knowing it was neck or nothing, and
beginning to feel a faint revival of hope, as he found himself getting
further and further from his pursuers, and the rocks not fetching him
up. Even the men, who had begun to murmur at what seemed to them to be
risking too much, partook, in a slight degree, of the same feeling, and
began to execute the order they had received to try to get the launch
into the water, with some appearance of an intention to succeed.
Previously, the work could scarcely be said to go on at all; but two or
three of the older seamen now bestirred themselves, and suggestions were
made and attended to, that promised results. But it was no easy thing to
get the launch out of a half-rigged brig, that had lost her fore-yard,
and which carried nothing square abaft. A derrick was used in common, to
lift the stern of the boat, but a derrick would now be useless aft,
without an assistant forward. While these things were in discussion,
under the superintendence of the boatswain, and Spike was standing
between the knight-heads, conning the craft, the sloop-of-war let fly
the first of her hollow shot. Down came the hurtling mass upon the
Swash, keeping every head elevated and all eyes looking for the dark
object, as it went booming through the air above their heads. The shot
passed fully a mile to leeward, where it exploded. This great range had
been given to the first shot, with a view to admonish the captain how
long he must continue under the guns of the ship, and as advice to come
to. The second gun followed immediately. Its shot was seen to ricochet,
directly in a line with the brig, making leaps of about half a mile in
length. It struck the water about fifty yards astern of the vessel,
bounded directly over her decks, passing through the main-sail and some
of the fallen hamper forward, and exploded about a hundred yards ahead.
As usually happens with such projectiles, most of the fragments were
either scattered laterally, or went on, impelled by the original
momentum.
The effect of this last gun on the crew of the Swash was instantaneous
and deep. The faint gleamings of hope vanished at once, and a lively
consciousness of the desperate nature of their condition succeeded in
every mind. The launch was forgotten, and, after conferring together for
a moment, the men went in a body, with the boatswain at their head, to
the forecastle, and offered a remonstrance to their commander, on the
subject of holding out any longer, under circumstances so very
hazardous, and which menaced their lives in so many different ways.
Spike listened to them with eyes that fairly glared with fury. He
ordered them back to their duty in a voice of thunder, tapping the
breast of his jacket, where he was known to carry revolvers, with a
significance that could convey but one meaning.
It is wonderful the ascendency that men sometimes obtain over their
fellows, by means of character, the habits of command, and obedience,
and intimidation. Spike was a stern disciplinarian, relying on that and
ample pay for the unlimited control he often found it necessary to
exercise over his crew. On the present occasion, his people were
profoundly alarmed, but habitual deference and submission to their
leader counteracted the feeling, and held them in suspense. They were
fully aware of the nature of the position they occupied in a legal
sense, and were deeply reluctant to increase the appearances of crime;
but most of them had been extricated from so many grave difficulties in
former instances, by the coolness, nerve and readiness of the captain,
that a latent ray of hope was perhaps dimly shining in the rude breast
of every old sea-dog among them. As a consequence of these several
causes, they abandoned their remonstrance, for the moment at least, and
made a show of returning to their duty; though it was in a sullen and
moody manner.
It was easier, however, to make a show of hoisting out the launch, than
to effect the object. This was soon made apparent on trial, and Spike
himself gave the matter up. He ordered the yawl to be lowered, got
alongside, and to be prepared for the reception of the crew, by putting
into it a small provision of food and water. All this time the brig was
rushing madly to leeward, among rocks and breakers, without any other
guide than that which the visible dangers afforded. Spike knew no more
where he was going than the meanest man in his vessel. His sole aim was
to get away from his pursuers, and to save his neck from the rope. He
magnified the danger of punishment that he really ran, for he best knew
the extent and nature of his crimes, of which the few that have been
laid before the reader, while they might have been amongst the most
prominent, as viewed through the statutes and international law, were
far from the gravest he had committed in the eyes of morals.
About this time the Señor Montefalderon went forward to confer with
Spike. The calmness of this gentleman’s demeanor, the simplicity and
coolness of his movements, denoted a conscience that saw no particular
ground for alarm. He wished to escape captivity, that he might continue
to serve his country, but no other apprehension troubled him.
“Do you intend to trust yourself in the yawl, Don Esteban?” demanded the
Mexican quietly. “If so, is she not too small to contain so many as we
shall make altogether?”
Spike’s answer was given in a low voice; and it evidently came from a
very husky throat.
“Speak lower, Don Wan,” he said. “The boat would be greatly overloaded
with all hands in it, especially among the breakers, and blowing as it
does; but we may leave some of the party behind.”
“The brig _must_ go on the rocks, sooner or later, Don Esteban; when she
does, she will go to pieces in an hour.
“I expect to hear her strike every minute, señor; the moment she does we
must be off. I have had my eye on that ship for some time, expecting to
see her lower her cutters and gigs to board us. _You_ will not be out of
the way, Don Wan; but there is no need of being talkative on the subject
of our escape.”
Spike now turned his back on the Mexican, looking anxiously ahead, with
the desire to get as far into the reef as possible with his brig, which
he conned with great skill and coolness. The Señor Montefalderon left
him. With the chivalry and consideration of a man and a gentleman, he
went in quest of Mrs. Budd and Biddy. A hint sufficed for them, and
gathering together a few necessaries they were in the yawl in the next
three minutes. This movement was unseen by Spike, or he might have
prevented, it. His eyes were now riveted on the channel ahead. It had
been fully his original intention to make off in the boat, the instant
the brig struck, abandoning not only Don Juan, with Mrs. Budd and Biddy
to their fates, but most of the crew. A private order had been given to
the boatswain, and three of the ablest bodied among the seamen, each and
all of whom kept the secret with religious fidelity, as it was believed
their own personal safety might be connected with the success of this
plan.
Nothing is so contagious as alarm. It requires not only great natural
steadiness of nerve, but much acquired firmness to remain unmoved when
sudden terror has seized on the minds of those around us. Habitual
respect had prevented the crew from interfering with the movements of
the Mexican, who not only descended into the boat with his female
companions uninterrupted, but also took with him the little bag of
doubloons which fell to his share from the first raising of the
schooner. Josh and Jack Tier assisted in getting Mrs. Budd and Biddy
over the side, and both took their own places in the yawl, as soon as
this pious duty was discharged. This served as a hint to others near at
hand; and man after man left his work to steal into the yawl, until
every living being had disappeared from the deck of the Swash, Spike
himself excepted. The man at the wheel had been the last to desert his
post, nor would he have done so then, but for a signal from the
boatswain, with whom he was a favorite.
It is certain there was a secret desire among the people of the Swash,
who were now crowded into a boat not large enough to contain more than
half their number with safety, to push off from the brig’s side, and
abandon her commander and owner to his fate. All had passed so soon,
however, and events succeeded each other with so much rapidity, that
little time was given for consultation. Habit kept them in their places,
though the appearances around them were strong motives for taking care
of themselves.
Notwithstanding the time necessary to relate the foregoing events, a
quarter of an hour had not elapsed, from the moment when the Swash
entered this unknown channel among the rocks, ere she struck. No sooner
was her helm deserted than she broached-to, and Spike was in the act of
denouncing the steerage, ignorant of its cause, when the brig was
thrown, broadside-to, on a sharp, angular bed of rocks. It was fortunate
for the boat, and all in it, that it was brought to leeward by the
broaching-to of the vessel, and that the water was still sufficiently
deep around them to prevent the waves from breaking. Breakers there
were, however, in thousands, on every side; and the seamen understood
that their situation was almost desperately perilous, without shipwreck
coming to increase the danger.
The storm itself was scarcely more noisy and boisterous than was Spike,
when he ascertained the manner in which his people had behaved. At
first, he believed it was their plan to abandon him to his fate; but, on
rushing to the lee-gangway, Don Juan Montefalderon assured him that no
such intention existed, and that he would not allow the boat to be cast
off until the captain was received on board. This brief respite gave
Spike a moment to care for his portion of the doubloons; and he rushed
to his state-room to secure them, together with his quadrant.
The grinding of the brig’s bottom on the coral, announced a speedy
breaking up of the craft, while her commander was thus employed. So
violent were some of the shocks with which she came down on the hard bed
in which she was now cradled, that Spike expected to see her burst
asunder, while he was yet on her decks. The cracking of timbers told him
that all was over with the Swash, nor had he got back as far as the
gangway with his prize, before he saw plainly that the vessel had broken
her back, as it is termed, and that her plank-sheer was opening in a way
that threatened to permit a separation of the craft into two sections,
one forward and the other aft. Notwithstanding all these portentous
proofs that the minutes of the Molly were numbered, and the danger that
existed of his being abandoned by his crew, Spike paused a moment, ere
he went over the vessel’s side, to take a hasty survey of the reef. His
object was to get a general idea of the position of the breakers, with a
view to avoid them. As much of the interest of that which is to succeed
is connected with these particular dangers, it may be well to explain
their character, along with a few other points of a similar bearing.
The brig had gone ashore fully two miles within the passage she had
entered, and which, indeed, terminated at the very spot where she had
struck. The Poughkeepsie was standing off and on, in the main channel,
with her boats in the water, evidently preparing to carry the brig in
that mode. As for the breakers, they whitened the surface of the ocean
in all directions around the wreck, far as the eye could reach, but in
two. The passage in which the Poughkeepsie was standing to and fro was
clear of them, of course; and about a mile and a half to the northward,
Spike saw that he should be in open water, or altogether on the northern
side of the reef, could he only get there. The gravest dangers would
exist in the passage, which led among breakers on all sides, and very
possibly among rocks so near the surface as to absolutely obstruct the
way. In one sense, however, the breakers were useful. By avoiding them
as much as possible, and by keeping in the unbroken water, the boat
would be running in the channels of the reef, and consequently would be
the safer. The result of the survey, short as it was, and it did not
last a minute, was to give Spike something like a plan; and when he went
over the side, and got into the boat, it was with a determination to
work his way out of the reef to its northern edge, as soon as possible,
and then to skirt it as near as he could, in his flight toward the Dry
Tortugas.
[_To be continued._
* * * * *
BLIND!
BY MRS. JOSEPH C. NEAL.