The Precipice.--A Dungeon in a Desert Island.--Resignation.--The passing
Bird.--The browsing Goat.--The bending Tree.--Attempts at Deliverance.
--Success.--Death of Marimonda.
In that sterile and mountainous quarter of the island to which he has
given the name of Stradling,--that name, importing to him
misfortune,--Selkirk, venturing in pursuit of a goat, has fallen from
a precipice.
Fortunately the cavity is not deep. After a transient swoon,
recovering his footing, experiencing only a general numbness, and some
pain caused by the contusions resulting from his fall, he bethinks
himself of the means of escape.
But a circle of sharp rocks, contracting from the base to the summit,
forms a tunnel over his head; no crevice, no precipitous ledge,
interrupts their fatal uniformity. Only around him some platforms of
sandy earth appear; he digs them with his knife, to form steps. Some
fragments of roots project here and there through the interstices of
the stones; he hopes to find a point of support by which to scale
these abrupt walls. The little solidity of the roots, which give way
in his grasp; his sufferings, which become more intense at every
effort; these thousand rocky heads bending at once over him; all tell
him plainly that it will be impossible for him to emerge from this
hole--that it is destined to be his tomb.
Poor young sailor, already condemned to isolation, separated from the
rest of mankind, could he have foreseen that one day his captivity was
to be still closer! that his steps would be chained, that the sight
even of his island would be interdicted! and that in this desert,
where he had neither persecutor nor jailer to fear, he would find a
prison, a dungeon!
After three days of anguish and tortures, after new and ineffectual
attempts,--exhausted by fatigue, by thirst, by hunger,--consumed by
fever, supervened in consequence of all his sufferings of body and
soul, he resigns himself to his fate; with his foot, he prepares his
last couch, composed of sand and dried leaves shaken from above by the
neighboring trees; he lies down, folds his arms, closes his eyes, and
prepares to die, thinking of his eternal salvation.
Although he tries not to allow himself to be distracted by other
thoughts, from time to time sounds from the outer world disturb his
pious meditations. First it is the joyous song of a bird. To these
vibrating notes another song replies from afar, on a more simple and
almost plaintive key. It is doubtless the female, who, with a sort of
modest and repressed tenderness, thus announces her retreat to him who
calls; then a rapid rustling is heard above the head of the prisoner.
It is the songster, hastening to rejoin his companion.
Selkirk has never known love. Once perhaps,--in a fit of youth and
delirium; and it was this false love which tore him from his studies,
from his country!
Ah! why did he not remain at Largo, with his father? To-day he also
would have had a companion! In that smiling country where coolness
dwells, where labor is so easy, life so sweet and calm, the paternal
roof would have sheltered his happiness! Oh! the joys of his infancy!
his green and sunny Scotland.
The regrets which arise in his heart he quickly banishes; his dear
remembrances he sacrifices to God; he weaves them into a fervent
prayer.
Very soon an approaching bleating rouses him again from his
abstractions. A goat, with restless eye, has just stretched her head
over the edge of the precipice, and for an instant fixes on him her
astonished glance. Then, as if re-assured, defying his powerlessness,
with a disdainful lip she quietly crops some tufts of grass growing on
the verge of the tunnel.
On seeing her, Selkirk instinctively lays his hand on the lasso which
is beside him.
'If I succeed in reaching her, in catching her,' said he, 'her blood
will quench the thirst which devours me, her flesh will appease my
hunger. But of what use would it be? Whence can I expect aid and
succor for my deliverance? This would then only prolong my
sufferings.'
And, throwing aside the end of the lasso which he has just seized, he
again folds his arms on his breast, and closes his eyes once more.
I know not what stoical philosopher--Atticus, I believe, a prey to a
malady which he thought incurable,--had resolved to die of inanition.
At the expiration of a certain number of days, abstinence had cured
him, and when his friends, in the number of whom he reckoned Cicero,
exhorted him to take nourishment, persisting in his first resolution,
'Of what use is it!' said he also, 'Must I not die sooner or later?
Why should I then retrace my steps, when I have already travelled more
than half the road?'
Selkirk had more reason than Atticus to decide thus; besides, his
friends, where are they, to exhort him to live? Friends!--has he ever
had any?
Night comes, and with the night a terrific hurricane arises. By the
glare of the lightning he sees a tree, situated not far from the
tunnel, bend towards him, almost broken by the violence of the wind.
'Perhaps Providence will send me a method of saving myself!' murmured
Selkirk; 'should the tree fall on this side, if its branches do not
crush me, they will serve as steps to aid me to leave this pit! I am
saved!'
But the tree resists the storm, which passes away, carrying with it
the last hope of the captive.
Towards the morning of the fourth day his fever has ceased; the
tortures of hunger and thirst are no longer felt; the complete
annihilation of his strength is to him a kind of relief; sleep seizes
him, and with sleep he thinks death must come.
Soon, in his dream, in a hallucination springing undoubtedly from the
weakness of his brain, plaints, confused and distant groans, reach him
from different points of the island. These sorrowful cries, almost
uninterrupted, afterwards approach, and are repeated with increasing
strength. He awakes, he listens; the bushes around him crackle and
rustle; even the earth emits a dull sound, as beneath the bounding of
a goat; the cries are renewed and become more and more distinct, like
the sobs of a child. Selkirk puts his hand to his forehead. These
plaints, these sobs, he thinks he recognizes, and, suddenly raising
himself with a convulsive effort, he exclaims:
'Marimonda!'
And Marimonda runs at her master's voice, changes, on seeing him, her
cries of distress for cries of joy, leaps and gambols on the edge of
the cavity, and, quickly finding a way to join him, suspends herself
by her tail to one of the branches on the verge, and springs to his
side.
Then contortions, caresses, winks of the eyes, motions of the head,
whining, whistling, succeed each other; she rolls before him, embraces
him closely, seeking by every method to supply the place of that
speech which alone is wanting, and which she almost seems to have.
Good Marimonda! her humid and shivering skin, her bruised and bleeding
feet, her in-flamed eyes, plainly tell Selkirk how long she has been
in search of him, how she has watched, run, to find him, and, not
finding him, what she has suffered at his absence.
Her first transports over, by his pale complexion, by his dim eye, she
quickly divines that it is want of food which has reduced him to this
condition. Swift as a bird she climbs the sides of the tunnel; she
repeatedly goes and returns, bringing each time fruits and canes full
of savory and refreshing liquid. It is precisely the usual hour for
their first repast, and once more they can partake of it together.
Revived by this repast, by the sight of his companion in exile,
Selkirk recovers his ideas of life and liberty. This abyss, from which
she ascends with so much facility, who knows but with her aid he may
be able in his turn to leave it? He remembers his lasso; he puts one
end of it into Marimonda's hand. It is now necessary that she should
fix it to some projection of the rock, some strong shrub, which may
serve as a point of support.
It was perhaps presuming too much on the intelligence which nature has
bestowed on the race of monkeys. At her master's orders, Marimonda
would seize the end of the cord, then immediately abandon it, as she
needed entire freedom of motion to enable her to scale the walls of
the tunnel.
After several ineffectual attempts, Selkirk, as a last resort, decided
to encircle Marimonda with the noose of the lasso, and, by a gesture,
to send her towards those heights where he was so impatient to join
her.
She departs, dragging after her the chain, of which he holds the other
extremity: this chain, the only bridge thrown for him between the
abyss and the port of safety, between life and death!
With what anxiety he observes, studies its oscillations! Several times
he draws it towards him, and each time, as if in reply to his summons,
Marimonda suddenly re-appears at the brow of the precipice, preparing
to re-descend; but he repulses her with his voice and gestures, and
when these methods are insufficient,--when Marimonda, exhausted with
lassitude, seated on the verge of the tunnel, persists in remaining
motionless, he has recourse to projectiles. To compel her to second
him in his work, the possible realization of which he himself scarcely
comprehends, he throws at her some fragments of stone detached from
his rocky wall, and even the remains of that repast for which he is
indebted to her. Even when she is at a distance, informed by the
movements of the lasso of the direction she has taken, he pursues her
still.
Suddenly the cord tightens in his hand. He pulls again, he pulls with
force; the cord resists! Fire mounts to his brain; his sluggish blood
is quickened; his heart and temples beat violently; his fever returns,
but only to restore to him, at this decisive moment, his former vigor.
He hastily digs new steps in the interstices of the rock; with his
hands suspending himself to the lasso, assisted by his feet, by his
knees, sometimes turning, grasping the projecting roots, the angles of
his wall, he at last reaches the top of the cliff.
Suddenly he feels the lasso stretch, as if about to break; a mist
passes over his eyes: his head becomes dizzy, the cord escapes his
grasp. But, by a mechanical movement, he has seized one of the highest
projections of the tunnel, he holds it, he climbs,--he is saved.
And during this perilous ascension, absorbed in the difficulties of
the undertaking, attentive to himself alone, staggering, with a
buzzing sound in his ears, he has not heard a sorrowful, lamentable
moaning, not far from him.
Dragging hither and thither after her the rope of leather and fibre of
aloes, Marimonda, rather, doubtless, by chance than by calculation,
had enlaced it around the trunk of the same tree which the night
before, during the storm, had agitated its dishevelled branches above
the deep couch of the dying man. This trunk had served as a point of
resistance; but, during the tension, the unfortunate monkey, with her
breast against the tree, had herself been caught in the folds of the
lasso.
When Selkirk arrives, he finds her extended on the ground, blood and
foam issuing from her mouth, and her eyes starting from their sockets.
Kneeling beside her, he loosens the bonds which still detain her.
Excited by his presence, Marimonda makes an effort to rise, but
immediately falls back, uttering a new cry of pain.
With his heart full of anguish, taking her in his arms, Selkirk, not
without a painful effort, not without being obliged to pause on the
way to recover his strength, carries her to the dwelling on the shore.
This shore he finds deserted and in confusion.
Deprived of their daily nourishment during the prolonged absence of
their master, the goats have made a passage through the inclosure, by
gnawing the still green foliage which imprisoned them; the hurricane
of the night has overthrown the rest. Before leaving, they had ravaged
the garden, destroyed the promises of the approaching harvest, and
devoured even the bark of the young trees. The cats have followed the
goats. Selkirk has before his eyes a spectacle of desolation; his
props, his trellises, the remains of his orchard, of his inclosure, of
his shed, a part even of the roof of his cabin, strew the earth in
confusion around him.
But it is not this which occupies him now. He has prepared for
Marimonda a bed beside his own; he takes care of her, he watches over
her, he leaves her only to seek in the woods, or on the mountains, the
herb which may heal her; he brings all sorts, and by armfuls, that she
may choose;--does she not know them better than himself?
As she turns away her head, or repulses with the hand those which he
presents, he thinks he has not yet discovered the one she requires,
and though still suffering, though himself exhausted by so many
varying emotions, he re-commences his search, to summon the entire
island to the assistance of Marimonda. From each of his trees he
borrows a branch; from his bushes, his rocks, his streams--a plant, a
fruit, a leaf, a root! For the first time he ventures across the
_pajonals_--spongy marshes formed by the sea along the cliffs, and
where, beneath the shade of the mangroves, grow those singular
vegetables, those gelatinous plants, endowed with vitality and motion.
At sight of all these remedies, Marimonda closes her eyes, and reopens
them only to address to her friend a look of gratitude.
The only thing she accepts is the water he offers her, the water which
he himself holds to her lips in his cocoa-nut cup.
During a whole week, Selkirk remains constantly absorbed in these
cares, useless cares!--Marimonda cannot be healed! In her breast,
bruised by the folds of the lasso, exists an important lesion of the
organs essential to life, and from time to time a gush of blood
reddens her white teeth.
'What!' said Selkirk to himself, 'she has then accompanied me on this
corner of earth only to be my victim! To her first caress I replied
only by brutality; the first shot I fired in this island was directed
against her. I pursued for a long time, with my thoughtless and stupid
hatred, the only being who has ever loved me, and who to-day is dying
for having saved me from that precipice from which I drove her with
blows of stones! Marimonda, my companion, my friend,--no! thou shalt
not die! He who sent thee to me as a consolation will not take thee
away so soon, to leave me a thousand times more alone, more unhappy,
than ever! God, in clothing thee with a form almost human, has
undoubtedly given thee a soul almost like ours; the gleam of
tenderness and intelligence which shines in thine eyes, where could it
have been lighted, but at that divine fire whence all affection and
devotion emanate? Well! I will implore Him for thee; and if He refuse
to hear me, it will be because He has forgotten me, because He has
entirely forsaken me, and I shall have nothing more to expect from His
mercy!'
Falling then upon his knees, with his forehead upon the ground, he
prays God for Marimonda.
Meanwhile, from day to day the poor invalid grows weaker; her eyes
become dim and glassy; her limbs frightfully emaciated, and her hair
comes off in large masses.
One evening, exhausted with fatigue, after having wrapped in a
covering of goat-skin Marimonda, who was in a violent fever, Selkirk
was preparing to retire to rest; she detained him, and, taking his
hand in both of hers, cast upon him a gentle and prolonged look, which
resembled an adieu.
He seated himself beside her on the ground.
Then, without letting go his hand, she leaned her head on her master's
knee, and fell asleep in this position. Selkirk dares not stir, for
fear of disturbing her repose. Insensibly sleep seizes him also.
In the morning when he awakes, the sun is illuminating the interior of
his cabin; Marimonda remains in the same attitude as the evening
before, but her hands are cold, and a swarm of flies and mosquitoes
are thrusting their sharp trunks into her eyes and ears.
She is a corpse.
Selkirk raises her, uttering a cry, and, after having cast an angry
look towards heaven, wipes away two tears that trickle down his
cheeks.
Thou thoughtest thyself insensible, Selkirk, and behold, thou art
weeping!--thou, who hast more than once seen, with unmoistened eye,
men, thy companions, in war or at sea, fall beneath a furious sword,
or under the fire of batteries! Among the sentiments which honor
humanity, which elevate it notwithstanding its defects, thou hadst
preserved at least thy confidence in God and in his mercy, Selkirk,
and to-day thou doubtest both!
Why dost thou weep? why dost thou distrust God?
Because thy monkey is dead!