“She has missed me,” said Rodolphe, pulling from his wound a stiletto,

which had been turned by one of the false ribs. “But a little higher up

it would have been deep in my heart.--I was wrong, Francesca,” he went

on, remembering the name he had heard little Gina repeat several times;

“I owe her no grudge, do not scold her. The happiness of speaking to you

is well worth the prick of a stiletto. Only show me the way out; I must

get back to the Stopfers’ house. Be easy; I shall tell nothing.”

Francesca, recovering from her astonishment, helped Rodolphe to rise,

and said a few words to Gina, whose eyes filled with tears. The two

girls made him sit down on a bench and take off his coat, his waistcoat

and cravat. Then Gina opened his shirt and sucked the wound strongly.

Francesca, who had left them, returned with a large piece of

sticking-plaster, which she applied to the wound.

“You can now walk as far as your house,” she said.

Each took an arm, and Rodolphe was conducted to a side gate, of which

the key was in Francesca’s apron pocket.

“Does Gina speak French?” said Rodolphe to Francesca.

“No. But do not excite yourself,” replied Francesca with some

impatience.

“Let me look at you,” said Rodolphe pathetically, “for it may be long

before I am able to come again---”

He leaned against one of the gate-posts contemplating the beautiful

Italian, who allowed him to gaze at her for a moment under the sweetest

silence and the sweetest night which ever, perhaps, shone on this lake,

the king of Swiss lakes.

Francesca was quite of the Italian type, and such as imagination

supposes or pictures, or, if you will, dreams, that Italian women

are. What first struck Rodolphe was the grace and elegance of a figure

evidently powerful, though so slender as to appear fragile. An amber

paleness overspread her face, betraying sudden interest, but it did not

dim the voluptuous glance of her liquid eyes of velvety blackness.

A pair of hands as beautiful as ever a Greek sculptor added to the

polished arms of a statue grasped Rodolphe’s arm, and their whiteness

gleamed against his black coat. The rash Frenchman could but just

discern the long, oval shape of her face, and a melancholy mouth showing

brilliant teeth between the parted lips, full, fresh, and brightly

red. The exquisite lines of this face guaranteed to Francesca permanent

beauty; but what most struck Rodolphe was the adorable freedom, the

Italian frankness of this woman, wholly absorbed as she was in her pity

for him.

Francesca said a word to Gina, who gave Rodolphe her arm as far as the

Stopfers’ door, and fled like a swallow as soon as she had rung.

“These patriots do not play at killing!” said Rodolphe to himself as

he felt his sufferings when he found himself in his bed. “‘_Nel lago!’_

Gina would have pitched me into the lake with a stone tied to my neck.”

Next day he sent to Lucerne for the best surgeon there, and when he

came, enjoined on him absolute secrecy, giving him to understand that

his honor depended on it.

Leopold returned from his excursion on the day when his friend first got

out of bed. Rodolphe made up a story, and begged him to go to Lucerne

to fetch their luggage and letters. Leopold brought back the most

fatal, the most dreadful news: Rodolphe’s mother was dead. While the

two friends were on their way from Bale to Lucerne, the fatal letter,

written by Leopold’s father, had reached Lucerne the day they left for

Fluelen.

In spite of Leopold’s utmost precautions, Rodolphe fell ill of a nervous

fever. As soon as Leopold saw his friend out of danger, he set out

for France with a power of attorney, and Rodolphe could thus remain at

Gersau, the only place in the world where his grief could grow calmer.

The young Frenchman’s position, his despair, the circumstances which

made such a loss worse for him than for any other man, were known, and

secured him the pity and interest of every one in Gersau. Every morning

the pretended dumb girl came to see him and bring him news of her

mistress.

As soon as Rodolphe could go out he went to the Bergmanns’ house, to

thank Miss Fanny Lovelace and her father for the interest they had taken

in his sorrow and his illness. For the first time since he had lodged

with the Bergmanns the old Italian admitted a stranger to his room,

where Rodolphe was received with the cordiality due to his misfortunes

and to his being a Frenchman, which excluded all distrust of him.

Francesca looked so lovely by candle-light that first evening that she

shed a ray of brightness on his grieving heart. Her smiles flung the

roses of hope on his woe. She sang, not indeed gay songs, but grave and

solemn melodies suited to the state of Rodolphe’s heart, and he observed

this touching care.

At about eight o’clock the old man left the young people without any

sign of uneasiness, and went to his room. When Francesca was tired of

singing, she led Rodolphe on to the balcony, whence they perceived the

sublime scenery of the lake, and signed to him to be seated by her on a

rustic wooden bench.

“Am I very indiscreet in asking how old you are, cara Francesca?” said

Rodolphe.

“Nineteen,” said she, “well past.”

“If anything in the world could soothe my sorrow,” he went on, “it would

be the hope of winning you from your father, whatever your fortune

may be. So beautiful as you are, you seem to be richer than a prince’s

daughter. And I tremble as I confess to you the feelings with which you

have inspired me; but they are deep--they are eternal.”

“_Zitto_!” said Francesca, laying a finger of her right hand on her

lips. “Say no more; I am not free. I have been married these three

years.”

For a few minutes utter silence reigned. When the Italian girl, alarmed

at Rodolphe’s stillness, went close to him, she found that he had

fainted.

“_Povero_!” she said to herself. “And I thought him cold.”

She fetched him some salts, and revived Rodolphe by making him smell at

them.

“Married!” said Rodolphe, looking at Francesca. And then his tears

flowed freely.

“Child!” said she. “But there is still hope. My husband is--”

“Eighty?” Rodolphe put in.

“No,” said she with a smile, “but sixty-five. He has disguised himself

as much older to mislead the police.”

“Dearest,” said Rodolphe, “a few more shocks of this kind and I shall

die. Only when you have known me twenty years will you understand the

strength and power of my heart, and the nature of its aspirations for

happiness. This plant,” he went on, pointing to the yellow jasmine which

covered the balustrade, “does not climb more eagerly to spread itself

in the sunbeams than I have clung to you for this month past. I love you

with unique passion. That love will be the secret fount of my life--I

may possibly die of it.”

“Oh! Frenchman, Frenchman!” said she, emphasizing her exclamation with a

little incredulous grimace.

“Shall I not be forced to wait, to accept you at the hands of time?”

said he gravely. “But know this: if you are in earnest in what you have

allowed to escape you, I will wait for you faithfully, without suffering

any other attachment to grow up in my heart.”

She looked at him doubtfully.

“None,” said he, “not even a passing fancy. I have my fortune to make;

you must have a splendid one, nature created you a princess----”

At this word Francesca could not repress a faint smile, which gave her

face the most bewildering expression, something subtle, like what the

great Leonardo has so well depicted in the _Gioconda_. This smile made

Rodolphe pause. “Ah yes!” he went on, “you must suffer much from the

destitution to which exile has brought you. Oh, if you would make me

happy above all men, and consecrate my love, you would treat me as a

friend. Ought I not to be your friend?--My poor mother has left sixty

thousand francs of savings; take half.”

Francesca looked steadily at him. This piercing gaze went to the bottom

of Rodolphe’s soul.

“We want nothing; my work amply supplies our luxuries,” she replied in a

grave voice.

“And can I endure that a Francesca should work?” cried he. “One day

you will return to your country and find all you left there.” Again the

Italian girl looked at Rodolphe. “And you will then repay me what you

may have condescended to borrow,” he added, with an expression full of

delicate feeling.

“Let us drop the subject,” said she, with incomparable dignity of

gesture, expression, and attitude. “Make a splendid fortune, be one

of the remarkable men of your country; that is my desire. Fame is a

drawbridge which may serve to cross a deep gulf. Be ambitious if you

must. I believe you have great and powerful talents, but use them rather

for the happiness of mankind than to deserve me; you will be all the

greater in my eyes.”

In the course of this conversation, which lasted two hours, Rodolphe

discovered that Francesca was an enthusiast for Liberal ideas, and

for that worship of liberty which had led to the three revolutions in

Naples, Piemont, and Spain. On leaving, he was shown to the door by

Gina, the so-called mute. At eleven o’clock no one was astir in the

village, there was no fear of listeners; Rodolphe took Gina into a

corner, and asked her in a low voice and bad Italian, “Who are your

master and mistress, child? Tell me, I will give you this fine new gold

piece.”

“Monsieur,” said the girl, taking the coin, “my master is the famous

bookseller Lamporani of Milan, one of the leaders of the revolution, and

the conspirator of all others whom Austria would most like to have in

the Spielberg.”

“A bookseller’s wife! Ah, so much the better,” thought he; “we are on an

equal footing.--And what is her family?” he added, “for she looks like a

queen.”

“All Italian women do,” replied Gina proudly. “Her father’s name is

Colonna.”

Emboldened by Francesca’s modest rank, Rodolphe had an awning fitted to

his boat and cushions in the stern. When this was done, the lover came

to propose to Francesca to come out on the lake. The Italian accepted,

no doubt to carry out her part of a young English Miss in the eyes

of the villagers, but she brought Gina with her. Francesca Colonna’s

lightest actions betrayed a superior education and the highest social

rank. By the way in which she took her place at the end of the boat

Rodolphe felt himself in some sort cut off from her, and, in the face of

a look of pride worthy of an aristocrat, the familiarity he had intended

fell dead. By a glance Francesca made herself a princess, with all the

prerogatives she might have enjoyed in the Middle Ages. She seemed

to have read the thoughts of this vassal who was so audacious as to

constitute himself her protector.

Already, in the furniture of the room where Francesca had received him,

in her dress, and in the various trifles she made use of, Rodolphe had

detected indications of a superior character and a fine fortune. All

these observations now recurred to his mind; he became thoughtful after

having been trampled on, as it were, by Francesca’s dignity. Gina, her

half-grown-up _confidante_, also seemed to have a mocking expression

as she gave a covert or a side glance at Rodolphe. This obvious

disagreement between the Italian lady’s rank and her manners was a fresh

puzzle to Rodolphe, who suspected some further trick like Gina’s assumed

dumbness.

“Where would you go, Signora Lamporani?” he asked.

“Towards Lucerne,” replied Francesca in French.

“Good!” said Rodolphe to himself, “she is not startled by hearing me

speak her name; she had, no doubt, foreseen that I should ask Gina--she

is so cunning.--What is your quarrel with me?” he went on, going at last

to sit down by her side, and asking her by a gesture to give him her

hand, which she withdrew. “You are cold and ceremonious; what, in

colloquial language, we should call _short_.”

“It is true,” she replied with a smile. “I am wrong. It is not good

manners; it is vulgar. In French you would call it inartistic. It is

better to be frank than to harbor cold or hostile feelings towards a

friend, and you have already proved yourself my friend. Perhaps I

have gone too far with you. You must take me to be a very ordinary

woman.”--Rodolphe made many signs of denial.--“Yes,” said the

bookseller’s wife, going on without noticing this pantomime, which,

however, she plainly saw. “I have detected that, and naturally I have

reconsidered my conduct. Well! I will put an end to everything by a few

words of deep truth. Understand this, Rodolphe: I feel in myself the

strength to stifle a feeling if it were not in harmony with my ideas

or anticipation of what true love is. I could love--as we can love

in Italy, but I know my duty. No intoxication can make me forget it.

Married without my consent to that poor old man, I might take advantage

of the liberty he so generously gives me; but three years of married

life imply acceptance of its laws. Hence the most vehement passion would

never make me utter, even involuntarily, a wish to find myself free.

“Emilio knows my character. He knows that without my heart, which is my

own, and which I might give away, I should never allow anyone to take

my hand. That is why I have just refused it to you. I desire to be loved

and waited for with fidelity, nobleness, ardor, while all I can give

is infinite tenderness of which the expression may not overstep the

boundary of the heart, the permitted neutral ground. All this being

thoroughly understood--Oh!” she went on with a girlish gesture, “I will

be as coquettish, as gay, as glad, as a child which knows nothing of the

dangers of familiarity.”

This plain and frank declaration was made in a tone, an accent, and

supported by a look which gave it the deepest stamp of truth.

“A Princess Colonna could not have spoken better,” said Rodolphe,

smiling.

“Is that,” she answered with some haughtiness, “a reflection on the

humbleness of my birth? Must your love flaunt a coat-of-arms? At Milan

the noblest names are written over shop-doors: Sforza, Canova, Visconti,

Trivulzio, Ursini; there are Archintos apothecaries; but, believe me,

though I keep a shop, I have the feelings of a duchess.”

“A reflection? Nay, madame, I meant it for praise.”

“By a comparison?” she said archly.

“Ah, once for all,” said he, “not to torture me if my words should ill

express my feelings, understand that my love is perfect; it carries with

it absolute obedience and respect.”

She bowed as a woman satisfied, and said, “Then monsieur accepts the

treaty?”

“Yes,” said he. “I can understand that in a rich and powerful feminine

nature the faculty of loving ought not to be wasted, and that you, out

of delicacy, wished to restrain it. Ah! Francesca, at my age tenderness

requited, and by so sublime, so royally beautiful a creature as you

are--why, it is the fulfilment of all my wishes. To love you as you

desire to be loved--is not that enough to make a young man guard himself

against every evil folly? Is it not to concentrate all his powers in

a noble passion, of which in the future he may be proud, and which can

leave none but lovely memories? If you could but know with what hues you

have clothed the chain of Pilatus, the Rigi, and this superb lake--”

“I want to know,” said she, with the Italian artlessness which has

always a touch of artfulness.

“Well, this hour will shine on all my life like a diamond on a queen’s

brow.”

Francesca’s only reply was to lay her hand on Rodolphe’s.

“Oh dearest! for ever dearest!--Tell me, have you never loved?”

“Never.”

“And you allow me to love you nobly, looking to heaven for the utmost

fulfilment?” he asked.

She gently bent her head. Two large tears rolled down Rodolphe’s cheeks.

“Why! what is the matter?” she cried, abandoning her imperial manner.

“I have now no mother whom I can tell of my happiness; she left this

earth without seeing what would have mitigated her agony--”

“What?” said she.

“Her tenderness replaced by an equal tenderness----”

“_Povero mio_!” exclaimed the Italian, much touched. “Believe me,” she

went on after a pause, “it is a very sweet thing, and to a woman, a

strong element of fidelity to know that she is all in all on earth to

the man she loves; to find him lonely, with no family, with nothing in

his heart but his love--in short, to have him wholly to herself.”

When two lovers thus understand each other, the heart feels delicious

peace, supreme tranquillity. Certainty is the basis for which human

feelings crave, for it is never lacking to religious sentiment; man is

always certain of being fully repaid by God. Love never believes itself

secure but by this resemblance to divine love. And the raptures of that

moment must have been fully felt to be understood; it is unique in

life; it can never return no more, alas! than the emotions of youth. To

believe in a woman, to make her your human religion, the fount of life,

the secret luminary of all your least thoughts!--is not this a second

birth? And a young man mingles with this love a little of the feeling he

had for his mother.

Rodolphe and Francesca for some time remained in perfect silence,

answering each other by sympathetic glances full of thoughts. They

understood each other in the midst of one of the most beautiful scenes

of Nature, whose glories, interpreted by the glory in their hearts,

helped to stamp on their minds the most fugitive details of that unique

hour. There had not been the slightest shade of frivolity in Francesca’s

conduct. It was noble, large, and without any second thought. This

magnanimity struck Rodolphe greatly, for in it he recognized the

difference between the Italian and the Frenchwoman. The waters, the

land, the sky, the woman, all were grandiose and suave, even their love

in the midst of this picture, so vast in its expanse, so rich in detail,

where the sternness of the snowy peaks and their hard folds standing

clearly out against the blue sky, reminded Rodolphe of the circumstances

which limited his happiness; a lovely country shut in by snows.

This delightful intoxication of soul was destined to be disturbed.

A boat was approaching from Lucerne; Gina, who had been watching it

attentively, gave a joyful start, though faithful to her part as a mute.

The bark came nearer; when at length Francesca could distinguish the

faces on board, she exclaimed, “Tito!” as she perceived a young man.

She stood up, and remained standing at the risk of being drowned. “Tito!

Tito!” cried she, waving her handkerchief.

Tito desired the boatmen to slacken, and the two boats pulled side by

side. The Italian and Tito talked with such extreme rapidity, and in a

dialect unfamiliar to a man who hardly knew even the Italian of

books, that Rodolphe could neither hear nor guess the drift of this

conversation. But Tito’s handsome face, Francesca’s familiarity, and

Gina’s expression of delight, all aggrieved him. And indeed no lover can

help being ill pleased at finding himself neglected for another, whoever

he may be. Tito tossed a little leather bag to Gina, full of gold no

doubt, and a packet of letters to Francesca, who began to read them,

with a farewell wave of the hand to Tito.

“Get quickly back to Gersau,” she said to the boatmen, “I will not let

my poor Emilio pine ten minutes longer than he need.”

“What has happened?” asked Rodolphe, as he saw Francesca finish reading

the last letter.

“_La liberta_!” she exclaimed, with an artist’s enthusiasm.

“_E denaro_!” added Gina, like an echo, for she had found her tongue.

“Yes,” said Francesca, “no more poverty! For more than eleven months

have I been working, and I was beginning to be tired of it. I am

certainly not a literary woman.”

“Who is this Tito?” asked Rodolphe.

“The Secretary of State to the financial department of the humble shop

of the Colonnas, in other words, the son of our _ragionato_. Poor boy!

he could not come by the Saint-Gothard, nor by the Mont-Cenis, nor by

the Simplon; he came by sea, by Marseilles, and had to cross France.

Well, in three weeks we shall be at Geneva, and living at our ease.

Come, Rodolphe,” she added, seeing sadness overspread the Parisian’s

face, “is not the Lake of Geneva quite as good as the Lake of Lucerne?”

“But allow me to bestow a regret on the Bergmanns’ delightful house,”

said Rodolphe, pointing to the little promontory.

“Come and dine with us to add to your associations, _povero mio_,” said

she. “This is a great day; we are out of danger. My mother writes that

within a year there will be an amnesty. Oh! _la cara patria_!”

These three words made Gina weep. “Another winter here,” said she, “and

I should have been dead!”

“Poor little Sicilian kid!” said Francesca, stroking Gina’s head with an

expression and an affection which made Rodolphe long to be so caressed,

even if it were without love.

The boat grounded; Rodolphe sprang on to the sand, offered his hand to

the Italian lady, escorted her to the door of the Bergmanns’ house, and

went to dress and return as soon as possible.

When he joined the librarian and his wife, who were sitting on the

balcony, Rodolphe could scarcely repress an exclamation of surprise at

seeing the prodigious change which the good news had produced in the old

man. He now saw a man of about sixty, extremely well preserved, a lean

Italian, as straight as an I, with hair still black, though thin and

showing a white skull, with bright eyes, a full set of white teeth,

a face like Caesar, and on his diplomatic lips a sardonic smile, the

almost false smile under which a man of good breeding hides his real

feelings.

“Here is my husband under his natural form,” said Francesca gravely.

“He is quite a new acquaintance,” replied Rodolphe, bewildered.

“Quite,” said the librarian; “I have played many a part, and know

well how to make up. Ah! I played one in Paris under the Empire, with

Bourrienne, Madame Murat, Madame d’Abrantis _e tutte quanti_. Everything

we take the trouble to learn in our youth, even the most futile, is of

use. If my wife had not received a man’s education--an unheard-of thing

in Italy--I should have been obliged to chop wood to get my living

here. _Povera_ Francesca! who would have told me that she would some day

maintain me!”

As he listened to this worthy bookseller, so easy, so affable, so hale,

Rodolphe scented some mystification, and preserved the watchful silence

of a man who has been duped.

“_Che avete, signor_?” Francesca asked with simplicity. “Does our

happiness sadden you?”

“Your husband is a young man,” he whispered in her ear.

She broke into such a frank, infectious laugh that Rodolphe was still

more puzzled.

“He is but sixty-five, at your service,” said she; “but I can assure you

that even that is something--to be thankful for!”

“I do not like to hear you jest about an affection so sacred as this, of

which you yourself prescribed the conditions.”

“_Zitto_!” said she, stamping her foot, and looking whether her husband

were listening. “Never disturb the peace of mind of that dear man, as

simple as a child, and with whom I can do what I please. He is under

my protection,” she added. “If you could know with what generosity he

risked his life and fortune because I was a Liberal! for he does not

share my political opinions. Is not that love, Monsieur Frenchman?--But

they are like that in his family. Emilio’s younger brother was deserted

for a handsome youth by the woman he loved. He thrust his sword through

his own heart ten minutes after he had said to his servant, ‘I could of

course kill my rival, but that would grieve the _Diva_ too deeply.’”

This mixture of dignity and banter, of haughtiness and playfulness, made

Francesca at this moment the most fascinating creature in the world. The

dinner and the evening were full of cheerfulness, justified, indeed, by

the relief of the two refugees, but depressing to Rodolphe.

“Can she be fickle?” he asked himself as he returned to the Stopfers’

house. “She sympathized in my sorrow, and I cannot take part in her

joy!”

He blamed himself, justifying this girl-wife.

“She has no taint of hypocrisy, and is carried away by impulse,” thought

he, “and I want her to be like a Parisian woman.”

* * * * *

Next day and the following days, in fact, for twenty days after,

Rodolphe spent all his time at the Bergmanns’, watching Francesca

without having determined to watch her. In some souls admiration is not

independent of a certain penetration. The young Frenchman discerned in

Francesca the imprudence of girlhood, the true nature of a woman as yet

unbroken, sometimes struggling against her love, and at other moments

yielding and carried away by it. The old man certainly behaved to her as

a father to his daughter, and Francesca treated him with a deeply felt

gratitude which roused her instinctive nobleness. The situation and the

woman were to Rodolphe an impenetrable enigma, of which the solution

attracted him more and more.

Albert Savarus · 第 3 / 9 段