CHAPTER I.

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THE CARLOVINGIAN COINS

THE FULL SERIES OF

The Mysteries of the People

OR

History of a Proletarian Family Across the Ages

By EUGENE SUE

_Consisting of the Following Works_:

THE GOLD SICKLE; or, _Hena the Virgin of the Isle of Sen_.

THE BRASS BELL; or, _The Chariot of Death_.

THE IRON COLLAR; or, _Faustine and Syomara_.

THE SILVER CROSS; or, _The Carpenter of Nazareth_.

THE BASQUE'S LARK; or, _Victoria, the Mother of the Camps_.

THE PONIARD'S HILT; or, _Karadeucq and Ronan_.

THE BRANDING NEEDLE; or, _The Monastery of Charolles_.

THE ABBATIAL CROSIER; or, _Bonaik and Septimine_.

THE CARLOVINGIAN COINS; or, _The Daughters of Charlemagne_.

THE IRON ARROW-HEAD; or, _The Buckler Maiden_.

THE INFANT'S SKULL; or, _The End of the World_.

THE PILGRIM'S SHELL; or, _Fergan the Quarryman_.

THE IRON PINCERS; or, _Mylio and Karvel_.

THE IRON TREVET; or, _Jocelyn the Champion_.

THE EXECUTIONER'S KNIFE; or, _Joan of Arc_.

THE POCKET BIBLE; or, _Christian the Printer_.

THE BLACKSMITH'S HAMMER; or, _The Peasant Code_.

THE SWORD OF HONOR; or, _The Foundation of the French Republic_.

THE GALLEY SLAVE'S RING; or, _The Family Lebrenn_.

Published Uniform With This Volume By

THE NEW YORK LABOR NEWS CO.

28 CITY HALL PLACE NEW YORK CITY

THE CARLOVINGIAN COINS

OR

THE DAUGHTERS OF CHARLEMAGNE

A Tale of the Ninth Century

By EUGENE SUE

TRANSLATED FROM THE ORIGINAL FRENCH BY

DANIEL DE LEON

NEW YORK LABOR NEWS COMPANY. 1908

Copyright 1908, by the

NEW YORK LABOR NEWS CO.

INDEX

TRANSLATOR'S PREFACE. v

PART I--AIX-LA-CHAPELLE.

CHAPTER.

I. AMAEL AND VORTIGERN. 3

II. THE COURTYARD OF THE PALACE. 18

III. IN THE GALLERIES OF THE PALACE. 24

IV. CHARLEMAGNE. 29

V. THE PALATINE SCHOOL. 40

VI. THE BISHOP OF LIMBURG. 44

VII. TO THE HUNT. 54

VIII. THE FOREST OF OPPENHEIM. 58

IX. AT THE MORT. 71

X. EMPEROR AND HOSTAGE. 77

XI. FRANK AND BRETON. 88

PART II--THE CONQUEST OF BRITTANY.

I. IN THE BLACK MOUNTAINS. 107

II. THE BRETON CHIEF. 112

III. ABBOT AND BRETON. 120

IV. THE DEFILE OF GLEN-CLAN. 132

V. THE MARSH OF PEULVEN. 139

VI. THE FOREST OF CARDIK. 146

VII. THE MOOR OF KENNOR. 151

VIII. THE VALLEY OF LOKFERN. 156

EPILOGUE. 159

TRANSLATOR'S PREFACE

The Age of Charlemagne is the watershed of the history of the present

era. The rough barbarian flood that poured over Western Europe reaches

in that age a turning point of which Charlemagne is eminently the

incarnation. The primitive physical features of the barbarian begin to

be blunted, or toned down by a new force that has lain latent in him,

but that only then begins to step into activity--the spiritual, the

intellectual powers. The Age of Charlemagne is the age of the first

conflict between the intellectual and the brute in the principal

branches of the races that occupied Europe. The conflict raged on a

national scale, and it raged in each particular individual. The colossal

stature, physical and mental, of Charlemagne himself typifies the epoch.

Brute instincts of the most primitive and savage, intellectual

aspirations of the loftiest are intermingled, each contends for

supremacy--and alternately wins it, in the monarch, in his court and in

his people.

_The Carlovingian Coins; or, The Daughters of Charlemagne_ is the ninth

of the brilliant series of historical novels written by Eugene Sue under

the title, _The Mysteries of the People; or, History of a Proletarian

Family Across the Ages_. The age and its people are portrayed in a

charming and chaste narrative, that is fittingly and artistically

brought to a close by a veritable epopee--the Frankish conquest of

Brittany, and, as fittingly, serves to introduce the next epopee--the

Northman's invasion of Gaul--dealt with in the following story, _The

Iron Arrow Head; or, The Buckler Maiden_.

DANIEL DE LEON.

New York, May, 1905.

PART I.

AIX-LA-CHAPELLE

CHAPTER I.

AMAEL AND VORTIGERN.

Towards the commencement of the month of November of the year 811, a

numerous cavalcade was one afternoon wending its way to the city of

Aix-la-Chapelle, the capital of the Empire of Charles the Great--an

Empire that had been so rapidly increased by rapidly succeeding

conquests over Germany, Saxony, Bavaria, Bohemia, Hungary, Italy and

Spain, that Gaul, as formerly during the days of the Roman Emperors, was

again but a province among the vast domains. The ambitious designs of

Charles Martel had been realized. Childeric, the last scion of the

Merovingian dynasty, had been got rid of. Martel's descendants took his

seat, and now the Hammerer's grandson wielded the sceptre of Clovis over

an immensely wider territory.

Eight or ten cavalry soldiers rode in advance of the cavalcade. A little

apart from the smaller escort, four cavaliers ambled leisurely. Two of

them wore brilliant armor after the German fashion. One of these was

accompanied by a venerable old man of a martial and open countenance.

His long beard, snow white as his hair that was half hidden under a fur

cap, fell over his chest. He wore a Gallic blouse of grey wool, held

around his waist by a belt, from which hung a long sword with an iron

hilt. His ample hose of rough white fabric reached slightly below his

knees and left exposed his tightly laced leather leggings, that ended in

his boots whose heels were armed with spurs. The old man was Amael, who

under the assumed Frankish name of Berthoald had, eighty years before,

saved the life of Charles Martel at the battle of Poitiers against the

Arabs, had declined the post offered him by Charles, as jailer of the

last descendant of Clovis, and, finally, smitten by conscience, had

renounced wealth and dignity under the Frankish enslavers of Gaul, and

returned to his people and country of Brittany, or Armorica, as the

Romans named it. Amael now touched his hundredth year. His great age and

his somewhat portly stature notwithstanding, he still looked full of

vigor. He handled with dexterity the black horse that he rode and whose

spirit seemed no wise abated by the long road it had traveled. From time

to time, Amael turned round upon his saddle in order to cast a look of

paternal solicitude upon his grandson Vortigern, a lad of hardly

eighteen years, who was accompanied by the other of the two Frankish

warriors. The face of Vortigern, of exceptional beauty for a man, was

framed in long chestnut ringlets, that, escaping from his scarlet coif,

tumbled down below a chin that was as dainty as a woman's. His large

blue eyes, fringed with lashes black as his bold arched eyebrows, had an

air at once ingenuous and resolute. His red lips, shaded by the down of

adolescence, revealed at every smile two rows of teeth white as enamel.

A slightly aquiline nose, a fresh and pure complexion somewhat tanned by

the sun, completed the harmonious make-up of the youth's charming

visage. His clothes, made after the fashion of his grandfather's,

differed from them only in a touch of elegance that bespoke a mother's

hand, tenderly proud of her son's comely appearance. Accordingly, the

blue blouse of the lad was ornamented around the neck, over the

shoulders and at the extremities of the sleeves with embroideries of

white wool, while a calfskin belt, from which hung a sword with

polished hilt, encircled his supple waist. His linen hose half hid his

deerskin leggings, that were tightly laced to his nervy limbs and

rejoined his boots, made of tanned skin and equipped with large copper

spurs that glistened like gold. Although his right arm was held in a

scarf of some black material, Vortigern handled his horse with his left

hand with as much ease as skill. For traveling companion he had a young

warrior of agreeable mien, bold and mercurial, alert and frolicsome. The

mobility of his face recalled in nothing the stolidity of the German.

His name was Octave. Roman by birth, in appearance and character, his

inexhaustible Southern wit often succeeded in unwrinkling the brow of

his young companion. The latter, however, would soon again relapse into

a sort of silent and somber revery. Thus for some time absorbed in

sadness, he walked his horse slowly, when Octave broke in gaily in a

tone of friendly reproach:

"By Bacchus! You still are preoccupied and silent."

"I am thinking of my mother," answered the youth, smothering a sigh. "I

am thinking of my mother, of my sister and of my country."

"Come now; you should, on the contrary, chase away, such saddening

thoughts. To the devil with sadness. Long live joy."

"Octave, gayness ill beseems a prisoner. I cannot share your

light-heartedness."

"You are no prisoner, only a hostage. No bond binds you but your own

word; prisoners, on the contrary, are led firmly pinioned to the slave

market. Your grandfather and yourself ride freely, with us for your

companions, and we are escorting you, not to a slave market, but to the

palace of the Emperor Charles the Great, the mightiest monarch of the

whole world. Finally, prisoners are disarmed; your grandfather as well

as yourself carry your swords."

"Of what use are our swords now to us?" replied Vortigern with painful

bitterness. "Brittany is vanquished."

"Such are the chances of war. You bravely did your duty as a soldier.

You fought like a demon at the side of your grandfather. He was not

wounded, and you only received a lance-thrust. By Mars, the valiant god

of war, your blows were so heavy in the melee that you should have been

hacked to pieces."

"We would not then have survived the disgrace of Armorica."

"There is no disgrace in being overcome when one has defended himself

bravely--above all when the forces that one resisted and decimated, were

the veteran bands of the great Charles."

"Not one of your Emperor's soldiers should have escaped."

"Not one?" merrily rejoined the young Roman. "What, not even myself? Not

even I, who take such pains to be a pleasant traveling companion, and

who tax my eloquence to entertain you? Verily, you are not at all

grateful!"

"Octave, I do not hate you personally; I hate your race; they have,

without provocation, carried war and desolation into my country."

"First of all, my young friend, I am not of the Frankish race. I am a

Roman. Gladly do I relinquish to you those gross Germans, who are as

savage as the bears of their forests. But, let it be said among

ourselves, this war against Brittany was not without reason. Did not you

Bretons, possessed of the very devil as you are, attack last year and

exterminate the Frankish garrison posted at Vannes?"

"And by what right did Charles cause our frontiers to be invaded by his

troops twenty-five years ago? His whim stood him instead of right."

The conversation between Vortigern and Octave was interrupted by the

voice of Amael, who, turning in his saddle, called his grandson to him.

The latter, anxious to hasten to his grandfather, and also yielding to

an impulse of anger that the discussion with the young Roman had

provoked, brusquely clapped his spurs to the flanks of his charger. The

animal, thus suddenly urged, leaped forward so violently that in two or

three bounds it would have left Amael behind, had not Vortigern,

restraining his mount with a firm hand, made the animal rear on its

haunches. The youth then resumed his walk abreast of his grandfather and

the other Frankish warrior, who, turning to the old man, remarked:

"I do not marvel at the superiority of your Breton cavalry, when a lad

of the age of your grandson, and despite the wound that must smart him,

can handle his horse in such a manner. You yourself, for a centenarian,

are as firm in your saddle as the lad himself. Horns of the devil!"

"The lad was barely five years old when his father and I used to place

him on the back of the colts raised on our meadows," answered the old

man. The recollection of those peaceful happy days now ended, cast a

shadow of sorrow upon Amael's face. He remained silent for a moment.

Thereupon, addressing Vortigern, he said:

"I called you to inquire whether your wound had ceased smarting."

"Grandfather, I hardly feel it any longer. If you allow me, I would free

my arm of the embarrassing scarf."

"No; your wound might open again. No imprudence. Remember your mother,

and also your sister and her husband, both of whom love you like a

brother."

"Alas! Will I never see that mother, that sister, that brother whom I

love so dearly?"

"Patience!" answered Amael in an undertone, so as not to be heard by the

Frankish warrior at his side. "You may see Brittany again a good deal

sooner than you expect--prudence and patience!"

"Truly?" inquired the youth impetuously. "Oh, grandfather, what

happiness!"

The old man made a sign to Vortigern to control himself, and then

proceeded aloud: "I am always afraid lest the fatigue of traveling

inflame your wound anew. Fortunately, we must be approaching the end of

our journey. Not so, Hildebrad?" he added, turning to the warrior.

"Before sunset we shall be at Aix-la-Chapelle," answered the Frank. "But

for the hill that we are about to ascend, you could see the city at a

distance."

"Return to your companion, my child," said Amael; "above all, place your

arm back in its scarf, and be careful how you manage your horse. A

too-sudden lurch might re-open the wound that is barely closed."

The young man obeyed and gently walked his horse back to Octave. Thanks

to the mobility of the impressions of youth, Vortigern felt appeased and

comforted by the words of his grandfather that had made him look forward

to a speedy return to his family and country. The soothing thought was

so visibly reflected in his candid features that Octave met him with the

merry remark:

"What a magician that grandfather of yours must be! You rode off

preoccupied and fretful, angrily burying your spurs into the flanks of

your horse, who, poor animal, had done nothing to excite your wrath.

Now, behold! You return as placid as a bishop astride of his mule."

"The magic of my grandfather has chased away my sadness. You speak

truly, Octave."

"So much the better. I shall now be free, without fear of reviving your

chagrin, to give a loose to the increasing joy that I feel at every

step."

"Why does your joy increase at every step, my dear companion?"

"Because even the dullest horse becomes livelier and more spirited in

the measure that he approaches the house where he knows that he will

find provender."

"Octave, I did not know you for such a glutton!"

"In that case, my looks are deceptive, because a glutton, that am

I--terribly gluttonous of those delicate dainties that are found only at

court, and that constitute my provender."

"What!" exclaimed Vortigern ingenuously. "Is that great Emperor, whose

name fills the world, surrounded by a court where nothing is thought of

but dainties and gluttony?"

"Why, of course," answered Octave gravely and hardly able to refrain

from laughing outright at the innocence of the young Breton. "Why, of

course. And what is more, more so than any of the counts, of the dukes,

of the men of learning, and of the bishops at court, does the Emperor

himself lust after the dainties that I have in mind. He always keeps a

room contiguous to his own full of them. Because in the stillness of the

night--"

"He rises to eat cakes and, perhaps, even sweetmeats!" exclaimed the lad

with disdain, while Octave, unable longer to contain himself, was

laughing in his face. "I can think of nothing more unbecoming than

guzzling on the part of one who governs empires!"

"What's to be done, Vortigern? Great princes must be pardoned for some

pecadillos. Moreover, with them it is a family failing--the daughters of

the Emperor--"

"His daughters also are given to this ugly passion for gormandizing?"

"Alas! They are no less gluttonous than their father. They have six or

seven dainties of their own--most appetizing and most appetized."

"Oh, fie!" cried Vortigern. "Fie. Have they perhaps, also next to their

bed-chambers, whole rooms stocked with dainties?"

"Calm your legitimate indignation, my boiling-over friend. Young girls

can not allow themselves quite so much comfort. That's good enough for

the Emperor Charles, who is no longer nimble on his legs. He is getting

along in years. He has the gout in his left foot, and his girth is

enormous."

"That is not to be wondered at. Bound is the stomach to protrude with

such a gourmand!"

"You will understand that being so heavy on his feet, this mighty

Emperor is not able, like his daughters, to snatch at a stray dainty on

the wing, like birdies in an orchard, who nibble lovingly here at a red

cherry, there at a blushing apple, yonder at a bunch of gilded grapes.

No, no; with his august paunch and his gouty foot, the august Charles

would be wholly unable to snap the dainties on the wing. The attention

due to his empire would lose too much. Hence the Emperor keeps near at

hand, within easy reach, a room full of dainties, where, at night, he

finds his provender--"

"Octave!" exclaimed Vortigern, interrupting the young Roman with a

haughty mien. "I do not wish to be trifled with. At first, I took your

words seriously. The laughter that you are hardly able to repress, and

that despite yourself breaks out at frequent intervals, shows me that

you are trifling with me."

"Come, my brave lad, do not wax angry. I am not bantering. Only that,

out of respect for the candor of your age, I have used a figure of

speech to tell the truth. In short, the dainty that I, Charles, his

daughters, and, by Venus! everybody at court lusts after more or less

greedily is--love!"

"Love," echoed Vortigern, blushing and for the first time dropping his

eyes before Octave; but as his uneasiness increased, he proceeded to

inquire: "But, in order to enjoy love, the daughters of Charles are

surely married?"

"Oh, innocence of the Golden Age! Oh, Armorican naiveness! Oh, Gallic

chastity!" cried Octave. But noticing that the young Breton frowned at

hearing his native land ridiculed, the Roman proceeded: "Far be it from

me to jest about your brave country. I shall tell you without further

circumlocution--I shall tell you that Charles' daughters are not

married; for reasons that he has never cared to explain to anyone, he

never has wanted them to have a husband."[A]

"Out of pride, no doubt!"

"Oh, oh, on that subject many things are said. The long and short of it

is that he does not wish to part with them. He adores them, and, except

he goes to war, he always has them near him during his journeys, along

with his concubines--or, if you prefer the term, his 'dainties.' The

word may be less shocking to your prudery. You must know that after

having successively married and discarded his five wives, Desiderata,

Hildegarde, Fustrade, Himiltrude and Luitgarde, the Emperor provided

himself with an assortment of dainties, from which assortment I shall

mention to you incidentally the juicy Mathalgarde, the sugary

Gerswinthe, the tart Regina, the toothsome Adalinde--not to mention many

other saints on this calendar of love. For you must know that the great

Charles resembles the great Solomon not in wisdom only; he resembles him

also in his love for _seraglios_, as the Arabs call them. But, by the

way of the Emperor's daughters. Listen to a little tale. Imma, one of

these young princesses, was a charming girl. One fine day she became

smitten with Charles' archchaplain, named Eginhard. An archchaplain

being, of course, arch-amorous, Imma received Eginhard every night

secretly in her chamber--to discuss chapel affairs, I surmise. Now,

then, it so happened that during one winter's night there fell so very

much snow that the ground was all covered. A little before dawn,

Eginhard takes his departure from his lady-love; but just as he is about

to climb down from the window--an ordinary route with lovers--he beholds

by the light of a superb full moon that the ground is one sheet of white

snow. To himself he thinks: 'Imma and I are lost! I cannot get out

without leaving the imprint of my steps in the snow'--"

"And what did he do?" asked Vortigern, more and more interested in the

story that threw an undefined sense of uneasiness in his heart. "How

did the two escape from their perilous plight, the poor lovers!"

"Imma, a robustious doxy, a girl both of head and resolution, descends

by the window, bravely takes the archchaplain on her back, and, without

tripping under the beloved burden, crosses a wide courtyard that

separates her quarters from one of the corridors of the palace. Although

weighted down by an archchaplain, Imma had such small feet that the

traces left by them could not choose but keep suspicion away from

Eginhard. Unfortunately, however, as you will discover when you arrive

at Aix-la-Chapelle, the Emperor is possessed of a demon of curiosity,

and has had his palace so constructed that, from a kind of terrace,

contiguous to his own room and which dominates the rest of the

buildings, he is able to discover as from an observatory, all who enter,

go out, or cross the open space. Now, then, the Emperor, who frequently

rises at night, saw, thanks to the brilliant moonlight, his daughter

crossing the yard with the amorous fardel."

"Charles' anger must have been terrible!"

"Yes, terrible for an instant. Soon, however, no doubt greatly elated at

having procreated a maid who was able to carry an archchaplain on her

back, the august Emperor pardoned the guilty couple. After that they

lived lovingly in peace and joy."

"And yet that archchaplain was a priest? What of the sanctity of the

clergy!"

"Ho, ho! my young friend. The Emperor's daughters are far from failing

in esteem for priests. Bertha, another of his daughters, desperately

esteems Enghilbert, the handsome Abbot of St. Riquier. Fairness,

nevertheless, compels me to admit that one of Bertha's sisters, named

Adeltrude, esteemed with no less vehemence Count Lambert, one of the

most intrepid officers of the imperial army. As to little Rothailde,

another of the Emperor's daughters, she did not withhold her lively

esteem from Romuald, who made his name glorious in our wars against

Bohemia. I shall not speak of the other princesses. It is fully six

months that I have been away from court. I would be afraid to do them

injustice. Nevertheless, I am free to say that the Crosier and the Sword

have generally contended with each other for the amorous tenderness of

the daughters of Charles. Yet I must except Thetralde, the youngest of

the set. She is still too much of a novice to esteem any one. She is

barely fifteen. She is a flower, or rather, the bud of a flower that is

about to blossom. I never have seen anything more charming. When I last

departed from the court Thetralde gave promise of eclipsing all her

sisters and nieces with the sweetness and freshness of her beauty,

because, and I had forgotten this detail, my dear friend, the daughters

of Charles' sons are brought up with his own daughters; and are no less

charming than their aunts. You will see them all. Your admiration will

have but to choose between Adelaid, Atula, Gonarade, Bertha or

Theodora."

"What! Do all these young girls inhabit the Emperor's palace?"

"Certainly, without counting their servants, their governesses, their

chambermaids, their readers, their singers and innumerable other women

of their retinue. By Venus! My Adonis, there are more petticoats to be

seen in the imperial palace than cuirasses or priests' gowns. The

Emperor loves as much to be surrounded by women as by soldiers and

abbots, without forgetting the learned men, the rhetoricians, the

dialecticians, the instructors, the peripatetic pedagogues and the

grammarians. The great Charles, as you must know, is as passionately

fond of grammar as of love, war, the chase, or choir chants. In his

grammarian's ardor, the Emperor invents words--"

"What!"

"Just as I am telling you. For instance: How do you call in the Gallic

tongue the month in which we now are?"

"The month of November."

"So do we Italians, barbarians that we are! But the Emperor has changed

all that by virtue of his own sovereign and grammatical will. His

peoples, provided they can obey him without the words strangling them,

are to say, instead of November, 'Herbismanoth'; instead of October,

Windumnermanoth.'"

"Octave, you are trying to make merry at my expense."

"Instead of March, 'Lenzhimanoth'; instead of May--"

"Enough! enough! for pity's sake!" cried Vortigern. "Those barbarous

names make me shiver. What! can there be throats in existence able to

articulate such sounds?"

"My young friend, Frankish throats are capable of everything. I warn

you, prepare your ears for the most uncouth concert of raucous,

guttural, savage words that you ever heard, unless you have ever heard

frogs croaking, tom-cats squalling, bulls bellowing, asses braying,

stags belling and wolves howling--all at once! Excepting the Emperor

himself and his family, who can somewhat handle the Roman and the Gallic

languages, the only two languages, in short, that are human, you will

hear nothing spoken but Frankish at that German court where everything

is German, that is to say, barbarous; the language, the customs, the

manners, the meals, the dress. In short, Aix-la-Chapelle is no longer

in Gaul. It now lies in Germany absolutely."

"And yet Charles reigns over Gaul!--is not that enough of a disgrace for

my country? The Emperor who governs us by no right other than conquest,

is surrounded with a Frankish court, and with officers and generals of

the same stock, who do not deign even to speak our tongue. Shame and

disgrace to us!"

"There you are at it again, plunging anew into sadness. Vortigern! By

Bacchus! Why do you not imitate my philosophy of indifference? Does,

perchance, my race not descend from that haughty Roman stock that made

the world to tremble only a few centuries ago? Have I not seen the

throne of the Caesars occupied by hypocritical, ambitious, greedy and

debauched Popes, with their black-gowned and tonsured militia? Have not

the descendants of our haughty Roman Emperors gone in their imbecile

idleness to vegetate in Constantinople, where they still indulge the

dreams of Universal Empire? Have not the Catholic priests chased from

their Olympus the charmful deities of our fathers? Have they not torn

down, mutilated and ravished the temples, statues, altars--the

master-works of the divine art of Rome and Greece? Go to, Vortigern, and

follow my example! Instead of fretting over a ship-wrecked past, let's

drink and forget! Let our fair mistresses be our Saints, and their

couches our altars! Let our Eucharist be a flower-decked cup, and for

liturgy, let's sing the amorous couplets of Tibullus, of Ovid, and of

Horace. Yes, indeed, and take my advice: let's drink, love and enjoy

life! That's truly to live! You will never again come across such an

opportunity. The gods of joy are sending you to the Emperor's court."

"What do you mean?" queried Vortigern almost mechanically, and feeling

his inexperienced sense, though not perverted, yet dazzled by the facile

and sensuous philosophy of Octave. "What would you have one become in

the midst of that court so strange to me, who have been brought up in

our rustic Brittany?"

"Child that you are! A swarm of beautiful eyes will be focused upon

you!"

"Octave, you are mocking again. Am I to be taken notice of? I, a field

laborer's son? I, a poor Breton prisoner on parole?"

"And do you think your reputation for a bedevilled Breton goes for

nothing? More than once have I heard told of the furious curiosity with

which, about twenty-five years ago, the hostages taken to

Aix-la-Chapelle, at the time of the first war against your country,

inspired everyone at court. The most charming women wished to behold

those indomitable Bretons whom only the great Charles had been able to

vanquish. Their haughty and rude mien, the interest centred in their

defeat, everything, down to their strange costumes, drew upon them the

looks and the sympathy of the women, who, in Germany, are ever strongly

prone to love. The fascinating enthusiasts of then are now become

mothers and grandfathers. But, happily, they have daughters and

grand-daughters who are fully able to appreciate you. I can assure you

that I, who know the court and its ways, had I only your youth, your

good looks, your wound, your graceful horsemanship and your renown as a

Breton, would guarantee myself the lover of all those beauties, and that

within a week."

The Carlovingian Coins; Or, The Daughters of Charlemagne A Tale of the Ninth Century · 第 1 / 11 章