SCENE VII.--THE MODERN MATHEWS'S _dressing-room at the Criterion

Theatre. A comfortable little apartment, with speaking-tubes connecting

with all parts and all officials of the theatre. A small window--with a

blind--opens on to the stage, so that its occupant can see exactly what

is going on on the boards, and knows when to prepare to enter._

THE MODERN MATHEWS _discovered_.

_Enter_ INTERVIEWER.

THE MODERN MATHEWS: Ah! there you are! Foolish again. Made the same

remark this morning when we met--didn't I? Mustn't say it again.

(_Pencils memory initials on shirt-cuff to this effect._) I've only

just got here. That confounded cigarette case--couldn't find it again,

M.C. stands for too many things: shall have to invent another plan.

I've got it. Always smoke! Eh?--then I shan't have to worry about it!

I'm never here till it's time to walk on. Wigs? Never wear 'em. Never

so good as your own hair. I never wore a wig for "D.G.," always had my

hair dressed. Much better. Excuse me--I'm on.

(_Rushes on to stage. The scenery needed here is somewhat elaborate,

but it is journalistically adjusted particularly for this occasion.

Shouts of laughter. Laughter ceases._ THE MODERN MATHEWS _comes in at

the same rate as he departed_.)

THE MODERN MATHEWS: America! Yes, been there professionally three

times. Wonderfully patient people. One night I was timed to appear

at a certain theatre at eight o'clock. Breakdown on the line. Didn't

get to playhouse until half-past nine. Expected to find the theatre

empty. Audience had waited until nine o'clock without showing a sign of

being fidgety. Manager went before the curtain saying he had received

a telegram from me explaining the circumstances, and stating I should

shortly arrive. So the sufferers held on another half-hour, when they

began to file out of the theatre. We met them all coming out. "Here we

are. Here we are again. Go back! We've arrived!" and go back they did!

Ten minutes afterwards the curtain had gone up on the first act of the

play. Excuse me! M.P. my part!

(_Rapid exit. Rattles off M.P. and returns as merrily as before._)

[Illustration: MR. WYNDHAM AS "JOHN MILDMAY."

(Still Waters Run Deep.)

_From a Photo by Barraud, London._]

THE MODERN MATHEWS: Americans never grumble. They kept a train waiting

for four hours and a quarter for us one night, and the passengers as

well! But the passengers only grumbled in the right direction. They

thought it a bit too bad, because if they had known the cause of the

long wait, they might have gone to the theatre!

Then their double E's--enormous enterprise. Once we had to wait for

four-and-twenty hours to catch a train. A manager came to see me, and

pressed for a performance, at which the prominent citizens of the town

would be present. I consented. No time to post bills--they sent out

runners. I went down to see the hall. Not a seat in the place! "Don't

you worry about that, you'll find all the chairs there to-night." And

so I did, sure enough. When I arrived in the evening the hall was half

full of chairs of all shapes and sizes. Camp stools, piano stools,

three-legged stools, drawing-room, dining-room, kitchen chairs--in

fact, anything on which one might sit down. I couldn't understand

it. I was informed that it was a rule of the theatre that everybody

who purchased a seat should provide his own! The place at night was

packed--the approaches to the theatre being crowded with contingents

of families entering the place, followed by Negro servants carrying

half-a-dozen chairs on their shoulders. I'm wanted on again. What, are

you off?

(INTERVIEWER _takes off his finger the Czar's ring shown to him a few

hours before, and in shaking hands with the actor artfully slips it

into his open palm._)

THE MODERN MATHEWS: Halloa, what's this? Good gracious--my ring! M.R.;

M.R.! I must remember that in future! I thought at first it was a tip

for the interview!

_Curtain._

[Illustration: MR. WYNDHAM AS "CHARLES SURFACE."

(School for Scandal.)

_From a Photo by Barraud, London._]

_Martin Hewitt, Investigator._

BY ARTHUR MORRISON.

III.--THE CASE OF MR. FOGGATT.

Almost the only dogmatism that Martin Hewitt permitted himself

in regard to his professional methods was one on the matter of

accumulative probabilities. Often when I have remarked upon the

apparently trivial nature of the clues by which he allowed himself

to be guided--sometimes, to all seeming, in the very face of all

likelihood--he has replied that two trivialities, pointing in the same

direction, became at once, by their mere agreement, no trivialities at

all, but enormously important considerations. "If I were in search of

a man," he would say, "of whom I knew nothing but that he squinted,

bore a birthmark on his right hand, and limped, and I observed a

man who answered to the first peculiarity, so far the clue would be

trivial, because thousands of men squint. Now, if that man presently

moved and exhibited a birthmark on his right hand, the value of that

squint and that mark would increase at once a hundred or a thousand

fold. Apart they are little; together much. The weight of evidence

is not doubled merely; it would be only doubled if half the men who

squinted had right-hand birthmarks; whereas, the proportion, if it

could be ascertained, would be perhaps more like one in ten thousand.

The two trivialities, pointing in the same direction, become very

strong evidence. And when the man is seen to walk with a limp,

that limp (another triviality), reinforcing the others, brings the

matter to the rank of a practical certainty. The Bertillon system of

identification--what is it but a summary of trivialities? Thousands

of men are of the same height, thousands of the same length of foot,

thousands of the same girth of head--thousands correspond in any

separate measurement you may name. It is when the measurements are

taken _together_ that you have your man identified for ever. Just

consider how few, if any, of your friends correspond exactly in any

two personal peculiarities." Hewitt's dogma received its illustration

unexpectedly close at home.

[Illustration: MR. FOGGATT.]

The old house wherein my chambers and Hewitt's office were situated

contained, beside my own, two or three more bachelors' dens, in

addition to the offices on the ground and first and second floors.

At the very top of all, at the back, a fat, middle-aged man, named

Foggatt, occupied a set of four rooms. It was only after long

residence, by an accidental remark of the housekeeper's, that I learned

the man's name, which was not painted on his door or displayed, with

all the others, on the wall of the ground-floor porch.

Mr. Foggatt appeared to have few friends, but lived in something as

nearly approaching luxury as an old bachelor in chambers can live. An

ascending case of champagne was a common phenomenon of the staircase,

and I have more than once seen a picture, destined for the top floor,

of a sort that went far to awaken green covetousness in the heart of a

poor journalist.

The man himself was not altogether prepossessing. Fat as he was,

he had a way of carrying his head forward on his extended neck and

gazing widely about with a pair of the roundest and most prominent

eyes I remember to have ever seen, except in a fish. On the whole, his

appearance was rather vulgar, rather arrogant, and rather suspicious,

without any very pronounced quality of any sort. But certainly he

was not pretty. In the end, however, he was found shot dead in his

sitting-room.

It was in this way: Hewitt and I had dined together at my club, and

late in the evening had returned to my rooms to smoke and discuss

whatever came uppermost. I had made a bargain that day with two

speculative odd lots at a book sale, each of which contained a hidden

prize. We sat talking and turning over these books while time went

unperceived, when suddenly we were startled by a loud report. Clearly

it was in the building. We listened for a moment, but heard nothing

else, and then Hewitt expressed his opinion that the report was that

of a gunshot. Gunshots in residential chambers are not common things,

wherefore I got up and went to the landing, looking up the stairs and

down.

At the top of the next flight I saw Mrs. Clayton, the housekeeper. She

appeared to be frightened, and told me that the report came from Mr.

Foggatt's room. She thought he might have had an accident with the

pistol that usually lay on his mantelpiece. We went upstairs with her,

and she knocked at Mr. Foggatt's door.

There was no reply. Through the ventilating fanlight over the door

it could be seen that there were lights within, a sign, Mrs. Clayton

maintained, that Mr. Foggatt was not out. We knocked again, much more

loudly, and called, but still ineffectually. The door was locked,

and an application of the housekeeper's key proved that the tenant's

key had been left in the lock inside. Mrs. Clayton's conviction that

"something had happened" became distressing, and in the end Hewitt

prised open the door with a small poker.

[Illustration: "SOMETHING HAD HAPPENED."]

Something _had_ happened. In the sitting-room Mr. Foggatt sat with his

head bowed over the table, quiet and still. The head was ill to look

at, and by it lay a large revolver, of the full sized Army pattern.

Mrs. Clayton ran back toward the landing with faint screams.

"Run, Brett," said Hewitt; "a doctor and a policeman!"

I bounced down the stairs half a flight at a time. "First," I thought,

"a doctor. He may not be dead." I could think of no doctor in the

immediate neighbourhood, but ran up the street away from the Strand, as

being the more likely direction for the doctor, although less so for

the policeman. It took me a good five minutes to find the medico, after

being led astray by a red lamp at a private hotel, and another five to

get back, with a policeman.

Foggatt was dead, without a doubt. Probably had shot himself, the

doctor thought, from the powder-blackening and other circumstances.

Certainly nobody could have left the room by the door, or he must have

passed my landing, while the fact of the door being found locked from

the inside made the thing impossible. There were two windows to the

room, both of which were shut, one being fastened by the catch, while

the catch of the other was broken--an old fracture. Below these windows

was a sheer drop of 50ft. or more, without a foot or hand-hold near.

The windows in the other rooms were shut and fastened. Certainly it

seemed suicide--unless it were one of those accidents that will occur

to people who fiddle ignorantly with firearms. Soon the rooms were in

possession of the police, and we were turned out.

We looked in at the housekeeper's kitchen, where her daughter was

reviving and calming Mrs. Clayton with gin and water.

"You mustn't upset yourself, Mrs. Clayton," Hewitt said, "or what will

become of us all? The doctor thinks it was an accident."

He took a small bottle of sewing-machine oil from his pocket and handed

it to the daughter, thanking her for the loan.

* * * * *

There was little evidence at the inquest. The shot had been heard,

the body had been found--that was the practical sum of the matter. No

friends or relatives of the dead man came forward. The doctor gave

his opinion as to the probability of suicide or an accident, and

the police evidence tended in the same direction. Nothing had been

found to indicate that any other person had been near the dead man's

rooms on the night of the fatality. On the other hand, his papers,

bank-book, etc., proved him to be a man of considerable substance,

with no apparent motive for suicide. The police had been unable to

trace any relatives, or, indeed, any nearer connections than casual

acquaintances, fellow club-men, and so on. The jury found that Mr.

Foggatt had died by accident.

"Well, Brett," Hewitt asked me afterwards, "what do you think of the

verdict?"

I said that it seemed to be the most reasonable one possible, and to

square with the common-sense view of the case.

"Yes," he replied, "perhaps it does. From the point of view of the

jury, and on their information, their verdict was quite reasonable.

Nevertheless, Mr. Foggatt did not shoot himself. He was shot by a

rather tall, active young man, perhaps a sailor, but certainly a

gymnast--a young man whom I think I could identify, if I saw him."

"But how do you know this?"

"By the simplest possible inferences, which you may easily guess, if

you will but think."

"But, then, why didn't you say this at the inquest?"

"My dear fellow, they don't want my inferences and conjectures at an

inquest, they only want evidence. If I had traced the murderer, of

course then I should have communicated with the police. As a matter of

fact, it is quite possible that the police have observed and know as

much as I do--or more. They don't give everything away at an inquest,

you know--it wouldn't do."

"But if you are right, how did the man get away?"

"Come, we are near home now. Let us take a look at the back of the

house. He _couldn't_ have left by Foggatt's landing door, as we know;

and as he _was_ there (I am certain of that), and as the chimney is

out of the question--for there was a good fire in the grate--he must

have gone out by the window. Only one window is possible--that with

the broken catch--for all the others were fastened inside. Out of that

window, then, he went."

"But how? The window is 50ft. up."

"Of course it is. But why _will_ you persist in assuming that the only

way of escape by a window is downward? See, now, look up there. The

window is at the top-floor, and it has a very broad sill. Over the

window is nothing but the flat face of the gable-end; but to the right,

and a foot or two above the level of the top of the window, an iron

gutter ends. Observe, it is not of lead composition, but a strong iron

gutter, supported, just at its end, by an iron bracket. If a tall man

stood on the end of the window-sill, steadying himself by the left hand

and leaning to the right, he could just touch the end of this gutter

with his right hand--the full stretch, toe to finger, is 7ft. 3in.;

I have measured it. An active gymnast, or a sailor, could catch the

gutter with a slight spring, and by it draw himself upon the roof. You

will say he would have to be _very_ active, dexterous, and cool. So he

would. And that very fact helps us, because it narrows the field of

inquiry. We know the sort of man to look for. Because, being certain

(as I am) that the man was in the room, I _know_ that he left in the

way I am telling you. He must have left in some way, and all the other

ways being impossible, this alone remains, difficult as the feat may

seem. The fact of his shutting the window behind him further proves his

coolness and address at so great a height from the ground."

All this was very plain, but the main point was still dark.

"You say you _know_ that another man was in the room," I said; "how do

you know that?"

"As I said, by an obvious inference. Come now, you shall guess how

I arrived at that inference. You often speak of your interest in my

work, and the attention with which you follow it. This shall be a

simple exercise for you. You saw everything in the room as plainly as I

myself. Bring the scene back to your memory, and think over the various

small objects littering about, and how they would affect the case.

Quick observation is the first essential for my work. Did you see a

newspaper, for instance?"

"Yes. There was an evening paper on the floor, but I didn't examine it."

"Anything else?"

"On the table there was a whisky decanter, taken from the tantalus

stand on the sideboard, and one glass. That, by-the-bye," I added,

"looked as though only one person were present."

"So it did, perhaps, although the inference wouldn't be very strong. Go

on."

"There was a fruit-stand on the sideboard, with a plate beside it,

containing a few nutshells, a piece of apple, a pair of nutcrackers,

and, I think, some orange peel. There was, of course, all the ordinary

furniture, but no chair pulled up to the table except that used by

Foggatt himself. That's all I noticed, I think. Stay--there was an

ash-tray on the table, and a partly-burned cigar near it--only one

cigar, though."

"Excellent--excellent, indeed, as far as memory and simple observation

go. You saw everything plainly, and you remember everything. Surely

_now_ you know how I found out that another man had just left?"

"No, I don't; unless there were different kinds of ash in the ash-tray."

"That is a fairly good suggestion, but there were not--there was only a

single ash, corresponding in every way to that on the cigar. Don't you

remember anything that I did as we went downstairs?"

"You returned a bottle of oil to the housekeeper's daughter, I think."

"I did. Doesn't that give you a hint? Come, you surely have it now?"

"I haven't."

[Illustration: "DOESN'T THAT GIVE YOU A HINT?"]

"Then I shan't tell you; you don't deserve it. Think, and don't

mention the subject again till you have at least one guess to make.

The thing stares you in the face--you see it, you remember it, and yet

you _won't_ see it. I won't encourage your slovenliness of thought,

my boy, by telling you what you can know for yourself if you like.

Good-bye--I'm off now. There is a case in hand I can't neglect."

"Don't you propose to go further into this, then?"

Hewitt shrugged his shoulders. "I'm not a policeman," he said. "The

case is in very good hands. Of course, if anybody comes to me to do

it as a matter of business, I'll take it up. It's very interesting,

but I can't neglect my regular work for it. Naturally, I shall keep my

eyes open and my memory in order. Sometimes these things come into the

hands by themselves, as it were; in that case, of course, I am a loyal

citizen, and ready to help the law. _Au revoir._"

* * * * *

I am a busy man myself, and thought little more of Hewitt's conundrum

for some time--indeed, when I did think, I saw no way to the answer.

A week after the inquest I took a holiday (I had written my nightly

leaders regularly every day for the past five years), and saw no

more of Hewitt for six weeks. After my return, with still a few days

of leave to run, one evening we together turned into Luzatti's, off

Coventry Street, for dinner.

"I have been here several times lately," Hewitt said; "they feed you

very well. No, not that table"--he seized my arm as I turned to an

unoccupied corner--"I fancy it's draughty." He led the way to a longer

table where a dark, lithe, and (as well as could be seen) tall young

man already sat, and took chairs opposite him.

We had scarcely seated ourselves before Hewitt broke into a torrent of

conversation on the subject of bicycling. As our previous conversation

had been of a literary sort, and as I had never known Hewitt at any

other time to show the slightest interest in bicycling, this rather

surprised me. I had, however, such a general outsider's grasp of the

subject as is usual in a journalist-of-all-work, and managed to keep

the talk going from my side. As we went on I could see the face of the

young man opposite brighten with interest. He was a rather fine-looking

fellow, with a dark though very clear skin, but had a hard, angry look

of eye, a prominence of cheek-bone, and a squareness of jaw that gave

him a rather uninviting aspect. As Hewitt rattled on, however, our

neighbour's expression became one of pleasant interest merely.

"Of course," Hewitt said, "we've a number of very capital men just now,

but I believe a deal in the forgotten riders of five, ten, and fifteen

years back. Osmond, I believe, was better than any man riding now, and

I think it would puzzle some of them to beat Furnivall as he was at his

best. But poor old Cortis--really, I believe he was as good as anybody.

Nobody ever beat Cortis--except--let me see--I think somebody beat

Cortis once--who was it, now? I can't remember."

"Liles," said the young man opposite, looking up quickly.

"Ah, yes--Liles it was; Charley Liles. Wasn't it a championship?"

"Mile championship, 1880; Cortis won the other three, though."

"Yes, so he did. I saw Cortis when he first broke the old 2.46 mile

record." And straightway Hewitt plunged into a whirl of talk of

bicycles, tricycles, records, racing cyclists, Hillier and Synyer and

Noel Whiting, Taylerson and Appleyard; talk wherein the young man

opposite bore an animated share, while I was left in the cold.

Our new friend, it seemed, had himself been a prominent racing

bicyclist a few years back, and was presently, at Hewitt's request,

exhibiting a neat gold medal that hung at his watch-guard. That was

won, he explained, in the old tall bicycle days, the days of bad

tracks, when every racing cyclist carried cinder scars on his face from

numerous accidents. He pointed to a blue mark on his forehead, which,

he told us, was a track scar, and described a bad fall that had cost

him two teeth, and broken others. The gaps among his teeth were plain

to see as he smiled.

Presently the waiter brought dessert, and the young man opposite took

an apple. Nutcrackers and a fruit-knife lay on our side of the stand,

and Hewitt turned the stand to offer him the knife.

"No, thanks," he said, "I only polish a good apple, never peel it. It's

a mistake except with thick-skinned, foreign ones."

And he began to munch the apple as only a boy or a healthy athlete

can. Presently he turned his head to order coffee. The waiter's back

was turned, and he had to be called twice. To my unutterable amazement

Hewitt reached swiftly across the table, snatched the half-eaten apple

from the young man's plate and pocketed it; gazing immediately, with an

abstracted air, at a painted Cupid on the ceiling.

Our neighbour turned again, looked doubtfully at his plate and the

tablecloth about it, and then shot a keen glance in the direction of

Hewitt. He said nothing, however, but took his coffee and his bill,

deliberately drank the former, gazing quietly at Hewitt as he did it,

paid the latter, and left.

Immediately Hewitt was on his feet and, taking an umbrella which stood

near, followed. Just as he reached the door he met our late neighbour,

who had turned suddenly back.

"Your umbrella, I think?" Hewitt asked, offering it.

"Yes, thanks." But the man's eye had more than its former hardness, and

his jaw-muscles tightened as I looked. He turned and went. Hewitt came

back to me. "Pay the bill," he said, "and go back to your rooms; I will

come on later: I must follow this man--it's the Foggatt case." As he

went out I heard a cab rattle away, and immediately after it another.

[Illustration: "HEWITT REACHED SWIFTLY ACROSS THE TABLE."]

I paid the bill and went home. It was ten o'clock before Hewitt turned

up, calling in at his office below on his way up to me.

"Mr. Sidney Mason," he said, "is the gentleman the police will be

wanting to-morrow, I expect, for the Foggatt murder. He is as smart a

man as I remember ever meeting, and has done me rather neatly twice

this evening."

"You mean the man we sat opposite at Luzatti's, of course?"

"Yes, I got his name, of course, from the reverse of that gold medal

he was good enough to show me. But I fear he has bilked me over the

address. He suspected me, that was plain, and left his umbrella by way

of experiment, to see if I were watching him sharply enough to notice

the circumstance, and to avail myself of it to follow him. I was hasty

and fell into the trap. He cabbed it away from Luzatti's, and I cabbed

it after him. He has led me a pretty dance up and down London to-night,

and two cabbies have made quite a stroke of business out of us. In the

end he entered a house of which, of course, I have taken the address,

but I expect he doesn't live there. He is too smart a man to lead me

to his den; but the police can certainly find something of him at the

house he went in at--and, I expect, left by the back way. By the way,

you never guessed that simple little puzzle as to how I found that this

_was_ a murder, did you? You see it now, of course?"

"Something to do with that apple you stole, I suppose?"

"Something to do with it? I should think so, you worthy innocent. Just

ring your bell--we'll borrow Mrs. Clayton's sewing-machine oil again.

On the night we broke into Foggatt's room you saw the nutshells and the

bitten remains of an apple on the sideboard, and you remembered it;

and yet you couldn't see that in that piece of apple possibly lay an

important piece of evidence. Of course, I never expected you to have

arrived at any conclusion, as I had, because I had ten minutes in which

to examine that apple, and to do what I did with it. But at least you

should have seen the possibility of evidence in it.

"First, now, the apple was white. A bitten apple, as you must have

observed, turns of a reddish-brown colour if left to stand long.

Different kinds of apples brown with different rapidities, and the

browning always begins at the core. This is one of the twenty thousand

tiny things that few people take the trouble to notice, but which it

is useful for a man in my position to know. A russet will brown quite

quickly. The apple on the sideboard was, as near as I could tell, a

Newtown pippin or other apple of that kind, which will brown at the

core in from twenty minutes to half an hour, and in other parts in a

quarter of an hour more. When we saw it, it was white, with barely a

tinge of brown about the exposed core. Inference--somebody had been

eating it fifteen or twenty minutes before--perhaps a little longer;

an inference supported by the fact that it was only partly eaten.

"I examined that apple, and found it bore marks of very irregular

teeth. While you were gone I oiled it over, and, rushing down to my

rooms, where I always have a little plaster of Paris handy for such

work, took a mould of the part where the teeth had left the clearest

marks. I then returned the apple to its place, for the police to use if

they thought fit. Looking at my mould, it was plain that the person who

had bitten that apple had lost two teeth, one at top and one below, not

exactly opposite, but nearly so. The other teeth, although they would

appear to have been fairly sound, were irregular in size and line.

Now the dead man had, as I saw, a very excellent set of false teeth,

regular and sharp, with none missing. Therefore it was plain that

_somebody else_ had been eating that apple. Do I make myself clear?"

"Quite. Go on."

"There were other inferences to be made--slighter, but all pointing

the same way. For instance, a man of Foggatt's age does not as a rule

munch an unpeeled apple like a schoolboy--inference, a young man,

and healthy. Why I came to the conclusion that he was tall, active,

a gymnast, and perhaps a sailor, I have already told you, when we

examined the outside of Foggatt's window. It was also pretty clear that

robbery was not the motive, since nothing was disturbed, and that a

friendly conversation had preceded the murder--witness the drinking and

the eating of the apple. Whether or not the police noticed these things

I can't say. If they had had their best men on they certainly would,

I think; but the case, to a rough observer, looked so clearly one of

accident or suicide, that possibly they didn't.

"As I said, after the inquest I was unable to devote any immediate time

to the case, but I resolved to keep my eyes open. The man to look for

was tall, young, strong and active, with a very irregular set of teeth,

a tooth missing from the lower jaw just to the left of the centre, and

another from the upper jaw a little further still toward the left. He

might possibly be a person I had seen about the premises (I have a good

memory for faces), or, of course, he possibly might not.

"Just before you returned from your holiday I noticed a young man at

Luzatti's whom I remembered to have seen somewhere about the offices in

this building. He was tall, young, and so on, but I had a client with

me, and was unable to examine him more narrowly--indeed, as I was not

exactly engaged on the case, and as there are several tall young men

about, I took little trouble. But to-day, finding the same young man

with a vacant seat opposite him, I took the opportunity of making a

closer acquaintance."

"You certainly managed to draw him out."

"Oh, yes--the easiest person in the world to draw out is a cyclist. The

easiest cyclist to draw out is, of course, the novice, but the next

easiest is the veteran. When you see a healthy, well-trained looking

man, who nevertheless has a slight stoop in the shoulders, and, maybe,

a medal on his watch-guard, it is always a safe card to try him first

with a little cycle-racing talk. I soon brought Mr. Mason out of his

shell, read his name on his medal, and had a chance of observing his

teeth--indeed, he spoke of them himself. Now, as I observed just now,

there are several tall, athletic young men about, and also there are

several men who have lost teeth. But now I saw that this tall and

athletic young man had lost exactly _two_ teeth--one from the lower

jaw, just to the left of the centre, and another from the upper jaw,

further still toward the left! Trivialities, pointing in the same

direction, became important considerations. More, his teeth were

irregular throughout, and, as nearly as I could remember it, looked

remarkably like this little plaster mould of mine."

He produced from his pocket an irregular lump of plaster, about three

inches long. On one side of this appeared in relief the likeness of

two irregular rows of six or eight teeth, minus one in each row,

where a deep gap was seen, in the position spoken of by my friend. He

proceeded:--

"This was enough at least to set me after this young man. But he gave

me the greatest chance of all when he turned and left his apple (eaten

unpeeled, remember!--another important triviality) on his plate. I'm

afraid I wasn't at all polite, and I ran the risk of arousing his

suspicions, but I couldn't resist the temptation to steal it. I did, as

you saw, and here it is."

He brought the apple from his coat-pocket. One bitten side, placed

against the upper half of the mould, fitted precisely, a projection of

apple filling exactly the deep gap. The other side similarly fitted the

lower half.

"There's no getting behind that, you see," Hewitt remarked. "Merely

observing the man's teeth was a guide, to some extent, but this is

as plain as his signature or his thumb-impression. You'll never find

two men _bite_ exactly alike, no matter whether they leave distinct

teeth-marks or not. Here, by-the-bye, is Mrs. Clayton's oil. We'll take

another mould from this apple, and compare _them_."

[Illustration: "FITTED PRECISELY."]

He oiled the apple, heaped a little plaster in a newspaper, took my

water-jug and rapidly pulled off a hard mould. The parts corresponding

to the merely broken places in the apple were, of course, dissimilar;

but as to the teeth-marks, the impressions were identical.

"That will do, I think," Hewitt said. "To-morrow morning, Brett, I

shall put up these things in a small parcel, and take them round to Bow

Street."

"But are they sufficient evidence?"

"Quite sufficient for the police purpose. There is the man, and all

the rest--his movements on the day and so forth are simple matters of

inquiry; at any rate, that is police business."

* * * * *

I had scarcely sat down to my breakfast on the following morning when

Hewitt came into the room and put a long letter before me.

"From our friend of last night," he said; "read it."

This letter began abruptly, and undated, and was as follows:--

"TO MARTIN HEWITT, ESQ.

"SIR,--I must compliment you on the adroitness you exhibited this

evening in extracting from me my name. The address I was able to

balk you of for the time being, although by the time you read this

you will probably have found it through the _Law List_, as I am an

admitted solicitor. That, however, will be of little use to you, for I

am removing myself, I think, beyond the reach even of your abilities

of search. I knew you well by sight, and was, perhaps, foolish to

allow myself to be drawn as I did. Still, I had no idea that it would

be dangerous, especially after seeing you, as a witness with very

little to say, at the inquest upon the scoundrel I shot. Your somewhat

discourteous seizure of my apple at first amazed me--indeed, I was

a little doubtful as to whether you had really taken it--but it was

my first warning that you might be playing a deep game against me,

incomprehensible as the action was to my mind. I subsequently reflected

that I had been eating an apple, instead of taking the drink he first

offered me, in the dead wretch's rooms on the night he came to his

merited end. From this I assume that your design was in some way to

compare what remained of the two apples--although I do not presume to

fathom the depths of your detective system. Still, I have heard of

many of your cases, and profoundly admire the keenness you exhibit. I

am thought to be a keen man myself, but although I was able, to some

extent, to hold my own to-night, I admit that your acumen in this case

alone is something beyond me.

"I do not know by whom you are commissioned to hunt me, nor to what

extent you may be acquainted with my connection with the creature I

killed. I have sufficient respect for you, however, to wish that you

should not regard me as a vicious criminal, and a couple of hours to

spare in which to offer you an explanation that may persuade you that

such is not altogether the case. A hasty and violent temper I admit

possessing; but even now I cannot regret the one crime it has led me

into--for it is, I suppose, strictly speaking, a crime. For it was

the man Foggatt who made a felon of my father before the eyes of the

world, and killed him with shame. It was he who murdered my mother, and

none the less murdered her because she died of a broken heart. That he

was also a thief and a hypocrite might have concerned me little, but

for that.

"Of my father I remember very little. He must, I fear, have been a weak

and incapable man in many respects. He had no business abilities--in

fact, was quite unable to understand the complicated business matters

in which he largely dealt. Foggatt was a consummate master of all

those arts of financial jugglery that make so many fortunes, and ruin

so many others, in matters of company promoting, stocks and shares.

He was unable to exercise them, however, because of a great financial

disaster in which he had been mixed up a few years before, and which

made his name one to be avoided in future. In these circumstances he

made a sort of secret and informal partnership with my father, who,

ostensibly alone in the business, acted throughout on the directions of

Foggatt, understanding as little of what he did, poor, simple man, as a

schoolboy would have done. The transactions carried on went from small

to large, and, unhappily, from honourable to dishonourable. My father

relied on the superior abilities of Foggatt with an absolute trust,

carrying out each day the directions given him privately the previous

evening, buying, selling, printing prospectuses, signing whatever had

to be signed, all with sole responsibility and as sole partner, while

Foggatt, behind the scenes, absorbed the larger share of the profits.

In brief, my unhappy and foolish father was a mere tool in the hands of

the cunning scoundrel who pulled all the wires of the business, himself

unseen and irresponsible. At last three companies, for the promotion

of which my father was responsible, came to grief in a heap. Fraud

was written large over all their history, and, while Foggatt retired

with his plunder, my father was left to meet ruin, disgrace, and

imprisonment. From beginning to end he, and he only, was responsible.

There was no shred of evidence to connect Foggatt with the matter, and

no means of escape from the net drawn about my father. He lived through

three years of imprisonment and then, entirely abandoned by the man who

had made use of his simplicity, he died--of nothing but shame and a

broken heart.

"Of this I knew nothing at the time. Again and again, as a small boy,

I remember asking of my mother why I had no father at home, as other

boys had--unconscious of the stab I thus inflicted on her gentle heart.

Of her my earliest, as well as my latest, memory is that of a pale,

weeping woman, who grudged to let me out of her sight.

"Little by little I learnt the whole cause of my mother's grief, for

she had no other confidant, and I fear my character developed early,

for my first coherent remembrance of the matter is that of a childish

design to take a table-knife and kill the bad man who had made my

father die in prison and caused my mother to cry.

"One thing, however, I never knew: the name of that bad man. Again

and again, as I grew older, I demanded to know, but my mother always

withheld it from me, with a gentle reminder that vengeance was for a

greater hand than mine.

"I was seventeen years of age when my mother died. I believe that

nothing but her strong attachment to myself and her desire to see

me safely started in life kept her alive so long. Then I found that

through all those years of narrowed means she had contrived to scrape

and save a little money--sufficient, as it afterwards proved, to see

me through the examinations for entrance to my profession, with the

generous assistance of my father's old legal advisers, who gave me my

articles, and who have all along treated me with extreme kindness.

"For most of the succeeding years my life does not concern the matter

in hand. I was a lawyer's clerk in my benefactors' service, and

afterwards a qualified man among their assistants. All through, the

firm were careful, in pursuance of my poor mother's wishes, that I

should not learn the name or whereabouts of the man who had wrecked her

life and my father's. I first met the man himself at the Clifton Club,

where I had gone with an acquaintance who was a member. It was not till

afterwards that I understood his curious awkwardness on that occasion.

A week later I called (as I have frequently done) at the building in

which your office is situated, on business with a solicitor who has an

office on the floor above your own. On the stairs I almost ran against

Mr. Foggatt. He started and turned pale, exhibiting signs of alarm that

I could not understand, and asked me if I wished to see him.

"'No,' I replied; 'I didn't know you lived here. I am after somebody

else just now. Aren't you well?'

"He looked at me rather doubtfully, and said he was _not_ very well.

"I met him twice or thrice after that, and on each occasion his manner

grew more friendly, in a servile, flattering, and mean sort of way--a

thing unpleasant enough in anybody, but doubly so in the intercourse of

a man with another young enough to be his own son. Still, of course,

I treated the man civilly enough. On one occasion he asked me into

his rooms to look at a rather fine picture he had lately bought, and

observed casually, lifting a large revolver from the mantelpiece:--

[Illustration: "YOU SEE I AM PREPARED."]

"'You see I am prepared for any unwelcome visitors to my little den!

He! he!' Conceiving him, of course, to refer to burglars, I could not

help wondering at the forced and hollow character of his laugh. As

we went down the stairs he said, 'I think we know one another pretty

well now, Mr. Mason, eh? And if I could do anything to advance your

professional prospects I should be glad of the chance, of course. I

understand the struggles of a young professional man--he! he!' It was

the forced laugh again, and the man spoke nervously. 'I think,' he

added, 'that if you will drop in to-morrow evening, perhaps I may have

a little proposal to make. Will you?'

"I assented, wondering what this proposal could be. Perhaps this

eccentric old gentleman was a good fellow, after all, anxious to do me

a good turn, and his awkwardness was nothing but a natural delicacy in

breaking the ice. I was not so flush of good friends as to be willing

to lose one. He might be desirous of putting business in my way.

"I went, and was received with a cordiality that even then seemed a

little over-effusive. We sat and talked of one thing and another for a

long while, and I began to wonder when Mr. Foggatt was coming to the

point that most interested me. Several times he invited me to drink and

smoke, but long usage to athletic training has given me a distaste for

both practices, and I declined. At last he began to talk about myself.

He was afraid that my professional prospects in this country were not

great, but he had heard that in some of the Colonies--South Africa, for

example--young lawyers had brilliant opportunities.

"'If you'd like to go there,' he said, 'I've no doubt, with a little

capital, a clever man like you could get a grand practice together very

soon. Or you might buy a share in some good established practice. I

should be glad to let you have five hundred pounds, or even a little

more if that wouldn't satisfy you, and ----.'

"I stood aghast. Why should this man, almost a stranger, offer me five

hundred pounds, or even more--'if that wouldn't satisfy' me? What

claim had I on him? It was very generous of him, of course, but out

of the question. I was at least a gentleman, and had a gentleman's

self-respect. Meanwhile he had gone maundering on, in a halting sort

of way, and presently let slip a sentence that struck me like a blow

between the eyes.

"'I shouldn't like you to bear ill-will because of what has happened

in the past,' he said. 'Your late--your late lamented mother--I'm

afraid--she had unworthy suspicions--I'm sure--it was best for all

parties--your father always appreciated ----.'

[Illustration: "I STOOD ERECT BEFORE HIM."]

"I set back my chair and stood erect before him. This grovelling

wretch, forcing the words through his dry lips, was the thief who had

made another of my father and had brought to miserable ends the lives

of both my parents. Everything was clear. The creature went in fear of

me, never imagining that I did not know him, and sought to buy me off;

to buy me from the remembrance of my dead mother's broken heart for

£500--£500 that he had made my father steal for him. I said not a word.

But the memory of all my mother's bitter years, and a savage sense of

this crowning insult to myself, took a hold upon me, and I was a tiger.

Even then, I verily believe that one word of repentance, one tone of

honest remorse, would have saved him. But he drooped his eyes, snuffled

excuses, and stammered of 'unworthy suspicions' and 'no ill-will.'

I let him stammer. Presently he looked up and saw my face; and fell

back in his chair, sick with terror. I snatched the pistol from the

mantelpiece, and, thrusting it in his face, shot him where he sat.

"My subsequent coolness and quietness surprise me now. I took my hat

and stepped toward the door. But there were voices on the stairs.

The door was locked on the inside, and I left it so. I went back and

quietly opened a window. Below was a clear drop into darkness, and

above was plain wall; but away to one side, where the slope of the

gable sprang from the roof, an iron gutter ended, supported by a

strong bracket. It was the only way. I got upon the sill and carefully

shut the window behind me, for people were already knocking at the

lobby door. From the end of the sill, holding on by the reveal of the

window with one hand, leaning and stretching my utmost, I caught the

gutter, swung myself clear, and scrambled on the roof. I climbed over

many roofs before I found, in an adjoining street, a ladder lashed

perpendicularly against the front of a house in course of repair. This,

to me, was an easy opportunity of descent, notwithstanding the boards

fastened over the face of the ladder, and I availed myself of it.

"I have taken some time and trouble in order that you (so far as I

am aware the only human being beside myself who knows me to be the

author of Foggatt's death) shall have at least the means of appraising

my crime at its just value of culpability. How much you already know

of what I have told you I cannot guess. I am wrong, hardened and

flagitious, I make no doubt, but I speak of the facts as they are. You

see the thing, of course, from your own point of view--I from mine. And

I remember my mother.

"Trusting that you will forgive the odd freak of a man--a criminal, let

us say--who makes a confidant of the man set to hunt him down, I beg

leave to be, Sir, your obedient servant,

"SIDNEY MASON."

I read the singular document through and handed it back to Hewitt.

"How does it strike you?" Hewitt asked.

"Mason would seem to be a man of very marked character," I said.

"Certainly no fool. And, if his tale is true, Foggatt is no great loss

to the world."

"Just so--if the tale is true. Personally, I am disposed to believe it

is."

"Where was the letter posted?"

"It wasn't posted. It was handed in with the others from the front door

letter-box this morning in an unstamped envelope. He must have dropped

it in himself during the night. Paper," Hewitt proceeded, holding it

up to the light, "Turkey mill, ruled foolscap. Envelope, blue official

shape, Pirie's watermark. Both quite ordinary and no special marks."

[Illustration: "TURKEY MILL, RULED FOOLSCAP."]

"Where do you suppose he's gone?"

"Impossible to guess. Some might think he meant suicide by the

expression 'beyond the reach even of your abilities of search,' but

I scarcely think he is the sort of man to do that. No, there is no

telling. Something may be got by inquiring at his late address, of

course; but when such a man tells you he doesn't think you will find

him, you may count upon its being a difficult job. His opinion is not

to be despised."

"What shall you do?"

"Put the letter in the box with the casts for the police. _Fiat

justitia_, you know, without any question of sentiment. As to the

apple--I really think, if the police will let me, I'll make you a

present of it. Keep it somewhere as a souvenir of your absolute

deficiency in reflective observation in this case, and look at it

whenever you feel yourself growing dangerously conceited. It should

cure you."

This is the history of the withered and almost petrified half-apple

that stands in my cabinet among a number of flint implements and one or

two rather fine old Roman vessels. Of Mr. Sidney Mason we never heard

another word. The police did their best, but he had left not a track

behind him. His rooms were left almost undisturbed, and he had gone

without anything in the way of elaborate preparation for his journey,

and yet without leaving a trace of his intentions.

_Beauties:--Children._

[Illustration: Winifred Mary Winter.

_From a Photo by Alfred Ellis, 20, Upper Baker Street, N.W._

Katie Martindale.

_From a Photo by J. H. Hogg, Kendal._]

[Illustration: Phyllis Lott.

_From a Photo by J. H. Killick, Holloway Road, N._

Margot Amy Cecil Russell.

_From a Photo by Gunn & Stuart, Richmond._

Dorothy & Marjorie Holmes.

_From a Photo by Jas. Russell & Sons, Chichester._]

_Löie Fuller--The Inventor of the Serpentine Dance._

BY MRS. M. GRIFFITH.

[Illustration: LÖIE FULLER'S BIRTHPLACE.

_From a Photograph._]

La Reine Löie does not claim for _herself_ the distinction of being

the inventor of the graceful evolutions which have made her name

famous all over Europe and America. She says: "I have only revived a

forgotten art, for I have been able to trace some of my dances back

to four thousand years ago: to the time when Miriam and the women of

Israel--filled with religious fervour and rapture--celebrated their

release from Egyptian captivity with 'timbrels and with dances.'"

This is true; but as "there is _nothing_ new under the sun," I contend

that Miss Fuller deserves her title, and also all the tribute and

admiration which those who have seen her dance long to lay at her

feet. For not even the most realistic description, or the most earnest

study of the illustrations which still exist of the girl-dancers of

Herculaneum and Pompeii, who, in mist-like robes, with un-girdled

waists and sandalled feet, with languorous movements and rapturous

uplifted faces, entranced even the most besotted among the revellers

at the notorious bacchanalian orgies of those cities of the past--not

these, not even the most brilliant pen-painting can convey any idea of

La Löie's exquisite dancing. With continuous but gentle movements of

arms, feet, and shapely form, the outline of which is sometimes veiled,

and at other times revealed amid the folds of her gauzy garments of

ever-changing rainbow-like tints, she appears like a supernatural being

sent to teach us the poetry of motion.

Suddenly the scene changes; the dancer, with joyous face, parted

lips, and floating tresses of red gold, to the accompaniment of weird

music, flits here and there: now dreamily floating along the stage,

then rapidly whirling round and round; one moment appearing a blaze

of fire, the next with sombre draperies, every fold seeming incrusted

with jewels, the little feet hardly touching the ground, the pliant

form bending and swaying in the constantly-changing light, like some

gay-plumaged tropical bird, until her audience hold their breath with

admiration.

What a treasure she would have been to the Egyptian and Roman priests

of old, in their temple mysteries and religious festivals. And what

trouble she would have caused in the last century; indeed, in all

probability she would have been burned as a witch; for our ancestors

did not waste time in wondering at or admiring things they did not

understand, but resorted to fire or water to solve their difficulties.

La Löie's early history is as remarkable as her dances: she has

been a reciter, actress, singer, and play-writer, and finally, by a

mere accidental circumstance, success has been thrust upon her as a

dancer. With that delicate sister-feeling which makes us--providing

there is no rivalry--so wondrous kind, I was not curious about Miss

Fuller's _present_ age; for, after all, paltry years count not with us,

providing the heart keeps young; but I felt I could with discretion

inquire at what age she made her first appearance, and learnt to

my great surprise that she made her début, at the early age of two,

at a Sunday-school entertainment at Chicago; where, unheralded and

unannounced, she toddled on to the platform and recited "Mary had a

little lamb," in a sweet, shrill treble which was distinctly audible

throughout the hall. The wee, quaint little maiden who so gravely

contributed her share to the evening's amusement succeeded in charming

the audience, and her services were often in request after this.

[Illustration: LÖIE FULLER'S FATHER.

_From a Photo by Mora, Broadway, New York._]

Two years later she was engaged to play the little boy's part with

Mrs. Chanfrau in "Was She Right?" and astonished everyone with her

self-possession and ability; but she unfortunately had to give up her

part before many months were over, as her parents removed to Monmouth,

Illinois. Little Löie then set up as a temperance lecturer, and her

first attempt brought her in a profit of twenty dollars. Her little

lectures were, of course, taken out of books and newspapers, and

committed to memory, but delivered with such excellent elocutionary

effect and earnestness, that she was soon in great demand all over the

State, and known as the "Western Temperance Prodigy." Only eleven years

of age! yet earning her own living, and doing good work--at least,

doing what she was able and that which was nearest her hand!

She longed for a chance to return to the stage, and before long got her

opportunity, for her parents returned to Chicago to live, and she found

no difficulty in again obtaining engagements. She worked unceasingly,

was gifted with an excellent memory, was always ready and willing

to play any rôle, big or little, that was allotted to her, devoting

herself with ardour to the study of every detail of her work; thus,

before she had reached the age of sixteen, she had won for herself a

reputation that many an experienced actress of twice that age would

have been proud of.

[Illustration: LÖIE FULLER'S MOTHER.

_From a Photo by Elder, Iowa._]

A pianist in Chicago, having heard Miss Fuller sing, was so enraptured

with her beautiful voice, that he offered to give her free tuition for

two years. The offer was accepted, and at the end of that period she

had made such good progress that she was engaged by Mr. J. M. Hill

to go on tour, and later on made her appearance in New York as _Jack

Sheppard_, with a salary of seventy-five dollars a week. Her path was

not always strewn with roses. She climbed her way steadily up the

ladder of fame through many difficulties and discouragements, never

ceased working, hardly ever had a penny to spare, but was always the

same bright, cheery little woman that she now is at the zenith of her

success, and loved as well as admired by all who know her.

[Illustration: MISS LÖIE FULLER.

_From a Photo by Sarony, New York._]

Löie Fuller made a great hit as _Ustane_ in "She," at Niblo's Theatre,

and was also in the cast of "Caprice," in London. After which she

returned to America to take part in "Quack, M.D.," which was being

produced at the Harlem Opera House, and it was while rehearsing her

part for this play that the tide rose which was to bear her to fame and

fortune. It came in the shape of a box sent by a young Indian officer

whom Miss Fuller had only met once when she was in London. With eager

fingers she removed the many wrappers, and found the contents consisted

of a beautiful Eastern gown of soft white silk; the sort of material

that would pass uncreased through a ring, and for texture and exquisite

whiteness might have formed a fitting garment for Titania herself.

Great was her delight at this unexpected gift, and she wore it in

the hypnotic scene in "Quack, M.D." The dainty robe adapted itself

admirably to her supple form, which had never been incased in a corset;

and after the play was over, she tried the effects of it, by dancing a

few steps in front of her cheval glass. The long, sweeping folds lent

themselves to every movement. Hours passed, yet still she flung the

snowy fabric round her, and pirouetted about, registering in her mind

for future reference, the effect of each position and step.

[Illustration: THE WIDOW DANCE.

_From a Photograph._]

That night was born the Serpentine Dance. Much practising added grace

to the figure and flexibility to the limbs, and the dance, even in

its initial stage, took everyone by storm, and La Löie's name became

famous throughout America. Hungering for "other worlds to conquer,"

she came to Europe, the first place she visited being Germany, where

she was very well received. Her next move was to Paris, where she gave

a private rehearsal before the manager of the Folies Bergère, who

instantly engaged her.

[Illustration: GOOD NIGHT.

_From a Photo by Reutlinger, Paris._]

All Paris went mad over her dancing, and the management of the Folies

Bergère, anxious to secure their prize, concluded a three years'

engagement with her, at the largest salary ever paid to a dancer, or

indeed to an actress, namely, £200 a week, and a suite of rooms in the

theatre. This seems enormous, but unfortunately for the present it

does not go into Miss Fuller's pocket--for the year previous to her

Parisian engagement she had signed a contract to go to Russia, but

when on her way there, she received a telegram stating that her mother

was dangerously ill, and, without an instant's delay, she returned and

cancelled her engagement. Her heavy luggage having preceded her to

Russia, it was seized, her dresses confiscated, and an action brought

against her, which she had the misfortune to lose, and was compelled to

pay a heavy indemnity.

[Illustration: THE RAINBOW.

_From a Photo by Sarony, New York._]

The dancing of La Löie has so raised the reputation of the Folies

Bergère that now the most particular Parisian has no hesitation about

taking his wife or lady friends there, and although it was her 300th

appearance on January 6th, her popularity is as great if not greater

than it has ever been.

"La Belle Americaine" has been invited to dance at the smartest houses

in Paris, though for this privilege the Folies Bergère charged £40

for every performance, while the preparatory expenses and light cost

an additional £100. The wife of the American Minister invited her to

give a private performance at her residence in Paris: the necessary

stage and other arrangements took forty men two days and two nights

to complete. La Löie on that occasion surpassed herself, and caused a

perfect _furore_ among the guests.

[Illustration: THE FLOWER DANCE.

_From a Photograph._]

The one dance has become many, among which the principal favourites are

the "Widow Dance"--in black robe and with powdered hair and patches;

the "Rainbow," "Mirror," "Flower," "Butterfly," and "Good Night"

dances, and the dresses for each she has designed herself; their shape

is kept a secret. One of the most beautiful of her gowns--if I may so

designate these mysteriously lovely draperies--was painted on thin

silk in sections, and then the artists engaged on it had no idea what

their work was intended for. Her first dress--the present sent her by

the young Indian--is, although much the worse for wear, her favourite.

As the artiste comes off the stage she is completely enveloped in a

huge cloak by her mother, who is always with her, and I have never

met anyone who has the slightest idea of what her dress is like off

the stage; though, whatever it may be, its effect is bewilderingly

beautiful.

[Illustration: THE BUTTERFLY DANCE.

_From a Photograph._]

The dancer in private is simply a bonnie, blue-eyed little woman, plain

in her dress, and with a sweet frankness of manner and speech which

render her eminently attractive. Her rooms boast of no costly luxuries,

bric-à-brac, or the thousand and one costly trifles which artistes

usually surround themselves with. One thing attracts you as you enter

the little sitting-room, and that is a bust of her, by the great

sculptor Hussin; in her boudoir are also several miniature models of

stages, and it is by all sorts of experiments on these that Miss Fuller

is enabled to judge of the effect of any new dance and lighting. At the

conclusion of your visit you could not help feeling that you had been

privileged to meet not only a great artiste, but also a good woman,

against whose reputation a censorious and jealous world has never

dared to breathe a word.

Needless to say, a host of imitators has arisen, some of whom, not

content with pirating her dances, have tried to copy her dresses and

even to use her name. The complicated lighting apparatus which attracts

so much admiration is managed by the dancer's brothers, who practise

every day with her, and as she is always inventing new dances, their

work is no sinecure.

[Illustration: THE MIRROR DANCE.

_From a Drawing._]

One of her greatest successes has been the "Mirror Dance," in which,

by some mysterious arrangement, eight Löie Fullers appear to be

dancing at the same time, and the whole stage is bathed in a flood

of glorious tints, in which may be seen aerial forms, in cloudlike

vestures, whirling and dancing as if they were the fabled victims of

the Tarantula; the whole forming an artistic spectacular effect that

the world has never seen equalled.

There is only one sad note in the whole history of the clever little

dancer--that is, her delicate health, and more especially the paralysis

of the arms with which she once or twice has been threatened. She works

very hard, and has to train as severely as any jockey. Short as her

performances are, they are very fatiguing and a great physical strain.

[Illustration: _From a Photo by Riders, Chicago._]

A great compliment is now being paid her, the result of which the

next Salon will show, for a clever young American artist has selected

"Löie's Dance" as his subject. It is a large picture and vigorously

treated: only half the dancer is shown, and she appears as if dancing

_out_ of the canvas. Miss Fuller has done wonders in improving the

public taste, and proving that dancing is not an art that degrades,

but, with modestly-draped figure and graceful movements, an educator,

as everything that is beautiful ought to be. Let us hope that the craze

for high kicking, unnatural straining of the muscles, and the hideous

short skirts and scanty bodice will become a thing of the past, and

that a mere display of skill and agility without the elegance or grace

which ought to characterize the Terpsichorean art will die a natural

death. La Belle Löie will visit England about May, and it is to be

hoped that she will be accorded such a welcome as will induce her to

prolong her stay among us. For it may truly be said there is not a

discordant note in her whole performance, or a gesture or movement

which would wound the susceptibilities of the most modest-minded of

British matrons or maidens.

[Illustration:

THE THREE GOLD HAIRS OF OLD VSEVEDE

A STORY FOR CHILDREN FROM THE SERVIAN]

It is related that there was once a King who was passionately fond of

hunting the wild beasts of his forests. On one occasion he chased a

stag so far and so long that he lost his way. Finding himself quite

alone and night coming on, he was glad to fall in with the hut of a

charcoal-burner.

"Will you be so good as to conduct me to the nearest highway? I will

generously reward you for the service."

"I would do it with pleasure," replied the charcoal-burner, "but I have

a wife who is about to become a mother, and I cannot leave her alone.

On the other hand, why cannot you pass the night with me? Go up into

our hay-loft, and rest yourself upon a truss of sweet-smelling hay

which you will find there, and to-morrow I will guide you on your way."

A few minutes later the charcoal-burner's wife brought into the world

an infant son.

The King was unable to sleep. At midnight he noticed lights moving

in the chamber beneath, and, applying his eye to a crack in the

floor, he perceived the charcoal-burner sleeping; his wife lying in a

half-fainting condition; and, lastly, standing by the new-born child,

three old women, dressed in white and holding each a lighted wax

candle, who were conversing.

The first said:--

"To this boy I give courage to dare all dangers."

The second said:--

"I will endow him with the faculty of being able to escape all dangers

and to be long-lived."

The third said:--

"As for me, I will give him the hand of the daughter just born to the

King who is sleeping in the hay-loft over our heads."

With the utterance of the last words, the lights went out and all was

silent again.

The King was as much stunned with sorrow and surprise as if he had

received a sword's point in his breast. Until dawn, without closing an

eye, he lay thinking of how he might prevent the realization of the

witch's prediction.

With the first beams of morning light, the infant began to cry. The

charcoal-burner rose and, going to his wife's side, found that she was

dead.

"Poor little orphan!" he cried, sadly; "what will become of you, bereft

of a mother's care?"

"Confide this child to me," said the King; "I will take care of it, and

it will find itself well off. As to yourself, I will give you so much

money that you shall have no further need to tire yourself by burning

charcoal."

The charcoal-burner gave his consent with pleasure, and the King

departed, promising to send somebody for the infant. The Queen and

the courtiers had, meanwhile, arranged to give the King an agreeable

surprise, by announcing to him the birth of a charming little

Princess, who had come into the world on the night when the King, her

father, saw the three witches. Knitting his brow, the King called one

of his attendants to him and said:--

[Illustration: "HOLDING EACH A LIGHTED WAX CANDLE."]

"Go to such and such a place in the forest, to the hut of a

charcoal-burner, to whom you will give this money in exchange for a

new-born child. Take the brat and, somewhere on your way, drown it.

Only remember that if it be not thoroughly done away with, you yourself

shall take its place."

The servant received the infant in a basket, and, having reached a

footbridge over a wide and deep river, he threw the basket and the

infant into the stream.

"A good journey to you, son-in-law!" cried the King, on hearing the

servant's report of his mission.

The King believed that the child was drowned, but it was neither

drowned nor dead; on the contrary, supported by the basket in which it

was inclosed, the little one floated gently down the river, as in a

cradle, and slept as sweetly as if its mother had sung it to rest.

After awhile the basket came near the hut of a fisherman who, while

busy repairing his nets, caught sight of something floating in the

water in mid-stream. Quickly jumping into his boat, he rowed out to the

object and, having secured it, ran to tell his wife what he had found.

"You have always desired to have a son," he cried; "here is a handsome

one brought to us by the river."

The fisherman's wife received the infant with great joy, and tended

it as if it were her own. They called it Plavacete (the Swimmer),

because it came to them floating on the waters. Years sped, the little

foundling grew up to be a man, and in none of the neighbouring villages

was there a youth to compare with him.

Now, it happened one day, in the summer time, that the King rode out

unattended. The heat was excessive, and he reined in his steed in front

of the fisherman's hut to ask for a glass of cold water. Plavacete

brought it out to him; the King looked at him intently, then, turning

to the fisherman, said:--

"You have a handsome youth there: is he your son?"

"Yes and no," replied the fisherman. "Twenty years ago, I found a tiny

child in a basket floating down the river; I and my wife adopted him."

The King turned pale as death, for he guessed that it was the same

infant that he had condemned to be drowned. Collecting himself, he

dismounted and said:--

"I want to send a message to the castle, and I have nobody with me; can

this youth deliver it?"

"Certainly," replied the fisherman; "your Majesty may rely on his

intelligence."

Thereupon the King sat down and wrote to the Queen these words:--

"The young man who brings you this message is the most dangerous of all

my enemies. As soon as he arrives, have his head chopped off. Do not

delay one moment and have no pity; let him be executed before I return

to the castle."

After carefully folding the letter, he fastened it with the Royal seal.

Plavacete took the letter and set off with it through the forest, which

was so wide and dense that he lost his way in it. Overtaken by night in

the midst of his adventurous journey, he met an old woman.

"Where are you going, Plavacete, where are you going?" she asked.

"I am intrusted with a letter for the Royal castle, but I have lost my

way; can you not, good mother, set me on my right road?"

"To-day, my child, that is impossible. Darkness has come, and you would

not have time to reach the Royal castle," replied the old woman. "Rest

in my dwelling-place to-night--you will not be with a stranger there,

for I am your god-mother."

The young man obeyed, and they entered a charming cottage which seemed

suddenly to rise out of the ground. Now, while Plavacete was sleeping,

the old woman changed his letter for another, running thus:--

"Immediately upon receiving this letter, conduct the bearer to the

Princess, our daughter. This young man is our son-in-law, and I wish

them to be married before my return to the castle. Such is my will."

[Illustration: "HE THREW THE BASKET AND THE INFANT INTO THE STREAM."]

After reading the letter, the Queen gave orders for the preparation of

all that was needed for the celebration of the wedding. Both she and

her daughter were greatly pleased with the behaviour of the young man,

and nothing troubled the happiness of the newly-married pair.

A few days afterwards the King returned to his castle and, having

previously learned what had taken place, began to scold the Queen.

"But you expressly ordered me to have them married before your return:

here is your letter--read it again," replied the Queen.

He carefully examined the epistle, and was obliged to admit that the

paper, the writing, and the seal were all unquestionably authentic. He

thereupon called for his son-in-law, and interrogated him as to the

details of his journey.

Plavacete withheld nothing from his father-in-law, and related how he

had lost his way in the forest and had passed the night there in a

cottage.

"What is this old woman like?" asked the King.

On hearing the description given him by Plavacete, the King was

convinced that it was the identical old woman who, twenty years

previously, had predicted the marriage of the Princess with the

charcoal-burner's son.

After reflecting for awhile, the King went on:--

"What is done is done: only you cannot be my son-in-law on such slight

grounds. For a wedding present, you must bring me three hairs plucked

from the head of Dede-Vsevede, the old man who knows all and sees all."

He thought by this means to get rid of his son-in-law, whose presence

embarrassed him.

Plavecete took leave of his wife departed, saying to himself:--

"I do not know which way to turn my steps; but no matter, my god-mother

will direct them."

He was not deceived. Without difficulty he found the right road, and

pressed forward for a long time over hill and dale and river, until he

reached the shore of the Black Sea, and observed a boat with its one

boatman, to whom he said:--

"Heaven bless you, old boatman!"

"The same to you, young traveller. Where do you want to go?"

"To the castle of Dede-Vsevede, to get three hairs from his head."

"If that is so, welcome! I have long awaited the arrival of such an

envoy as you. For twenty years I have been rowing passengers across,

and not one of them has done anything to deliver me. If you promise me

to ask Dede-Vsevede when I am to have a substitute to free me from my

troubles, I will row you over in my boat."

[Illustration: "PLAVACETE TOOK THE LETTER."]

Plavacete promised, and the boatman rowed him to the opposite shore. He

thence continued his journey, and approached a great city, which was

partially in ruins. Not far from it he saw a funeral procession; the

King of the country followed the coffin of his father, and tears as big

as peas rolled down his cheeks.

"Heaven console you in your distress," said Plavacete.

"Thanks, good traveller. Whither are you going?"

"To the castle of Dede-Vsevede, in search of three hairs from his head."

"You are really going to the castle of Dede-Vsevede? What a pity you

did not come some weeks ago! We have long been waiting such an envoy as

you."

Plavacete was introduced to the Court of the King, who said to him:--

"We have learned that you are bound on a mission to the castle

of Dede-Vsevede: alas! we had here an apple-tree which produced

youth-giving fruit; one only of its apples, as soon as it was eaten,

even by a person at the point of death, instantly cured and rejuvenated

him. But for the last twenty years this tree has not borne either

flower or fruit. Will you promise me to ask the cause of Dede-Vsevede?"

"I promise you."

After that, Plavacete came to a large, beautiful, but silent city. Near

the gate he met an old man, who, staff in hand, was hobbling along with

great difficulty.

"Heaven bless you, good old man!"

"Heaven bless _you_! Whither are you going, handsome traveller?"

"To the castle of Dede-Vsevede, in search of three hairs from his head."

"Ah! you are the very envoy I have so long been expecting. I must

conduct you to my master, the King. Follow me."

As soon as they arrived, the King said to him:--

"I hear that you have come on an embassy to Dede-Vsevede. We had here

a well which used to fill itself, and which was so marvellous in its

effects that sick people were immediately cured on drinking of its

water. A few drops sprinkled upon a corpse sufficed to resuscitate

it. Well, for twenty years past, this well has been dried up. If you

promise to ask Dede-Vsevede how we can re-fill our well, I will reward

you royally."

Plavacete promised, and the King dismissed him graciously.

Continuing his journey, he had to pass through a wide forest, in the

midst of which he perceived a broad, grassy plain, full of beautiful

flowers, in the centre of which stood a castle built of gold.

[Illustration: "THE PALACE OF DEDE-VSEVEDE."]

It was the palace of Dede-Vsevede, radiant with splendour, looking as

if it were made of fire. Plavacete entered it without encountering a

single moving creature, except an old woman, half-hidden in a corner

spinning.

"Welcome, Plavacete! I am glad to see you here."

It was, once more, his god-mother, the same who had offered him shelter

in her forest cottage when he was carrying the King's treacherous

message.

"Tell me what brings you here, from so far off?"

"The King will not have me for his son-in-law without being paid for

it; so he has sent me here to fetch for him three gold hairs from the

head of Dede-Vsevede."

His god-mother burst into laughter, saying:--

"The Dede-Vsevede? Why, I am his mother--he is the shining Sun in

person! Every morning he is a child; at noon he becomes a man; at

evening he withers to the likeness of a decrepit, hundred-year-old man.

But I will contrive to get you three gold hairs from his head, so that

you may know that I am not your god-mother for nothing. For all that,

however, you cannot remain here any longer as you are. My son, the Sun,

is endowed with a charitable soul; but, on returning home, he is always

hungry, and it would not astonish me if, as soon as he comes back, he

ordered you to be roasted for his supper. To hide you I will overturn

this empty box, under which you must creep."

Before obeying, Plavacete begged his god-mother to obtain from

Dede-Vsevede answers to the three questions which he had promised to

get from him.

"I will put the questions to him, but you must carefully listen to the

answers he returns."

Suddenly the wind was unchained without, and, through a window on the

western side of the castle, arrived the Sun--an old man with a head of

gold.

The old man sat down to supper. After the meal was finished, he placed

his head of gold upon his mother's knees and fell asleep.

As soon as she saw that he was sleeping soundly, she plucked from his

head one of his gold hairs and threw it upon the floor: in falling the

hair made a metallic sound, like the string of a guitar when struck.

"What do you want of me, mother?" asked the old man.

"Nothing, my son; I was sleeping and dreaming a strange dream."

"What was it about, mother?"

"I thought I saw a place--I don't know where--where there was a well

supplied with water from a spring, by which sick people were cured, and

even dying persons, after drinking a single mouthful of it; and more

than that, corpses even were resuscitated after having been sprinkled

with a few drops of this marvellous water. But for twenty years this

well has remained dry: what should be done to fill it as of old?"

[Illustration: HE PLACED HIS HEAD OF GOLD UPON HIS MOTHER'S KNEES."]

"The remedy is simple enough: a frog has lodged itself in the opening,

and so prevents the water of the spring entering the well. Let them

kill the frog, and their well will be as full of water as it used to

be."

When the old man was again soundly sleeping, the old woman plucked

another gold hair from his head and threw it upon the floor.

"What do you want of me, mother?"

"Nothing, my son, nothing. While sleeping I had a strange vision.

It seemed to me that the inhabitants of a city--what city I do not

know--had in their garden an apple-tree, the apples of which possessed

the virtue of renewing the youth of whomsoever ate of them. A single

apple eaten by an old man sufficed to give back to him the strength and

freshness of youth. Now, for twenty years, that tree has borne neither

flower nor fruit. By what means can they bring back to it its former

power?"

"The means are not difficult. A viper has hidden itself amongst the

roots of their tree and feeds on its sap; let them kill the viper and

transplant the tree, and they will soon see it covered with fruit as it

used to be."

Thereupon the old man once more went off to sleep soundly. The old

woman plucked from his head the third gold hair.

"Why do you not let me sleep in peace, mother?" cried the old man,

angrily, and trying to rise.

"Lie still, my beloved son, and do not disturb yourself. I am sorry for

having waked you. I was having a strange dream. Fancy! I seemed to see

a boatman, on the shore of the Black Sea, complaining to a traveller

that, for twenty years, nobody had come to replace him: when will that

poor old man be relieved of his task?"

"He is an imbecile, that is all! He has only to put his oar into the

hand of the first person who wants to be rowed and jump ashore. Whoever

receives the oar will replace him as boatman. But leave me in peace,

mother, and do not wake me any more; for I have to be up early, first

to dry the tears of the Princess, the wife of a charcoal-burner's son.

The young creature passes her nights in weeping for her husband, who

has been sent by the King, her father, to fetch him three gold hairs

from my head."

Next morning the winds were heard howling around the palace of

Dede-Vsevede, and instead of an old man, a beautiful child, with hair

of gold, awoke on the old woman's knees: it was the divine Sun, who,

after taking leave of his mother, flew out of the eastern window of

his palace.

The old woman hastened to turn over the box, and said to Plavacete:--

"See! here are the three gold hairs, and you already know the three

answers given by Dede-Vsevede. Now hasten away, and Heaven be with you

on your way. You will never see me again, for you will never again have

need of me."

Plavacete gratefully thanked her and departed.

On reaching the city of the dried-up well, and questioned by the King

as to what good news he was the bearer of, he replied:--

"Have your well carefully cleared out; then kill the frog which

obstructs the incoming of the marvellous water from the spring, and you

will see it flow as freely as ever."

The King followed the direction of Plavacete, and, delighted to see his

well once more filled, made him a present of twelve horses as white as

swans, to which he added as much gold and silver as they could carry.

On arriving at the second city and questioned by the King as to the

news he brought, he replied:--

"The news I bring you is excellent; none could be better, in fact. You

have but to dig up your apple-tree and transplant it, after killing the

reptile which has been living amongst its roots; that done, your tree

will produce you apples as it formerly did."

Indeed, no sooner was the tree transplanted than it became covered with

flowers, as if a shower of roses had fallen upon it. The King, filled

with joy, made him a present of twelve horses as black as ravens, and

loaded them with as much riches as they could bear.

Continuing his journey to the shore of the Black Sea, he found the

boatman, who inquired whether he had learnt for him when the time of

his deliverance would come. Plavacete first made him convey him and his

horses on to the opposite shore: that done, he advised the boatman to

hand his oar to the first traveller who required his services, so that

he might be definitely released from his duty.

The King, Plavacete's father-in-law, could not at first believe his

eyes on seeing him the possessor of the three gold hairs plucked from

the head of Dede-Vsevede. As to the young wife, she shed hot tears, not

of sadness, but of joy, at seeing her beloved back again in safety, and

she said to him:--

"How were you able, dear husband, to acquire so many magnificent horses

laden with riches?"

He replied:--

"All has been purchased with heaviness of heart, with the ready money

of pains and labours, and services rendered by me. For example, to one

King I pointed out the means by which he was able to repossess himself

of the Apples of Youth; to another, I showed the secret of re-opening

the spring whence flows the water which gives health and life."

"Apples of Youth! Water of Life!" interrupted the King, addressing

Plavacete. "I will go in search of those treasures myself! What

happiness! After eating one of those rejuvenating apples, I shall

return restored to youth! Then I will drink a few drops of the water of

immortality--and I shall live for ever!"

Without delaying a moment, the King set off in search of those two

objects--and down to the present day has never been heard of again.

_The Queer Side of Things._

[Illustration:

MR. HAY.]

I have the most severe misgiving about a crucial point of this story;

it involves an announcement which may cause the modern reader to throw

aside the narrative as a preposterous absurdity. Ah! if I only had to

deal with the reader of the Dark Ages, who would swallow anything!

Absolute fear incites me to keep this announcement to myself until

nearing the end of the tale, and then to break the awkward fact very

gently--glossing it over as much as possible; but native outspokenness,

assisted by the fact that such a course would spoil the story,

persuades me to make the risky announcement at once, and chance the

consequences.

Very well, then--Andrew P. Hay was a Centaur--a CENTAUR. He had

descended from the pure blood of the old Greek Centaurs. The race, when

the belief in the Greek mythology had waned before the spreading light

of Christianity, finding the fact of its existence no longer accepted

with the old unquestioning faith, and too proud to longer impose its

presence on a society sceptical of its reality, retired to a remote

island to carry on its existence unseen by mankind; and there its

successive generations had appeared and died, until--a few years before

the present date--the last survivor paced, with downcast hoof,[2] the

deserted paddocks of his sires.[3]

[2] "Downcast hoof," though an unusual, is a good phrase.

[3] "Sires" is a well-chosen word in this connection.

The loneliness of his condition began to prey upon his mind. He had

but a single companion in the secluded upland valleys of that deserted

island where his forefathers had lived during so many centuries; this

companion was his servant, or valet--he also being the sole survivor

of _his_ race, the race of hippopaides, or stable boys; from time

immemorial the bondmen of the Centaurs and their faithful attendants.

The loneliness was becoming unbearable: concealed behind some crag

of the mountains, the two would stand the whole day long watching

for the smoke of the steamers which passed, hull down, to and from

Constantinople and Smyrna. No vessel ever touched at their island.

"Raiboskeles," said Philippos Chortophagos (that was the Centaur's

name, excusable in a Greek), "this won't do! I can't stand it any

longer. Shall we hurl ourselves from yonder pinnacle, you seated on my

back, to fathomless doom, and end it?"

"No, my lord!" said the boy, "I'm scratched for that event anyway; and

what's more, _you_ won't go to the post either if _I_ can stop it!

Think, my lord--what would your stable-companions, now passed away,

have said about a fixture like that?" And the boy's eyes filled with

tears as he mechanically took from his pocket a small curry-comb and

drew it caressingly over the silky hide, while a low continuous hissing

sound from between his lips testified to the depth of his sorrow.

He was a good lad, tinged with the archaic stable-slang of Thessaly,

fostered by constant reading of the _Rhodochroon Hen_, the ancient

sporting-paper of the Centaurs.

For a few moments Chortophagos gazed fixedly out to sea; then he said:--

"Raiboskeles, I cannot stay here. I shall go mad in this solitude.

Let us leave this island and go among men. I know what you are about

to say--they will not believe in my existence. I shall be forced to

suffer the affront of being looked upon as a figment of superstition,

of having my impossibility cast in my teeth--I wager that is what is on

your tongue?"

"No takers!" said the boy, emphatically.

"Nevertheless, I prefer even that to the loneliness of this place.

Besides, I might perhaps manage to conceal the difference in my form

from those of men."

The stable-valet shook his head doubtfully. "Too much handicapped!" he

murmured.

"I might adopt a false name!" cried the Centaur, with a sudden

inspiration.

The idea took the stable-valet unawares. "Ah! there's something in that

tip!" he said, half persuaded.

"I will--I'll find one at once: and that'll break the neck of the whole

difficulty! I have it--I'll call myself Hay--Andrew P. Hay. See?--Hay

retains enough of my ancestral name; the Philip I'll retain as a

reminder of my duty toward my race; while the Andrew will assert the

manhood of part of me--eh?"

"Ye--es," said Raiboskeles, reflecting, "I think I'll befriend that

dodge at commanding prices." This _Rhodochroon Hen_ phraseology was

oppressive at times; but his heart was in the right place.

"Let us hail a steamer somehow," cried the Centaur (whom we will

henceforth call Andrew P. Hay).

The valet stood for a moment plunged in thought, smacking his bare leg

with an olive-twig; then he said:--

"You'll have to travel as a gee. Half a sec!"

[Illustration: "HE SLIPPED IT OVER THE HEAD OF HIS MASTER."]

With incredible dexterity he plaited reeds from an adjacent stream into

the form of a horse's head-and-neck cover; then respectfully slipped it

over the human head and torso of his master. The part where the horse's

nose should have been he had packed with grass: the head of Andrew P.

Hay filled up the crown; while his human body made a fair show, beneath

the covering, of being a horse's neck. The breadth where the man's

shoulders came the valet subsequently explained by stating that he had

placed a collar of osiers there to keep off the rub of the covering.

There seemed an indignity about it which Mr. Hay found it hard to bear;

but he got over it.

Then the valet made a great fire of dry wood and grasses on a pinnacle;

and the great column of smoke attracted the attention of a passing

coaster, which bore down on the island to find out the reason of

it. Bowes (that being the new name which Mr. Hay had found for his

stable-valet) stood on the shore holding his charge with a halter of

twisted grasses. The captain was surprised, but agreed to take them

aboard, provided the horse could swim to the vessel, which could not

get in: so Mr. Hay, with Bowes on his back, promptly took to the water,

and was hoisted aboard in a sling from the davits.

"That's a very remarkable animal!" said the Greek captain to Bowes. His

dialect was atrocious. Bowes could not understand a word; but signs did

just as well.

Mr. Andrew P. Hay had decided to go to London. He knew a fair amount of

English; for several years before a box from a wrecked vessel had been

cast ashore on the island, and it had happened to contain some useful

books and papers--a text of Homer, interlined with Mr. Gladstone's

translation into English, several Greek-English primers, a Liddell and

Scott's lexicon, some Ollendorffs, a Lindley Murray, Webster's American

Dictionary, several issues of the _Times_, and a rhyming dictionary.

Thus had A. P. Hay been enabled to learn the English language.

The journey to England was full of unpleasantness. There were

difficulties, too, about meals; the Centaur having conceived a growing

distaste for hay and beans. The coaster had landed them at Otranto,

where Bowes promptly engaged a private stable for his master. But now

occurred the first difficulty--they had no money. The captain of the

coaster had yet to be paid.

But Bowes contrived to obtain, on credit, a suit of clothes in place of

his tunic of woven grasses.

"There's only one way out of this, sir," said Bowes, after a spell of

thought; "I shall have to sell you!"

"I fail to catch your meaning," said Mr. Hay, loftily pawing the

ground. "Sell _me_?"

"That's it, sir; that's the only plan _I_ can back for a place. You

ought to fetch a good round sum, sir. Why, sir, look at you--there

you stand, 17.1, deep in the girth, lovely clean houghs and pasterns,

sir--look at 'em yourself if you ain't satisfied--sound wind, well

planted, born flier, grand action. Look at your pedigree, that's

enough! No vice--lady could hunt you, sir--oh, I'm not saying it to

flatter you, sir! As for selling you--don't you see," said Bowes,

placing his finger to his nose, "that's just a bit of practice, that's

all. We shall have to sharp 'em. Let me alone to see to that."

"Well, Bowes," said the master, "I have every confidence in you,

although I do not quite grasp your plan. I must only request that you

will do no act calculated to lessen our self-respect or----"

"Get us warned off the course?" said Bowes. "Oh, that'll be all square."

"But you forget that no one will buy me without seeing my head! If I

show that, all is lost!"

Bowes merely winked, and went out. Otranto was a most unpromising place

for selling a fine horse; but Bowes made inquiries, and discovered that

a rich Englishman, much given to horses--a gentleman-jockey--whose

yacht was cruising in those parts, happened to be in the town. So Bowes

fetched out Mr. Hay, mounted him, and caracoled him all over the place

where a horse could manage to go; and presently he caught the eye of

the gentleman-jockey. The latter had never seen such a picture of a

horse in his life, and yearned to own Mr. Hay.

Bowes explained that he wasn't for sale; that, in fact, he was half

sold already to an American millionaire. (Bowes had picked up a

considerable smattering of English from his master, you see.)

"Look here," said the gentleman-jockey, "I must have him. On his back I

could win every steeplechase in the kingdom. I'll give you £1,000 for

him."

"Down?" said Bowes.

"Yes," replied the other. "I'll put off to my yacht and fetch it."

In an hour the £1,000 in gold and Italian paper was in Bowes's

possession. Bowes had explained how it would be unwise to unwrap Mr.

Hay's head and neck then, as a cold wind was blowing, and the horse had

caught a slight cold on his voyage. The jockey was so overcome by the

magnificence of the visible parts of Mr. Hay, and so convinced of the

wonderful bargain he had made, that he was content to take the head and

neck for granted rather than let him go to the American millionaire;

so Mr. Hay was put back in the stable for the night, and one of the

yacht's crew left there to see to his safety.

Shortly after dark Bowes picked the lock and crept in. Silently he

placed a newly-acquired saddle on Mr. Hay's back.

[Illustration: "I'LL GIVE YOU £1,000 FOR HIM."]

"What now?" whispered Andrew P. Hay.

"We must be off at once and cover as many miles as we can before

daylight," whispered Bowes.

"But," objected Mr. Hay, "this is immoral!"

All the refined morality of the ancient Centaurs welled up in him.

"Pooh!" whispered Bowes. "Meaning no offence, sir; but it's got to be

done!"

At this moment the sailor woke and rose to see what was going on.

Now, gentleman and man of honour as Mr. Hay was down to the waist,

the instinct of battle and self-preservation in his equine portion

instantly gained the ascendency in those moments when action was called

for; and it was with feelings of the most unfeigned horror and regret

that he felt himself backing toward the unhappy sailor and taking up a

favourable position for an effective kick.

"Bowes!" he said, in an agony of apprehension. "Quick! Don't you see

what I'm doing? For Heaven's sake give me a cut over the quarters!

Here--pull my head up, so that I can't lash out!"

But it was too late; the equine nature situated in the hind-quarters

had prevailed: there was an end of the sailor: Andrew P. Hay hid his

face in his hands with a bitter sob, and suffered himself to be led out

and mounted in silence.

"You won't mind my presumption in wearing spurs, sir?" he said,

apologetically. "We might want 'em when you get tired."

Andrew P. Hay hardly heard the remark; his thoughts were absorbed by

the regrettable incident of the sailor; at a touch of the spur he broke

mechanically into a gallop, which he continued unbrokenly far into the

night. Suddenly he pulled up.

"Bowes," he said, "I'm famishing ----. I _must_ have a meal; I've eaten

nothing since the day before yesterday!"

"All right, sir," replied Bowes, as he prepared to strap on a nose-bag

filled with chaff and locust beans; "you shall have a bran-mash as soon

as ever we reach----"

"Take away this stuff!" said Mr. Hay, impatiently. "Do you hear? I've

taken a dislike to hay and beans and bran-mashes; they're undignified

food for a gentleman to eat, and I've done with them. I want a biftek

aux pommes frites!"

"Can't get it here, sir," said Bowes, touching his cap. "Oh; why, I've

got some sandwiches and a bottle of Marsala in the bag. But, if I may

make so bold, the beans would have more stay in 'em----"

"For the equine portion, no doubt. Confound my equine portion, Bowes!

It's in disgrace; I'm disgusted with it, and I'll starve it!"

"Let's wait till we get home, sir, for that--if I might make bold to

advise. It's just the hossey parts you require on the road."

"Hum! there's something in that," said Mr. Hay; "well, give me the

disgusting nose-bag; and when I've finished the confounded beans I will

have a sandwich and a glass of Marsala to remove the taste.... This

Marsala is a coarse wine, Bowes; was this the best thing you could

get?"

They set off again at a gallop; and Mr. Hay soon perceived the wisdom

of having temporarily refreshed his horse-part. But his aversion of,

and anger against, it grew steadily. As he galloped he continued to

brood upon the unjustifiable deed it had so lately committed; and he

speculated with an oppressing anxiety on the acts it might commit in

the future; realizing, as he did, that he had no control over that

portion of him.

In spite of mountains, and the necessity for occasional rest, they

reached Naples in two days. Here Bowes, having changed to a new and

horsey suit of clothes, and provided Mr. Hay with new and handsome

horse-clothing (so that they were unrecognisable), engaged a horse-box

to Calais.

No mere horse could have covered the distance in the time; so they had

eluded pursuit.

* * * * *

They reached London at last, and Bowes took a secluded villa, with

stable, in St. John's Wood. The stable was merely a necessary artifice.

With a sigh of relief Andrew P. Hay threw himself down on the hearthrug

in the drawing-room; but the bitterness of association with that

hateful horse-part was always with him. His dislike of it had grown

to a positive loathing. His conduct when that part of him was in

question was really most unreasonable. He would snatch up Bowes's

riding-whip--the poker--anything, and belabour that horse-portion until

it lashed out at the tables and chairs and smashed them to atoms. These

scenes were most painful to Bowes.

[Illustration: "LASHED OUT AT THE TABLES AND CHAIRS."]

Andrew P. Hay was possessed of remarkable aptitude, and, as the £1,000

so fraudulently acquired by Bowes was fast running out, it became

necessary to cast about for employment. Now, his knowledge of the

archaic Greek tongue, history, and antiquities, gained from direct

tradition, was considerable; and he wrote to the authorities of the

British Museum, the Society of Antiquaries, the Kernoozers' Club, and

various other learned bodies, offering himself as correspondent and

referee at a reasonable salary.

After some correspondence his services were eagerly accepted; and for

a time all worked well. Dr. Schliemann considered him invaluable, and

much light was thrown upon the question of early Greek inscriptions,

and the true site of Troy, and of the Garden of the Hesperides; while

much interesting tittle-tattle, from authentic sources, added to the

knowledge of the private character and daily life of Ajax, Achilles,

the Muses, Hercules, and others. All this had been communicated by

letter; but one calamitous day a learned official from the British

Museum called, and, before it could be prevented, had penetrated to the

presence of Mr. Hay.

The meeting was most painful. Mr. Hay, attired in a loose morning coat

and white waistcoat, was writing a paper on the differences between the

Sapphic and Pindaric harps; while his equine part was fraying out the

carpet with its hoofs and flicking away flies with its tail. Mr. Hay

made a desperate effort to conceal the equine portion with the tails

of his coat, but in vain. The official was deeply shocked and pained.

"A--a--ahem! A Centaur, I believe?" he gasped.

Prevarication was useless. Andrew P. Hay bowed stiffly, and motioned

the visitor to a chair.

"I--I must confess that I--er--hardly anticipated this--er ----. I

was under the impression that we had been dealing with an ordinary

human being if you'll excuse my saying so: but, forgive me--I fear the

authorities to whom I am answerable will hardly approve of my obtaining

information from a--er--a fabulous monster."

"A _what_, sir?" cried A. P. Hay: and he felt that equine part

beginning to edge round for a kick, while his ears were lying back

close to his head--the only equine idiosyncrasy of his human part; but

one which distressed him greatly. He shouted for Bowes to catch hold

of his head; he seized the poker and hammered at his flanks; but all

in vain--those terrible hind-legs lashed out: and the official of the

British Museum was no more.

* * * * *

It was a terrible affair: everything came out. Poor Mr. Hay was

arrested and taken to Bow Street, where he was locked up in the

green-yard stables.

The horse-part resisted violently, nearly killing three policemen, and

attempting to gallop off; while Mr. Hay begged them to throw him and

sit on his head, and subsequently apologized most sincerely.

The gaoler was very considerate, giving him his choice of oats or the

usual fare.

The magistrate was greatly surprised; but, of course, sent the case for

trial. At the trial, although the facts were clearly proved, the jury

were divided, some bringing in a verdict of deliberate murder against

Andrew Philip Hay; some considering him not guilty, but recommending

the destruction of the horse-portion as a dangerous animal. The judge,

animadverting in the severest terms on the conduct of the prisoner,

declared that, although the jury had not been able to agree as to a

verdict, society could not exonerate the perpetrator of such a deed;

and exhorted the prisoner to reflect deeply upon his conduct, and make

such atonement as remorse and contrition would suggest.

He then proceeded to comment upon the injudiciousness of the prisoner,

who (although apparently guiltless of any desire to sacrifice human

life) was, nevertheless, greatly to blame for his recklessness in

keeping so dangerous an animal.

His Lordship asked whether prisoner would consent to have the animal

destroyed. Prisoner was understood to reply that that was impossible

for physical reasons which none could regret more deeply than himself.

Great excitement was created at this point by prisoner kicking out the

back and sides of the dock, and hurling the usher into the gallery;

prisoner, however, having apologized and expressed his belief that the

incident had been occasioned by a horsefly, the matter was allowed to

drop.

[Illustration: "KICKING THE USHER INTO THE GALLERY."]

The judge, having retired for an hour to consider his action in the

matter, stated that he considered it his duty, while severely deploring

the murderous proclivities of the prisoner and regretting that the

disagreement of the jury prevented him passing the capital sentence,

to exonerate the accused from any intention to permit the animal to do

grievous bodily harm, and recommended the keeping of it under proper

surveillance.

Prisoner having undertaken to lash his equine-part within an inch

of its life, his lordship remarked that he could not sanction any

proceedings involving cruelty to the lower animals. Prisoner was then

discharged.

* * * * *

Andrew P. Hay was plunged in profound misery. The disgrace and exposure

of the whole proceedings, the degradation of his self-respect, cast

over him a hopeless gloom. For hours he sat on his haunches, his face

hidden in his hands, while scalding tears trickled between his fingers:

then he suddenly arose, and kicked the villa to fragments.

At length his calmness returned, and he sat down to think the thing

out. The exposure had come--why should he not turn it to good account?

"Bowes!" he called. Poor Bowes dragged his bruised remains from among

the ruined brickwork.

"Bowes, my pride has gone. I intend to make a fortune by lecturing all

over the country about Greek antiquities, and my recent trial. Pack my

portmanteau, and then go round and engage halls."

The lectures created a _furore_. The public did not care two straws

about Greek antiquities; but they crushed to hear a real live Centaur

lecture about a murder case. At the end of a year he had amassed wealth

B.D.A.

* * * * *

Andrew Philip, Lord Hippstable, Baron Hay, is now one of the best

known and most highly respected--er--men in society. He was lately

presented with a massive service of plate by the Meltonshire Hunt, in

acknowledgment of his valued services as master of the hounds; he is

the most famous steeplechase--ah--rider of the day; and the last five

Derby winners have hailed from his stable--in fact, he entered for one

Derby himself, but was disqualified on purely technical grounds; and

there is some talk in well-informed circles of his probable succession

to the posts of President of the Jockey Club and Equerry to the Prince

of Wales.

J. F. SULLIVAN.

[Illustration]

[Illustration:

Off to the Station

HULLOA! Who's this running?

To the TRAINS

Confound you Sir 10 minutes to wait!

J.A.S]

Transcriber's Notes:

Simple spelling, grammar, and typographical errors were

silently corrected.

Anachronistic and non-standard spellings retained as printed.

Italics markup is enclosed in _underscores_.

Title page added by transcriber.