CHAPTER X.

THE GENIUS AND HIS ENVIRONMENT.

The facts concerning the genius seem to indicate that he is a being

somewhat exceptional and apart. Common mortals stand about him with

expressions of awe. The literature of him is embodied in the alcoves

of our libraries most accessible to the public, and even the

wayfaring man, to whom life is a weary round, and his conquests over

nature and his fellows only the division of honours on a field that

usually witnesses drawn battles or bloody defeats, loves to stimulate

his courage by hearing of the lives of those who put nature and

society so utterly to rout. He hears of men who swayed the destinies

of Europe, who taught society by outraging her conventions, whose

morality even was reached sometimes by scorn of the peccadilloes which

condemn the ordinary man. Every man has in him in some degree the hero

worshipper, and gets inflamed somewhat by reading Carlyle's Frederick

the Great.

Of course, this popular sense can not be wholly wrong. The genius does

accomplish the world movements. Napoleon did set the destiny of

Europe, and Frederick did reveal, in a sense, a new phase of moral

conduct. The truth of these things is just what makes the enthusiasm

of the common man so healthy and stimulating. It is not the least that

the genius accomplishes that he thus elevates the traditions of man

and inspires the literature that the people read. He sows the seeds of

effort in the fertile soil of the newborn of his own kind, while he

leads those who do not have the same gifts to rear and tend the

growing plant in their own social gardens. This is true; and a

philosophy of society should not overlook either of the facts--the

actual deeds of the great man with his peculiar influence upon his own

time, and his lasting place in the more inspiring social tradition

which is embodied in literature and art.

Yet the psychologist has to present just the opposite aspect of these

apparent exceptions to the Canons of our ordinary social life. He has

to oppose the extreme claim made by the writers who attempt to lift

the genius quite out of the normal social movement. For it only needs

a moment's consideration to see that if the genius has no reasonable

place in the movement of social progress in the world, then there can

be no possible doctrine or philosophy of such progress. To the hero

worshipper his hero comes in simply to "knock out," so to speak, all

the regular movement of the society which is so fortunate, or so

unfortunate, as to have given him birth; and by his initiative the

aspirations, beliefs, struggles of the community or state get a push

in a new direction--a tangent to the former movement or a reversal of

it. If this be true, and it be farther true that no genius who is

likely to appear can be discounted by any human device before his

abrupt appearance upon the stage of action, then the history of facts

must take the place of the science or philosophy of them, and the

chronicler become the only historian with a right to be.

For of what value can we hold the contribution which the genius makes

to thought if this contribution runs so across the acquisitions of the

earlier time and the contributions of earlier genius that no line of

common truth can be discovered between him and them? Then each society

would have its own explanation of itself, and that only so long as it

produced no new genius. It may be, of course, that society is so

constituted--or, rather, so lacking in constitution--that simple

variations in brain physiology are the sufficient reason for its

cataclysms; but a great many efforts will be made to prove the

contrary before this highest of all spheres of human activity is

declared to have no meaning--no thread which runs from age to age and

links mankind, the genius and the man who plods, in a common and

significant development.

In undertaking this task we must try to judge the genius with

reference to the sane social man, the normal Socius. What he is we

have seen. He is a person _who learns to judge by the judgments of

society_. What, then, shall we say of the genius from this point of

view? Can the hero worshipper be right in saying that the genius

teaches society to judge; or shall we say that the genius, like other

men, must learn to judge by the judgments of society?

The most fruitful point of view is, no doubt, that which considers the

genius a variation. And unless we do this it is evidently impossible

to get any theory which will bring him into a general scheme. But how

great a variation? And in what direction?--these are the questions.

The great variations found in the criminal by heredity, the insane,

the idiotic, etc., we have found excluded from society; so we may well

ask why the genius is not excluded also. If our determination of the

limits within which society decides who is to be excluded is correct,

then the genius must come within these limits. He can not escape them

and live socially.

_The Intelligence of the Genius._--The directions in which the genius

actually varies from the average man are evident as a matter of fact.

He is, first of all, a man of great power of thought, of great

"constructive imagination," as the psychologists say. So let us

believe, first, that a genius is a man who has occasionally greater

thoughts than other men have. Is this a reason for excluding him from

society? Certainly not; for by great thoughts we mean true thoughts,

thoughts which will work, thoughts which will bring in a new area in

the discovery of principles, or of their application. This is just

what all development depends upon, this attainment of novelty, which

is consistent with older knowledge and supplementary to it. But

suppose a man have thoughts which are not true, which do not fit the

topic of their application, which contradict established knowledges,

or which result in bizarre and fanciful combinations of them; to that

man we deny the name genius; he is a crank, an agitator, an anarchist,

or what not. The test, then, which we bring to bear upon the

intellectual variations which men show is that of truth, practical

workability--in short, to sum it up, "fitness." Any thought, to live

and germinate, must be a fit thought. And the community's sense of the

fitness of the thought is their rule of judgment.

Now, the way the community got this sense--that is the great result we

have reached above. Their sense of fitness is just what I called above

their judgment. So far, at least, as it relates to matters of social

import, it is of social origin. It reflects the outcome of all social

heredity, tradition, education. The sense of social truth is their

criterion of social thoughts, and unless the social reformer's thought

be in some way fit to go into the setting thus made by earlier social

development, he is not a genius but a crank.

I may best show the meaning of the claim that society makes upon the

genius by asking in how far in actual life he manages to escape this

account of himself to society. The facts are very plain, and this is

the class of facts which some writers urge, as supplying an adequate

rule for the application of the principles of their social philosophy.

The simple fact is, say they, that without the consent of society the

thoughts of your hero, whether he be genius or fool, are practically

valueless. The fulness of time must come; and the genius before his

time, if judged by his works, can not be a genius at all. His thought

may be great, so great that, centuries after, society may attain to it

as its richest outcome and its profoundest intuition; but before, that

time, it is as bizarre as a madman's fancies and as useless. What

would be thought, we might be asked by writers of this school, of a

rat which developed upon its side the hand of a man, with all its

mechanism of bone, muscle, tactile sensibility, and power of delicate

manipulation, if the remainder of the creature were true to the

pattern of a rat? Would not the rest of the rat tribe be justified in

leaving this anomaly behind to starve in the hole where his singular

appendage held him fast? Is such a rat any the less a monster because

man finds use for his hands.

To a certain extent this argument is forcible and true. If social

utility be our rule of definition, then certainly the premature genius

is no genius. And this rule of definition may be put in another way

which renders it still more plausible. The variations which occur in

intellectual endowment, in a community, vary about a mean; there is,

theoretically, an average man. The differences among men which can be

taken account of in any philosophy of life must be in some way

referable to this mean. The variation which does not find its niche at

all in the social environment, but which strikes all the social

fellows with disapproval, getting no sympathy whatever, is thereby

exposed to the charge of being the "sport" of Nature and the fruit of

chance. The lack of hearing which awaits such a man sets him in a form

of isolation, and stamps him not only as a social crank, but also as a

cosmic tramp.

Put in its positive and usual form, this view simply claims that man

is always the outcome of the social movement. The reception he gets is

a measure of the degree in which he adequately represents this

movement. Certain variations are possible--men who are forward in the

legitimate progress of society--and these men are the true and only

geniuses. Other variations, which seem to discount the future too

much, are "sports"; for the only permanent discounting of the future

is that which is projected from the elevation of the past.

The great defect of this view is found in its definitions. We exclaim

at once: who made the past the measure of the future? and who made

social approval the measure of truth? What is there to eclipse the

vision of the poet, the inventor, the seer, that he should not see

over the heads of his generation, and raise his voice for that which,

to all men else, lies behind the veil? The social philosophy of this

school can not answer these questions, I think; nor can it meet the

appeal we all make to history when we cite the names of Aristotle,

Pascal, and Newton, or of any of the men who single-handed and alone

have set guide-posts to history, and given to the world large portions

of its heritage of truth. What can set limit to the possible

variations of fruitful intellectual power? Rare such variations--that

is their law: the greater the variation, the more rare! But so is

genius; the greater, the more rare. As to the rat with the human hand,

he would not be left to starve and decay in his hole; he would be put

in alcohol when he died, and kept in a museum! And the lesson which he

would teach to the wise biologist would be that here in this rat

Nature had shown her genius by discounting in advance the slow

processes of evolution!

It is, indeed, the force of such considerations as these which have

led to many justifications of the positions that the genius is quite

out of connection with the social movement of his time. The genius

brings his variations to society whether society will or no; and as to

harmony between them, that is a matter of outcome rather than of

expectation or theory. We are told the genius comes as a

brain-variation; and between the physical heredity which produces him

and the social heredity which sets the tradition of his time there is

no connection.

But this is not tenable, as we have reason to think, from the

interaction which actually takes place between physical and social

heredity. To be sure, the heredity of the individual is a

physiological matter, in the sense that the son must inherit from his

parents and their ancestors alone. But granted that two certain

parents are his parents, we may ask how these two certain parents came

to be his parents. How did his father come to marry his mother, and

the reverse? This is distinctly a social question; and to its solution

all the currents of social influence and suggestion contribute. Who is

free from social considerations in selecting his wife? Does the

coachman have an equal chance to get the heiress, or the blacksmith

the clergyman's daughter? Do we find inroads made in Newport society

by the ranchman and the dry-goods clerk? And are not the inroads which

we do find, the inroads made by the counts and the marquises, due to

influences which are quite social and psychological? Again, on the

other hand, what leads the count and the marquis, to lay their titles

at Newport doors, while the ranchman and the dry-goods clerk keep

away, but the ability of both these types of suitors to estimate their

chances just on social and psychological grounds? Novelists have rung

the changes on this intrusion of social influences into the course of

physical heredity. Bourget's Cosmopolis is a picture of the influence

of social race characteristics on natural heredity, with the reaction

of natural heredity again upon the new social conditions.

A speech of a character of Balzac's is to the point, as illustrating a

certain appreciation of these social considerations which we all to a

degree entertain. The Duchesse de Carigliano says to Madame de

Sommervieux: "I know the world too well, my dear, to abandon myself to

the discretion of a too superior man. You should know that one may

allow them to court one, but marry them--that is a mistake! Never--no,

no. It is like wanting to find pleasure in inspecting the machinery of

the opera instead of sitting in a box to enjoy its brilliant

illusions." To be sure, we do not generally deliberate in this wise

when we fall in love; but that is not necessary, since our social

environment sets the style by the kind of intangible deliberation

which I have called judgment and fitness. Suppose a large number of

Northern advocates of social equality should migrate to the Southern

United States, and, true to their theory, intermarry with the blacks.

Would it not then be true that a social theory had run athwart the

course of physiological descent, leading to the production of a

legitimate mulatto society? A new race might spring from such a purely

psychological or social initiation.

While not agreeing, therefore, with the theory which makes the genius

independent of the social movement--least of all with the doctrine

that physical heredity is uninfluenced by social conditions--the hero

worshipper is right, nevertheless, in saying that we can not set the

limitations of the genius on the side of variations toward high

intellectual endowment. So if the general position be true that he is

a variation of some kind, we must look elsewhere for the direction of

those peculiar traits whose excess would be his condemnation. This we

can find only in connection with the other demand that we make of the

ordinary man--the demand that he be a man of good judgment. And to

this we may now turn.

_The Judgment of the Genius._--We should bear in mind in approaching

this topic the result which follows from the reciprocal character of

social relationships. No genius ever escapes the requirements laid

down for his learning, his social heredity. Mentally he is a social

outcome, as well as are the fellows who sit in judgment on him. He

must judge his own thoughts therefore as they do. And his own proper

estimate of things and thoughts, his relative sense of fitness, gets

application, by a direct law of his own mental processes, to himself

and to his own creations. The limitations which, in the judgment of

society, his variations must not overstep, are set by his own

judgment also. If the man in question have thoughts which are

socially true, _he must himself know that they are true_. So we reach

a conclusion regarding the selection of the particular thoughts which

the genius may have: _he and society must agree in regard to the

fitness of them_, although in particular cases this agreement ceases

to be the emphatic thing. The essential thing comes to be the

reflection of the social standard in the thinker's own judgment; _the

thoughts thought must always be critically judged by the thinker

himself; and for the most part his judgment is at once also the social

judgment_. This may be illustrated further.

Suppose we take the man of striking thoughts and withal no sense of

fitness--none of the judgment about them which society has. He will go

through a mighty host of discoveries every hour. The very eccentricity

of his imaginations will only appeal to him for the greater

admiration. He will bring his most chimerical schemes out and air them

with the same assurance with which the real inventor exhibits his. But

such a man is not pronounced a genius. If his ravings about this and

that are harmless, we smile and let him talk; but if his lack of

judgment extend to things of grave import, or be accompanied by equal

illusions regarding himself and society in other relationships, then

we classify his case and put him into the proper ward for the insane.

Two of the commonest forms of such impairment of judgment are seen in

the victims of "fixed ideas" on the one hand, and the _exaltés_ on the

other. These men have no true sense of values, no way of selecting the

fit combinations of imagination from the unfit; and even though some

transcendently true and original thought were to flit through the

diseased mind of such a one, it would go as it came, and the world

would wait for a man with a sense of fitness to arise and rediscover

it. The other class, the _exaltés_, are somewhat the reverse; the

illusion of personal greatness is so strong that their thoughts seem

to them infallible and their persons divine.

Men of such perversions of judgment are common among us. We all know

the man who seems to be full of rich and varied thought, who holds us

sometimes by the power of his conceptions or the beauty of his

creations, but in whose thought we yet find some incongruity, some

eminently unfit element, some grotesque application, some elevation or

depression from the level of commonplace truth, some ugly strain in

the æsthetic impression. The man himself does not know it, and that is

the reason he includes it. His sense of fitness is dwarfed or

paralyzed. We in the community come to regret that he is so

"visionary," with all his talent; so we accommodate ourselves to his

unfruitfulness, and at the best only expect an occasional hour's

entertainment under the spell of his presence. This certainly is not

the man to produce a world movement.

Most of the men we call "cranks" are of this type. They are

essentially lacking in judgment, and the popular estimate of them is

exactly right.

It is evident, therefore, from this last explanation, that there is a

second direction of variation among men: _variation in their sense of

the truth and value of their own thoughts_, and with them of the

thoughts of others. This is the great limitation which the man of

genius shares with men generally--a limitation in the amount of

variation which he may show in his social judgments, especially as

these variations affect the claim which he makes upon society for

recognition. It is evident that this must be an important factor in

our estimate of the claims of the hero to our worship, especially

since it is the more obscure side of his temperament, and the side

generally overlooked altogether. This let us call, in our further

illustrations, the "social sanity" of the man of genius.

The first indication of the kind of social variation which oversteps

even the degree of indulgence society is willing to accord to the

great thinker is to be found in the effect which education has upon

character. The discipline of social development is, as we have seen,

mainly conducive to the reduction of eccentricities, the levelling off

of personal peculiarities. All who come into the social heritage learn

the same great series of lessons derived from the past, and all get

the sort of judgment required in social life from the common exercises

of the home and school in the formative years of their education. So

we should expect that the greater singularities of disposition which

represent insuperable difficulty in the process of social assimilation

would show themselves early. Here it is that the actual conflict

comes--the struggle between impulse and social restraint. Many a

genius owes the redemption of his intellectual gifts to legitimate

social uses to the victory gained by a teacher and the discipline

learned through obedience. And thus it is also that many who give

promise of great distinction in early life fail to achieve it. They

run off after a phantom, and society pronounces them mad. In their

case the personal factor has overcome the social factor; they have

failed in the lessons they should have learned, their own

self-criticism is undisciplined, and they miss the mark.

These two extremes of variation, however, do not exhaust the case. One

of them tends in a measure to the blurring of the light of genius, and

the other to the rejection of social restraint to a degree which makes

the potential genius over into a crank. The average man is the mean.

Put the greatest reach of human attainment, and with it the greatest

influence ever exercised by man, is yet more than either of these. It

is not enough, the hero worshipper may still say, that the genius

should have sane and healthy judgment, as society reckons sanity. The

fact still remains that even in his social judgments he may instruct

society. He may stand alone and, by sheer might, left his fellow-men

up to his point of vantage, to their eternal gain and to his eternal

praise. Even let it be that he must have self-criticism, the sense of

fitness you speak of, that very sense may transcend the vulgar

judgment of his fellows. His judgment may be saner than theirs; and as

his intellectual creations are great and unique, so may his sense of

their truth be full and unique. Wagner led the musical world by his

single-minded devotion to the ideas of Wagner; and Darwin had to be

true to his sense of truth and to the formulations of his thought,

though no man accorded him the right to instruct his generation either

in the one or in the other. To be sure, this divine assurance of the

man of genius may be counterfeited; the vulgar dreamer often has it.

But, nevertheless, when a genius has it, he is not a vulgar dreamer.

This is true, I think, and the explanation of it leads us to the last

fruitful application of the doctrine of variations. Just as the

intellectual endowment of men may vary within very wide limits, so may

the social qualifications of men. There are men who find it their meat

to do society service. There are men so naturally born to take the

lead in social reform, in executive matters, in organization, in

planning our social campaigns for us, that we turn to them as by

instinct. They have a kind of insight to which we can only bow. They

gain the confidence of men, win the support of women, and excite the

acclamations of children. These people are the social geniuses. They

seem to anticipate the discipline of social education. They do not

need to learn the lessons of the social environment.

Now, such persons undoubtedly represent a variation toward

suggestibility of the most delicate and singular kind. They surpass

the teachers from whom they learn. It is hard to say that they "learn

to judge by the judgments of society." They so judge without seeming

to learn, yet they differ from the man whose eccentricities forbid him

to learn through the discipline of society. The two are opposite

extremes of variation; that seems to me the only possible construction

of them. It is the difference between the ice boat which travels

faster than the wind and the skater who braves the wind and battles

up-current in it. The latter is soon beaten by the opposition; the

former outruns its ally. The crank, the eccentric, the enthusiast--all

these run counter to sane social judgment; but the genius leads

society to his own point of view, and interprets the social movement

so accurately, sympathetically, and with such profound insight that

his very singularity gives greater relief to his inspiration.

Now let a man combine with this insight--this extraordinary sanity of

social judgment--the power of great inventive and constructive

thought, and then, at last, we have our genius, our hero, and one that

we well may worship! To great thought he adds balance; to originality,

judgment. This is the man to start the world movements if we want a

single man to start them. For as he thinks profoundly, so he

discriminates his thoughts justly, and assigns them values. His

fellows judge with him, or learn to judge after him, and they lend to

him the motive forces of success--enthusiasm, reward. He may wait for

recognition, he may suffer imprisonment, he may be muzzled for

thinking his thoughts, he may die and with him the truth to which he

gave but silent birth. But the world comes, by its slower progress, to

traverse the path in which he wished to lead it; and if so be that his

thought was recorded, posterity revives it in regretful sentences on

his tomb.

The two things to be emphasized, therefore, on the rational side of

the phenomenally great man--I mean on the side of our means of

accounting for him in reasonable terms--are these: first, his

intellectual originality; and, second, the sanity of his judgment. And

it is the variations in this second sort of endowment which give the

ground which various writers have for the one-sided views now current

in popular literature.

We are told, on the one hand, that the genius is a "degenerate"; on

another hand, that he is to be classed with those of "insane" temper;

and yet again, that his main characteristic is his readiness to

outrage society by performing criminal acts. All these so-called

theories rely upon facts--so far as they have any facts to rest

upon--which, if space permitted, we might readily estimate from our

present point of view. In so far as a really great man busies himself

mainly with things that are objective, which are socially and morally

neutral--such as electricity, natural history, mechanical theory, with

the applications of these--of course, the mental capacity which he

possesses is the main thing, and his absorption in these things may

lead to a warped sense of the more ideal and refined relationships

which are had in view by the writer in quest for degeneracy. It will

still be admitted, however, by those who are conversant with the

history of science, that the greatest scientific geniuses have been

men of profound quietness of life and normal social development. It is

to the literary and artistic genius that the seeker after abnormality

has to turn; and in this field, again, the facts serve to show their

own meaning.

As a general rule, these artistic prodigies do not represent the union

of variations which we find in the greatest genius. Such men are often

distinctly lacking in power of sustained constructive thought. Their

insight is largely what is called intuitive. They have flashes of

emotional experience which crystallize into single creations of art.

They depend upon "inspiration"--a word which is responsible for much

of the overrating of such men, and for a good many of their illusions.

Not that they do not perform great feats in the several spheres in

which their several "inspirations" come; but with it all they often

present the sort of unbalance and fragmentary intellectual endowment

which allies them, in particular instances, to the classes of persons

whom the theories we are noticing have in view. It is only to be

expected that the sharp jutting variation in the emotional and

æsthetic realm which the great artist often shows should carry with it

irregularities in heredity in other respects. Moreover, the very habit

of living by inspiration brings prominently into view any half-hidden

peculiarities which he may have in the remark of his associates, and

in the conduct of his own social duties. But mark you, I do not

discredit the superb art of many examples of the artistic

"degenerate," so-called; that would be to brand some of the highest

ministrations of genius, to us men, as random and illegitimate, and to

consider impure some of our most exalting and intoxicating sources of

inspiration. But I do still say that wherein such men move us and

instruct us they are _in these spheres_ above all things sane with our

own sanity, and wherein they are insane they do discredit to that

highest of all offices to which their better gifts make legitimate

claim--the instruction of mankind.

Again one of Balzac's characters hits the nail on the head. "My dear

mother," says Augustine, in the Sign of the Cat and Racket, "you judge

superior people too severely. If their ideas were the same as other

folks they would not be men of genius."

"Very well," replies Madame Guillaume, "then let men of genius stop at

home and not get married. What! A man of genius is to make his wife

miserable? And because he is a genius it is all right! Genius! genius!

It is not so very clever to say black one minute and white the next,

as he does, to interrupt other people, to dance such rigs at home,

never to let you know which foot you are to stand on, to compel his

wife never to be amused unless my lord is in gay spirits, and to be

dull when he is dull."

"But his imaginations...."

"What are such imaginations?" Madame Guillaume went on, interrupting

her daughter again. "Fine ones are his, my word! What possesses a man,

that all on a sudden, without consulting a doctor, he takes it into

his head to eat nothing but vegetables? There, get along! if he were

not so grossly immoral, he would be fit to shut up in a lunatic

asylum."

"O mother, can you believe?"

"Yes, I do believe. I met him in the Champs Élysées. He was on

horseback. Well, at one minute he was galloping as hard as he could

tear, and then pulled up to a walk. I said to myself at that moment,

'There is a man devoid of judgment!'"

* * * * *

The main consideration which this chapter aims to present, that of the

responsibility of all men, be they great or be they small, to the same

standards of social judgment, and to the same philosophical treatment,

is illustrated in the very man to whose genius we owe the principle

upon which my remarks are based--Charles Darwin; and it is singularly

appropriate that we should also find the history of this very

principle, that of variations with the correlative principle of

natural selection, furnishing a capital illustration of our

inferences. Darwin was, with the single exception of Aristotle,

possibly the man with the sanest judgment that the human mind has ever

brought to the investigation of nature. He represented, in an

exceedingly adequate way, the progress of scientific method up to his

day. He was disciplined in all the natural science of his

predecessors. His judgment was an epitome of the scientific insight of

the ages which culminated then. The time was ripe for just such a

great constructive thought as his--ripe, that is, so far as the

accumulation of scientific data was concerned. His judgment differed

then from the judgment of his scientific contemporaries mainly in that

it was sounder and safer than theirs. And with it Darwin was a great

constructive thinker. He had the intellectual strength which put the

judgment of his time to the strain--everybody's but his own. This is

seen in the fact that Darwin was not the first to speculate in the

line of his great discovery, nor to reach formulas; but with the

others guessing took the place of induction. The formula was an

uncriticised thought. The unwillingness of society to embrace the

hypothesis was justified by the same lack of evidence which prevented

the thinkers themselves from giving it proof. And if no Darwin had

appeared, the problem of evolution would have been left about where it

had been left by the speculations of the Greek mind. Darwin reached

his conclusion by what that other great scientific genius in England,

Newton, described as the essential of discovery, "patient thought";

and having reached it, he had no alternative but to judge it true and

pronounce it to the world.

But the principle of variations with natural selection had the

reception which shows that good judgment may rise higher than the

level of its own social origin. Even yet the principle of Darwin is

but a spreading ferment in many spheres of human thought in which it

is destined to bring the same revolution that it has worked in the

sciences of organic life. And it was not until other men, who had both

authority with the public and sufficient information to follow

Darwin's thought, seconded his judgment, that his formula began to

have currency in scientific circles.

Now we may ask: Does not any theory of man which loses sight of the

supreme sanity of Darwin, and with him of Aristotle, and Angelo, and

Leonardo, and Newton, and Leibnitz, and Shakespeare, seem weak and paltry?

Do not delicacy of sentiment, brilliancy of wit, fineness of rhythmical

and æsthetic sense, the beautiful contributions of the talented special

performer, sink into something like apologies--something even like

profanation of that name to conjure by, the name of genius? And all the

more if the profanation is made real by the moral irregularities or the

social shortcomings which give some colour of justification to the

appellation "degenerate"!

But, on the other hand, why run to the other extreme and make this

most supremely human of all men an anomaly, a prodigy, a bolt from the

blue, an element of extreme disorder, born to further or to distract

the progress of humanity by a chance which no man can estimate? The

resources of psychological theory are adequate, as I have endeavoured

to show, to the construction of a doctrine of society which is based

upon the individual, in all the possibilities of variation which his

heredity may bring forth, and which yet does not hide nor veil those

heights of human greatness on which the halo of genius is wont to

rest. Let us add knowledge to our surprise in the presence of such a

man, and respect to our knowledge, and worship, if you please, to our

respect, and with it all we then begin to see that because of him the

world is the better place for us to live and work in.

We find that, after all, we may be social psychologists and hero

worshippers as well. And by being philosophers we have made our

worship more an act of tribute to human nature. The heathen who bows

in apprehension or awe before the image of an unknown god may be

rendering all the worship he knows; but the soul that finds its

divinity by knowledge and love has communion of another kind. So the

worship which many render to the unexplained, the fantastic, the

cataclysmal--this is the awe that is born of ignorance. Given a

philosophy that brings the great into touch with the commonplace, that

delineates the forces which arise to their highest grandeur only in a

man here and there, that enables us to contrast the best in us with

the poverty of him, and then we may do intelligent homage. To know

that the greatest men of earth are men who think as I do, but deeper,

and see the real as I do, but clearer, who work to the goal that I do,

but faster, and serve humanity as I do, but better--that may be an

incitement to my humility, but it is also an inspiration to my life.

LITERATURE[14]

[Footnote 14: Only books in English. The order of mention is without

significance.]

GENERAL PSYCHOLOGY--SYSTEMATIC TREATISES.

Bain, _The Senses and the Intellect_ (New York: Appletons London:

Longmans).

----, _The Emotions and the Will_ (the same).

James, _Principles of Psychology_, 2 vols. (New York: Holt & Co.

London: Macmillans. Abridged in Briefer Course).

Ladd, _Psychology, Descriptive and Explanatory_ (New York: Scribners.

London: Longmans. Abridged in _Elements of Descriptive Psychology_).

Stout, _Analytic Psychology_, 2 vols. (London: Sonnenschein. New York:

Macmillans).

Wundt, _Lectures on Human and Animal Psychology_ (the same).

Höffding, _Outlines of Psychology_ (Macmillans).

Sterrett, _The Power of Thought_ (New York: Scribners).

Baldwin, _Handbook of Psychology_, 2 vols. (New York: Holt. London:

Macmillans. Abridged in _Elements of Psychology_).

----, Articles in _Appletons' Universal Cyclopædia_ (New York:

Appletons).

PSYCHOLOGY OF THE CHILD.

Preyer, _The Mind of the Child_, 2 vols. (New York: Appletons).

Compayré, _Intellectual and Moral Development of the Child_, 2 vols.

(New York: Appletons).

Sully, _Studies of Childhood_ (New York: Appletons. London:

Longmans).

Baldwin, _Mental Development in the Child and the Race_ (New York and

London: Macmillans).

PHYSIOLOGICAL PSYCHOLOGY.

Ziehen, _Introduction to Physiological Psychology_ (London:

Sonnenschein. New York: Macmillans).

Ladd, _Elements of Physiological Psychology_ (New York: Scribners.

London: Longmans. Abridged in _Outlines_).

Donaldson, _The Growth of the Brain_ (London: Walter Scott. New York:

Scribners).

EXPERIMENTAL PSYCHOLOGY.

Külpe, _Outline of Psychology_ (London: Sonnenschein New York:

Macmillans).

Sanford, _Course in Experimental Psychology_ (Boston: Heath & Co.).

Scripture, _The New Psychology_ (London: Walter Scott. New York:

Scribners).

ANIMAL AND EVOLUTION PSYCHOLOGY.

Romanes _Mental Evolution in Animals and Man_, 2 vols. (New York:

Appletons).

----, _Animal Intelligence_ (New York: Appletons).

----, _Darwin and After Darwin_, 3 parts (Chicago: Open Court Company.

London: Longmans).

C. Lloyd Morgan, _Comparative Psychology_ (London: W. Scott. New York:

Scribners).

----, _Animal Life and Intelligence_ (London and New York: Arnold).

----, _Habit and Instinct_ (the same).

Groos, _The Play of Animals_ (New York: Appletons. London: Chapman &

Hall).

Spencer, _Principles of Psychology_, 2 vols. (New York: Appletons).

Hudson, _The Naturalist in La Plata_ (London: Chapman & Hall).

Darwin, _Descent of Man_ (New York: Appletons).

-----, _Origin of Species_ (the same).

Wallace, _Darwinism_ (New York and London: Macmillans),

Stanley, _The Evolutionary Psychology of Feeling_ (London:

Sonnenschein, New York: Macmillans).

Baldwin, _Mental Development in the Child and the Race_ (New York and

London: Macmillans).

MENTAL DEFECT AND DISEASE.

Maudsley, _Pathology of Mind_ (Macmillans).

Starr, _Familiar Forms of Nervous Disease_ (New York: Wood).

Collins, _The Faculty of Speech_ (Macmillans).

Hirsch, _Genius and Degeneration_ (Appletons).

Tuke, _Dictionary of Psychological Medicine_ (Philadelphia:

Blakiston).

HYPNOTISM AND ALLIED TOPICS.

Moll, _Hypnotism_ (London: Scott. New York: Scribners).

Binet, _Alterations of Personality_ (New York: Appletons. London:

Chapman & Hall).

Parish, _Hallucinations and Illusions_ (London: Scott. New York:

Scribners).

SOCIAL AND ETHICAL PSYCHOLOGY.

Tarde, _The Laws of Imitation_ (New York: Holt).

Le Bon, _The Crowd_ (London: Scott. New York: Scribners)

Royce, _Studies in Good and Evil_ (Appletons).

Baldwin, _Social and Ethical Interpretations in Mental Development_

(Macmillans).

EDUCATIONAL PSYCHOLOGY.

Spencer, _On Education_ (Appletons).

Guyau, _Education and Heredity_ (Scribners).

Herbart, _The Application of Psychology to Education_ (Scribners).

Harris, _The Psychologic Foundations of Education_ (Appletons).

PHILOSOPHY.

Paulsen, _Introduction to Philosophy_ (Holt).

Royce, _The Spirit of Modern Philosophy_ (Boston: Houghton, Mifflin &

Co.).

Ormond, _Basal Concepts in Philosophy_ (Scribners).

James, _The Will to Believe_ (Longmans).

PSYCHOLOGY AND PHILOSOPHY (over the whole field),

_Baldwin's Dictionary of Philosophy and Psychology_, with full

bibliographies, French, German, and Italian equivalents, etc.

(Macmillans).

UNCLASSIFIED.

Spencer, _Principles of Sociology_ (Appletons).

Giddings, _Principles of Sociology_ (Macmillans).

Mackensie, _Introduction to Social Philosophy_ (Macmillans).

Marshall, _Pain, Pleasure, and Æsthetics_ (Macmillans).

Galton, _Inquiries into Human Faculty_ (Macmillans).

----, _Natural Inheritance_ (Macmillans).

Pearson, _The Chances of Death_ (Arnold).

JOURNALS.

_The Psychological Review_ (Macmillans, all departments).

_The American Journal of Psychology_ (Worcester: Orpha, experimental).

_Mind_ (London: Williams & Norgate, mainly for philosophy).

INDEX

A.

Abnormal psychology, 4.

Aboulia, 119.

Action, 16, 22.

See Conduct.

Æsthetic feeling, 46, 133.

Algebra, study of, 187, 188.

Amnesia, 118.

Anæsthesia, 158.

Animal psychology, 2, 24, 55.

Animals, instinct of, 25;

intelligence of, 36;

mind in, 1, 24;

play of, 43.

Ants, instinct of, 26.

Aphasia, 114, 132, 190;

auditory, 116, 132;

motor, 114, 132;

sensory, 115;

visual, 116, 132.

Apperception, 12, 15, 17, 42, 108, 121.

Assimilation, 14, 41, 133.

Association of ideas, 11, 13, 15, 18, 39, 42, 76.

Attention, 76, 121, 182, 191.

Auto-suggestion, 151, 163.

B.

Bashfulness, 87 note.

Bees, instinct of, 26.

Birds, instinct of, 26.

Body, relation of mind to, 101.

Brain, 102.

C.

Cat, instinct of, 25.

Catalepsy, 158.

Cerebellum, 107.

Chance, vii.

Child, development of the, 28, 37, 50, 76, 167.

Child Psychology, 2, 25, 37, 51.

Children, play games of, 95.

Christian Science, 120.

"Chumming," 93.

Cold sensations, 124.

Colour blindness, 63.

Colour sensations, 62, 64.

Comparative psychology, 2, 24.

Concept, the, 42.

Conduct, 9, 16.

See Action.

Contrariness in children, 86, 157.

Contrary suggestion, 157.

Contrast, law of visual, 136.

Control suggestion, 156.

Copora striata, 107.

Cortex of brain, 105, 108.

Criminals, 205.

Cures, mental, 120.

D.

Darwin, Charles, 229.

Degeneracy, 104, 122, 226.

Dextrality, 53, 69.

Diseases of mind, 4, 101, 114.

Distance, perception of, 64, 66.

Dog, instinct of, 26, 39.

Doubting insanity, 139.

Dual personality, 118.

E.

Eccentricity, 176.

Educational psychology, 5, 166.

Ejective self, 90.

Electric stimulus, 103.

Emotional expressions, 22.

Environment, 24.

Equivalents, kinesthetic, 20, 28, 38, 112.

Ethical sense, the, 90.

Evolution, theory of, vi, 24, 31, 33, 54, 202, 229.

Exaltation, sense, 153.

Exaltation of the faculties in hypnosis, 160.

Excitement, 21.

Experimental psychology, 4, 101, 122.

Experimenting with children, 6, 57, 61.

Expressions of emotions, 22.

Extirpation method, 102.

F.

Feeling, 10, 21.

Fluid attention, 182.

G.

Galvanometer experiment, 103.

Games, of animals, 42;

of children, 95;

value of, 50.

Generalization, 41, 181.

Genetic psychology, 2.

Genius, 208, 211.

Geometry, study of, 187, 188.

Grammar, study of, 187, 188, 197.

Guessing, 189, 198.

H.

Habit, 77, 80, 168, 192.

Hallucination, 12.

Heating, 10.

Heat and cold sensations, 10, 124.

Heredity, 32, 58, 75,95, 169, 177, 200, 204, 218.

Heredity, social, 200.

Hypnotic cures, 164.

Hypnotism, 17, 121, 148, 158.

I.

Idiocy, 205.

Illusions, 12;

optical, 132.

Imagination, 12, 17, 22, 214.

Imitation, 28, 38, 47, 53, 78, 80, 88, 91, 211;

persistent, 39.

Individual psychology, 5.

Inhibitory suggestion, 155, 170.

Insanity, 205.

Inspiration, 227.

Instinct, 17, 25;

lapsed intelligence theory, 31;

reflex theory, 30, 34;

theory of, 26.

Intelligence, 36, 214;

animal, 36.

Intoxication, 102, 104.

Introspection, 3, 8.

Invention, 211.

J.

Judgement, 133, 208, 220.

K.

Kinæsthetic equivalents, 20, 28, 38, 112.

Kindergarten, value of, 175.

Knowledge, 9, 13, 22.

L.

Laboratories, psychological, 132.

Language, study of, 183, 197.

Lapsed intelligence theory of instinct, 31.

Left-handedness, 53, 69.

Levels, of brain functions, 105.

Life, sensory and motor periods of, 167.

Localization of brain inactions, 102, 104.

M.

"Make-believe," in animals and children, 45.

Mathematics, study of, 187, 197.

Medulla, 105.

Memory, 11, 12, 18, 22, 76, 138, 150;

defects of, 118.

Mental pathology, 4, 101.

Mind cure, 120.

Mind, of animals, 1, 24;

relation of body to, 101.

Monkeys, instinct of, 26, 39.

Motives, 18.

Motor centres of brain, 111

Motor period, 167.

Motor suggestion, 17, 67, 80.

Muscle sensations, 10.

Musical expression, 76.

N.

Natural selection, 202.

O.

Optic thalami, 107.

Optical illusion, 132.

Organic selection, principle of, 34, 50.

Organic sensations, 10.

P.

Pain, 21, 156.

Pain-movement-pleasure, 83.

Pathology, mental, 4, 101.

Pedagogical psychology, 5.

Perception, 12, 17, 22.

Personality, dual, 118.

Personality suggestion, 80.

Phrenology, unreliableness of, 117.

Physiological psychology, 4, 101, 122.

Play of animals, 43;

of children, 95.

Pleasure, 21, 156.

Post-hypnotic suggestion, 160.

Projection fibres, 109.

Psychology, 1, 55;

abnormal, 4;

animal, 2, 24;

child, 2, 25, 37, 51;

comparative, 2, 24;

educational, 5, 166;

experimental, 4, 101, 122;

genetic, 2;

individual, 5;

introspective, 3, 8;

pedagogical, 5;

physiological, 4, 101, 122;

race, 6;

social, 6, 200;

variational, 5.

Punishment, effect of, 172.

R.

Race psychology, 6.

Rapport, 161.

Reaction-time experiments, 126.

Reason in animals, 31.

Reasoning, 11, 13, 17.

Recept, the, 41.

Reception, 10.

Re-evolution, 122.

Reflex actions, 57, 105, 53.

Reflex theory of instinct, 30, 34.

Right-handedness, 53, 69.

Rolandic region, 112.

S.

Schools, public, advantages of, 95;

dangers of, 61.

Selection, natural, 31, 202;

organic, 34, 50.

Self-consciousness, 43, 54, 80, 86.

Self-suggestion, 151.

Sensation, 10, 21, 22, 107, 109, 146, 179.

Senses, the, 10, 101, 107, 109.

Sense exaltation, 153.

Sensory period, 167.

Sentiment, 23.

Sexes, difference in mental disposition, 176.

Sight, 10;

experiments on, 132.

Smell, 10.

Social heredity, 200;

social psychology, 6, 200.

Social sense, the, 90.

Somnambulism, 153, 159.

Speech, 75, 79; defects of, 114.

Speech zone, 56, 109, 112.

Spinal cord, 105.

Spiritual healing, 120.

Statistical method of investigation, 143.

Stimulation, artificial, 103.

Subconscious suggestion, 149.

Suggestion, 17, 21, 67, 80, 120, 145, 148, 168, 172.

Suggestion, motor, 80.

T.

Taste, 10.

Temperature sense, 10, 124.

Thought, 9, 11, 12, 21, 23.

Thought-transference, 120.

Touch, 10.

Toxic method, 104.

Tune suggestions, 149.

V.

Variation, 202;

theory of, 30, 218.

Variational psychology, 5.

Vision, 133.

Visual type of mind, 128, 193.

W.

Will, 19, 78;

defects of, 119

Writing, 14, 79.

THE END.

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End of Project Gutenberg's The Story of the Mind, by James Mark Baldwin

The Story of the Mind · 第 10 / 10 章