A sweet disorder in the dress. --Herrick

Once upon a time, many years from now, technology had continued its

remarkable progress to the point that the construction of artificial

people had finally become possible. These humakins, as they were

called, were made so carefully and with such art that no one could

tell the difference between a real human and an artificial

one--except that the artificial ones were flawless. Physically the

humakins were always young, always beautiful, always fresh; they

never had a hair out of place, never a pimple, never a wrinkle,

never a gray hair. Mentally they were always bright, alert, and

smiling; they always got their facts right, and never took a wrong

turn or got lost.

At first the appeal of the humakins was irresistible, and most

humans chose them over other humans for spouses. What human female

could compete with an always slim, beautiful, and lively imitation?

And what human male could compete with an always confident, correct,

and handsome construction? In fact, the word "humakin" quickly

became a synonym for "perfect," as in, "That's a really humakin

car," or "This pie tastes just humakin." At the same time the word

"human" became a term of opprobrium, indicating something defective

or of low quality, as in, "I never shop there because it's such a

human store with human-quality merchandise."

To the consternation of many, however, while the humakins could

construct more of themselves in a factory, the humans could produce

more of themselves only by following the ancient method of their

ancestors, so that the result of the marriages between flesh and

plastic was the eventual decline of the human race.

When about nine tenths of the persons on the planet consisted of the

precisely fabricated humakins and only one tenth of the really

human, quite an odd and unexpected situation arose. It had become

so unusual to see, for example, a woman wearing glasses or a man

with wind-blown hair that such a detail now took on a natural appeal

to some of the other humans.

One bright morning at breakfast in a fancy resort dining room, a

human female, almost as lovely as a humakin, sat chatting with a

humakin male who had condescended to sit with her. Suddenly she

inadvertently spilled a glass of tomato juice onto her white tennis

dress. While her humakin companion predictably stood up and stared

at her with horror, across the room a human male who had just

witnessed the event was so filled with ardor and longing that he

almost broke the table in his rush to get over to her and make her

acquaintance. His excitement to declare his affection left him

without the capacity for coherent speech, so that only tentative and

confused phrases stumbled from his mouth. In the midst of his

babbling, though, he could see, in the welling dew of the woman's

eyes, the tenderness of regard he had inspired.

As other humans, too, began to grow weary of the expectation of

constant perfection in their relationships, scenes similar to this

one began to be repeated with increasing frequency. A loose shoe

lace, a chipped fingernail, a shiny nose--all gradually became

sources of romantic and emotional attraction, and those very

characteristics that had before been viewed as defects soon came to

be seen as emblems of the truly and desirably human, as guarantees

of that unique inner fire that no amount of perfectly crafted

plastic could equal.

The word "human" now began to be associated with the genuine, the

natural--and the beautiful. It became not uncommon to hear a young

lady remark to her admirer as he gently put a flower in her hair,

"Oh, what a human thing of you to do." The word "humakin," on the

other hand, began to imply something slickly unrealistic or

laughably fake and was often pronounced with a sneer.

At length, having rediscovered the amorous appeal of their

distinctives like freckles and missing buttons and the inability to

refold road maps, the humans began to marry each other again. It

wasn't many years before a young pledge of one of these new

relationships was heard to ask in a tone of frustration, "But Mommy,

why must I have a crooked tooth?" To which the mother replied,

"That's so I'll always remember how truly beautiful you really are."

Stories from the Old Attic · 第 35 / 60 题