CHAPTER 3.

A "BLAB SCHOOL" ON KINGDOM COME

Chad was awakened by the touch of a cold nose at his ear, the rasp of a

warm tongue across his face, and the tug of two paws at his cover. "Git

down, Jack!" he said, and Jack, with a whimper of satisfaction, went

back to the fire that was roaring up the chimney, and a deep voice

laughed and called:

"I reckon you better git UP, little man!"

Old Joel was seated at the fire with his huge legs crossed and a pipe

in his mouth. It was before busily astir. There was the sound of

tramping in the frosty air outside and the noise of getting breakfast

ready in the kitchen. As Chad sprang up, he saw Melissa's yellow hair

drop out of sight behind the foot of the bed in the next corner, and he

turned his face quickly, and, slipping behind the foot of his own bed

and into his coat and trousers, was soon at the fire himself, with old

Joel looking him over with shrewd kindliness.

"Yo' dawg's got a heap o' sense," said the old hunter, and Chad told

him how old Jack was, and how a cattle-buyer from the "settlements" of

the Bluegrass had given him to Chad when Jack was badly hurt and his

owner thought he was going to die. And how Chad had nursed him and how

the two had always been together ever since. Through the door of the

kitchen, Chad could see the old mother with her crane and pots and

cooking-pans; outside, he could hear the moo of the old brindle, the

bleat of her calf, the nicker of a horse, one lusty sheep-call, and the

hungry bellow of young cattle at the barn, where Tall Tom was feeding

the stock. Presently Rube stamped in with a back log and Dolph came

through with a milk-pail.

"I can milk," said Chad, eagerly, and Dolph laughed.

"All right, I'll give ye a chance," he said, and old Joel looked

pleased, for it was plain that the little stranger was not going to be

a drone in the household, and, taking his pipe from his mouth but

without turning his head, he called out:

"Git up thar, Melissy."

Getting no answer, he looked around to find Melissa standing at the

foot of the bed.

"Come here to the fire, little gal, nobody's agoin to eat ye."

Melissa came forward, twisting her hands in front of her, and stood,

rubbing one bare foot over the other on the hearth-stones. She turned

her face with a blush when Chad suddenly looked at her, and,

thereafter, the little man gazed steadily into the fire in order to

embarrass her no more.

With the breaking of light over the mountain, breakfast was over and

the work of the day began. Tom was off to help a neighbor "snake" logs

down the mountain and into Kingdom Come, where they would be "rafted"

and floated on down the river to the capital--if a summer tide should

come--to be turned into fine houses for the people of the Bluegrass.

Dolph and Rube disappeared at old Joel's order to "go meet them sheep."

Melissa helped her mother clear away the table and wash the dishes; and

Chad, out of the tail of his eye, saw her surreptitiously feeding

greedy Jack, while old Joel still sat by the fire, smoking silently.

Chad stepped outside. The air was chill, but the mists were rising and

a long band of rich, warm light lay over a sloping spur up the river,

and where this met the blue morning shadows, the dew was beginning to

drip and to sparkle. Chad could nor stand inaction long, and his eye

lighted up when he heard a great bleating at the foot of the spur and

the shouts of men and boys. Just then the old mother called from the

rear of the cabin.

"Joel, them sheep air comin'!"

The big form of the old hunter filled the doorway and Jack bounded out

between his legs, while little Melissa appeared with two books, ready

for school. Down the road came the flock of lean mountain-sheep, Dolph

and Rube driving them. Behind, slouched the Dillon tribe--Daws and

Whizzer and little Tad; Daws's father, old Tad, long, lean, stooping,

crafty: and two new ones cousins to Daws--Jake and Jerry, the giant

twins. "Joel Turner," said old Tad, sourly, "here's yo' sheep!"

Joel had bought the Dillons' sheep and meant to drive them to the

county-seat ten miles down the river. There had evidently been a

disagreement between the two when the trade was made, for Joel pulled

out a gray pouch of coonskin, took from it a roll of bills, and,

without counting them, held them out.

"Tad Dillon," he said, shortly, "here's yo' money!"

The Dillon father gave possession with a gesture and the Dillon

faction, including Whizzer and the giant twins, drew aside

together--the father morose; Daws watching Dolph and Rube with a look

of much meanness; little Tad behind him, watching Chad, his face

screwed up with hate; and Whizzer, pretending not to see Jack, but

darting a surreptitious glance at him now and then, for then and there

was starting a feud that was to run fiercely on, long after the war was

done.

"Git my hoss, Rube," said old Joel, and Rube turned to the stable,

while Dolph kept an eye on the sheep, which were lying on the road or

straggling down the river. As Rube opened the stable-door, a dirty

white object bounded out, and Rube, with a loud curse, tumbled over

backward into the mud, while a fierce old ram dashed with a triumphant

bleat for the open gate. Beelzebub, as the Turner mother had christened

the mischievous brute, had been placed in the wrong stall and Beelzebub

was making for freedom. He gave another triumphant baa as he swept

between Dolph's legs and through the gate, and, with an answering

chorus, the silly sheep sprang to their feet and followed. A sheep

hates water, but not more than he loves a leader, and Beelzebub feared

nothing. Straight for the water of the low ford the old conqueror made

and, in the wake of his masterful summons, the flock swept, like a

Mormon household, after him. Then was there a commotion indeed. Old

Joel shouted and swore; Dolph shouted and swore and Rube shouted and

swore. Old Dillon smiled grimly, Daws and little Tad shouted with

derisive laughter, and the big twins grinned. The mother came to the

door, broom in hand, and, with a frowning face, watched the sheep

splash through the water and into the woods across the river. Little

Melissa looked frightened. Whizzer, losing his head, had run down after

the sheep, barking and hastening their flight, until called back with a

mighty curse from old Joel, while Jack sat on his haunches looking at

Chad and waiting for orders.

"Goddlemighty!" said Joel, "how air we goin' to git them sheep back?"

Up and up rose the bleating and baaing, for Beelzebub, like the prince

of devils that he was, seemed bent on making all the mischief possible.

"How AIR we goin' to git 'em back?"

Chad nodded then, and Jack with an eager yelp made for the

river--Whizzer at his heels. Again old Joel yelled furiously, as did

Dolph and Rube, and Whizzer stopped and turned back with a drooping

tail, but Jack plunged in. He knew but one voice behind him and Chad's

was not in the chorus.

"Call yo' dawg back, boy," said Joel, sternly, and Chad opened his lips

with anything but a call for Jack to come back--it was instead a fine

high yell of encouragement and old Joel was speechless.

"That dawg'll kill them sheep," said Daws Dillon aloud.

Joel's face was red and his eyes rolled.

"Call that damned feist back, I tell ye," he shouted at last. "Hyeh,

Rube, git my gun, git my gun!"

Rube started for the house, but Chad laughed. Jack had reached the

other bank now, and was flashing like a ball of gray light through the

weeds and up into the woods; and Chad slipped down the bank and into

the river, hieing him on excitedly.

Joel was beside himself and he, too, lumbered down to the river,

followed by Dolph, while the Dillons roared from the road.

"Boy!" he roared. "Eh, boy, eh! what's his name, Dolph? Call him back,

Dolph, call the little devil back. If I don't wear him out with a

hickory; holler fer 'em, damn 'em! Heh-o-oo-ee!" The old hunter's

bellow rang through the woods like a dinner-horn. Dolph was shouting,

too, but Jack and Chad seemed to have gone stone-deaf; and Rube, who

had run down with the gun, started with an oath into the river himself,

but Joel halted him.

"Hol'on, hol'on!" he said, listening. "By the eternal, he's a-roundin'

'em up!" The sheep were evidently much scattered, to judge from the

bleating, but here, there, and everywhere, they could hear Jack's bark,

while Chad seemed to have stopped in the woods and, from one place, was

shouting orders to his dog. Plainly, Jack was no sheep-killer and by

and by Dolph and Rube left off shouting, and old Joel's face became

placid and all of them from swearing helplessly fell to waiting

quietly. Soon the bleating became less and less, and began to

concentrate on the mountain-side. Not far below, they could hear Chad:

"Coo-oo-sheep! Coo-oo-sh'p-cooshy-cooshy-coo-oo-sheep!"

The sheep were answering. They were coming down a ravine, and Chad's

voice rang out above:

"Somebody come across, an' stand on each side o' the holler."

Dolph and Rube waded across then, and soon the sheep came crowding down

the narrow ravine with Jack barking behind them and Chad shooing them

down. But for Dolph and Rube, Beelzebub would have led them up or down

the river, and it was hard work to get him into the water until Jack,

who seemed to know what the matter was, sharply nipped several sheep

near him. These sprang violently forward, the whole flock in front

pushed forward, too, and Beelzebub was thrust from the bank. Nothing

else being possible, the old ram settled himself with a snort into the

water and made for the other shore. Chad and Jack followed and, when

they reached the road, Beelzebub was again a prisoner; the sheep,

swollen like sponges, were straggling down the river, and Dillons and

Turners were standing around in silence. Jack shook himself and dropped

panting in the dust at his master's feet, without so much as an upward

glance or a lift of his head for a pat of praise. As old Joel raised

one foot heavily to his stirrup, he grunted, quietly:

"Well, I be damned." And when he was comfortably in his saddle he said

again, with unction:

"I DO be damned. I'll just take that dawg to help drive them sheep down

to town. Come on, boy."

Chad started joyfully, but the old mother called from the door: "Who's

a-goin' to take this gal to school, I'd like to know?"

Old Joel pulled in his horse, straightened one leg, and looked all

around--first at the Dillons, who had started away, then at Dolph and

Rube, who were moving determinedly after the sheep (it was Court Day in

town and they could not miss Court Day), and then at Chad, who halted.

"Boy," he said, "don't you want to go to school--you ought to go to

school?"

"Yes," said Chad, obediently, though the trip to town--and Chad had

never been to a town--was a sore temptation.

"Go on, then, an' tell the teacher I sent ye. Here, Mammy--eh, what's

yo' name, boy? Oh, Mammy--Chad, here 'll take her. Take good keer o'

that gal, boy, an' learn yo' a-b-abs like a man now."

Melissa came shyly forward from the door and Joel whistled to Jack and

called him, but Jack though he liked nothing better than to drive sheep

lay still, looking at Chad.

"Go 'long, Jack," said Chad, and Jack sprang up and was off, though he

stopped again and looked back, and Chad had to tell him again to go on.

In a moment dog, men, and sheep were moving in a cloud of dust around a

bend in the road and little Melissa was at the gate.

"Take good keer of 'Lissy," said the mother from the porch, kindly; and

Chad, curiously touched all at once by the trust shown him, stalked

ahead like a little savage, while Melissa with her basket followed

silently behind. The boy never thought of taking the basket himself:

that is not the way of men with women in the hills and not once did he

look around or speak on the way up the river and past the blacksmith's

shop and the grist-mill just beyond the mouth of Kingdom Come; but when

they arrived at the log school-house it was his turn to be shy and he

hung back to let Melissa go in first. Within, there was no floor but

the bare earth, no window but the cracks between the logs, and no desks

but the flat sides of slabs, held up by wobbling pegs. On one side were

girls in linsey and homespun: some thin, undersized, underfed, and with

weak, dispirited eyes and yellow tousled hair; others, round-faced,

round-eyed, dark, and sturdy; most of them large-waisted and

round-shouldered--especially the older ones--from work in the fields;

but, now and then, one like Melissa, the daughter of a valley farmer,

erect, agile, spirited, intelligent. On the other side were the boys,

in physical characteristics the same and suggesting the same social

divisions: at the top the farmer--now and then a slave-holder and

perhaps of gentle blood--who had dropped by the way on the westward

march of civilization and had cleared some rich river bottom and a

neighboring summit of the mountains, where he sent his sheep and cattle

to graze; where a creek opened into this valley some free-settler,

whose grandfather had fought at King's Mountain--usually of

Scotch-Irish descent, often English, but sometimes German or sometimes

even Huguenot--would have his rude home of logs; under him, and in

wretched cabins at the head of the creek or on the washed spur of the

mountain above, or in some "deadenin"' still higher up and swept by

mists and low-trailing clouds, the poor white trash--worthless

descendants of the servile and sometimes criminal class who might have

traced their origin back to the slums of London; hand-to-mouth tenants

of the valley-aristocrat, hewers of wood for him in the lowlands and

upland guardians of his cattle and sheep. And finally, walking up and

down the earth floor--stern and smooth of face and of a preternatural

dignity hardly to be found elsewhere--the mountain school-master.

It was a "blab school," as the mountaineers characterize a school in

which the pupils study aloud, and the droning chorus as shrill as

locust cries ceased suddenly when Chad came in, and every eye was

turned on him with a sexless gaze of curiosity that made his face

redden and his heart throb. But he forgot them when the school-master

pierced him with eyes that seemed to shoot from under his heavy brows

like a strong light from deep darkness. Chad met them, nor did his chin

droop, and Caleb Hazel saw that the boy's face was frank and honest,

and that his eye was fearless and kind, and, without question, he

motioned to a seat--with one wave of his hand setting Chad on the

corner of a slab and the studious drone to vibrating again. When the

boy ventured to glance around, he saw Daws Dillon in one corner, making

a face at him, and little Tad scowling from behind a book: and on the

other side, among the girls, he saw another hostile face--next little

Melissa which had the pointed chin and the narrow eyes of the "Dillon

breed," as old Joel called the family, whose farm was at the mouth of

Kingdom Come and whose boundary touched his own. When the first morning

recess came, "little recess," as it was called--the master kept Chad in

and asked him his name; if he had ever been to school, and whether he

knew his A B C's; and he showed no surprise when Chad, without shame,

told him no. So the master got Melissa's spelling-book and pointed out

the first seven letters of the alphabet, and made Chad repeat them

three times--watching the boy's earnest, wrinkling brow closely and

with growing interest. When school "took up" again, Chad was told to

say them aloud in concert with the others--which he did, until he could

repeat them without looking at his book, and the master saw him thus

saying them while his eyes roved around the room, and he nodded to

himself with satisfaction--for he was accustomed to visible communion

with himself, in school and out. At noon--"big recess" Melissa gave

Chad some corn-bread and bacon, and the boys gathered around him, while

the girls looked at him curiously, merely because he was a stranger,

and some of them--especially the Dillon girl--whispered, and Chad

blushed and was uncomfortable, for once the Dillon girl laughed

unkindly. The boys had no games, but they jumped and threw "rocks" with

great accuracy at a little birch-tree, and Daws and Tad always spat on

their stones and pointed with the forefinger of the left hand first at

what they were going to throw at, while Chad sat to one side and took

no part, though he longed to show them what he could do. By and by they

fell to wrestling, and finally Tad bantered him for a trial. Chad

hesitated, and his late enemy misunderstood.

"I'll give ye both underholts agin," he said, loftily, "you're afeerd!"

This was too much, and Chad sprang to his feet and grappled, disdaining

the proffered advantage, and got hurled to the ground, his head

striking the earth violently, and making him so dizzy that the brave

smile with which he took his fall looked rather sickly and pathetic.

"Yes, an' Whizzer can whoop yo' dawg, too," said Tad, and Chad saw that

he was going to have trouble with those Dillons, for Daws winked at the

other boys, and the Dillon girl laughed again scornfully--at which Chad

saw Melissa's eyes flash and her hands clinch as, quite unconsciously,

she moved toward him to take his part; and all at once he was glad that

he had nobody else to champion him.

"You wouldn' dare tech him if one of my brothers was here," she said,

indignantly, "an' don t you dare tech him again, Tad Dillon. An' you--"

she said, witheringly, "you--" she repeated and stopped helpless for

the want of words but her eyes spoke with the fierce authority of the

Turner clan, and its dominant power for half a century, and Nancy

Dillon shrank, though she turned and made a spiteful face, when Melissa

walked toward the school-house alone.

That afternoon was the longest of Chad's life--it seemed as though it

would never come to an end; for Chad had never sat so still for so

long. His throat got dry repeating the dreary round of letters over and

over and his head ached and he fidgeted in his chair while the slow

hours passed and the sun went down behind the mountain and left the

school-house in rapidly cooling shadow. His heart leaped when the last

class was heard and the signal was given that meant freedom for the

little prisoners; but Melissa sat pouting in her seat--she had missed

her lesson and must be kept in for a while. So Chad, too, kept his seat

and the master heard him say his letters, without the book, and nodded

his head as though to say to himself that such quickness was exactly

what he had looked for. By the time Chad had learned down to the letter

O, Melissa was ready, for she was quick, too, and it was her anger that

made her miss--and the two started home, Chad stalking ahead once more.

To save him, he could not say a word of thanks, but how he wished that

a bear or a wild-cat would spring into the road! He would fight it with

teeth and naked hands to show her how he felt and to save her from harm.

The sunlight still lay warm and yellow far under the crest of Pine

Mountain, and they had not gone far when Caleb Hazel overtook them and

with long strides forged ahead. The school-master "boarded around" and

it was his week with the Turners, and Chad was glad, for he already

loved the tall, gaunt, awkward man who asked him question after

question so kindly--loved him as much as he revered and feared him--and

the boy's artless, sturdy answers in turn pleased Caleb Hazel. And when

Chad told who had given him Jack, the master began to talk about the

faraway, curious country of which the cattle-dealer had told Chad so

much: where the land was level and there were no mountains at all;

where on one farm might be more sheep, cattle, and slaves than Chad had

seen in all his life; where the people lived in big houses of stone and

brick--what brick was Chad could not imagine--and rode along hard,

white roads in shiny covered wagons, with two "niggers" on a high seat

in front and one little "nigger" behind to open gates, and were proud

and very high-heeled indeed; where there were towns that had more

people than a whole county in the mountains, with rock roads running

through them in every direction and narrow rock paths along these

roads--like rows of hearth-stones--for the people to walk on--the land

of the bluegrass--the "settlemints of old Kaintuck."

And there were churches everywhere as tall as trees and school-houses

a-plenty; and big schools, called colleges, to which the boys went when

they were through with the little schools. The master had gone to one

of these colleges for a year, and he was trying to make enough money to

go again. And Chad must go some day, too; there was no reason why he

shouldn't, since any boy could do anything he pleased if he only made

up his mind and worked hard and never gave up. The master was an

orphan, too, he said with a slow smile; he had been an orphan for a

long while, and indeed the lonely struggle of his own boyhood was what

was helping to draw him to Chad. This college, he said, was a huge

brown house as big as a cliff that the master pointed out, that, gray

and solemn, towered high above the river; and with a rock porch bigger

than a great bowlder that hung just under the cliff, with twenty long,

long stone steps to climb before one came to the big double front door.

"How do you git thar?" Chad asked so breathlessly that Melissa looked

quickly up with a sudden foreboding that she might lose her little

playfellow some day. The master had walked, and it took him a week. A

good horse could make the trip in four days, and the river-men floated

logs down the river to the capital in eight or ten days, according to

the "tide." "When did they go?" In the spring, when the 'tides' came.

"The Turners went down, didn't they, Melissa?" And Melissa said that

her brother Tom had made one trip, and that Dolph and Rube were "might'

nigh crazy" to go that coming spring; and, thereupon, a mighty

resolution filled Chad's heart to the brim and steadied his eyes, but

he did not open his lips then.

Dusk was settling when the Turner cabin came in sight. None of the

men-folks had come home yet, and the mother was worried; there was wood

to cut and the cows to milk, and Chad's friend, old Betsey the brindle,

had strayed off again; but she was glad to see Caleb Hazel, who,

without a word, went out to the wood-pile, took off his coat, and swung

the axe with mighty arms, while Chad carried in the wood and piled it

in the kitchen and then the two went after the old brindle together.

When they got back there was a great tumult at the cabin. Tom had

brought some friends from over the mountain, and had told the neighbors

as he came along that there was going to be a party at his house that

night.

So there was a great bustle about the barn where Rube was getting the

stock fed and the milking done; and around the kitchen, where Dolph was

cutting more wood and piling it up at the door. Inside, the mother was

hurrying up supper with Sintha, an older daughter, who had just come

home from a visit, and Melissa helping her, while old Joel sat by the

fire in the sleeping-room and smoked, with Jack lying on the hearth, or

anywhere he pleased, for Jack, with his gentle ways, was winning the

household one by one. He sprang up when he heard Chad's voice, and flew

at him, jumping up and pawing him affectionately and licking his face

while Chad hugged him and talked to him as though he were human and a

brother; never before had the two been separated for a day. So, while

the master helped Rube at the barn and Chad helped Dolph at the

wood-pile, Jack hung about his master--tired and hungry as he was and

much as he wanted to be by the fire or waiting in the kitchen for a sly

bit from Melissa, whom he knew at once as the best of his new friends.

After supper, Dolph got out his banjo and played "Shady Grove," and

"Blind Coon Dog," and "Sugar Hill," and "Gamblin' Man," while Chad's

eyes glistened and his feet shuffled under his chair. And when Dolph

put the rude thing down on the bed and went into the kitchen, Chad

edged toward it and, while old Joel was bragging about Jack to the

school-master, he took hold of it with trembling fingers and touched

the strings timidly. Then he looked around cautiously: nobody was

paying any attention to him and he took it up into his lap and began to

pick, ever so softly. Nobody saw him but Melissa, who slipped quietly

to the back of the room and drew near him. Softly and swiftly Chad's

fingers worked and Melissa could scarcely hear the sound of the banjo

under her father's loud voice, but she could make out that he was

playing a tune that still vibrates unceasingly from the Pennsylvania

border to the pine-covered hills of Georgia--"Sourwood Mountain."

Melissa held her breath while she listened--Dolph could not play like

that--and by and by she slipped quietly to her father and pulled his

sleeve and pointed to Chad. Old Joel stopped talking, but Chad never

noticed; his head was bent over the neck of the banjo, his body was

swaying rhythmically, his chubby fingers were going like lightning, and

his eyes were closed--the boy was fairly lost to the world. The tune

came out in the sudden silence, clean-cut and swinging:

Heh-o-dee-um-dee-eedle-dahdee-dee!

rang the strings and old Joel's eyes danced.

"Sing it, boy!" he roared, "sing it!" And Chad sprang from the bed, on

fire with confusion and twisting his fingers helplessly. He looked

almost frightened when Dolph ran back into the room and cried:

"Who was that a-pickin' that banjer?"

It was not often that Dolph showed such excitement, but he had good

cause, and, when he saw Chad standing, shamefaced and bashful, in the

middle of the floor, and Melissa joyously pointing her finger at him,

he caught up the banjo from the bed and put it into the boy's hands.

"Here, you just play that tune agin!"

Chad shrank back, half distressed and half happy, and only a hail

outside from the first of the coming guests saved him from utter

confusion. Once started, they came swiftly, and in half an hour all

were there. Each got a hearty welcome from old Joel, who, with a wink

and a laugh and a nod to the old mother, gave a hearty squeeze to some

buxom girl, while the fire roared a heartier welcome still. Then was

there a dance indeed--no soft swish of lace and muslin, but the active

swing of linsey and simple homespun; no French fiddler's bows and

scrapings, no intricate lancers, no languid waltz; but neat shuffling

forward and back, with every note of the music beat; floor-thumping

"cuttings of the pigeon's wing," and jolly jigs, two by two, and a

great "swinging of corners," and "caging the bird," and "fust lady to

the right CHEAT an' swing"; no flirting from behind fans and under

stairways and little nooks, but honest, open courtship--strong arms

about healthy waists, and a kiss taken now and then, with everybody to

see and nobody to care who saw. If a chair was lacking, a pair of

brawny knees made one chair serve for two, but never, if you please,

for two men. Rude, rough, semi-barbarous, if you will, but simple,

natural, honest, sane, earthy--and of the earth whence springs the oak

and in time, maybe, the flower of civilization.

At the first pause in the dance, old Joel called loudly for Chad. The

boy tried to slip out of the door, but Dolph seized him and pulled him

to a chair in the corner and put the banjo in his hands. Everybody

looked on with curiosity at first, and for a little while Chad

suffered; but when the dance turned attention from him, he forgot

himself again and made the old thing hum with all the rousing tunes

that had ever swept its string. When he stopped at last, to wipe the

perspiration from his face, he noticed for the first time the

school-master, who was yet divided between the church and the law,

standing at the door, silent, grave, disapproving. And he was not alone

in his condemnation; in many a cabin up and down the river, stern talk

was going on against the ungodly 'carryings on,' under the Turner roof,

and, far from accepting them as proofs of a better birth and broader

social ideas, these Calvinists of the hills set the merry-makers down

as the special prey of the devil, and the dance and the banjo as sly

plots of the same to draw their souls to hell.

Chad felt the master's look, and he did not begin playing again, but

put the banjo down by his chair and the dance came to an end. Once more

Chad saw the master look, this time at Sintha, who was leaning against

the wall with a sturdy youth in a fringed hunting-shirt bending over

her--his elbow against a log directly over her shoulder, Sintha saw the

look, too, and she answered with a little toss of her head, but when

Caleb Hazel turned to go out the door, Chad saw that the girl's eyes

followed him. A little later, Chad went out too, and found the master

at the corner of the fence and looking at a low red star whose rich,

peaceful light came through a gap in the hills. Chad shyly drew near

him, hoping in some way to get a kindly word, but the master was so

absorbed that he did not see or hear the boy and Chad, awed by the

stern, solemn face, withdrew and, without a word to anybody, climbed

into the loft and went to bed. He could hear every stroke on the floor

below, every call of the prompter, and the rude laughter and banter,

but he gave little heed to it all. For he lay thinking of Caleb Hazel

and listening again to the stories he and the cattle-dealer had told

him about the wonderful settlements. "God's Country," the dealer always

called it, and such it must be, if what he and the master said was

true. By and by the steady beat of feet under him, the swift notes of

the banjo, the calls of the prompter and the laughter fused, became

inarticulate, distant--ceased. And Chad, as he was wont to do,

journeyed on to "God's Country" in his dreams.

The Little Shepherd of Kingdom Come · 第 3 / 31 章