Ferris made no answer, and Don Ippolito resumed:--

“I have told you how when I first owned to her the falsehood in which

I lived, she besought me to try if I might not find consolation in the

holy life to which I had been devoted. When you see her, dear friend,

will you not tell her that I came to understand that this comfort, this

refuge, awaited me in the cell of the Carmelite? I have brought so much

trouble into her life that I would fain have her know I have found

peace where she bade me seek it, that I have mastered my affliction by

reconciling myself to it. Tell her that but for her pity and fear for

me, I believe that I must have died in my sins.”

It was perhaps inevitable from Ferris’s Protestant association of monks

and convents and penances chiefly with the machinery of fiction, that

all this affected him as unreally as talk in a stage-play. His heart was

cold, as he answered: “I am glad that your mind is at rest concerning

the doubts which so long troubled you. Not all men are so easily

pacified; but, as you say, it is the privilege of your church to work

miracles. As to Miss Vervain, I am sorry that I cannot promise to give

her your message. I shall never see her again. Excuse me,” he continued,

“but your servant said there was something you wished to say that

concerned me?”

“You will never see her again!” cried the priest, struggling to lift

himself upon his elbow and falling back upon the pillow. “Oh, bereft!

Oh, deaf and blind! It was _you_ that she loved! She confessed it to me

that night.”

“Wait!” said Ferris, trying to steady his voice, and failing; “I was

with Mrs. Vervain that night; she sent me into the garden to call her

daughter, and I saw how Miss Vervain parted from the man she did not

love! I saw”....

It was a horrible thing to have said it, he felt now that he had spoken;

a sense of the indelicacy, the shamefulness, seemed to alienate him from

all high concern in the matter, and to leave him a mere self-convicted

eavesdropper. His face flamed; the wavering hopes, the wavering doubts

alike died in his heart. He had fallen below the dignity of his own

trouble.

“You saw, you saw,” softly repeated the priest, without looking at him,

and without any show of emotion; apparently, the convalescence that had

brought him perfect clearness of reason had left his sensibilities still

somewhat dulled. He closed his lips and lay silent. At last, he asked

very gently, “And how shall I make you believe that what you saw was not

a woman’s love, but an angel’s heavenly pity for me? Does it seem hard

to believe this of her?”

“Yes,” answered the painter doggedly, “it is hard.”

“And yet it is the very truth. Oh, you do not know her, you never knew

her! In the same moment that she denied me her love, she divined the

anguish of my soul, and with that embrace she sought to console me for

the friendlessness of a whole life, past and to come. But I know that I

waste my words on you,” he cried bitterly. “You never would see me as I

was; you would find no singleness in me, and yet I had a heart as full

of loyalty to you as love for her. In what have I been false to you?”

“You never were false to me,” answered Ferris, “and God knows I have

been true to you, and at what cost. We might well curse the day we met,

Don Ippolito, for we have only done each other harm. But I never meant

you harm. And now I ask you to forgive me if I cannot believe you. I

cannot--yet. I am of another race from you, slow to suspect, slow to

trust. Give me a little time; let me see you again. I want to go away

and think. I don’t question your truth. I’m afraid you don’t know. I’m

afraid that the same deceit has tricked us both. I must come to you

to-morrow. Can I?”

He rose and stood beside the couch.

“Surely, surely,” answered the priest, looking into Ferris’s troubled

eyes with calm meekness. “You will do me the greatest pleasure. Yes,

come again to-morrow. You know,” he said with a sad smile, referring to

his purpose of taking vows, “that my time in the world is short. Adieu,

to meet again!”

He took Ferris’s hand, hanging weak and hot by his side, and drew him

gently down by it, and kissed him on either bearded cheek. “It is our

custom, you know, among _friends_. Farewell.”

The canonico in the anteroom bowed austerely to him as he passed

through; the old woman refused with a harsh “Nothing!” the money he

offered her at the door.

He bitterly upbraided himself for the doubts he could not banish, and he

still flushed with shame that he should have declared his knowledge of a

scene which ought, at its worst, to have been inviolable by his speech.

He scarcely cared now for the woman about whom these miseries grouped

themselves; he realized that a fantastic remorse may be stronger than a

jealous love.

He longed for the morrow to come, that he might confess his shame and

regret; but a reaction to this violent repentance came before the night

fell. As the sound of the priest’s voice and the sight of his wasted

face faded from the painter’s sense, he began to see everything in the

old light again. Then what Don Ippolito had said took a character of

ludicrous, of insolent improbability.

After dark, Ferris set out upon one of his long, rambling walks. He

walked hard and fast, to try if he might not still, by mere fatigue of

body, the anguish that filled his soul. But whichever way he went

he came again and again to the house of Don Ippolito, and at last he

stopped there, leaning against the parapet of the quay, and staring at

the house, as though he would spell from the senseless stones the truth

of the secret they sheltered. Far up in the chamber, where he knew that

the priest lay, the windows were dimly lit.

As he stood thus, with his upturned face haggard in the moonlight, the

soldier commanding the Austrian patrol which passed that way halted his

squad, and seemed about to ask him what he wanted there.

Ferris turned and walked swiftly homeward; but he did not even lie down.

His misery took the shape of an intent that would not suffer him to

rest. He meant to go to Don Ippolito and tell him that his story had

failed of its effect, that he was not to be fooled so easily, and,

without demanding anything further, to leave him in his lie.

At the earliest hour when he might hope to be admitted, he went, and

rang the bell furiously. The door opened, and he confronted the priest’s

servant. “I want to see Don Ippolito,” said Ferris abruptly.

“It cannot be,” she began.

“I tell you I must,” cried Ferris, raising his voice. “I tell you.”....

“Madman!” fiercely whispered the old woman, shaking both her open hands

in his face, “he’s dead! He died last night!”

A Foregone Conclusion · 第 23 / 25 题