III.

Don Ippolito had slept upon his interview with Ferris, and now sat in

his laboratory, amidst the many witnesses of his inventive industry,

with the model of the breech-loading cannon on the workbench before him.

He had neatly mounted it on wheels, that its completeness might do him

the greater credit with the consul when he should show it him, but the

carriage had been broken in his pocket, on the way home, by an unlucky

thrust from the burden of a porter, and the poor toy lay there disabled,

as if to dramatize that premature explosion in the secret chamber.

His heart was in these inventions of his, which had as yet so grudgingly

repaid his affection. For their sake he had stinted himself of many

needful things. The meagre stipend which he received from the patrimony

of his church, eked out with the money paid him for baptisms, funerals,

and marriages, and for masses by people who had friends to be prayed out

of purgatory, would at best have barely sufficed to support him; but

he denied himself everything save the necessary decorums of dress and

lodging; he fasted like a saint, and slept hard as a hermit, that he

might spend upon these ungrateful creatures of his brain. They were

the work of his own hands, and so he saved the expense of their

construction; but there were many little outlays for materials and for

tools, which he could not avoid, and with him a little was all. They not

only famished him; they isolated him. His superiors in the church, and

his brother priests, looked with doubt or ridicule upon the labors for

which he shunned their company, while he gave up the other social joys,

few and small, which a priest might know in the Venice of that day, when

all generous spirits regarded him with suspicion for his cloth’s sake,

and church and state were alert to detect disaffection or indifference

in him. But bearing these things willingly, and living as frugally as

he might, he had still not enough, and he had been fain to assume the

instruction of a young girl of old and noble family in certain branches

of polite learning which a young lady of that sort might fitly know.

The family was not so rich as it was old and noble, and Don Ippolito was

paid from its purse rather than its pride. But the slender salary was a

help; these patricians were very good to him; many a time he dined with

them, and so spared the cost of his own pottage at home; they always

gave him coffee when he came, and that was a saving; at the proper

seasons little presents from them were not wanting. In a word, his

condition was not privation. He did his duty as a teacher faithfully,

and the only trouble with it was that the young girl was growing into

a young woman, and that he could not go on teaching her forever. In an

evil hour, as it seemed to Don Ippolito, that made the years she had

been his pupil shrivel to a mere pinch of time, there came from a young

count of the Friuli, visiting Venice, an offer of marriage; and Don

Ippolito lost his place. It was hard, but he bade himself have patience;

and he composed an ode for the nuptials of his late pupil, which,

together with a brief sketch of her ancestral history, he had elegantly

printed, according to the Italian usage, and distributed among the

family friends; he also made a sonnet to the bridegroom, and these

literary tributes were handsomely acknowledged.

He managed a whole year upon the proceeds, and kept a cheerful spirit

till the last soldo was spent, inventing one thing after another, and

giving much time and money to a new principle of steam propulsion,

which, as applied without steam to a small boat on the canal before

his door, failed to work, though it had no logical excuse for its

delinquency. He tried to get other pupils, but he got none, and he

began to dream of going to America. He pinned his faith in all sorts of

magnificent possibilities to the names of Franklin, Fulton, and Morse;

he was so ignorant of our politics and geography as to suppose us at

war with the South American Spaniards, but he knew that English was the

language of the North, and he applied himself to the study of it. Heaven

only knows what kind of inventor’s Utopia, our poor, patent-ridden

country appeared to him in these dreams of his, and I can but dimly

figure it to myself. But he might very naturally desire to come to a

land where the spirit of invention is recognized and fostered, and where

he could hope to find that comfort of incentive and companionship which

our artists find in Italy.

The idea of the breech-loading cannon had occurred to him suddenly one

day, in one of his New-World-ward reveries, and he had made haste

to realize it, carefully studying the form and general effect of the

Austrian cannon under the gallery of the Ducal Palace, to the high

embarrassment of the Croat sentry who paced up and down there, and who

did not feel free to order off a priest as he would a civilian. Don

Ippolito’s model was of admirable finish; he even painted the carriage

yellow and black, because that of the original was so, and colored the

piece to look like brass; and he lost a day while the paint was drying,

after he was otherwise ready to show it to the consul.

He had parted from Ferris with some gleams of comfort, caught chiefly

from his kindly manner, but they had died away before nightfall, and

this morning he could not rekindle them.

He had had his coffee served to him on the bench, as his frequent

custom was, but it stood untasted in the little copper pot beside the

dismounted cannon, though it was now ten o’clock, and it was full time

he had breakfasted, for he had risen early to perform the matin service

for three peasant women, two beggars, a cat, and a paralytic nobleman,

in the ancient and beautiful church to which he was attached. He had

tried to go about his wonted occupations, but he was still sitting idle

before his bench, while his servant gossiped from her balcony to the

mistress of the next house, across a calle so deep and narrow that it

opened like a mountain chasm beneath them. “It were well if the master

read his breviary a little more, instead of always maddening himself

with those blessed inventions, that eat more soldi than a Christian, and

never come to anything. There he sits before his table, as if he were

nailed to his chair, and lets his coffee cool--and God knows I was ready

to drink it warm two hours ago--and never looks at me if I open the door

twenty times to see whether he has finished. Holy patience! You have not

even the advantage of fasting to the glory of God in this house, though

you keep Lent the year round. It’s the Devil’s Lent, _I_ say. Eh, Diana!

There goes the bell. Who now? Adieu, Lusetta. To meet again, dear.

Farewell!”

She ran to another window, and admitted the visitor. It was Ferris, and

she went to announce him to her master by the title he had given,

while he amused his leisure in the darkness below by falling over a

cistern-top, with a loud clattering of his cane on the copper lid, after

which he heard the voice of the priest begging him to remain at

his convenience a moment till he could descend and show him the way

upstairs. His eyes were not yet used to the obscurity of the narrow

entry in which he stood, when he felt a cold hand laid on his, and

passively yielded himself to its guidance. He tried to excuse himself

for intruding upon Don Ippolito so soon, but the priest in far suppler

Italian overwhelmed him with lamentations that he should be so unworthy

the honor done him, and ushered his guest into his apartment. He plainly

took it for granted that Ferris had come to see his inventions, in

compliance with the invitation he had given him the day before, and

he made no affectation of delay, though after the excitement of the

greetings was past, it was with a quiet dejection that he rose and

offered to lead his visitor to his laboratory.

The whole place was an outgrowth of himself; it was his history as

well as his character. It recorded his quaint and childish tastes, his

restless endeavors, his partial and halting successes. The ante-room in

which he had paused with Ferris was painted to look like a grape-arbor,

where the vines sprang from the floor, and flourishing up the trellised

walls, with many a wanton tendril and flaunting leaf, displayed their

lavish clusters of white and purple all over the ceiling. It touched

Ferris, when Don Ippolito confessed that this decoration had been the

distraction of his own vacant moments, to find that it was like certain

grape-arbors he had seen in remote corners of Venice before the doors

of degenerate palaces, or forming the entrances of open-air restaurants,

and did not seem at all to have been studied from grape-arbors in the

country. He perceived the archaic striving for exact truth, and he

successfully praised the mechanical skill and love of reality with which

it was done; but he was silenced by a collection of paintings in Don

Ippolito’s parlor, where he had been made to sit down a moment. Hard

they were in line, fixed in expression, and opaque in color, these

copies of famous masterpieces,--saints of either sex, ascensions,

assumptions, martyrdoms, and what not,--and they were not quite

comprehensible till Don Ippolito explained that he had made them from

such prints of the subjects as he could get, and had colored them after

his own fancy. All this, in a city whose art had been the glory of

the world for nigh half a thousand years, struck Ferris as yet more

comically pathetic than the frescoed grape-arbor; he stared about him

for some sort of escape from the pictures, and his eye fell upon a piano

and a melodeon placed end to end in a right angle. Don Ippolito, seeing

his look of inquiry, sat down and briefly played the same air with a

hand upon each instrument.

Ferris smiled. “Don Ippolito, you are another Da Vinci, a universal

genius.”

“Bagatelles, bagatelles,” said the priest pensively; but he rose with

greater spirit than he had yet shown, and preceded the consul into

the little room that served him for a smithy. It seemed from some

peculiarities of shape to have once been an oratory, but it was now

begrimed with smoke and dust from the forge which Don Ippolito had set

up in it; the embers of a recent fire, the bellows, the pincers, the

hammers, and the other implements of the trade, gave it a sinister

effect, as if the place of prayer had been invaded by mocking imps, or

as if some hapless mortal in contract with the evil powers were here

searching, by the help of the adversary, for the forbidden secrets of

the metals and of fire. In those days, Ferris was an uncompromising

enemy of the theatricalization of Italy, or indeed of anything; but the

fancy of the black-robed young priest at work in this place appealed to

him all the more potently because of the sort of tragic innocence which

seemed to characterize Don Ippolito’s expression. He longed intensely

to sketch the picture then and there, but he had strength to rebuke the

fancy as something that could not make itself intelligible without the

help of such accessories as he despised, and he victoriously followed

the priest into his larger workshop, where his inventions, complete and

incomplete, were stored, and where he had been seated when his visitor

arrived. The high windows and the frescoed ceiling were festooned with

dusty cobwebs; litter of shavings and whittlings strewed the floor;

mechanical implements and contrivances were everywhere, and Don

Ippolito’s listlessness seemed to return upon him again at the sight

of the familiar disorder. Conspicuous among other objects lay the

illogically unsuccessful model of the new principle of steam propulsion,

untouched since the day when he had lifted it out of the canal and

carried it indoors through the ranks of grinning spectators. From a

shelf above it he took down models of a flying-machine and a perpetual

motion. “Fantastic researches in the impossible. I never expected

results from these experiments, with which I nevertheless once pleased

myself,” he said, and turned impatiently to various pieces of portable

furniture, chairs, tables, bedsteads, which by folding up their legs

and tops condensed themselves into flat boxes, developing handles at the

side for convenience in carrying. They were painted and varnished, and

were in all respects complete; they had indeed won favorable mention

at an exposition of the Provincial Society of Arts and Industries, and

Ferris could applaud their ingenuity sincerely, though he had his tacit

doubts of their usefulness. He fell silent again when Don Ippolito

called his notice to a photographic camera, so contrived with straps and

springs that you could snatch by its help whatever joy there might be

in taking your own photograph; and he did not know what to say of a

submarine boat, a four-wheeled water-velocipede, a movable bridge, or

the very many other principles and ideas to which Don Ippolito’s cunning

hand had given shape, more or less imperfect. It seemed to him that

they all, however perfect or imperfect, had some fatal defect: they were

aspirations toward the impossible, or realizations of the trivial and

superfluous. Yet, for all this, they strongly appealed to the painter

as the stunted fruit of a talent denied opportunity, instruction, and

sympathy. As he looked from them at last to the questioning face of the

priest, and considered out of what disheartened and solitary patience

they must have come in this city,--dead hundreds of years to all such

endeavor,--he could not utter some glib phrases of compliment that

he had on his tongue. If Don Ippolito had been taken young, he might

perhaps have amounted to something, though this was questionable; but at

thirty--as he looked now,--with his undisciplined purposes, and his head

full of vagaries of which these things were the tangible witness....

Ferris let his eyes drop again. They fell upon the ruin of the

breech-loading cannon, and he said, “Don Ippolito, it’s very good of

you to take the trouble of showing me these matters, and I hope you’ll

pardon the ungrateful return, if I cannot offer any definite opinion of

them now. They are rather out of my way, I confess. I wish with all

my heart I could order an experimental, life-size copy of your

breech-loading cannon here, for trial by my government, but I can’t;

and to tell you the truth, it was not altogether the wish to see these

inventions of yours that brought me here to-day.”

“Oh,” said Don Ippolito, with a mortified air, “I am afraid that I have

wearied the Signor Console.”

“Not at all, not at all,” Ferris made haste to answer, with a frown at

his own awkwardness. “But your speaking English yesterday; ...

perhaps what I was thinking of is quite foreign to your tastes and

possibilities.”... He hesitated with a look of perplexity, while Don

Ippolito stood before him in an attitude of expectation, pressing the

points of his fingers together, and looking curiously into his face.

“The case is this,” resumed Ferris desperately. “There are two American

ladies, friends of mine, sojourning in Venice, who expect to be here

till midsummer. They are mother and daughter, and the young lady wants

to read and speak Italian with somebody a few hours each day. The

question is whether it is quite out of your way or not to give her

lessons of this kind. I ask it quite at a venture. I suppose no harm

is done, at any rate,” and he looked at Don Ippolito with apologetic

perturbation.

“No,” said the priest, “there is no harm. On the contrary, I am at this

moment in a position to consider it a great favor that you do me in

offering me this employment. I accept it with the greatest pleasure.

Oh!” he cried, breaking by a sudden impulse from the composure with

which he had begun to speak, “you don’t know what you do for me; you

lift me out of despair. Before you came, I had reached one of those

passes that seem the last bound of endeavor. But you give me new life.

Now I can go on with my experiment. I can attest my gratitude by

possessing your native country of the weapon I had designed for it--I am

sure of the principle: some slight improvement, perhaps the use of some

different explosive, would get over that difficulty you suggested,” he

said eagerly. “Yes, something can be done. God bless you, my dear little

son--I mean--perdoni!--my dear sir.”...

“Wait--not so fast,” said Ferris with a laugh, yet a little annoyed that

a question so purely tentative as his should have met at once such a

definite response. “Are you quite sure you can do what they want?” He

unfolded to him, as fully as he understood it, Mrs. Vervain’s scheme.

Don Ippolito entered into it with perfect intelligence. He said that he

had already had charge of the education of a young girl of noble family,

and he could therefore the more confidently hope to be useful to this

American lady. A light of joyful hope shone in his dreamy eyes, the

whole man changed, he assumed the hospitable and caressing host. He

conducted Ferris back to his parlor, and making him sit upon the hard

sofa that was his hard bed by night, he summoned his servant, and bade

her serve them coffee. She closed her lips firmly, and waved her finger

before her face, to signify that there was no more coffee. Then he

bade her fetch it from the caffè: and he listened with a sort of rapt

inattention while Ferris again returned to the subject and explained

that he had approached him without first informing the ladies, and that

he must regard nothing as final. It was at this point that Don Ippolito,

who had understood so clearly what Mrs. Vervain wanted, appeared a

little slow to understand; and Ferris had a doubt whether it was from

subtlety or from simplicity that the priest seemed not to comprehend

the impulse on which he had acted. He finished his coffee in this

perplexity, and when he rose to go, Don Ippolito followed him down to

the street-door, and preserved him from a second encounter with the

cistern-top.

“But, Don Ippolito--remember! I make no engagement for the ladies, whom

you must see before anything is settled,” said Ferris.

“Surely,--surely!” answered the priest, and he remained smiling at the

door till the American turned the next corner. Then he went back to his

work-room, and took up the broken model from the bench. But he could not

work at it now, he could not work at anything; he began to walk up and

down the floor.

“Could he really have been so stupid because his mind was on his

ridiculous cannon?” wondered Ferris as he sauntered frowning away; and

he tried to prepare his own mind for his meeting with the Vervains, to

whom he must now go at once. He felt abused and victimized. Yet it was

an amusing experience, and he found himself able to interest both of

the ladies in it. The younger had received him as coldly as the forms

of greeting would allow; but as he talked she drew nearer him with a

reluctant haughtiness which he noted. He turned the more conspicuously

towards Mrs. Vervain. “Well, to make a long story short,” he said, “I

couldn’t discourage Don Ippolito. He refused to be dismayed--as I should

have been at the notion of teaching Miss Vervain. I didn’t arrange

with him not to fall in love with her as his secular predecessors have

done--it seemed superfluous. But you can mention it to him if you like.

In fact,” said Ferris, suddenly addressing the daughter, “you might make

the stipulation yourself, Miss Vervain.”

She looked at him a moment with a sort of defenseless pain that made him

ashamed; and then walked away from him towards the window, with a frank

resentment that made him smile, as he continued, “But I suppose you

would like to have some explanation of my motive in precipitating Don

Ippolito upon you in this way, when I told you only yesterday that he

wouldn’t do at all; in fact I think myself that I’ve behaved rather

fickle-mindedly--for a representative of the country. But I’ll tell you;

and you won’t be surprised to learn that I acted from mixed motives. I’m

not at all sure that he’ll do; I’ve had awful misgivings about it since

I left him, and I’m glad of the chance to make a clean breast of it.

When I came to think the matter over last night, the fact that he

had taught himself English--with the help of an Irishman for the

pronunciation--seemed to promise that he’d have the right sort of

sympathy with your scheme, and it showed that he must have something

practical about him, too. And here’s where the selfish admixture comes

in. I didn’t have your interests solely in mind when I went to see Don

Ippolito. I hadn’t been able to get rid of him; he stuck in my thought.

I fancied he might be glad of the pay of a teacher, and--I had half a

notion to ask him to let me paint him. It was an even chance whether I

should try to secure him for Miss Vervain, or for Art--as they call it.

Miss Vervain won because she could pay him, and I didn’t see how Art

could. I can bring him round any time; and that’s the whole inconsequent

business. My consolation is that I’ve left you perfectly free. There’s

nothing decided.”

“Thanks,” said Mrs. Vervain; “then it’s all settled. You can bring him

as soon as you like, to our new place. We’ve taken that apartment we

looked at the other day, and we’re going into it this afternoon. Here’s

the landlord’s letter,” she added, drawing a paper out of her pocket.

“If he’s cheated us, I suppose you can see justice done. I didn’t want

to trouble you before.”

“You’re a woman of business, Mrs. Vervain,” said Ferris. “The man’s a

perfect Jew--or a perfect Christian, one ought to say in Venice; we true

believers do gouge so much, more infamously here--and you let him get

you in black and white before you come to me. Well,” he continued, as

he glanced at the paper, “you’ve done it! He makes you pay one half too

much. However, it’s cheap enough; twice as cheap as your hotel.”

“But I don’t care for cheapness. I hate to be imposed upon. What’s to be

done about it?”

“Nothing; if he has your letter as you have his. It’s a bargain, and you

must stand to it.”

“A bargain? Oh nonsense, now, Mr. Ferris. This is merely a note of

mutual understanding.”

“Yes, that’s one way of looking at it. The Civil Tribunal would call

it a binding agreement of the closest tenure,--if you want to go to law

about it.”

“I _will_ go to law about it.”

“Oh no, you won’t--unless you mean to spend your remaining days and all

your substance in Venice. Come, you haven’t done so badly, Mrs. Vervain.

I don’t call four rooms, completely furnished for housekeeping, with

that lovely garden, at all dear at eleven francs a day. Besides, the

landlord is a man of excellent feeling, sympathetic and obliging, and

a perfect gentleman, though he is such an outrageous scoundrel. He’ll

cheat you, of course, in whatever he can; you must look out for that;

but he’ll do you any sort of little neighborly kindness. Good-by,” said

Ferris, getting to the door before Mrs. Vervain could intercept him.

“I’ll come to your new place this evening to see how you are pleased.”

“Florida,” said Mrs. Vervain, “this is outrageous.”

“I wouldn’t mind it, mother. We pay very little, after all.”

“Yes, but we pay too much. That’s what I can’t bear. And as you said

yesterday, I don’t think Mr. Ferris’s manners are quite respectful to

me.”

“He only told you the truth; I think he advised you for the best. The

matter couldn’t be helped now.”

“But I call it a want of feeling to speak the truth so bluntly.”

“We won’t have to complain of that in our landlord, it seems,” said

Florida. “Perhaps not in our priest, either,” she added.

“Yes, that _was_ kind of Mr. Ferris,” said Mrs. Vervain. “It was

thoroughly thoughtful and considerate--what I call an instance of true

delicacy. I’m really quite curious to see him. Don Ippolito! How very

odd to call a priest _Don_! I should have said Padre. Don always makes

you think of a Spanish cavalier. Don Rodrigo: something like that.”

They went on to talk, desultorily, of Don Ippolito, and what he might

be like. In speaking of him the day before, Ferris had hinted at some

mysterious sadness in him; and to hint of sadness in a man always

interests women in him, whether they are old or young: the old have

suffered, the young forebode suffering. Their interest in Don Ippolito

had not been diminished by what Ferris had told them of his visit to the

priest’s house and of the things he had seen there; for there had

always been the same strain of pity in his laughing account, and he had

imparted none of his doubts to them. They did not talk as if it were

strange that Ferris should do to-day what he had yesterday said he would

not do; perhaps as women they could not find such a thing strange; but

it vexed him more and more as he went about all afternoon thinking of

his inconsistency, and wondering whether he had not acted rashly.

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