THE PUSHER-IN-THE-FACE[1]

[1] Copyright, 1925, by Wheeler Syndicate, Inc.

The last prisoner was a man--his masculinity was not much in

evidence, it is true; he would perhaps better be described as a

"person," but he undoubtedly came under that general heading and was

so classified in the court record. He was a small, somewhat

shriveled, somewhat wrinkled American who had been living along for

probably thirty-five years.

His body looked as if it had been left by accident in his suit the

last time it went to the tailor's and pressed out with hot, heavy

irons to its present sharpness. His face was merely a face. It was

the kind of face that makes up crowds, gray in color with ears that

shrank back against the head as if fearing the clamor of the city,

and with the tired, tired eyes of one whose forebears have been

underdogs for five thousand years.

Brought into the dock between two towering Celts in executive blue he

seemed like the representative of a long extinct race, a very fagged

out and shriveled elf who had been caught poaching on a buttercup in

Central Park.

"What's your name?"

"Stuart."

"Stuart what?"

"Charles David Stuart."

The clerk recorded it without comment in the book of little crimes

and great mistakes.

"Age?"

"Thirty."

"Occupation?"

"Night cashier."

The clerk paused and looked at the judge. The judge yawned.

"Wha's charge?" he asked.

"The charge is"--the clerk looked down at the notation in his

hand--"the charge is that he pushed a lady in the face."

"Pleads guilty?"

"Yes."

The preliminaries were now disposed of. Charles David Stuart,

looking very harmless and uneasy, was on trial for assault and

battery.

The evidence disclosed, rather to the judge's surprise, that the lady

whose face had been pushed was not the defendant's wife.

On the contrary the victim was an absolute stranger--the prisoner had

never seen her before in his life. His reasons for the assault had

been two: first, that she talked during a theatrical performance;

and, second, that she kept joggling the back of his chair with her

knees. When this had gone on for some time he had turned around and

without any warning pushed her severely in the face.

"Call the plaintiff," said the judge, sitting up a little in his

chair. "Let's hear what she has to say."

The court room, sparsely crowded and unusually languid in the hot

afternoon, had become suddenly alert. Several men in the back of the

room moved into benches near the desk and a young reporter leaned

over the clerk's shoulder and copied the defendant's name on the back

of an envelope.

The plaintiff arose. She was a woman just this side of fifty with a

determined, rather overbearing face under yellowish white hair. Her

dress was a dignified black and she gave the impression of wearing

glasses; indeed the young reporter, who believed in observation, had

so described her in his mind before he realized that no such

adornment sat upon her thin, beaked nose.

It developed that she was Mrs. George D. Robinson of 1219 Riverside

Drive. She had always been fond of the theater and sometimes she

went to the matinée. There had been two ladies with her yesterday,

her cousin, who lived with her, and a Miss Ingles--both ladies were

in court.

This is what had occurred:

As the curtain went up for the first act a woman sitting behind had

asked her to remove her hat. Mrs. Robinson had been about to do so

anyhow, and so she was a little annoyed at the request and had

remarked as much to Miss Ingles and her cousin. At this point she

had first noticed the defendant who was sitting directly in front,

for he had turned around and looked at her quickly in a most insolent

way. Then she had forgotten his existence until just before the end

of the act when she made some remark to Miss Ingles--when suddenly he

had stood up, turned around and pushed her in the face.

"Was it a hard blow?" asked the judge at this point.

"A hard blow!" said Mrs. Robinson indignantly. "I should say it was.

I had hot and cold applications on my nose all night."

----"on her nose all night."

This echo came from the witness bench where two faded ladies were

leaning forward eagerly and nodding their heads in corroboration.

"Were the lights on?" asked the judge.

No, but everyone around had seen the incident and some people had

taken hold of the man right then and there.

This concluded the case for the plaintiff. Her two companions gave

similar evidence and in the minds of everyone in the court room the

incident defined itself as one of unprovoked and inexcusable

brutality.

The one element which did not fit in with this interpretation was the

physiognomy of the prisoner himself. Of any one of a number of minor

offenses he might have appeared guilty--pickpockets were notoriously

mild-mannered, for example--but of this particular assault in a

crowded theater he seemed physically incapable. He did not have the

kind of voice or the kind of clothes or the kind of mustache that

went with such an attack.

"Charles David Stuart," said the judge, "you've heard the evidence

against you?"

"Yes."

"And you plead guilty?"

"Yes."

"Have you anything to say before I sentence you?"

"No." The prisoner shook his head hopelessly. His small hands were

trembling.

"Not one word in extenuation of this unwarranted assault?"

The prisoner appeared to hesitate.

"Go on," said the judge. "Speak up--it's your last chance."

"Well," said Stuart with an effort, "she began talking about the

plumber's stomach."

There was a stir in the court room. The judge leaned forward.

"What do you mean?"

"Why, at first she was only talking about her own stomach to--to

those two ladies there"--he indicated the cousin and Miss

Ingles--"and that wasn't so bad. But when she began talking about

the plumber's stomach it got different."

"How do you mean--different?"

Charles Stuart looked around helplessly.

"I can't explain," he said, his mustache wavering a little, "but when

she began talking about the plumber's stomach you--you had to listen."

A snicker ran about the court room. Mrs. Robinson and her attendant

ladies on the bench were visibly horrified. The guard took a step

nearer as if at a nod from the judge he would whisk off this criminal

to the dingiest dungeon in Manhattan.

But much to his surprise the judge settled himself comfortably in his

chair.

"Tell us about it, Stuart," he said not unkindly. "Tell us the whole

story from the beginning."

This request was a shock to the prisoner and for a moment he looked

as though he would have preferred the order of condemnation. Then

after one nervous look around the room he put his hands on the edge

of the desk, like the paws of a fox terrier just being trained to sit

up, and began to speak in a quivering voice.

"Well, I'm a night cashier, your honor, in T. Cushmael's restaurant

on Third Avenue. I'm not married"--he smiled a little, as if he knew

they had all guessed _that_--"and so on Wednesday and Saturday

afternoons I usually go to the matinée. It helps to pass the time

till dinner. There's a drug store, maybe you know, where you can get

tickets for a dollar sixty-five to some of the shows and I usually go

there and pick out something. They got awful prices at the box

office now." He gave out a long silent whistle and looked feelingly

at the judge. "Four or five dollars for one seat----"

The judge nodded his head.

"Well," continued Charles Stuart, "when I pay even a dollar

sixty-five I expect to see my money's worth. About two weeks ago I

went to one of these here mystery plays where they have one fella

that did the crime and nobody knows who it was. Well, the fun at a

thing like that is to guess who did it. And there was a lady behind

me that'd been there before and she gave it all away to the fella

with her. Gee"--his face fell and he shook his head from side to

side--"I like to died right there. When I got home to my room I was

so mad that they had to come and ask me to stop walking up and down.

Dollar sixty-five of my money gone for nothing.

"Well, Wednesday came around again, and this show was one show I

wanted to see. I'd been wanting to see it for months, and every time

I went into the drug store I asked them if they had any tickets. But

they never did." He hesitated. "So Tuesday I took a chance and went

over to the box office and got a seat. Two seventy-five it cost me."

He nodded impressively. "Two seventy-five. Like throwing money

away. But I wanted to see that show."

Mrs. Robinson in the front row rose suddenly to her feet.

"I don't see what all this story has to do with it," she broke out a

little shrilly. "I'm sure I don't care----"

The judge brought his gavel sharply down on the desk.

"Sit down, please," he said. "This is a court of law, not a matinée."

Mrs. Robinson sat down, drawing herself up into a thin line and

sniffing a little as if to say she'd see about this after a while. The

judge pulled out his watch.

"Go on," he said to Stuart. "Take all the time you want."

"I got there first," continued Stuart in a flustered voice. "There

wasn't anybody in there but me and the fella that was cleaning up.

After a while the audience came in, and it got dark and the play

started, but just as I was all settled in my seat and ready to have a

good time I heard an awful row directly behind me. Somebody had

asked this lady"--he pointed to Mrs. Robinson--"to remove her hat

like she should of done anyhow and she was sore about it. She kept

telling the two ladies that was with her how she'd been at the

theater before and knew enough to take off her hat. She kept that up

for a long time, five minutes maybe, and then every once in a while

she'd think of something new and say it in a loud voice. So finally

I turned around and looked at her because I wanted to see what a lady

looked like that could be so inconsiderate as that. Soon as I turned

back she began on me. She said I was insolent and then she said

'Tchk! Tchk! Tchk!' a lot with her tongue and the two ladies that

was with her said 'Tchk! Tchk! Tchk!' until you could hardly hear

yourself think, much less listen to the play. You'd have thought I'd

done something terrible.

"By and by, after they calmed down and I began to catch up with what

was doing on the stage, I felt my seat sort of creak forward and then

creak back again and I knew the lady had her feet on it and I was in

for a good rock. Gosh!" he wiped his pale, narrow brow on which the

sweat had gathered thinly, "it was awful. I hope to tell you I

wished I'd never come at all. Once I got excited at a show and

rocked a man's chair without knowing it and I was glad when he asked

me to stop. But I knew this lady wouldn't be glad if I asked her.

She'd of just rocked harder than ever."

Some time before, the population of the court room had begun stealing

glances at the middle-aged lady with yellowish-white hair. She was

of a deep, lifelike lobster color with rage.

"It got to be near the end of the act," went on the little pale man,

"and I was enjoying it as well as I could, seeing that sometimes

she'd push me toward the stage and sometimes she'd let go, and the

seat and me would fall back into place. Then all of a sudden she

began to talk. She said she had an operation or something--I

remember she said she told the doctor that she guessed she knew more

about her own stomach than he did. The play was getting good just

then--the people next to me had their handkerchiefs out and was

weeping--and I was feeling sort of that way myself. And all of a

sudden this lady began to tell her friends what she told the plumber

about his indigestion. Gosh!" Again he shook his head from side to

side; his pale eyes fell involuntarily on Mrs. Robinson--then looked

quickly away. "You couldn't help but hear some and I begun missing

things and then missing more things and then everybody began laughing

and I didn't know what they were laughing at and, as soon as they'd

leave off, her voice would begin again. Then there was a great big

laugh that lasted for a long time and everybody bent over double and

kept laughing and laughing, and I hadn't heard a word. First thing I

knew the curtain came down and then I don't know what happened. I

must of been a little crazy or something because I got up and closed

my seat, and reached back and pushed the lady in the face."

As he concluded there was a long sigh in the court room as though

everyone had been holding in his breath waiting for the climax. Even

the judge gasped a little and the three ladies on the witness bench

burst into a shrill chatter and grew louder and louder and shriller

and shriller until the judge's gavel rang out again upon his desk.

"Charles Stuart," said the judge in a slightly raised voice, "is this

the only extenuation you can make for raising your hand against a

woman of the plaintiff's age?"

Charles Stuart's head sank a little between his shoulders, seeming to

withdraw as far as it was able into the poor shelter of his body.

"Yes, sir," he said faintly.

Mrs. Robinson sprang to her feet.

"Yes, judge," she cried shrilly, "and there's more than that. He's a

liar too, a dirty little liar. He's just proclaimed himself a dirty

little----"

"Silence!" cried the judge in a terrible voice. "I'm running this

court, and I'm capable of making my own decisions!" He paused. "I

will now pronounce sentence upon Charles Stuart," he referred to the

register, "upon Charles David Stuart of 212½ West Twenty-second

Street."

The court room was silent. The reporter drew nearer--he hoped the

sentence would be light--just a few days on the Island in lieu of a

fine.

The judge leaned back in his chair and hid his thumbs somewhere under

his black robe.

"Assault justified," he said. "Case dismissed."

The little man Charles Stuart came blinking out into the sunshine,

pausing for a moment at the door of the court and looking furtively

behind him as if he half expected that it was a judicial error.

Then, sniffing once or twice, not because he had a cold but for those

dim psychological reasons that make people sniff, he moved slowly

south with an eye out for a subway station.

He stopped at a news stand to buy a morning paper; then entering the

subway was borne south to Eighteenth Street where he disembarked and

walked east to Third Avenue. Here he was employed in an all-night

restaurant built of glass and plaster white tile. Here he sat at a

desk from curfew until dawn, taking in money and balancing the books

of T. Cushmael, the proprietor. And here, through the interminable

nights, his eyes, by turning a little to right or left, could rest

upon the starched linen uniform of Miss Edna Schaeffer.

Miss Edna Schaeffer was twenty-three, with a sweet mild face and hair

that was a living example of how henna should not be applied. She

was unaware of this latter fact, because all the girls she knew used

henna just this way, so perhaps the odd vermilion tint of her

coiffure did not matter.

Charles Stuart had forgotten about the color of her hair long ago--if

he had ever noticed its strangeness at all. He was much more

interested in her eyes, and in her white hands which, as they moved

deftly among piles of plates and cups, always looked as if they

should be playing the piano. He had almost asked her to go to a

matinée with him once, but when she had faced him her lips

half-parted in a weary, cheerful smile, she had seemed so beautiful

that he had lost courage and mumbled something else instead.

It was not to see Edna Schaeffer, however, that he had come to the

restaurant so early in the afternoon. It was to consult with T.

Cushmael, his employer, and discover if he had lost his job during

his night in jail. T. Cushmael was standing in the front of the

restaurant looking gloomily out the plate-glass window, and Charles

Stuart approached him with ominous forebodings.

"Where've you been?" demanded T. Cushmael.

"Nowhere," answered Charles Stuart discreetly.

"Well, you're fired."

Stuart winced.

"Right now?"

Cushmael waved his hands apathetically.

"Stay two or three days if you want to, till I find somebody.

Then"--he made a gesture of expulsion--"outside for you."

Charles Stuart assented with a weary little nod. He assented to

everything. At nine o'clock, after a depressed interval during which

he brooded upon the penalty of spending a night among the police, he

reported for work.

"Hello, Mr. Stuart," said Edna Schaeffer, sauntering curiously toward

him as he took his place behind the desk. "What become of you last

night? Get pinched?"

She laughed, cheerfully, huskily, charmingly he thought, at her joke.

"Yes," he answered on a sudden impulse, "I was in the Thirty-fifth

Street jail."

"Yes, you were," she scoffed.

"That's the truth," he insisted. "I was arrested."

Her face grew serious at once.

"Go on. What did you do?"

He hesitated.

"I pushed somebody in the face."

Suddenly she began to laugh, at first with amusement and then

immoderately.

"It's a fact," mumbled Stuart. "I almost got sent to prison on account

of it."

Setting her hand firmly over her mouth Edna turned away from him and

retired to the refuge of the kitchen. A little later, when he was

pretending to be busy at the accounts, he saw her retailing the story

to the two other girls.

The night wore on. The little man in the grayish suit with the

grayish face attracted no more attention from the customers than the

whirring electric fan over his head. They gave him their money and

his hand slid their change into a little hollow in the marble

counter. But to Charles Stuart the hours of this night, this last

night, began to assume a quality of romance. The slow routine of a

hundred other nights unrolled with a new enchantment before his eyes.

Midnight was always a sort of a dividing point--after that the

intimate part of the evening began. Fewer people came in, and the

ones that did seemed depressed and tired: a casual ragged man for

coffee, the beggar from the street corner who ate a heavy meal of

cakes and a beefsteak, a few nightbound street-women and a watchman

with a red face who exchanged warning phrases with him about his

health.

Midnight seemed to come early to-night and business was brisk until

after one. When Edna began to fold napkins at a nearby table he was

tempted to ask her if she too had not found the night unusually

short. Vainly he wished that he might impress himself on her in some

way, make some remark to her, some sign of his devotion that she

would remember forever.

She finished folding the vast pile of napkins, loaded it onto the

stand and bore it away, humming to herself. A few minutes later the

door opened and two customers came in. He recognized them

immediately, and as he did so a flush of jealousy went over him. One

of them, a young man in a handsome brown suit, cut away rakishly from

his abdomen, had been a frequent visitor for the last ten days. He

came in always at about this hour, sat down at one of Edna's tables,

and drank two cups of coffee with lingering ease. On his last two

visits he had been accompanied by his present companion--a swarthy

Greek with sour eyes who ordered in a loud voice and gave vent to

noisy sarcasm when anything was not to his taste.

It was chiefly the young man, though, who annoyed Charles Stuart.

The young man's eyes followed Edna wherever she went, and on his last

two visits he had made unnecessary requests in order to bring her

more often to his table.

"Good evening, girlie," Stuart heard him say to-night. "How's

tricks?"

"O.K.," answered Edna formally. "What'll it be?"

"What have you?" smiled the young man. "Everything, eh? Well,

what'd you recommend?"

Edna did not answer. Her eyes were staring straight over his head

into some invisible distance.

He ordered finally at the urging of his companion. Edna withdrew and

Stuart saw the young man turn and whisper to his friend, indicating

Edna with his head.

Stuart shifted uncomfortably in his seat. He hated that young man

and wished passionately that he would go away. It seemed as if his

last night here, his last chance to watch Edna, and perhaps even in

some blessed moment to talk to her a little, was marred by every

moment this man stayed.

Half a dozen more people had drifted into the restaurant--two or

three workmen, the news dealer from over the way--and Edna was too

busy for a few minutes to be bothered with attentions. Suddenly

Charles Stuart became aware that the sour-eyed Greek had raised his

hand and was beckoning him. Somewhat puzzled he left his desk and

approached the table.

"Say, fella," said the Greek, "what time does the boss come in?"

"Why--two o'clock. Just a few minutes now."

"All right. That's all. I just wanted to speak to him about

something."

Stuart realized that Edna was standing beside the table; both men

turned toward her.

"Say, girlie," said the young man, "I want to talk to you. Sit down."

"I can't."

"Sure you can. The boss don't mind." He turned menacingly to

Stuart. "She can sit down, can't she?"

Stuart did not answer.

"I say she can sit down, can't she?" said the young man more

intently, and added, "Speak up, you little dummy."

Still Stuart did not answer. Strange blood currents were flowing all

over his body. He was frightened; anything said determinedly had a

way of frightening him. But he could not move.

"Sh!" said the Greek to his companion.

But the younger man was angered.

"Say," he broke out, "sometime somebody's going to take a paste at

you when you don't answer what they say. Go on back to your desk!"

Still Stuart did not move.

"Go on away!" repeated the young man in a dangerous voice. "Hurry

up! _Run!_"

Then Stuart ran. He ran as hard as he was able. But instead of

running away from the young man he ran _toward_ him, stretching out

his hands as he came near in a sort of straight arm that brought his

two palms, with all the force of his hundred and thirty pounds,

against his victim's face. With a crash of china the young man went

over backward in his chair and, his head striking the edge of the

next table, lay motionless on the floor.

The restaurant was in a small uproar. There was a terrified scream

from Edna, an indignant protest from the Greek, and the customers

arose with exclamations from their tables. Just at this moment the

door opened and Mr. Cushmael came in.

"Why, you little fool!" cried Edna wrathfully. "What are you trying

to do! Lose me my job?"

"What's this?" demanded Mr. Cushmael, hurrying over. "What's the

idea?"

"Mr. Stuart pushed a customer in the face!" cried a waitress, taking

Edna's cue. "For no reason at all!"

The population of the restaurant had now gathered around the

prostrate victim. He was doused thoroughly with water and a folded

table-cloth was placed under his head.

"Oh, he did, did he?" shouted Mr. Cushmael in a terrible voice,

seizing Stuart by the lapels of his coat.

"He's raving crazy!" sobbed Edna. "He was in jail last night for

pushing a lady in the face. He told me so himself!"

A large laborer reached over and grasped Stuart's small trembling

arm. Stuart gazed around dumbly. His mouth was quivering.

"Look what you done!" shouted Mr. Cushmael. "You like to kill a man."

Stuart shivered violently. His mouth opened and he fought the air

for a moment. Then he uttered a half-articulate sentence:

"Only meant to push him in the face."

"Push him in the face?" ejaculated Cushmael in a frenzy. "So you got

to be a pusher-in-the-face, eh? Well, we'll push your face right

into jail!"

"I--I couldn't help it," gasped Stuart. "Sometimes I can't help it."

His voice rose unevenly. "I guess I'm a dangerous man and you better

take me and lock me up!" He turned wildly to Cushmael. "I'd push

you in the face if he'd let go my arm. Yes, I would! I'd push

you--right-in-the-_face_!"

For a moment an astonished silence fell, broken by the voice of one

of the waitresses who had been groping under the table.

"Some stuff dropped out of this fella's back pocket when he tipped

over," she explained, getting to her feet. "It's--why, it's a

revolver and----"

She had been about to say handkerchief but as she looked at what she

was holding her mouth fell open and she dropped the thing quickly on

the table. It was a small black mask about the size of her hand.

Simultaneously the Greek, who had been shifting uneasily upon his

feet ever since the accident, seemed to remember an important

engagement that had slipped his mind. He dashed suddenly around the

table and made for the front door, but it opened just at that moment

to admit several customers who, at the cry of "Stop him!" obligingly

spread out their arms. Barred in that direction, he jumped an

overturned chair, vaulted over the delicatessen counter, and set out

for the kitchen, collapsing precipitately in the firm grasp of the

chef in the doorway.

"Hold him! Hold him!" screamed Mr. Cushmael, realizing the turn of

the situation. "They're after my cash drawer!"

Willing hands assisted the Greek over the counter, where he stood

panting and gasping under two dozen excited eyes.

"After my money, hey?" shouted the proprietor, shaking his fist under

the captive's nose.

The stout man nodded, panting.

"We'd of got it too!" he gasped, "if it hadn't been for that little

pusher-in-the-face."

Two dozen eyes looked around eagerly. The little pusher-in-the-face

had disappeared.

The beggar on the corner had just decided to tip the policeman and

shut up shop for the night when he suddenly felt a small, somewhat

excited hand fall on his shoulder.

"Help a poor man get a place to sleep----" he was beginning

automatically when he recognized the little cashier from the

restaurant. "Hello, brother," he added, leering up at him and

changing his tone.

"You know what?" cried the little cashier in a strangely ominous

tone. "I'm going to push you in the face!"

"What do you mean?" snarled the beggar. "Why, you Ga----"

He got no farther. The little man seemed to run at him suddenly,

holding out his hands, and there was a sharp, smacking sound as the

beggar came in contact with the sidewalk.

"You're a fakir!" shouted Charles Stuart wildly. "I gave you a

dollar when I first came here, before I found out you had ten times

as much as I had. And you never gave it back!"

A stout, faintly intoxicated gentleman who was strutting expansively

along the other sidewalk had seen the incident and came running

benevolently across the street.

"What does this mean!" he exclaimed in a hearty, shocked voice.

"Why, poor fellow----"

He turned indignant eyes on Charles Stuart and knelt unsteadily to

raise the beggar.

The beggar stopped cursing and assumed a piteous whine.

"I'm a poor man, Cap'n----"

"This is--this is _horrible_!" cried the Samaritan, with tears in his

eyes. "It's a disgrace! Police! _Pol_----!"

He got no farther. His hands, which he was raising for a megaphone,

never reached his face--other hands reached his face, however, hands

held stiffly out from a one-hundred-and-thirty-pound body! He sank

down suddenly upon the beggar's abdomen, forcing out a sharp curse

which faded into a groan.

"This beggar'll take you home in his car!" shouted the little man who

stood over him. "He's got it parked around the corner."

Turning his face toward the hot strip of sky which lowered over the

city the little man began to laugh, with amusement at first, then

loudly and triumphantly until his high laughter rang out in the quiet

street with a weird, elfish sound, echoing up the sides of the tall

buildings, growing shriller and shriller until people blocks away

heard its eerie cadence on the air and stopped to listen.

Still laughing the little man divested himself of his coat and then

of his vest and hurriedly freed his neck of tie and collar. Then he

spat upon his hands and with a wild, shrill, exultant cry began to

run down the dark street.

He was going to clean up New York, and his first objective was the

disagreeable policeman on the corner!

They caught him at two o'clock, and the crowd which had joined in the

chase were flabbergasted when they found that the ruffian was only a

weeping little man in his shirt sleeves. Someone at the station

house was wise enough to give him an opiate instead of a padded cell,

and in the morning he felt much better.

Mr. Cushmael, accompanied by an anxious young lady with crimson hair,

called at the jail before noon.

"I'll get you out," cried Mr. Cushmael, shaking hands excitedly

through the bars. "One policeman, he'll explain it all to the other."

"And there's a surprise for you too," added Edna softly, taking his

other hand. "Mr. Cushmael's got a big heart and he's going to make

you his day man now."

"All right," agreed Charles Stuart calmly. "But I can't start till

to-morrow."

"Why not?"

"Because this afternoon I got to go to a matinée--with a friend."

He relinquished his employer's hand but kept Edna's white fingers

twined firmly in his.

"One more thing," he went on in a strong, confident voice that was

new to him, "if you want to get me off don't have the case come up in

the Thirty-fifth Street court."

"Why not?"

"Because," he answered with a touch of swagger in his voice, "that's

the judge I had when I was arrested last time."

"Charles," whispered Edna suddenly, "what would you do if I refused

to go with you this afternoon?"

He bristled. Color came into his cheeks and he rose defiantly from

his bench.

"Why, I'd--I'd----"

"Never mind," she said, flushing slightly. "You'd do nothing of the

kind."

Cream of the jug · 第 39 / 62 题