VI

Nearly all Nathaniel Street was in darkness when he returned there

that night. At No. 5 they were still up, and he could hear them

singing; a rum lot at No. 5. Across the street there was a light or

two and a gramophone going somewhere. But that was all. No. 9 was in

complete darkness; obviously they had all gone to bed, Edgar too, for

when Edgar was out, Mrs. Pelumpton always left a light in the hall

for him, a courtesy she did not extend to her two lodgers, Park and

Turgis. If they were so late, they had to grope. Very, quietly, slowly

and painfully, for he had walked all the way from Maida Vale, partly

because he wanted to arrive late and so avoid any questions, and was

tired out, aching all over, Turgis crawled upstairs to his room at the

top. There he lit the tiny gas mantle, and then sat down on his bed,

resting his head in his hands.

All his face felt stiff. Laboriously, he removed his soaking shoes,

and was not surprised to find that his socks were wet. He put a match

to the little gas-fire, which exploded with a startling bang in that

stillness. He did not take his socks off, but held out in turn the

sole of each foot towards the gas-fire and watched it steam. He had no

slippers; he was always meaning to buy some, but never did. He stared

at his reflection, holding the cracked little mirror in the wooden

frame near the gaslight. There was a bruise on the ridge of his rather

prominent nose; dried blood caked about the nostrils; a long smear down

one cheek and just above one eyebrow. The eyes, red-rimmed, stared

back at him in despair. In all his life he had never hated himself as

much as he did then. The cracked face in the black wooden frame began

to twitch a little, and he banished it. The water he had used before

going out was still in the basin, and now he soaped his hands in it and

rubbed them over his face, until his eyes smarted. When he had finished

wiping his face, he looked at it again in the mirror, and found that

the smears and dried blood had gone, but that the bruise was more

marked than before. He did not look long. His face, pale and silly,

disgusted him. Going through his pockets, he discovered a crumpled

cigarette and had the first smoke for several hours. He remembered the

last one, when he was on his way to Maida Vale, not five hours ago. Not

five hours ago! A hundred years ago.

The haze had completely vanished from his mind, leaving a dreadful

clarity. He saw himself quite clearly, and loathed what he saw. He

knew now that Lena was simply a little flirt, who had happened to be

bored, her friends being away, when he first called at the flat with

the money, and had amused herself with him for a few hours because she

had nothing better to do and, for the time being, his obvious worship

entertained her. Then the minute somebody better came along, she had

dropped him at once, and had afterwards been so annoyed that she had

disliked the very sight of him. Now it seemed all quite clear, and

it was unbelievable that he could not see it like that before, that

he could have gone on dreaming away and hanging about to see her and

deluding himself. He did not even hate her now. She simply did not

interest him.

What did interest him, however, was the figure he cut himself, and that

was what he saw with such terrible clearness. As he sat drooping on

the bed, pulling away mechanically at the last inch of the cigarette,

he put himself through a pitiless cross-examination. How could he ever

have thought that he could make a girl like Lena fall in love with

him, a girl who was pretty, who could meet all kinds of fellows, who

had lived in places like Paris, who had a father with money? The very

thought of Mr. Golspie crushed the last grains of self-respect in him.

What had he, Harold Turgis, been fancying himself for? What was he?

What could he do? What had he got? Nothing, nothing, nothing. Only a

silly face, with a big useless nose and a trembling mouth and eyes

that began to water almost if anybody looked hard at them. He threw the

stump of his cigarette at the dirty saucer in front of the gas-fire,

missed it, and had to go down painfully on his knees and retrieve the

glowing end.

He returned to the bed and curled up on it, his eyes fixed on some

photographs, cut out of a film weekly, pinned up on the opposite

wall; but he did not see the photographs, for he was staring through

them, through the wall, into the future, a vague darkness, in which

he, a small lonely figure, moved obscurely. His job was gone. He had

finished with Twigg & Dersingham and Angel Pavement. Perhaps they

might have given him a rise soon; he might have had Smeeth’s job and

seven or eight pounds a week before long, a proper home and carpets

and armchairs and a big wireless set of his own; and now it might be

a long time before he got a job as good as the one he had just lost.

What could he do? A bit of typing and clerking, that was all, and

anybody could do that; even girls could do it; some of them, really

educated ones like Miss Matfield (yes, and what had she been doing

with Mr. Golspie?), just as well as he could. And when he had queued

up and looked at advertisements and written letters and trailed round

and waited and got a job at last, what then? What would he get out

of it? Nothing. He saw the world before him with no happiness in it,

only foolish work and weariness, and unnamed fears, a place of jagged

stones, shadows, dim menacing giants.

Having got so far, he could go no further. A little voice, like that

of some tiny erect indignant figure in a great gloomy assembly, spoke

up now, protesting. It was not right. It was not fair. There had been

a time when it had looked as if everything was going to be quite

different. Something had gone wrong. Where, how had it gone wrong?

He could be happy; he could be as happy as anybody, if only he had

a chance to be; and why hadn’t he a chance to be? Here!--if he’d a

chance, he could be a lot happier than Park or Smeeth or even Mr.

Dersingham--yes, he could! Then why shouldn’t he be? What was wrong?

What _was_ it, what _was_ it? The little voice asked these questions,

but no answer came. No answer. It was as if the erect figure suddenly

collapsed and the gloomy assembly remained untroubled, unstirring.

It was no good. Every bit of him, from the damp soles of his feet to

his tangled hair (which seemed to have a separate and equally miserable

existence of its own, this night), agreed that it was no good. He stood

up. He looked about him, as if searching the little room in despair

for something to touch, to hold, to cling to, now that the night was

pouring in, through the decayed woodwork of the window frame, through

the cracked mortar and the foul old stone, its malevolent influences,

its beckoning and gibbering ghosts. The calm, the clarity, were gone;

the dream fumes rose and drifted again; but when he moved, he still

moved slowly, as if led here and there by uncertain spectral hands. He

fastened the window tight, and stuffed paper in its various crevices.

The door fitted badly, and he had to stuff more paper, indeed all

the paper he had, between the door and the frame, and then in the

keyhole. He turned off the gas from the tiny mantle, leaving the room

uncertainly illuminated by the gas-fire. For a moment he considered the

dying glow of the mantle. Could he use that gas? If he had a tube he

could, but he hadn’t a tube; and if he turned it on full, it gave out

so little gas that it would be painfully, horribly slow doing anything

to him. No, the gas-fire was the thing. He had only to turn it out now,

wait a minute or two until the burners had cooled, then put a hand

to that tap again, lie on his bed and hear the gas hissing out for a

minute or two, fall asleep and all would be over.

He sat on the floor, in front of the fire, leaning his elbow against

the side of his bed. Staring at the three twisted glowing pillars of

the fire, he contemplated with sombre satisfaction his approaching

end. It would be painless, that he knew, for he had once talked to a

man in the Pavement Dining Rooms, and this man had a brother who was a

policeman, and this policeman had had a lot of experience with people

who had done it with gas and he gave it as his opinion that they all

passed quietly away in their sleep without a bit of pain and fuss

and worry: it was far easier getting out of the world altogether than

taking a train to the City at Camden Town Tube Station. They would

find him in the morning, peacefully asleep. There would be an inquest

and it would get into the papers. Some of them, Mr. Golspie and Lena,

perhaps, would have to give evidence. Mrs. Pelumpton, too. Had the

deceased been strange in his actions lately, had he something on his

mind? A promising young fellow--would anybody say that? Tragic End,

Young Clerk’s Fatal Romance. Who would be really sorry? Nobody. No, no,

one or two, perhaps a lot of people; you never knew. Poppy Sellers, for

instance; Miss Matfield had said that little Poppy, poor kid, was keen

on him; so that she ought to be sorry, very sorry; perhaps it would be

the great sorrow of her life--“He meant everything to me, that boy. I

worshipped him”--he could hear these, and other heart-broken phrases

from the pictures, coming from a rather vague Poppy Sellers, very pale

and dressed in black. It made him feel sorry himself, and it was the

pleasantest feeling he had had for hours, quite warm and luxuriant.

“A very sad case, gentlemen,” said the coroner, mournfully. “Here you

have a young man full of promise----” Turgis interrupted him, for

somehow Turgis was there too: “It’s all right saying that _now_,” he

cried to them all, triumphant in his bitterness, “but why didn’t you

do something about it before? It’s too late now, and you know it is.

Too late, too late! Let this,” he continued sternly, “be a warning to

you.” But that was silly. He would be dead and gone. Perhaps he ought

to leave a letter; they usually left letters; but he hated writing

letters, and he knew there was no ink in the room. No, of course, he

hadn’t any ink! He’d nothing! He might as well finish it off now, and

show them all, the rotten swine!

As he arrived at this savage conclusion, he noticed for the first time

that the three little glowing pillars of the gas-fire were dwindling.

They shrank rapidly until they were nothing but quivering blue blobs

that shot up once and popped, shot up again and popped, then popped out

altogether. No more gas. He hadn’t a shilling, he had only eightpence.

He couldn’t even commit suicide, couldn’t afford it.

After a short silence, an unusual sound, a most strange sound, a

fantastic and incredible sound, came from the side of the bed and

travelled round the dark little room. It came from Turgis, and he may

have been crying, he may have been laughing, or doing both at once. He

was certainly not committing suicide.

He made a great deal of noise now. Putting out a hand, quite

instinctively, to the tap of the gas-fire, he touched something hot in

the darkness there, gave a sharp cry, and banged his hand on the floor.

Then he stumbled to the window to pull out the paper, and somehow the

window stuck and he pushed so hard that when it did open, the rotten

old woodwork of the frame partly gave way, and as it suddenly flew

open and the night air rushed in, there was a loud crack. The door was

noisier still. He was determined to get all the paper away, but it was

not easy and he was impatient, and he began pulling away at the knob of

the door until at last the door suddenly swung in and he sat down with

a bump, the knob still in his hand. It was then that he heard sounds

from below, and saw through the open door a light travelling jerkily

upwards. The next minute he was looking at the extraordinary figure of

Mr. Pelumpton, who was standing outside in his nightshirt, holding a

candle.

“Now let’sh ’ave reashon, let’sh ’ave reashon,” said Mr. Pelumpton

reproachfully. “Bangin’ and knocking the housh about like that! The

mishish thought shomebody was breakin’ in. ’Ave a bit o’ shensh, boy,

jusht ’ave a bit o’ shensh! Can’t go on like that, thish time o’ night.

It’sh all very well going out an’ ’aving a pint or two an’ coming in

late--done it myshelf in me time--but that’sh no reashon for carrying

on like that, ish it? Blesh me shoul!--like a nearthquake, jusht like a

nearthquake. Now jusht get yourshelf to bed quietly, boy, and let other

people shleep even if you can’t.”

“I’m sorry,” Turgis told him. “It was an accident. I’m all right. I’m

not drunk or anything.”

“Well, you might be in the ratsh, properly in the ratsh, green

sherpentsh all round you, the way yer going on,” said Mr. Pelumpton

severely, as he withdrew.

In ten minutes, Turgis was fast asleep.

Angel Pavement · 第 43 / 48 题