CHAPTER XI

PINK PAPERS AND ST. ANTHONY

It is both easy and comforting to divide men simply into opposites.

Honest, dishonest; truthful, lying; clean, dirty;--what a lot of worry

it undoubtedly prevents. You trust one person all the way, another

nowhere; you tell your secrets to the first and to the second nothing;

it is so simple that few people can resist it, when they come to life.

And it is good enough for working purposes.

But in reality it is not so. A man all white or all black is but

rarely met: the last is soon removed, the first impossible for common

use. Man was devised from a more subtle palette; and if in all the

millions of faces no two are alike, that is yet truer, said about the

heart. The man you trust so freely has his see-saw moments, like

anybody else, and if as a rule he lands the right end down, it may have

been your very confidence that lent him weight. It is the same with

all. They must be entered for convenience beneath the colour which

they most display, but every one of them is a true moral rainbow and

much more. Take it all in all, we humans are the most mixed thing that

any one has ever yet invented: the reason why some scorn all other

hobbies or amusements, so long as there is Man.

Geoffrey Alison was an especially odd mixture--all of course kept

rigidly inside. To the mere eye he was, like most, quite simple,

almost to the point of dulness. Oh yes; I see, yes; the artistic type;

a gentleman though; trustworthy but slack; quite modest although jolly

clever; pretty much of a white man... But inwardly he was a thing to

watch because his types conflicted, and that ends with fireworks.

He joined the artist's soul--a real love for the beautiful and

noble--to what perhaps may be most easily described as a pink-paper

mind. He could sit and gaze happily for hours at a Corregio,

forgetting the plush benches and the noisy tourists, utterly absorbed;

he found a joy that was almost physical in a sudden landscape or the

moon which breaks loose from its clouds and gleams on a rough sea; he

would watch with a smile of pleasure the way of a woman with her child

or a child with its toy; he shrank with loathing from all that was

ugly, sordid--the sight of needless misery or the sound of a woman's

oath; and yet--and yet he could not rid himself of the idea that there

was something palpitating, wicked, spicy, about a shop-girl who held up

her skirt to cross a muddy road. There was a thrill for him each time

that he passed a stage-door. Garters--champagne (always known as

fizz)--corsets--chorus girls--these all held for him a brimming measure

of romance. He was convinced that there was something specially

cryptic and alluring about bar-maids, though he would never enter bars

as he did not like other people's glasses. Paris to him stood for a

riot of continued orgies shaming a white dawn. He was of those who for

peculiar reasons can thoroughly enjoy a really English ballet. The

thought of studios and models had half consciously affected the choice

of his career; and if he now knew that to be illusion, so far as his

experiences went, he still liked--well, one half of him--to read the

old exciting fairy-tales. Perhaps they happened somewhere, still.

At times, when he was on a holiday or anywhere except at his own

news-shop, he would buy, half-ashamed and furtive, those strange,

elemental papers whose main task it is to tickle the broad tastes of

City youths or Army officers. And he thoroughly enjoyed them--until

afterwards.

Army men, in fact, who had glared at him all through a long

dinner-party, often revised their estimate when coffee had come in and

their wives departed; if, be it understood, the conversation drifted

into a right channel. On the way home, should their wives say; "I

liked that Mr. Alison, so clever!" they would reply: "M'yes? Rather an

affected ass, my dear: I can't stand those artistic johnnies. Still,

he came out a bit over the wine and showed he _had_ got something in

him. Not a bad fellow I dare say; bit of a sportsman possibly--in

spite of his long hair. But I'm not sure we want to have him calling?"

Which only shows how useful it may be for any man to have two sides.

You never can please all the world with one!

Of course the one in question was entirely abstract. Geoffrey Alison

would never have even dreamt of doing all the things he liked to read

on paper. It would perhaps have been more healthy if he had; but no,

he realised, himself, that it was only an idea.

It was an idea, too, that he shared with no one. His friends--artists

and authors--somehow were not amused by anything of that sort, although

the papers he enjoyed were read by millions. It was curious! He kept

it to himself, and that was bad as well. To Hubert he had raised the

curtain for one moment, with those sketches of his own, but the

audience had not seemed keen for more. And as for Helena--well,

inwardly Geoffrey Alison was an odd mixture; but he remained a

gentleman outside.

All the same, to-night was trying him a little hard.

Helena's friendliness had thrilled him from the day they met. He had

never met a woman--anyhow not young and pretty--who had taken to him

like that from the first. He never had regarded himself as a lady's

man; he was too small and timid; yet she had seemed to find nothing

wrong with him. She had adopted him as her guide and philosopher in

art; gone about with him more, almost, than with that absurdly busy

fellow Brett; until the cattish vicar's wife----!

And now----!

Of course he knew that she was just a girl, and jolly innocent and all

that sort of thing (Brett liked to keep her back), but even so, any one

surely would admit that it was a little bit exciting and peculiar. The

way she asked him in; and then he could not make out why she changed

her mind about the dining-room and came into the drawing-room where she

sat down upon the sofa and looked simply ripping. It was all very odd!

Of course she was innocent and jolly, but he believed that she was fond

of him and some day he would love--when they were all alone like

this--if only half in fun--to give her just one kiss. She surely

couldn't mind? It would be splendid and exciting. (It may be added

that Geoffrey Alison thought more of its excitement than its splendour.)

The very idea made being with her like this so difficult and trying.

He could not think of anything to say. It all sounded wrong.

Even Helena noticed, at last.

"How dull you are to-night!" she said peevishly, for they were old

friends and she never troubled to sort out her words. "I believe you

_did_ want to work or else had something else to do."

"Of course not," he protested, feeling horribly wronged in the

circumstances. "This is awfully jolly." Why couldn't he be natural?

Helena was not so confident about the jollity. "Hugh _must_ be here

soon," she remarked rather wearily.

"Why do you call him Hugh?" he asked, jumping at a topic. "Surely

that's not really short for Hubert? It ought to be Bert!"

"Oh, how dare you?" she asked gaily; she felt that they had got back on

to the old easy paths. "Bert indeed--for him! I wonder how you----"

and she clapped her hands excitedly. "Yes," she said, her boredom all

forgotten, "that's it! I always thought that Mr. Alison was far too

stiff; I've got a name for you."

"For _me_?" That silly blood was jumping in his brain.

"Yes," she cried. "Ally! I shall call you Ally, just like Ally

Sloper! That's better than Bert."

Ally. It was not romantic, no; but still----

Gad, what a ripping little girl she was!

He wished to goodness he hadn't ever thought about that kiss. He could

have been ever so much more amusing, make her like him more, if only he

hadn't got that possibility before him. And yet ... perhaps it was

worth while.

But Helena had no such abstract thrill to keep her eyes open and it was

well after eleven. She wished now that Mr. Alison had not come in.

When Hubert got back, they'd sit and have drinks. She wished that he

would go. And how she longed to yawn! If only he would even be

amusing....

"Have you seen my snap-shot album?" she asked. In their two years of

friendship, it had never come to this before.

"No," he said. "May I?" feeling very young. He knew that he was being

entertained.

She leant down wearily to get it from the bookshelfs lower row. Her

smooth white neck stretched in a rounded slope before him. By Gad!

His hands moved restlessly towards her. This was his great chance.

She might not even ever know!

And then--she was so innocent. Suppose she boxed his ears or anything

like that? Supposing she told Brett?...

"No, don't worry with it," he said, finding it quite hard to speak. "I

think I'd better go. It's too late for snap-shots! He must have

missed his train."

"He'll be here any moment now," she felt compelled to say.

"I know," he answered meaningly, as though that explained his going.

She did not notice of course, was just puzzled for a moment, but it

gave him another thrill. As he passed through the hall, with her

beside him, he saw the minute hand was nearer to midnight than to any

other hour; a very dissipated time....

And outside, in the little garden, he drew a long breath, as though to

set free the vanquished evil thoughts. He felt he had been very good

to-night in face of opportunities for other things.

St. Anthony himself could not have felt much more complacent.

Helena Brett's Career · 第 8 / 14 章