CHAPTER IX

CINDERELLA

Helena tried not to look as though she minded when Hubert came down,

glorious in evening dress at six o'clock.

"It _is_ an early start," she said cheerfully.

"Yes," he replied; "but that means I shall be home all the earlier.

The dinner begins at seven and I shan't make a long speech--trust

me--so you can expect me back not later than half past ten or eleven at

the very latest."

He just restrained himself from saying once more that he thought her

stupid not to go across to the Institute instead of moping all alone

till then. Even so his farewell was a little cold for, though he kept

silence, he could not help feeling she had been selfish over the whole

business. Her air of martyrdom had rubbed some gilt off the occasion's

splendour.

As for Helena, having waved him gaily out of sight, she did not return

and give way to a natural sorrow, as he imagined, typically penitent so

soon as he had parted from her. She looked, it is true, hard and

thoughtful for a moment. Then she laughed almost happily. What did it

matter really? It would only be one evening alone, one lecture

missed;--and who was Mrs. Boyd? Why of course any one really nice

would be glad that her husband had been honoured by these beastly Kit

Kats, whoever they might be.

She sat down and wrote a long letter--about everything else in the

world--to her lonely mother, who after all never had any one at all to

dine with her, unless you counted clergymen.

That finished, it was dinner-time and that was fun because she had

ordered or brought in all her pet kickshaws--shrimps, dough-nuts and so

forth--which Hubert always vetoed, describing them expansively as dirty

feeding. Men, she decided, got so little out of life; always beef and

cabbages and yesterday to-morrow....

It was really quite a philosophic meal. She often was alone, for some

big part indeed in every day, but there was something in this first

lonely dinner that made a curious break and gave, as the French say, to

think. She thought of her old life in Devonshire; she thought of her

ambitions towards self-development when she decided upon marriage; she

thought without pride of herself as she was at present; and she thought

of Hubert.

She had reached the dough-nut course, and also the conclusion that they

were an odd couple but probably most couples were, when the front door

bell sounded, as it always did, through the whole little house.

Helena looked at the clock. Ten minutes to eight! No parcel-post.

What could it be, possibly? Not Hubert back? She felt a quick shame

of the dough-nut.

It was beneath the table safely before Lily entered.

"Please'm," said the maid, "it's Mr. Alison wants to speak to you."

Helena went out into the hall. "Hullo," she said, hoping he had not

expected dinner. "Have you been to the Institute? What was it like?"

"Been," he laughed. "No! It's only ten to eight. This is an

eight-o'clocker, you know. G. K. S. will never stand things at the

ordinary time!"

This was a blow. Helena, not letting herself think of all that she was

missing, had yet fancied that it was safely over. And it had not even

begun... "Oh," was all that she said.

"I went along," Geoffrey Alison proceeded quickly, as though every

instant counted, "because I am a steward so had to be early, and asked

just out of curiosity where you were sitting. They said, so to speak,

you weren't! I knew you both intended coming so I ran across. I've

got two tickets just returned, so if----"

"How very kind of you," said Helena, feeling that she could almost slay

him; "but it wasn't that we couldn't get in. Hubert at the last moment

found that he wasn't free, so we sent our seats back. He suddenly

remembered he was dining out." She tried to make it sound as though

there had not been a tiff.

"Dining out?" repeated Geoffrey Alison, "Well then, you're free to come

along like all the other ones?"

"Oh no, thank you; I don't think I will," said Helena. She had not

forgotten about Mrs. Boyd.

"But you simply _must_," replied the other, pulling out his watch.

"They'll be beginning if we don't make haste. You couldn't miss this

possibly; it's far the best of the whole series. Old Dr. Kenyon, too,

thinks art is a disease and intends asking questions. It will be

tremendous. Come along or you will make us late."

"But I'm not tidy or anything," said Helena. Definite objections are

the first steep steps down from refusal to complaisance.

He recognised this. "So much the better," he cried in prompt triumph.

"Unprepared things are always the best sport. You don't need wraps;

it's like a summer night and you look very smart. Come on! Your

husband won't object. It will be simply grand. We'll have a picnic

causerie!"

Helena was swept away. Bother Mrs. Boyd and every one! It really

would be fun and she would be so bored at home. Hubert had told her

she should go. Besides--did she feel dimly, ever so little even, that

she was somehow getting even with him? Let us pass quickly on, with

all the charity that we can muster....

The Institute was packed. This was clearly a great night.

Helena, directly she entered the room, full of an excitement that had

almost the sensation of magnetic waves, was glad that she had come.

And as they found their seats, the chairman and the speaker entered.

That evening, as Mr. Alison had promised, was the jolliest of the whole

of the series. She even enjoyed merely looking at this G. K. Shaw.

He was ever such a big man, who swelled genially outward and then ended

unexpectedly in quite a savage beard. He looked so comfortable and

friendly that she felt certain all the nice things he meant to say (you

could tell from his eyes) got somehow twisted all wrong in that horrid

beard.

Certainly, to judge by mere words, there was a lot with which she could

not sympathise and some she could not understand. If only Hubert had

been free!

He said, for instance, that conventional Religion was man's excuse to

the Almighty: that faith was the power of believing what we could not

prove untrue: and that churches should possibly be built, because of

unemployment, but left empty for the glory of their Maker. All this

puzzled her, and Mr. Alison would only chuckle, while most others

grunted. Then the lecturer got round to Art and said that life was the

Creator's masterpiece. He roughly defined Art as that which never

found its way to paper. He admitted the existence of a body of

literature and paintings. He did not for a moment wish to conceal the

existence of the Royal Academy. One corn-crake, however, did not cause

a winter: and he wished to-night to speak only about Art. The modern

out-look was parochial and men failed to see even the parish for

looking at the clergymen. An Artist had no fatherland. He had the key

of the World: for paint was thicker than blood. No two nations had

ever agreed on armaments or treaties: but all admitted that Farnese was

greater than Phil May. The worry with the world to-day was not that it

was old: it was a million years too young. No man troubled with the

future, because he knew that it must some day be the past. Religion

hinted at the future: Art alone interpreted the present. Five thousand

years had thrown mud at the workman: Brangwyn proved him the sole

dignified thing left in a dead-level age. For centuries they had

destroyed old ruined tenements, and Bone had shown them to be the only

kind that ought to be allowed. Art dealt with the beautiful and live;

the Church with what was gloomy and decayed. You could not make people

wicked by Act of Parliament; the plain man was an artist when he shaved

his face. Art was to the English what death had been to the Egyptians,

but London was full of things that no one ever spoke about. There was,

for instance, the Imperial Institute. It was better to be beautiful

than dead. Some of those he met were neither. He wished that they

were both. He should be glad if any one would raise objections, for

their mutual advantage. Every one was right and nobody was ever wrong.

There had been ever so much more than that, she knew; but this was all

she could recall when finally he took his seat, and now, already, she

was not altogether sure how it had been connected. She was not by any

means convinced but she was tremendously encouraged. New vistas of an

unsuspected length and freshness opened out from a drab world, whilst

the fat, bearded man was speaking. Sometimes she supposed he must be

very funny?

"Capital, capital," murmured Mr. Alison, and only that. He usually had

such a lot to say, too! She was disappointed.

But now grimly and deliberately there uprose an elderly man of stern

broad face and a respectable frock-coat. He must apologise for letting

his heavy periods drop on the top of the last speaker's brilliant

flippancies, but truth, he regretted to say, was truth.

"That's old Kenyon," her neighbour whispered gleefully.

The doctor, having said so much of calm preface as due to a visitor,

suddenly blazed out into a quicker time and a more violent mood. So

far, he said, from Art being a religion, it was a disease.

(Sensation.) He proved this at some length, largely in the dead

languages, with extracts read from small pamphlets which (he announced)

he had the honour to have contributed to various of the famous

Monthlies.

The soldier-type, he argued, was the most essentially male, 'and it was

furthest-moved from the artistic. He went so far, in conclusion, as to

say that literary creation was only possible to a hybrid creature

half-male and half-female, of whichever sex.

The general feeling was that this was rude to Mr. G. K. Shaw.

The famous author rose, however, blandly and swung his body round to

Dr. Kenyon.

"Now there'll be some fun," said Geoffrey Alison.

"I consider," said Mr. G. K. Shaw quite gravely, holding his beard

steady, "that the last speaker's mongrel theory of literature is

plausible and valuable. I am, however, puzzled as to how he accounts

for his own admirable pamphlets?"

Which certainly was fun and everybody laughed, to the annoyance of old

Dr. Kenyon, who was thenceforth nicknamed "Mongrel" and shortly after

moved to Wimbledon.

But beyond all this, Helena found a vague excitement in the evening.

It was not like those other causeries at six o'clock; she wished they

always could take place at eight. The mere fact, too, of having come

so on the moment's spur lent quite a new attraction. As Geoffrey

Alison had hinted, picnics are more romantic than a dinner-party and

this had bulked into almost an adventure.

He saw her home. The speeches had been long and it was half-past ten

already, but all was darkness in the little house.

Helena had quite a feeling of nervousness at the idea of switching on

light after light, alone. "Come along in," she said simply.

"Hubert'll be here in half a moment. Then he'll give you a drink, and

we will all exchange experiences!" All rancour had gone; yet--well,

she would rather like to show Hugh that his absence didn't mean she

merely sat and cried! Women _are_ human--and women.

"No, I don't think I will, thanks very much," he said.

His face and tone puzzled her. "Don't say _you_'re busy, now!" she

cried. "It's a regular disease."

"Oh no, I never work at night," he answered. "Artists can't very well.

That is the one advantage of our job!"

"Well don't be tiresome then, and come on in," she said, holding the

door open. "Hugh will be furious if he knows you're just gone. So

don't be stupid. _I_ was tame, just now!"

"If you really mean it," he replied almost solemnly and entered.

"Of course I do," she laughed. "Should I invite you, otherwise? How

curious you are! Come into the dining-room and then when Hugh comes,

he can give you--Oh no, let's come into here!" She hastily pointed to

the drawing-room.

Geoffrey Alison went in, puzzled, thinking.

He did not know, and she had only just remembered, about that dough-bun.

Helena Brett's Career · 第 6 / 14 章