CONVERSATIONAL HINTS FOR YOUNG SHOOTERS.

LUNCH (_continued_).--Perhaps the best piece of advice that I can

give you, my young friend, is that--for conversational purposes--you

should make a careful study of the natures and temperaments of your

companions. Watch their little peculiarities, both of manner and of

shooting; pick up what you can about their careers in sport and in

the general world, and use the knowledge so acquired with tact and

discretion when you are talking to them. For instance, if one of the

party is a celebrated shot, who has done some astonishing record at

driven grouse, you may, after the necessary preliminaries, ask him

to be good enough to tell you what was the precise number of birds he

shot on that occasion. Tell him, if you like, that the question arose

the other day during a discussion on the three finest game-shots of

the world. If you happen to know that he shot eighteen hundred birds,

you can say that most people fixed the figure at fifteen hundred.

He will then say,--"Ah, I know most people seem to have got that

notion--I don't know why. As a matter of fact, I managed to get

eighteen hundred and two, and they picked up twenty-two on the

following morning." Your obvious remark is, "By Jove!" (with a strong

emphasis on the "by") "what magnificent shooting!" After that, the

thing runs along of its own accord. With a bad shot your method is,

of course, quite different. For example:--

_Young Shot_. I must say I like the old style of walking up your birds

better than driving, especially in a country like this. I never saw

such difficult birds as we had this morning. You seemed to have the

worst of the luck everywhere.

_Bad Shot_. Yes--they didn't come my way much. But I don't get much

practice at this kind of thing--and a man's no good without practice.

_Y.S._ That was a deuced long shot, all the same, that you polished

off in the last drive. When I saw him coming at about a hundred miles

an hour, I thanked my stars he wasn't my bird. What a thump he fell!

_B.S._ Oh, he was a fairly easy shot, though a bit far off. I daresay

I should do well enough if I only got more shooting. I'm not shooting

with my own gun, though. It's one of my brother's, and it's rather

short in the stock for me.

That starts you comfortably with the Bad Shot. You soothe his ruffled

vanity, and give him a better appetite for lunch.

Now, besides the Good Shot, and the Bad Shot--the two extremes, as

it were, of the line of shooters--you might subdivide your sportsmen

further into--

(1.) _The Jovial Shot._ This party is on excellent terms with himself

and with everybody else. Generally he shoots fairly well, but there

is a rollicking air about him, which disarms criticism, even when

he shoots badly. He knows everybody, and talks of most people by

nick-names. His sporting anecdotes may be counted upon for, at any

rate, a _succès d'estime_. "I never laughed so much in my life," he

begins, "as I did last Tuesday. There were four of us--Old SANDY,

BUTCHER BILL, DICK WHORTLEBURY, and myself. SANDY was driving us back

from Dillwater Hall--you know, old PUFFINGTON's place--where we'd been

dining. Devilish dark night it was, and SANDY's as blind as a bat.

When we got to the Devil's Punchbowl I knew there'd be some warm

games, 'cos the horse started off full tilt, and, before you could say

knife, over we went. I pitched, head first, into DICK's stomach, and

SANDY and BILL went howling down like a right and left of rabbits.

Lord, I laughed till the tears ran down my face. No bones broken, but

the old BUTCHER's face got a shade the worst of it with a thorn-bush

on the slope. Cart smashed into matchwood, of course."

(2.) _The Dressy Shot._ Wonderful in the boot, stocking, and gaiter

department. Very tasteful, too, in the matter of caps and ties. May

be flattered by an inquiry as to where he got his gaiters, and if they

are an idea of his own. Sometimes bursts out into a belt covered with

silver clasps. Fancy waistcoats a speciality. His smoking-suit, in

the evening, is a dream of gorgeous rainbows. Is sometimes a very fair

shot. Generally wears gloves, and a fair moustache.

(3.) _The Bored Shot._ A good sportsman, who says he doesn't care

about sport. Often has literary tastes. Has views of his own, and is,

consequently, looked upon as a rather dangerous idealist by honest

country gentlemen, who confine their reading to an occasional peep at

the _Times_, and an intimate quoting acquaintance with the novels of

Mr. SURTEES. Often shocks his companions by telling them he really

doesn't care much about killing things, and would just as soon let

them off. However, he shows a perfectly proper anger if he misses

frequently. Is not unlikely to be an authority on sheep and oxen, and

may, perhaps, be accepted as the Conservative Candidate for his County

division, dumb but indignant County magnates finding that he expresses

their views better than they can do it themselves. Don't talk to

him about sport. Try him with books, interesting articles in the

Magazines, and so forth.

(4.) _The Soldier Shot._ This kind is generally a Captain, dresses

well, but not gaudily, and smokes big cigars. There seems to be a

general idea that a man who can teach privates to shoot targets must

be able to shoot game himself. Yet the Soldier Shot misses birds

quite beautifully. He will have often shot big game in India with

an accuracy that increases in proportion to the number of miles that

separate him from the scene of his exploits. After all, the ability

to "brown" a herd of elephants does not guarantee rights and lefts at

partridges. Apt to declaim tersely and forcibly about the hardships of

a military career.

(5.) _The Average Shot._ Talk to him about average matters, unless you

hear he is a celebrity in some other branch of sport. In that case,

get details from him of his last Alpine climb, or his latest run to

hounds, or ask his views on racing matters. Most average shots go

racing, and think they understand all about it.

I say nothing here about the Dangerous Shot, because it is never

right to get within talking distance of him. In fact, he ought not to

be talked to at all. I am not sure he ought to be allowed to live.

Still, his exploits furnish material for many an animated conversation

amongst the survivors.

* * * * *

[Illustration: --"ANIMIS COELESTIBUS IRÆ!"

Punch, or the London Charivari, Volume 103, November 5, 1892 · 第 4 / 30 题