When the need of such an institution as Feudalism no longer existed,

then it was broken up. Its blessings were not commensurate with its

evils; but the evils were less than those which previously existed. This

is, I grant, but faint praise. But the progress of society could not be

rapid amid such universal ignorance: it is slow in the best of times. I

do not call that state of society progressive where moral and spiritual

truths are forgotten or disregarded in the triumphs of a brilliant

material life. There was no progress of society from the Antonines to

Theodosius, but a steady decline. But there was a progress, however

slow, from Charlemagne to Philip Augustus. But for Feudalism and

ecclesiastical institutions the European races might not have emerged

from anarchy, or might have been subjected to a new and withering

imperialism. Say what we will of the grinding despotism of

Feudalism,--and we cannot be too severe on any form of despotism,--yet

the rude barbarian became a citizen in process of time, with education

and political rights.

Society made the same sort of advance, in the gloomy epoch we are

reviewing, that the slaves in our Southern States made from the time

they were imported from Africa, with their degrading fetichism and

unexampled ignorance, to the time of their emancipation. How marked the

progress of the Southern slaves during the two hundred years of their

bondage! No degraded race ever made so marked a progress as they did in

the same period, even under all the withering influences of slavery.

Probably their moral and spiritual progress was greater than it will be

in the next two hundred years, exposed to all the dangers of modern

materialism, which saps the life of nations in the midst of the most

brilliant triumphs of art. We are now on the road to a marvellous

intellectual enlightenment, unprecedented and full of encouragement. But

with this we face dangers also, such as undermined the old Roman world

and all the ancient civilizations. If I could fix my eye on a single

State or Nation in the whole history of our humanity that has escaped

these dangers, that has not retrograded in those virtues on which the

strength of man is based, after a certain point has been reached in

civilization, I would not hazard this remark. Society escaped these

evils in that agricultural period which saw the rise and fall of

Feudalism, and made a slow but notable advance. That is a fact which

cannot be gainsaid, and this is impressive. It shows that society, in a

moral point of view, thrives better under hard restraints than when

exposed to the dangers of an irreligious, material civilization.

Nor is Feudalism to be condemned as being altogether dark and

uninteresting. It had redeeming features in the life of the baronial

family. Under its influence arose the institution of chivalry; and

though the virtues of chivalry may be poetic, and exaggerated, there can

be no doubt that it was a civilizing institution, and partially redeemed

the Middle Ages. It gave rise to beautiful sentiments; it blazed in new

virtues, rarely seen in the old civilizations. They were peculiar to the

age and to Europe, were fostered by the Church, and took a coloring from

Christianity itself. Chivalry bound together the martial barons of

Europe by the ties of a fraternity of knights. Those armed and mailed

warriors fought on horseback, and chivalry takes its name from the

French _cheval_, meaning a horse. The knights learned gradually to treat

each other with peculiar courtesy. They became generous in battle or in

misfortune, for they all alike belonged to the noble class, and felt a

common bond in the pride of birth. It was not the memory of illustrious

ancestors which created this aristocratic distinction, as among Roman

patricians, but the fact that the knights were a superior order. Yet

among themselves distinctions vanished. There was no higher distinction

than that of a gentleman. The poorest knight was welcome at any castle

or at any festivity, at the tournament or in the chase. Generally,

gallantry and unblemished reputation were the conditions of social rank

among the knights themselves. They were expected to excel in courage, in

courtesy, in generosity, in truthfulness, in loyalty. The great

patrimony of the knight was his horse, his armor, and his valor. He was

bound to succor the defenceless. He was required to abstain from all

mean pursuits. If his trade were war, he would divest war of its

cruelties. His word was seldom broken, and his promises were held

sacred. If pride of rank was generated in this fraternity of gentlemen,

so also was scorn of lies and baseness. If there was no brotherhood of

man, there was the brotherhood of equals. The most beautiful friendships

arose from common dangers and common duties. A stranger knight was

treated with the greatest kindness and hospitality. If chivalry

condemned anything, it was selfishness and treachery and hypocrisy. All

the old romances and chronicles record the frankness and magnanimity of

knights. More was thought of moral than of intellectual excellence.

Nobody was ashamed to be thought religious. The mailed warrior said his

orisons every day and never neglected Mass. Even in war, prisoners were

released on their parole of honor, and their ransom was rarely

exorbitant. The institution tended to soften manners as well as to

develop the virtues of the heart. Under its influence the rude baron was

transformed into a courteous gentleman.

But the distinguishing glory of chivalry was devotion to the female

sex. Respect for woman was born in the German forests before the Roman

empire fell. It was the best trait of the Germanic barbarians; but under

the institution of chivalry this natural respect was ripened into

admiration and gallantry. "Love of God and the ladies" was enjoined as a

single duty. The knight ever came to the rescue of a woman in danger or

distress, provided she was a lady. Nothing is better attested than the

chivalric devotion to woman in a feudal castle. The name of a mistress

of the heart was never mentioned but in profound respect. Even pages

were required to choose objects of devotion, to whom they were to be

loyal unto death. Woman presided in the feudal castle, where she

exercised a proper restraint. She bestowed the prize of valor at

tournaments and tilts. To insult a lady was a lasting disgrace,--or to

reveal her secrets. For the first time in history, woman became the

equal partner of her husband. She was his companion often in the chase,

gaily mounted on her steed. She always dined with him, and was the

presiding genius of the castle. She was made regent of kingdoms, heir of

crowns, and joint manager of great estates. She had the supreme

management of her household, and was consulted in every matter of

importance. What an insignificant position woman filled at Athens

compared with that in the feudal castle! How different the estimate of

woman among the Pagan poets from that held by the Provençal poets! What

a contrast to Juvenal is Sordello! The lady of a baronial hall deemed it

an insult to be addressed in the language of gallantry, except in that

vague and poetic sense in which every knight selected some lady as the

object of his dutiful devotion. She disdained the attentions of the most

potent prince if his addresses were not honorable. Nor would she bestow

her love on one of whom she was not proud. She would not marry a coward

or a braggart, even if he were the owner of ten thousand acres. The

knight was encouraged to pay his address to any lady if he was

personally worthy of her love, for chivalry created a high estimate of

individual merit. The feudal lady ignored all degrees of wealth within

her own rank. She was as tender and compassionate as she was heroic. She

was treated as a superior, rather than as an equal. There was a poetical

admiration among the whole circle of knights. A knight without an object

of devotion was as "a ship without a rudder, a horse without a bridle, a

sword without a hilt, a sky without a star." Even a Don Quixote must

have his Dulcinea, as well as horse and armor and squire. Dante

impersonates the spirit of the Middle Ages in his adoration of Beatrice.

The ancient poets coupled the praises of women with the praises of wine.

Woman, under the influence of chivalry, became the star of worship, an

object of idolatry. We read of few divorces in the Middle Ages, or of

separations, or desertions, or even alienations; these things are a

modern improvement, borrowed from the customs of the Romans. The awe and

devotion with which the lover regarded his bride became regard and

affection in the husband. The matron maintained the rank which had been

assigned to her as a maiden. The gallant warriors blended even the

adoration of our Lord with adoration of our Lady,--the deification of

Christ with the deification of woman. Chivalry, encouraged by the Church

and always strongly allied with religious sentiments, accepted for

eternal veneration the transcendent loveliness of the mother of our

Lord; so that chivalric veneration for the sex culminated in the

reverence which belongs to the Queen of Heaven,--_virgo fidelis; regina

angelorum_. Woman assumed among kings and barons the importance which

she was supposed to have in the celestial hierarchy. And besides the

religious influence, the poetic imagination of the time seized upon this

pure and lovely element, which passed into the songs, the tales, the

talk, the thought, and the aspirations of all the knightly order.

Whence, now, this veneration for woman which arose in the Middle

Ages,--a veneration, which all historians attest, such as never existed

in the ancient civilization?

It was undoubtedly based on the noble qualities and domestic virtues

which feudal life engendered. Women were heroines. Queen Philippa in the

absence of her husband stationed herself in the Castle of Bamborough and

defied the whole power of Douglas. The first military dispatch ever

written in the Middle Ages was addressed to her; she even took David of

Scotland a prisoner, when he invaded England. These women of chivalry

were ready to undergo any fatigues to promote their husbands' interests.

They were equal to any personal sacrifices. Nothing could daunt their

courage. They could defend themselves in danger, showing an

extraordinary fertility of resources. They earned the devotion they

called out. What more calculated to win the admiration of feudal

warriors than this devotion and bravery on the part of wives and

daughters! They were helpmates in every sense. They superintended the

details of castles. They were always employed, and generally in what

were imperative duties. If they embroidered dresses or worked

tapestries, they also wove the cloth for their husband's coats, and made

his shirts and knit his stockings. If they trained hawks and falcons,

they fed the poultry and cultivated the flowers. They understood the

cares of the kitchen, and managed the servants.

But it was their moral virtues which excited the greatest esteem. They

gloried in their unsullied names; their characters were above suspicion.

Any violation of the marriage vow was almost unknown; an unfaithful

wife was infamous. The ordinary life of a castle was that of isolation,

which made women discreet, self-relying, and free from entangling

excitements. They had no great pleasures, and but little society. They

were absorbed with their duties, and contented with their husbands'

love. The feudal castle, however, was not dull, although it was

isolated, and afforded few novelties. It was full of strangers, and

minstrels, and bards, and pedlars, and priests. Women could gratify

their social wants without seductive excitements. They led a life

favorable to friendships, which cannot thrive amid the distractions of

cities. In cities few have time to cultivate friendships, although they

may not be extinguished. In the baronial castle, however, they were

necessary to existence.

And here, where she was so well known, woman's worth was recognized. Her

caprices and frivolities were balanced by sterling qualities,--as a

nurse in sickness, as a devotee to duties, as a friend in distress, ever

sympathetic and kind. She was not exacting, and required very little to

amuse her. Of course, she was not intellectual, since she read but few

books and received only the rudiments of education; but she was as

learned as her brothers, and quicker in her wits. She had the vivacity

which a healthy life secures. Nor was she beautiful, according to our

standard. She was a ruddy, cheerful, active, healthy woman, accustomed

to exercise in the open air,--to field-sports and horseback journeys.

Still less was she what we call fashionable, for the word was not known;

nor was she a woman of society, for, as we have said, there was no

society in a feudal castle. What we call society was born in cities,

where women reign by force of mind and elegant courtesies and grace of

manners,--where woman is an ornament as well as a power, without

drudgeries and almost without cares, as at the courts of the

Bourbon princes.

Yet I am not certain but that the foundation of courtly elegance and

dignity was laid in the baronial home, when woman began her reign as the

equal of her wedded lord, when she commanded reverence for her

courtesies and friendships, and when her society was valued so highly by

aristocratic knights. In the castle she became genial and kind and

sympathetic,--although haughty to inferiors and hard on the peasantry.

She was ever religious. Religious duties took up no small part of her

time. Christianity raised her more than all other influences combined.

You never read of an infidel woman when chivalry flourished, any more

than of a "strong-minded" woman. The feudal woman never left her sphere,

even amid the pleasures of the chase or the tilt. Her gentle and

domestic virtues remained with her to the end, and were the most

prized. Woman was worshipped because she was a woman, not because she

resembled a man. Benevolence and compassion and simplicity were her

cardinal virtues. Though her sports were masculine, her character was

feminine. She yielded to man in matters of reason and intellect, but he

yielded to her in the virtues of the heart and the radiance of the soul.

She associated with man without seductive spectacles or demoralizing

excitements, and retained her influence by securing his respect. In

antiquity, there was no respect for the sex, even when Aspasia

enthralled Pericles by the fascinations of blended intellect and beauty;

but there was respect in the feudal ages, when women were unlettered and

unpolished. And this respect was alike the basis of friendship and the

key to power. It was not elegance of manners, nor intellectual culture,

nor physical beauty which elevated the women of chivalry, but their

courage, their fidelity, their sympathy, their devotion to

duty,--qualities which no civilization ought to obscure, and for the

loss of which no refinements of life can make up.

Thus Chivalry,--the most interesting institution of the Middle Ages,

rejoicing in deeds of daring, guided by honor and renown, executing

enterprises almost extravagant, battling injustice and wrong, binding

together the souls of a great fraternity, scorning lies, revering truth,

devoted to the Church,--could not help elevating the sex to which its

proudest efforts were pledged, by cherishing elevated conceptions of

love, by offering all the courtesies of friendship, by coming to the

rescue of innocence, by stimulating admiration of all that is heroic,

and by asserting the honor of the loved ones, even at the risk of life

and limb. In the dark ages of European society woman takes her place,

for the first time in the world, as the equal and friend of man,--not by

physical beauty, not by graces of manner, not even by intellectual

culture, but by the solid virtues of the heart, brought to light by

danger, isolation, and practical duties, and by that influence which

radiated from the Cross. Divest chivalry of the religious element, and

you take away its glory and its fascination. The knight would be only a

hardhearted warrior, oppressing the poor and miserable, and only

interesting from his deeds of valor. But Christianity softened him and

made him human, while it dignified the partner of his toils, and gave

birth to virtues which commanded reverence. The soul of chivalry,

closely examined, in its influence over men or over women, after all,

was that power which is and will be through all the ages the hope and

glory of our world.

Thus, with all the miseries, cruelties, injustices, and hardships of

feudal life, there were some bright spots; showing that Providence never

deserts the world, and that though progress may be slow in the infancy

of races, yet with the light of Christianity, even if it be darkened,

this progress is certain, and will be more and more rapid as

Christianity achieves its victories.

AUTHORITIES.

Hallam's Middle Ages; Sismondi's Histoire des Français; Guizot's History

of Civilization (translated); Michelet's History of France (translated);

Bell's Historical Studies of Feudalism; Lacroix's Manners and Customs of

the Middle Ages; Mills's History of Chivalry; Sir Walter Scott's article

in Encyclopaedia Britannica; Perrot's Collection Historique des Ordres

de Chivalrie; St. Palaye's Memoires de l'Ancienne Chivalrie; Buckle's

History of Civilization; Palgrave's English Commonwealth; Martin's

History of France; Freeman's Norman Conquest; M. Fauriel's History of

Provençal Poetry; Froissart's Chronicles; also the general English

histories of the reign of Edward III. Don Quixote should he read in this

connection. And Tennyson in his "Idylls of the King" has incorporated

the spirit of ancient chivalry.

THE CRUSADES.

* * * * *

A.D. 1095-1272.

The great external event of the Middle Ages was the Crusades,--indeed,

they were the only common enterprise in which Europe ever engaged. Such

an event ought to be very interesting, since it has reference to

conflicting passions and interests. Unfortunately, in a literary point

of view, there is no central figure in the great drama which the princes

of Europe played for two hundred years, and hence the Crusades have but

little dramatic interest. No one man represents that mighty movement. It

was a great wave of inundation, flooding Asia with the unemployed forces

of Europe, animated by passions which excite our admiration, our pity,

and our reprobation. They are chiefly interesting for their results, and

results which were unforeseen. A philosopher sees in them the hand of

Providence,--the overruling of mortal wrath to the praise of Him who

governs the universe. I know of no great movement of blind forces so

pregnant with mighty consequences.

The Crusades were a semi-religious and a semi-military movement. They

represent the passions and ideas of Europe in the twelfth and thirteenth

centuries,--its chivalry, its hatred of Mohammedanism, and its desire to

possess the spots consecrated by the sufferings of our Lord. Their long

continuance shows the intensity of the sentiments which animated them.

They were aggressive wars, alike fierce and unfortunate, absorbing to

the nations that embarked in them, but of no interest to us apart from

the moral lessons to be drawn from them. Perhaps one reason why history

is so dull to most people is that the greater part of it is a record of

battles and sieges, of military heroes and conquerors. This is

pre-eminently true of Greece, of Rome, of the Middle Ages, and of our

modern times down to the nineteenth century. But such chronicles of

everlasting battles and sieges do not satisfy this generation. Hence our

more recent historians, wishing to avoid the monotony of ordinary

history, have attempted to explore the common life of the people, and to

bring out their manners and habits: they would succeed in making history

more interesting if the materials, at present, were not so scanty and

unsatisfactory.

The only way to make the history of wars interesting is to go back to

the ideas, passions, and interests which they represent. Then we

penetrate to the heart of history, and feel its life. For all the great

wars of the world, we shall see, are exponents of its great moving

spiritual forces. The wars of Cyrus and Alexander represent the passion

of military glory; those of Marius, Sylla, Pompey, and Caesar, the

desire of political aggrandizement; those of Constantine and Theodosius,

the desire for political unity and the necessity of self-defence. The

sweeping and desolating inundations of the barbarians, from the third to

the sixth century, represent the poverty of those rude nations, and

their desire to obtain settlements more favorable to getting a living.

The conquests of Mohammed and his successors were made to swell the

number of converts of a new religion. The perpetual strife of the

baronial lords was to increase their domains. The wars of Charlemagne

and Charles V. were to revive the imperialism of the Caesars,--to create

new universal monarchies. The wars which grew out of the Reformation

were to preserve or secure religious liberty; those which followed were

to maintain the balance of power. Those of Napoleon were at first, at

least nominally, to spread or defend the ideas of the French Revolution,

until he became infatuated with the love of military glory. Our first

great war was to secure national independence, and our second to

preserve national unity. The contest between Prussia and France was to

prevent the ascendency of either of those great States. The wars of the

English in India were to find markets for English goods, employment for

the sons of the higher classes, and a new field for colonization and

political power. So all the great passions and interests which have

moved mankind have found their vent in war,--rough barbaric spoliations,

love of glory and political aggrandizement, desire to spread religious

ideas, love of liberty, greediness for wealth, unity of nations,

jealousy of other powers, even the desire to secure general peace and

tranquillity. Most wars have had in view the attainment of great ends,

and it is in the ultimate results of them that we see the progress

of nations.

Thus wars, contemplated in a philosophical aspect, in spite of their

repulsiveness are invested with dignity, and really indicate great moral

and intellectual movements, as well as the personal ambition or vanity

of conquerors. They are the ultimate solutions of great questions, not

to be solved in any other way,--unfortunately, I grant,--on account of

human wickedness. And I know of no great wars, much as I loathe and

detest them, and severely and justly as they may be reprobated, which

have not been overruled for the ultimate welfare of society. The wars of

Alexander led to the introduction of Grecian civilization into Asia and

Egypt; those of the Romans, to the pacification of the world and the

reign of law and order; those of barbarians, to the colonization of the

worn-out provinces of the Roman Empire by hardier and more energetic

nations; those of Charlemagne, to the ultimate suppression of barbaric

invasions; those of the Saracens, to the acknowledgment of One God;

those of Charles V., to the recognized necessity of a balance of power;

those which grew out of the Reformation, to religious liberty. The

Huguenots' contest undermined the ascendency of Roman priests in France;

the Seven Years' War developed the naval power of England, and gave to

her a prominent place among the nations, and exposed the weakness of

Austria, so long the terror of Europe; the wars of Louis XIV. sowed the

seeds of the French Revolution; those of Napoleon vindicated its great

ideas; those of England in India introduced the civilization of a

Christian nation; those of the Americans secured liberty and the unity

of their vast nation. The majesty of the Governor of the universe is

seen in nothing more impressively than in the direction which the wrath

of man is made to take.

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