THE UNKNOWN WARRIOR[1]

[1] Written on the day of the interment of the Unknown Warrior in

Westminster Abbey.

We shall not know his name. It will never be known, and we should

not seek to know it. For in that nameless figure that is borne over

land and sea to mingle its dust with the most sacred dust of England,

we salute the invisible hosts of the fallen. We do not ask his name

or whence he comes. His name is legion and he comes from a hundred

fields, stricken with a million deaths.

Gaily or sadly, he went out to battle. We see him, as in a vision,

streaming in by a thousand roads, down from the Hebrides and the

glens of the North, from the mines of Durham and the shipyards of the

Clyde and Tyne and the bogs of Ireland, out of the factories of

Lancashire and Yorkshire, up from the pastures of East Anglia and the

moors of Devon, over the seas from distant lands, whither he had gone

to live his life and whence he returns at the call of a duty that

transcends life. In his speech we hear the echoes of a hundred

countrysides, from the strong burr of Aberdeen to the lilt of Dorset

and the broad-vowelled speech of Devon; but whatever the accent it

mingles in that song about Tipperary which, by the strangest of

ironies, lives in the mind with the sound of the tramp of millions to

battle.

He takes a thousand shapes in our minds. We see him leaving the

thatched cottage in some remote village, his widowed mother standing

at the doorway and shading her eyes to catch the last glimpse of him

as he turns into the high-road that shuts him from her sight; we see

him throwing aside his books and bounding out of school or college

with the light of adventure in his eye; we see him closing his little

shop, laying aside his pen, putting down mallet and chisel, hammer

and axe. We see him taking a million pitiful farewells, his young

wife hanging about his neck in an agony of grief, his little children

weeping for they know not what, with that dread foreboding that is

the affliction of childhood, the old people standing by with a sorrow

that has passed beyond the relief of tears. Here he is the lover and

there the son and there the husband and there the brother, but

everywhere he is the sacrifice. While others remain behind, perhaps

to win ignoble riches and rewards, he goes out to live in mud and

filth and die a lonely and horrible death far from his home and all

that he loved.

And he is chosen, not because he is the tainted wether of the flock,

meetest for sacrifice, but because he is the pride of the flock. In

him we see the youth of England, all that is bravest and best and

richest in promise, brains that could have won the priceless

victories of peace, sinews that could have borne the burden of

labour, singers and poets and statesmen in the green leaf, the Rupert

Brookes, the Raymond Asquiths, the Gladstones, the Keelings, the

finest flower of every household, all offered as a sacrifice on the

insane and monstrous altar of war.

And with the mind's eye we follow him as he is swallowed up in the

furnace. We see him falling on that desperate day at Suvla Bay,

perishing in the deserts of Mesopotamia, struck down in the snowstorm

on Vimy Ridge, dying on the hundred battlefields of the Somme,

disappearing in the sea of mud churned up at Passchendaele, falling

like autumn leaves in the deadly salient of Ypres, stricken in those

unforgettable days of March, when the Fifth Army broke before the

German onset. His bones lie scattered over a thousand alien fields

from the Euphrates to the Scheldt and lie on the floor of every

wandering sea. From the Somme to Zeebrugge his cemeteries litter the

landscape, and in those graves lie the youth of England and the

hearts of those who mourn.

Now one comes back, the symbol of all who have died and who will

never return. He comes, unknown and unnamed, to take his place among

the illustrious dead. And it is no extravagant fancy to conceive the

spirits of that great company, the Chathams and Drydens and Johnsons,

poets, statesmen and warriors, receiving him into their midst in the

solemn Abbey as something greater and more significant than they.

For in him they will see the emblem of the mightiest tribute ever

laid on the nation's altar. In him we do reverence to that

generation of Britain's young menhood that perished in the world's

madness and sleeps for ever in foreign lands.

None of us will look on that moving scene without emotion. But

something more will be required of us than a spasm of easy, tearful

emotion that exhausts itself in being felt. What have we, the

living, to say to the dead who pass by in shadowy hosts? They died

for no mean thing. They died that the world might be a better and a

cleaner place for those who lived and for those who come after. As

that unknown soldier is borne down Whitehall he will issue a silent

challenge to the living world to say whether it was worthy of his

sacrifice. And if we are honest with ourselves we shall not find the

answer easy.

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