It was his pleasure, whenever my Step-father walked, that I should

accompany him; such accompaniment as flute adagio is sometimes heard

to give to piano prestissimo. He seemed to pride himself, like some

pompous people, in constantly having a poor foot-boy trotting it his

heels: often did I beg to be left at home; often, but vainly, address

him in the language of old Capulet’s domestic--“Good thou, save me a

piece of _march-pane_.” The descriptive phrase of “rocky fastnesses,”

was but too typical of his speed and temper; he had no more pity for

me, than the great striding Ogre, in the Seven-leagued Boots, for

little Hop-o’-my-Thumb.

The day of retribution at last came, for, according to the clown’s

doctrine, the whirligig of time always brings round its revenges. My

poor mother died, and had a walking funeral, and my Step-father felt

more for her than I had expected; but he suffered most in his legs and

feet: the measured pace of the procession afflicted him beyond measure;

he longed to give sorrow strides, but was forbidden; and he walked

and grieved like a fiery horse upon the fret. The slow pace seemed

as a slow poison: it has been affirmed that he caught cold upon the

occasion; but whether he did or not,--from that day he took ill, went

off rapidly, as he always did, in a galloping consumption, and died,

leaving me, as usual, behind him. In compliance with his last wish,

he was furnished with a walking funeral, and, as decency dictated, I

followed him to the grave; though in truth it was sacrificing the only

opportunity I ever had in the world, of getting before him.

I have been told that, the evening of his decease, his apparition

appeared to a first cousin at Penryn, and the same night to his brother

at Appleby. I have no particular faith in Ghosts, but this I do most

firmly believe, that if any Body had the Spirit to do the distance, in

the time, it was the very Spirit of my Step-father Walker.

[Illustration: FOUR INSIDE.]

CONVEYANCING.

Oh, London is the place for all

In love with loco-motion!

Still to and fro the people go

Like billows of the ocean;

Machine or man, or caravan,

Can all be had for paying,

When great estates, or heavy weights,

Or bodies want conveying.

There’s always hacks about in packs,

Wherein you may be shaken,

And Jarvis is not always _drunk_,

Tho’ always _overtaken_;

In racing tricks he’ll never mix,

His nags are in their last days,

And _slow_ to go, altho’ they show

As if they had their _fast days_!

Then if you like a single horse,

This age is quite a _cab-age_,

A car not quite so small and light

As those of our Queen _Mab_ age;

The horses have been _broken well_,

All danger is rescinded,

For some have _broken both their knees_,

And some are _broken winded_.

If you’ve a friend at Chelsea end,

The stages are worth knowing--

There is a sort, we call ’em short,

Although the longest going--

For some will stop at Hatchett’s shop

Till you grow faint and sicky,

Perched up behind, at last to find

Your dinner is all _dickey_!

Long stages run from every yard;

But if you’re wise and frugal,

You’ll never go with any Guard

That plays upon the bugle,

“Ye banks and braes,” and other lays,

And ditties everlasting,

Like miners going all your way,

With _boring_ and with _blasting_.

Instead of _journeys_, people now

May go upon a _Gurney_,

With steam to do the horses’ work,

By _powers of attorney_;

Tho’ with a load it may explode,

And you may all be _un_-done!

And find you’re going _up to Heav’n_,

Instead of _up to London_!

To speak of every kind of coach,

It is not my intention;

But there is still one vehicle

Deserves a little mention;

The world a sage has called a stage,

With all its living lumber,

And Malthus swears it always bears

Above the proper number.

The law will transfer house or land

For ever and a day hence,

For lighter things, watch, brooches, rings,

You’ll never want conveyance:

Ho! stop the thief! my handkerchief!

It is no sight for laughter--

Away it goes, and leaves my nose

To join in running after.

[Illustration: VAN DEMON’S LAND.]

A LETTER FROM A SETTLER FOR LIFE IN VAN DIEMEN’S LAND.

_To Mary, at No 45 Mount Street Grosvenor Square._

DEAR MARY

Littel did I Think wen I advertisd in the Tims for annother Plaice

of taking wan in Vandemin’s land. But so it his and Hear I am

amung Kangerooses and Savidges and other Forriners. But goverment

offering to Yung Wimmin to Find them in Vittles and Drink and

Close and Husbands was turms not to be sneazed at, so I rit to the

Outlandish Seckertary and he was so Kind as Grant.

Wen this cums to Hand go to Number 22 Pimpernel Plaice And mind

and go betwixt Six and sevin For your own Sake cos then the

fammilys Having Diner give my kind love to betty Housmad and Say

I am safe of my Jurney to Forrin parts And I hope master as never

Mist the wine and brought Them into trubble on My accounts. But I

did not Like to leav for Ever And Ever without treeting my Frends

and feller servents and Drinking to all their fairwells. In my

Flury wen the Bell rung I forgot to take My own Key out of missis

Tekaddy but I hope sum wan had the thought And it is in Good hands

but shall Be obleeged to no. Lickwise thro my Loness of Sperrits

my lox of Hares quite went out of My Hed as was prommist to Be

giv to Gorge and Willum and the too Futmen at the too Next dores

But I hop and Trust betty pacifid them with lox of Her hone as I

begd to Be dun wen I rit Her from dover. O Mary wen I furst see

the dover Wite clifts out of site wat with squemishnes and Felings

I all most repentid givin Ingland warning And had douts if I was

goin to better my self. But the stewerd was verry kind tho I could

make Him no returns xcept by Dustin the ship for Him And helpin

to wash up his dishes. Their was 50 moor Young Wimmin of us and

By way of passing tim We agread to tell our Histris of our selves

taken by Turns But they all turned out Alick we had All left on

acount of Testacious masters And crustacious Mississis and becos

the Wurks was too much For our Strenths but betwixt yew and Me the

reel truths was beeing Flirted with and unprommist by Perfidus

yung men. With sich exampils befour there Minds I wunder sum of

them was unprudent enuff to Lissen to the Salers whom are coverd

with Pitch but famus for Not stiking to there Wurds. has for Me

the Mate chose to be verry Partickler wan nite Setting on a Skane

of Rops but I giv him is Anser and lucky I did for Am infourmd he

as Got too more Marred Wives in a sate of Biggamy thank Goodness

wan can marry in new Wurlds without mates. Since I have bean in My

pressent Sitiation I have had between too and three offers for My

Hands and expex them Evry day to go to fistcufs about Me this is

sum thing lick treeting Wimmin as Wimmin ought to be treetid Nun of

your sarsy Buchers and Backers as brakes there Prommissis the sam

as Pi Crust wen its maid Lite and shivvry And then laffs in Your

face and say they can hav anny Gal they lick round the Square. I

dont menshun nams but Eddard as drives the Fancy bred will no Wat

I mean. As soon as ever the Botes rode to Land I dont agrivate the

Truth to say their was haf a duzzin Bows apeace to Hand us out to

shoar and sum go so Far as say they was offered to thro Specking

Trumpits afore they left the Shipside. Be that as it May or may

Not I am tould We maid a Verry pritty site all Wauking too and

too in our bridle wite Gownds with the Union Jacks afore Us to

pay humbel Respex to kernel Arther who behaived verry Gentlemanny

and Complementid us on our Hansom apearances and Purlitely sed

he Wisht us All in the United States. The Salers was so gallaunt

as giv three chears wen We left there Ship and sed if so be they

had not Bean without Canons they Wood have salutid us all round.

Servents mite live Long enuff in Lonnon without Being sich persons

of Distinkshun. For my hone Part, cumming amung strangers and Pig

in Pokes, prudence Dicktatid not to be askt out At the verry furst

cumming in howsumever All is setteld And the match is aproved

off by Kernel Arther and the Brightish goverment, who as agread

to giv me away. thems wat I call Honners as we used to Say at

wist. Wan thing in My favers was my voice and my noing the song

of the Plane Gould Ring witch the Van Demons had never Herd afore

I wood recummend all as meens curnming to Bring as menny of the

fashingable Songs and Ballets as they Can--and to get sum nolliges

of music as fortnately for me I was Abel to by meens of praxtising

on Missis Piney Forty wen the fammily Was at ramsgit. of Coarse

you and betty Will xpect Me to indulge in Pearsonallitis about my

intendid to tell Yew wat he is lick he is Not at All lick Eddard

as driv the Faney bred and Noboddy else yew No. I wood send yew His

picter Dun by himself only its no more lick Him then Chork is to

Cheas. In spit of the Short Tim for Luv to take Roots I am convinst

he is verry Passionet of coarse As to his temper I cant Speek As

yet as I hav not Tride it. O mary littel did I think too Munth ago

of sending yew Brid Cake and Weddin favers wen I say this I am only

Figgering in speach for Yew must Not look for sich Things from this

Part of the Wurld I dont mean this by Way of discurridgement Wat I

meen to say is this If so be Yung Wimmin prefers a state of Silly

Bessy they Had better remane ware they was Born but as far as Reel

down rite Coarting and no nonsens is concarnd This is the Plaice

for my Munny a Gal has only to cum out hear And theirs duzzens

will jump at her like Cox at Gusberris. it will be a reel kindnes

to say as Much to Hannah at 48 and Hester Brown and Peggy Oldfield

and partickler poor Charlotte they needent Fear about being Plane

for Yew may tell Them in this land Faces dont make stumblin Blox

and if the Hole cargo was as uggly As sin Lots wood git marrid.

Deer Mary if so Be you feel disposed to cum Out of Your self I will

aford evry Falicity towards your hapiness. I dont want to hurt your

Felines but since the Cotchman as giv yew up I dont think Yew have

annother String to your Bo to say nothink of Not being so young As

yew was Ten Yeer ago and faces Will ware out as well as scrubbin

brushes. theirs a verry nice yung man is quit a Willin to offer to

Yew providid you cum the verry Next vessle for He has Maid up his

mind not to Wait beyond the Kupid and Sikey. as the ship is on the

Pint of Saling I cant rite Moor at pressent xcept for them has as

shily shalying sweat harts to Thretten with cumming to Vandemins

And witch will soon sho wether its Cubbard love or true Love I hay

seen Enuff of Bows droping in at supertime and falling out the next

morning after borrowin Wans wags. Wen yew see anny Frends giv my

Distant love to Them and say My being Gone to annother wurld dont

impear my Memmery but I often Thinks of Number 22 and the two Next

Dores. yew may Disclose my matterymonial Prospex to betty as we

hav always had a Deal of Confidens. And I remane with the Gratest

asurance

Your affexionat Frend

Susan Gale--as his to be Simco.

P.S. Deer mary my Furst Match beeing broke off short hope Yew will

not take it Ill but I have Marrid the yung Man as was to Hav waited

for Yew but As yew hav never seen one Annother trusts yew will Not

take Him to hart or abrade by Return of Postesses he has behaved

Perfickly honnerable And has got a verry United frend of his Hone

to be atacht to Yew in lew of Him. adew.

[Illustration: RING-DOVES.]

SONNET.

Allegory--A moral vehicle.--DICTIONARY.

I had a Gig-Horse, and I called him Pleasure,

Because on Sundays, for a little jaunt,

He was so fast and showy, quite a treasure;

Although he sometimes kicked, and spied aslant.

I had a Chaise, and christened it Enjoyment,

With yellow body, and the wheels of red,

Because ’twas only used for one employment,

Namely, to go wherever Pleasure led.

I had a wife, her nickname was Delight;

A son called Frolic, who was never still:

Alas! how often dark succeeds to bright!

Delight was thrown, and Frolic had a spill,

Enjoyment was upset and shattered quite,

And Pleasure fell a splitter on _Paine’s Hill_!

A SERIO-COMIC REMINISCENCE.

It seems but the other day--instead of nearly ten years ago--that

my drawing-room door opened, and the female servant, with a very

peculiar expression of countenance, announced a memorable visitor.

Shakspeare has enquired “What is there in a name?” But most assuredly

he would have withdrawn the question could he have seen the effect of

a patronymic on our Sarah’s risible muscles. To render the phenomenon

more striking, she was a maiden little addicted to the merry mood: on

the contrary, she was rather more sedate than her age warranted. Her

face was of a cast decidedly serious--quiet brow--steady eyes--sober

nose--precise mouth, and solemn chin, which she doubled by drawing

it in demurely against her neck. The habitual expression of her

physiognomy was as grave, short of actual sadness, as human face could

assume, reminding you of those set, solid, composed, very decorous

visages, that indifferent persons put on for the day at a funeral: her

very complexion was uniformly colourless--pale yet not clear--that

_slack-baked_ look which forbids the idea of levity. When she smiled,

which was rarely, and in cases where most females of her years would

have indulged in a titter, or excusable laugh, it was the faintest

possible approach to hilarity--the corners of her mouth curving, if

anything a little downwards. Nothing, in fact, less than galvanism,

which “sets corpses a-grinning,” seemed likely to shock her features

into any broad demonstration of jocularity, and yet, lo! there she was,

her face shortened by half its length--her mouth stretching from ear to

ear, and hardly able, for a suppressed giggle, to articulate its brief

announcement.

[Illustration: PLEASE, SIR! HERE’S MR. GRIMALDI!!!!]

I have always considered the above physiognomical miracle--the lighting

up of that seemingly impracticable countenance--as the best criticism I

have ever _seem_ of the performances of the great Pan of Pantomime:--a

most eloquent retrospective review of the triumphs of his genius. It

was a glorious illustration of the Pleasures of Memory, to behold

that face so like the stain a dead calm on a dull day burst suddenly

into ripples and radiance, like the brook that laughs in the sun. What

recollections of exquisite fooling must have rushed into her fancy

to convert that Quakerly maiden, as by a stage metamorphosis, into a

perfect figure of fun! What grotesque fantastic shapes must have come

tumbling, rolling, crawling, dangling, dancing, prancing, floundering,

flopping, striding, sliding, ambling, shambling, scrambling,

stumbling, bundling, and trundling into her mind’s eye, to so startle

her features from their propriety! What face-making faces, with

telegraphic brows--rolling, reeling, goggling, ogling, hard-winking,

and soft-blinking eyes--and grinning, gaping, pinching, puckering

mouths must have grimaced at her to put her steady countenance so out

of countenance! What is there in a name? Why magic! A serious, quiet,

decrepid man had but to announce himself, and Presto! Prestissimo!

before an engineer could cry “Ease her! stop her! back her!” our Sarah

had retraced her course up the stream of time to the bright wintry

gallery nights at the Lane, or the Garden, or the Midsummer Night’s

Dream at the Wells. Talk of magnetisers! when did Baron Dupotet, or any

of his sect, without pass or manipulation, thus throw a sedate, orderly

maiden, into an ecstasy, and set her looking through the back of her

head at the pantomimical experiences of the past? Talk of Laughing Gas!

when was there a facetious fluid so potent that the mere sight of the

empty bottle--(for such, alas! the ex-clown was become)--could throw

the ticklesome muscles into merry convulsions?

I have often speculated since on Sarah’s deportment, when, having

ushered “Mr. Grimaldi, alias Joe,” into the drawing-room, she returned

to her kitchen. Of course, in the first flutter and frisk of her animal

spirits, she postponed all domestic duties; or, at best, obliviously

broke the eggs into the flower tub, popped the lump of butter into

the oven, and secured the rolling-pin in the safe. More probably she

dropped herself into the first chair that offered; and throwing her

apron over her head to shut out the daylight, indulged in a lamplight

vision of the drolleries of Mother Goose, or the Sleeping Beauty; when

the frolics of funny Joe had cheated her for awhile of the sorrows of

servitude, low wages, a crustaceous mistress, a _perfidus_ young man,

and a hard place, with perhaps the bodily pains of a recent scald, a

bad bruise, and tight shoes. No doubt it had been one of her wishes,

born of wonder and curiosity, to see the popular Motley off the stage

“in his habit as he lived;” and lo! beyond her hope, she had met him

face to face without his paint, and been on speaking terms with that

marvellous voice, so sparingly heard, even on the stage.

For my own part, I confess to have been somewhat unsettled as well as

the bewildered maid by pantomimical associations. Slowly and seriously

as my visitor advanced, and with a decided stoop, I could not forget

that I had seen the same personage come in with two odd eyebrows, a

pair of right-and-left eyes, a wry nose, a crooked mouth, two wrong

arms, two left legs, and a free and easy body without a bone in it, or

apparently any centre of gravity. I was half prepared to hear that rare

voice break forth smart as the smack of a waggoner’s whip, or richly

stick and chuckling, like the utterance of a boy laughing, talking, and

eating custard, all at once, but a short interval sufficed to dispel

the pleasant illusion, and convinced me that the Grimaldi was a total

wreck.

“Alas! how changed from him,

The life of humour, and the soul of whim.”

The lustre of his bright eye was gone--his eloquent face was passive

and looked thrown out of work--and his frame was bowed down by no

feigned decrepitude. His melancholy errand to me related to a Farewell

Address, which at the invitation of his staunch friend Miss Kelly--for

it did not require a request--I had undertaken to indite. He pleaded

earnestly that it might be brief, being, he said, “a bad study,” as

well as distrustful of his bodily strength. Of his sufferings he spoke

with a sad but resigned tone, expressed deep regret at quitting a

profession he delighted in, and partly attributed the sudden breaking

down of his health to the superior size of one particular stage,

which required of him a jump extra in getting off. That additional

bound, like the bittock at the end of a Scotch mile, had, he thought,

overtasked his strength. His whole deportment and conversation

impressed me with the opinion that he was a simple, sensible,

warm-hearted being, such indeed as he appears in his Memoirs--a Joseph

after Parson Adams’s own heart. We shook hands heartily, parted, and

I never saw him again. He was a rare practical humorist, and I never

look into Rabelais, with its huge-mouthed Gargantua and his enormous

appetite for “plenty of links, chitterlings, and puddings,” in their

season, without thinking that in Grimaldi and _his_ pantomime I have

lost my best set of illustrations of that literary extravaganza.

EPICUREAN REMINISCENCES OF A SENTIMENTALIST.

“My _Tables_! _Meat_ it is, _I set it_ down!”--HAMLET

I think it was Spring but--not certain I am--

When my passion began first to work;

But I know we were certainly looking for lamb,

And the season was over for pork.

’Twas at Christmas, I think, when I met with Miss Chase,

Yes,--for Morris had asked me to dine,--

And I thought I had never beheld such a face,

Or so noble a turkey and chine.

Placed close by her side, it made others quite wild,

With sheer envy to witness my luck;

How she blushed as I gave her some turtle, and smiled

As I afterwards offered some duck.

I looked and I languished, alas, to my cost,

Through three courses of dishes and meats;

Getting deeper in love--but my heart was quite lost,

When it came to the trifle and sweets!

With a rent-roll that told of my houses and land,

To her parents I told my designs--

And then to herself I presented my hand,

With a very fine pottle of pines!

I asked her to have me for weal or for woe,

And she did not object in the least;--

I can’t tell the date--but we married, I know,

Just in time to have game at the feast.

We went to ----, it certainly was the sea-side;

For the next, the most blessed of morns,

I remember how fondly I gazed at my bride,

Sitting down to a plateful of prawns.

Oh! never may mem’ry lose sight of that year,

But still hallow the time as it ought;

That season the “grass” was remarkably dear,

And the peas at a guinea a quart.

So happy, like hours all our days seemed to haste,

A fond pair, such as poets have drawn,

So united in heart--so congenial in taste,

We were both of us partial to brawn!

A long life I looked for of bliss with my bride,

But then Death--I ne’er dreamt about that!

Oh! there’s nothing is certain in life, as I cried

When my turbot eloped with the cat!

My dearest took ill at the turn of the year,

But the cause no physician could nab;

But something it seemed like consumption, I fear;

It was just after supping on crab.

In vain she was doctored, in vain she was dosed,

Still her strength and her appetite pined;

She lost relish for what she had relished the most.

Even salmon she deeply declined!

For months still I lingered in hope and in doubt,

While her form it grew wasted and thin!

But the last dying spark of existence went out,

As the oysters were just coming in!

She died, and she left me the saddest of men

To indulge in a widower’s moan;

Oh! I felt all the power of solitude then,

As I ate my first natives alone!

But when I beheld Virtue’s friends in their cloaks,

And with sorrowful crape on their hats,

Oh! my grief poured a flood; and the out-of-door folks

Were all crying--I think it was sprats!

[Illustration: “THE CITY REMEMBRANCER.”]

SAINT MARK’S EVE.

A TALE OF THE OLDEN TIME.

“The Devil choke thee with un!”--as Master Giles, the Yeoman, said

this, he banged down a hand in size and colour like a ham, on the

old-fashioned oak table;--“I do say the Devil choke thee with un!”

The Dame made no reply: she was choking with passion and a fowl’s

liver--the original cause of the dispute. A great deal has been said

and sung of the advantage of congenial tastes amongst married people,

but true it is, the variances of our Kentish couple arose from this

very coincidence in gusto. They were both fond of the little delicacy

in question, but the Dame had managed to secure the morsel for herself,

and this was sufficient to cause a storm of very high words--which

properly understood, signifies very low language. Their mealtimes

seldom passed over without some contention of the sort,--as sure as the

knives and forks clashed, so did they--being in fact equally greedy and

disagreedy--and when they did pick a quarrel--they picked it to the

bone.

[Illustration: BOXER AND PINCHER.]

It was reported, that on some occasions they had not even contented

themselves with hard speeches, but they had come to scuffling--he

taking to boxing, and she to pinching--though in a far less amicable

manner than is practised by the takers of snuff. On the present

difference, however, they were satisfied with “wishing each other dead

with all their hearts”--and there seemed little doubt of the sincerity

of the aspiration, on looking at their malignant faces,--for they made

a horrible picture in this frame of mind.

Now it happened that this quarrel took place on the morning of St.

Mark,--a Saint who was supposed on that Festival to favour his Votaries

with a peep into the Book of Fate. For it was the popular belief in

those days, that if a person should keep watch towards midnight, beside

the church, the apparitions of all those of the parish who were to be

taken by Death before the next anniversary, would be seen entering the

porch. The Yeoman, like his neighbours, believed most devoutly in this

superstition--and in the very moment that he breathed the unseemly

aspiration aforesaid, it occurred to him, that the Even was at hand,

when by observing the rite of St. Mark, he might know to a certainty

whether this unchristian wish was to be one of those that bear fruit.

Accordingly, a little before midnight he stole quietly out of the

house, and in something of a Sexton-like spirit set forth on his way to

the Church.

In the mean time the Dame called to mind the same ceremonial; and

having the like motive for curiosity with her husband, she also put on

her cloak and calash, and set out, though by a different path, on the

same errand.

The Works of Thomas Hood; Vol. 01 (of 11) Comic and Serious, in Prose and Verse, With All the Original Illustrations · 第 9 / 24 段