Beyond the Realm of Weather

Our friends say to us now and then, "But why must you do these things

with a gun? Why can't you do the same things and leave the gun at home?"

Why, indeed? When I put this question to Jonathan, he smokes on

placidly. But of one thing I am sure: if it had not been for the guns

and the ducks, I should never have known what the marshes were like in

winter fog--what they were like under a winter sky with a wind straight

from the North Pole sweeping over their bare stretches.

It was early afternoon. Through the study window I looked out upon a

raw, foggy world, melting snow underfoot and overhead. It was the kind

of day about which even the most deliberately cheerful can find little

to say except that this sort of thing can't last forever, you know.

However, if I had had a true instinct for "nature," I should, I suppose,

have seen at a glance that it was just the day to go and lie in a

marsh. But this did not occur to me. Instead, I thought of open fires,

and popcorn, and hot peanuts, and novels, and fudge, and other such

things, which are supposed to be valuable as palliatives on days like

these.

The telephone rang. "Oh, it's you, Jonathan!... What? No, not really!

You wouldn't!... Well, if the ducks like it, they may have it all. I'm

not a duck.... Why, of course, if you really want me to, I'll go,

only.... All right, I'll get out the things.... Three o'clock train?

You'll have to hurry!"

I hung up the receiver and sat a moment, dazed, looking out at the reek

of weather. Then I shook myself and darted upstairs to the

hunting-closet. In half an hour the bag was packed and Jonathan was at

the door. In an hour we were on the train, and at twilight we were

tramping out into a fog-swept marsh. Grayness was all around us;

underfoot was mud, glimmering patches of soft snow, and the bristly

stubble of the close-cut marsh grass.

"What fools we are!" I murmured.

"Why?" said Jonathan contentedly.

"Oh, if you can't see--" I said.

And then, suddenly, as we walked, my whole attitude changed. The

weather, as weather, seemed something that belonged in a city--very far

away, and no concern of mine. This wasn't weather, here where we walked;

it was a gray and boundless world of mystery. We raised our heads high

and breathed long, deep breaths as the fog drifted against our faces. We

were aware of dim masses of huddling bushes, blurred outlines of sheds

and fences. Then only the level marsh stretched out before us and around

us.

"Can we find our way out again?" I murmured, though without real

anxiety.

"Probably," said Jonathan. "Isn't it great! You feel as if you had a

soul out here! By the way, what was it you said about fools?"

"I forget," I said.

We went on and on, I don't know just where or how long, until we came to

the creek, where the tide sets in and out. I should have walked into it

if Jonathan hadn't held me back. As we followed it, there rose a hoarse,

raucous "_Ngwak! ngwak! ngwak!_" and a great rush of wings. Jonathan

dropped on one knee, gun up, but we saw nothing.

"We'll settle down here," he said. "There'll be more coming in soon.

Wait a minute--hold my gun." He disappeared in the fog, and came back

with an armful of hay, taken from the heart of a haystack of whose

existence he seemed, by some sixth or seventh sense, to be aware.

"There! That'll keep you off the real marsh. Now settle down, and don't

move, and listen with all your ears, and be ready. I'll go off a little

way."

I sank down on the hay, and watched him melt into the grayness. I was

alone in the dim marsh. There was no wind, no sound but the far-off

whistle and rush of a train. I lay there and thought of nothing. I let

myself be absorbed into the twilight. I did not even feel that I had a

soul. I was nothing but a point of consciousness in the midst of a gray

infinity.

Suddenly I was aware of a sound--a rapid pulsing of soft, high tone--too

soft for a whistle, too high for a song,--pervasive, elusive; it was

overhead, it was beside me, behind me, where? Ah--it was wings! The

winnowing of wings! I half rose, grasping my gun, with a sense of

responsibility to Jonathan. But my vision was caught in the grayness as

in a web. The sound grew clearer, then fainter, then it passed away. The

twilight gathered, and the fog partly dissolved. A fine rain began to

fall, and in the intense silence I could hear the faint pricking of the

drops on the stiff marsh stubble. I had thought the patter of rain on a

roof was the stillest sound I knew, but this was stiller. Again came the

winnowing of wings--again and again; and sometimes I was able to see the

dark shapes passing overhead and vanishing almost before they appeared.

Now and then I heard the muffled, flat sound of Jonathan's gun--he was

evidently living up to his opportunities better than I was.

Occasionally, in a spasm of activity, I shot too.

Until night closed in about us that sound of wings filled the air, and I

knelt, listening and watching. It is strange how one can be physically

alert while yet one's soul is withdrawn, quiet and receptive. Out of

this state, as out of a trance, I was roused by the sense of Jonathan's

dim bulk, seeming "larger than mortal," as he emerged from the night.

"Cold?" he said.

"I don't know--no, of course I'm not." I found it hard to lay hold on

clear ideas again.

"I heard you shoot. Get any?"

"I think I hurried them a little."

We started back. At least I suppose it was back, because after a while

we came to the road we had left. I was conscious only of bewildering

patches of snow that lay like half-veiled moonlight on the dark

stretches of the marsh. At last a clump of cedars made themselves felt

rather than seen. "There's the fence corner! We're all right," said

Jonathan. A snow-filled horse rut gave faint guidance, the twigs of the

hedgerow lightly felt of our faces as we passed. We found the main road,

and it led us through the quiet, fog-bound village, whose house lights

made tiny blurs on the mist, to the hot, bright little station. Then

came the close, flaringly lighted car, and people--commuters--getting on

and off, talking about the "weather," and filling the car with the smell

of wet newspapers and umbrellas. We had returned to the land of

"weather." Yet it did not really touch us. It seemed a dream. The

reality was the marsh, with its fog and its pricking raindrops and its

sentinel cedars, its silence and its wings.

In the days that followed, the fog passed, and there were long, warm

rains. The marsh called us, but we could not go. Then the sky cleared,

the wind rose, the mercury began to drop. Jonathan looked across the

luncheon table and said, "What about ducks?"

"Can you get off?" I asked joyously.

"I can't, but I will," he replied.

And this time-- Did I think I knew the marsh? Did I suppose, having seen

it at dawn in the fall days when the sun still rises early, having seen

it in winter twilight, fog-beset, that I knew it? Do I suppose I know it

now? At least I know it better, having seen it under a clearing sky,

when the cold wind sweeps it clean, and the air, crystalline, seems like

a lens through which one looks and sees a revelation of new things.

As we struck into the marsh, just at sundown, my first thought was a

rushing prayer for words, for colors, for something to catch and hold

the beauty of it. But there are no words, no colors. No one who has not

seen it can know what a New England shore marsh can be in winter under

a golden sky.

Winter does some things for us that summer cannot do. Summer gives us

everything all at once--color, fragrance, line, sound--in an

overwhelming exuberance of riches. And it is good. But winter-- Ah,

winter is an artist, winter has reserves; he selects, he emphasizes, he

interprets. Winter says, "I will give you nothing to-day but brown and

white, but I will glorify these until you shall wonder that there can be

any beauty except thus." And again winter says: "Did you think the world

was brown and white? Lo, it is blue and rose and silver--nothing else!"

And we look, and it is so. On that other evening, in the fog, the world

had been all gray--black-gray and pale gray and silver gray. On this

evening winter said: "Gray? Not at all. You shall have brown and gold.

Behold and marvel!"

I marveled. There was a sweep of golden marsh, under a gold sky, and at

its borders low lines of trees etched in rich brown masses, and my

sentinel cedars standing singly or by twos and threes--cedars in their

winter tones of olive brown, dull almost to harshness, holding

themselves stiffly against the great wind, yielding only at their

delicate tips when the gusts came, recovering again in the lulls, to

point dauntlessly skyward. The narrow boundary ditches, already glassing

over in the sudden cold, stretched away in rigid lines, flashing back

the light of the sky in shivers of gold. The haystacks reiterated the

color notes--gold on their sunset side, deep brown on their shadowed

one.

There is a moment sometimes, just at sundown, when the quality of light

changes. It does not fall upon the world from without, it radiates from

within. Things seem self-luminous. Yet, for all their brightness, we see

them less clearly, one's vision is dazzled, enmeshed. It is the time

when that wondrous old word "faerie" finds its meaning. It is a magic

moment. It laid its spell upon us.

Jonathan emerged first, bracing himself. "It will shut down soon. We

haven't a minute to spare. We ought to be on the creek now."

It was hard to believe that such brightness could ever shut down. But it

did. By the time we reached the creek the gold had vanished, except for

a narrow line in the western sky. The world lay in clear, brown

twilight, and the wind swept over it.

Jonathan got more hay, and this time I saw the haystack from which he

plucked it. I threw myself on it, collar up, cap down, lying as low as

possible.

"Bad night for ducks, of course," growled Jonathan. "If only the thaw

had held twelve hours more! However--"

He swung off to some chosen spot of his own.

I lay there and the wind surged over me. There was nothing to stop it,

nothing to make it noisy. It sang a little around the flap of my coat,

it swished a little in the short marsh grass, but chiefly it rushed by

above me, in invisible, soundless might. It seemed as if it must come

between me and the stars, but it did not, and I watched them appear, at

first one by one, then in companies and cohorts, until the sky was

powdered with them. Now and then a dark line of ducks streamed over me,

high up, in direct, steady flight, but the sound of their wings was

swallowed up by the wind. I did not even try to shoot; I was trying to

find myself in an elemental world that seemed bigger and more powerful

than I had ever conceived it.

Gradually I realized that I was cold. The wind seemed suddenly to have

become aware of me. It roared down upon me, it shook me, worried me, let

me go, and pounced upon me again in the sport of power. I said to

myself, "I cannot resist, I will give myself up to it absolutely," I

stopped feeling cold. I was no more than a ship's timber lying on the

shore--with just a centre, a point of consciousness somewhere inside, to

be aware of the difference between the elements and the something I knew

was myself.

But at last I moved. It was fatal. A wave of cold started, pricking

somewhere in my head, and undulated sinuously through me, down to my

feet. More waves followed; they careered through me. I considered them

with interest. Then they settled into aches at all the extremities. All

at once it ceased to be interesting, and became a personal

grievance--against the wind? the ducks? No-- Jonathan! Of course it was

Jonathan's fault. Why didn't he come? I gazed into the twilight where

he had disappeared. I couldn't go and hunt for him, because I should

certainly get lost or fall into a ditch. Ah! What was that? The long red

flash of a gun!--another!--then the double report! Well, of course, if

he were shooting, I would suspend judgment a reasonable time.

But it seemed quite an unreasonable time before I felt the impact of his

tread on the springy marsh floor. I rose stiffly, feeling cross.

"Did you think I was never coming?"

"I can't think. My brains are stiff."

"I was delayed. I dropped one in the ditch. He was only wounded. I

couldn't leave him."

"Then you got some?"

"Feel!"

I felt his game pockets. "One, two--oh, three! I didn't hear you shoot

except twice. Well"--I was stamping and flinging my arms around myself

in the endeavor to thaw out--"I think they're very well off: they're

bound for a warm oven."

"Cold? Thunder! I ought to have left you the bottle. Here!"

I took it and gulped, protesting: "Detestable stuff! Wait, I'll take

some more."

"This from you! You _must_ be cold! Come on! Run! Look out for the

little ditches! Jump where I do."

We started stiffly enough, in the teeth of the big, dark wind, till the

motion, and the bottle, began to take effect. A haymow loomed. We flung

ourselves, panting, against it, and, sinking back into its yielding

bulk, drew long breaths.

"Did we think it was cold?" I murmured; "or windy?"

We were on the leeward side of it, and it gave generous shelter. The

wind sighed gently over the top of the mow, breathed past its sides,

never touching us, and we gazed up at the stars.

"The sky is fairly gray with them," I said.

"Perhaps," said Jonathan lazily, "it's that bottle, making you see ten

stars grow where one grew before."

"Perhaps," I suggested, choosing to ignore this speech, "it's the wind,

blowing the stars around and raising star-dust."

We lay in our protecting mow, and the warmth of our bodies drew out of

it faint odors of salt hay. We did not talk. There are times when one

seems to exist in poise, with eternity on all sides. One's thoughts do

not move, they float.

"Well?" said Jonathan at last.

The Jonathan Papers · 第 39 / 44 题