CHAPTER XXVIII—MADAM NALASKY

The promised long waits, in the offices and parlors of musical talent

had descended upon Mrs. Weatherbee and Jane. It having been impossible

to make an appointment for his interviews, the director was accepting

the situation philosophically, but it was trying, and all but

exhausting.

“You see, my dear,” she explained to Jane, “by seeing them personally,

we have a chance to solicit their interest in our college, and some of

these singers are the daughters of former students. That gives us an

opening. This lady we are now waiting for is a stranger, but if we can

obtain her promise to sing for us, our concert will be an assured

success. She is the rage of the season, and a wonderful concert

soprano.”

“Oh, yes, I have seen her pictures, and read her name many times

lately,” Jane followed. “As you say, Mrs. Weatherbee, it will mean

everything if we can secure her.”

“But I have to go back to that violinist at three, my dear, and Mme.

Nalasky will not be able to appear from her boudoir until two thirty. I

wonder if I could leave you here, and go myself to the violinist? Then,

if Madam appears you might make the preliminary appeal. I hate to leave

it to you, but I feel you would have a better chance with her than with

the other, and I cannot be in both places at the same time.”

“Oh, I shall be glad to try, Mrs. Weatherbee,” assented Jane, rather

glad indeed at the prospect of a quiet half hour in the luxurious room,

in which strangers, properly introduced, daily awaited the presence of

the noted singer. “If Madam appears I shall do my best.”

Satisfied it was perfectly safe to leave her charge in the room so well

peopled with women servants of the prima donna, one a secretary, one

evidently a personal maid, and still another a matronly woman who

attended to strangers after they had successfully passed the hall boy’s

scrutiny and stereotyped interrogations, Mrs. Weatherbee hurried off

for her final word from the elusive violinist.

Jane settled down deeply in her cushions. But presently she was aware

of a stir in the room.

“Madam is ready,” briefly announced the secretary, taking the card from

the young woman who had been waiting longest.

Jane sat up attentively. The girl with the great fur scarf was ushered

into the next room. No one read or shifted about the waiting room now.

Everyone was expectant, and evidently a little excited.

“Oh, if Mrs. Weatherbee is not here!” breathed Jane. Then she tidied up

her belongings, and prepared to be ushered in, if that good fortune

came her way next.

She must plead for Wellington. And perhaps she would be able to do so

more effectively than she had supposed. The girl with the fur scarf and

great bundle of music was coming out smiling. Her interview had been

satisfactory, Jane guessed, and very likely it had to do with a musical

ambition. Jane hoped so.

Her own card was in her hand when the secretary approached. That

functionary took it with a pleasant nod and disappeared. Jane felt just

a little nervous. She had secretly hoped Mrs. Weatherbee would appear

in time for the interview.

“Miss Allen!” called the attendant, and Jane self-consciously followed

into the sanctum.

The soft luxury of the room was almost lost upon Jane, so intent was

she on her mission, and so fascinated was her gaze by the living

picture sitting in the small mahogany chair. This was Mme. Nalasky. She

smiled so frankly as Jane approached, the latter’s embarrassment was

swept away in her all-embracing welcome.

“Oh, my dear little girl,” spoke the noted singer, with a distinctly

foreign accent. “What can I do for you?” After a preliminary word of

explanation Jane briefly told of the Golden Jubilee Concert.

“Oh, yes, I have been informed by your honored president. I know of him

for many years—that is, quite many.” She corrected herself, for one

could see the woman was young, and very charming in her blonde, fair

beauty.

Jane then attempted to tell of the talent already secured, and being

somewhat at a loss to guarantee, as yet, anything like a brilliant

array, to support so noted an artist as Mme. Nalasky, she ventured to

suggest that a young girl at college would play the violin, and Jane

declared further, this young girl was quite a promising artist.

In this Madam was at once interested. “I always like to hear of the

young stars,” she said. “Sometimes a very little star comes out

wonderfully when all the cobwebs in her sky have been cleared away.”

Thus encouraged, Jane unfolded quite a story of Helen’s achievement.

Then she remembered the _Bugle_. Therein had been expressed a view of

Helen’s ability, better than Jane could hope to recount, so without a

thought, other than that to benefit the concert, Jane drew from her bag

the copy of the _Bugle_, with its bewildering arraignment of Helen’s

power.

The artist glanced at the little sheet with polite but indifferent

interest. Jane felt, for a moment, she had made a mistake in offering

so humble a testimonial. Then suddenly the prima donna sat erect. Her

eyes showed intense interest. Her long, wonderfully tapering fingers

seemed to clutch the much-abused little _Bugle_ with an intensity at

once strange and foreign to the occasion.

“Oh, my dear!” she exclaimed. “Tell me what is this? Who is this little

artist?” and she glared at Jane as if trying to obtain in that fixed

gaze some explanation of the lines she had just read.

“Why!” faltered Jane. “She is a little freshman—who is at Wellington.

She is a very great friend of mine.”

“But tell me about her!” begged the woman, actually seizing Jane’s

hands. “What does she look like? What is her real name? Do you know?

Please tell me quickly.”

Jane now saw the prima donna was laboring under some great strain and

excitement. So apparent was her agitation the secretary, who had

remained at a respectful distance during the interview, hastened to the

side of her mistress.

“Oh, pray, what is it, Madam?” she asked in alarm. “Why such

excitement?”

“But, Marie, you cannot know!” gasped the artist. “This is more to me

than life itself. Oh, what if it should be——” she hesitated. “Little

lady!” she again directly addressed Jane. “Can you tell me just what

the Polish girl looks like? Has she pretty eyes and pretty hair? And is

she a sweet child? Oh, how shall I ever wait to know!”

The intensity of the excitement was proving too much for Madam Nalasky,

and Jane ardently wished she had kept the hapless _Bugle_ to herself.

But it was too late now. Besides this, in offering the flattering

tribute of Helen’s ability to the singer, Jane had a sense of making

the artist acquainted with Helen, hoping the light knowledge might some

day be of value in her musical career. But now, Madam was almost

overcome. Her attendants were quieting her with smelling draughts from

a tiny bottle. Jane glanced at the outer door hopefully. If only Mrs.

Weatherbee would appear! What if this lady was erratic, and her

suddenly taken a spell? Jane remembered geniuses are apt to be very

temperamental.

“I am so sorry,” she said quietly to a maid. “I hope I have not upset

Madam?”

“Oh, no, my dear. It is not the upset, but the joy, the hope. How shall

I know! Can you not tell me what your friend looks like?” This from

Madam.

Again the singer was on her feet confronting Jane. For a moment Jane

fixed her eyes on the beautiful face, then she exclaimed:

“Oh, Madam! I think she looks like you.”

With a great swirling embrace Jane was actually swept into the singer’s

arms. Strong emotion, always a characteristic of such temperaments, was

now completely swaying the artist. Jane, abashed and disconcerted,

sensed the depth of the emotion, and guessed the identity of Helka

Podonsky was very near to the heart of this handsome woman.

At that moment the appearance of Mrs. Weatherbee at the door brought

welcome relief from the confusion and excitement. Jane quickly made

known Mrs. Weatherbee’s connection with the jubilee concert, and Mme.

Nalasky turned all her attention now to questioning the directress.

After a very storm of inquiries concerning Helen and her whereabouts

before coming to Wellington had been heaped upon the directress, Madam

finally begged leave to go to the college at once.

“But!” protested her secretary, “Madam! Your most important concert

this evening! It is a benefit, you remember, Madam! and they especially

wish you to sing.”

“Oh, Marie, you do not know, and I cannot at present say how very much

this means to me. This is my own grand benefit, and I, Nalasky, who

have given always gladly to others, now claim something for myself. My

understudy must take the concert. I could not close my eyes again,

until I have seen this wonder child. Ah, my dear lady,” to Mrs.

Weatherbee, who was too surprised for utterance at the turn affairs had

taken. “I feel this young girl, Miss Allen, has been an agent of kind

Providence. She has protected this child from a wild and treacherous

world,” and again Madam took refuge in her pillows, sobbing and smiling

alternately.

Realizing that nothing could deter her, the attendants put themselves

to the task of preparing for a hasty departure of their distinguished

mistress, and when Jane and Mrs. Weatherbee took their places in the

Lake Shore train that afternoon, it was in a luxurious and exclusive

private compartment, reserved at the request of Mme. Nalasky, their

companion on the journey.

Immediately upon entraining, Madam was tucked into her couch by the

faithful Marie, who could scarcely restrain from open rebellion, that

Madam should so exhaust herself, to the danger of her marvellous voice.

To these commands the singer reluctantly consented, although it was

clear she would have much preferred taking Mrs. Weatherbee and Jane.

“Oh, Mrs. Weatherbee,” breathed Jane, alone once more with her

director. “Isn’t it too strange for words!”

“Like a fairy story, my dear, but stories follow some people and I

fancy they have a liking for you.” She was in splendid humor and the

very best of spirits, in spite of her hard day spent at collecting

talent for the concert.

“Whatever will Helen say?” Jane could not help wondering aloud.

“We have a pleasant scene ahead of us,” answered Mrs. Weatherbee

smilingly.

“And the little paper—to think it was through that article this has

really come about,” further mused Jane.

“Oh, no, my dear. You would have found this through one means if not

another. True, the _Bugle_ served—but you operated it.” Mrs. Weatherbee

insisted upon being complimentary.

“And I feel, Mrs. Weatherbee,” Jane ventured further, “if this all

comes out beautifully, we ought to forgive Marian. After all, she gave

out the news that did the—that worked the miracle.”

“Well, poor Marian is of the class bound to get into trouble, but I

shall be very glad indeed if we can find some extenuating circumstance

for her latest offence.” She was good natured to the point of

indulgence.

“But, don’t you think, Mrs. Weatherbee, the very fact that this seems

to be providential makes a claim for Marian?” Jane was very cautious

now. She did not mean to appear dictatorial to her superior.

Mrs. Weatherbee smiled. “Leave it to Jane to find an excuse,” she

replied, unmindful of having used a clap-trap phrase. “You do manage

beautifully, my dear, to get girls out of trouble.”

“But, you see, I have been in trouble myself at times,” explained Jane,

“and I know how hard it is to extricate oneself. Marian is spiteful,

and that leads her into mischief, but think of her disadvantages at

home. Then just think of my wonderful daddy——”

The school official smiled broadly. Yes, Jane had reason to be thankful

for her inheritance.

“Your father’s scholarship has done more than it ever promised to

accomplish. I feel we have a beautiful scene to unfold as a prelude to

our Golden Jubilee benefit,” she replied.

“Oh, I am so glad!” sighed Jane as she lay back to watch the sunset

creep over the Catskills.

What would happen when they reached Wellington? However would all the

girls understand the wonderful turn in events? It was too delicious to

contemplate.

Jane Allen, Center · 第 28 / 30 章