CHAPTER XVI

It was only the twentieth of September, when Agnes and the children

reached Paris. Mrs. Norbury and her brother Francis had then already

started on their journey to Italy—at least three weeks before the date

at which the new hotel was to open for the reception of travellers.

The person answerable for this premature departure was Francis

Westwick.

Like his younger brother Henry, he had increased his pecuniary

resources by his own enterprise and ingenuity; with this difference,

that his speculations were connected with the Arts. He had made money,

in the first instance, by a weekly newspaper; and he had then invested

his profits in a London theatre. This latter enterprise, admirably

conducted, had been rewarded by the public with steady and liberal

encouragement. Pondering over a new form of theatrical attraction for

the coming winter season, Francis had determined to revive the languid

public taste for the ballet by means of an entertainment of his own

invention, combining dramatic interest with dancing. He was now,

accordingly, in search of the best dancer (possessed of the

indispensable personal attractions) who was to be found in the theatres

of the Continent. Hearing from his foreign correspondents of two women

who had made successful first appearances, one at Milan and one at

Florence, he had arranged to visit those cities, and to judge of the

merits of the dancers for himself, before he joined the bride and

bridegroom. His widowed sister, having friends at Florence whom she was

anxious to see, readily accompanied him. The Montbarrys remained at

Paris, until it was time to present themselves at the family meeting in

Venice. Henry found them still in the French capital, when he arrived

from London on his way to the opening of the new hotel.

Against Lady Montbarry’s advice, he took the opportunity of renewing

his addresses to Agnes. He could hardly have chosen a more unpropitious

time for pleading his cause with her. The gaieties of Paris (quite

incomprehensibly to herself as well as to everyone about her) had a

depressing effect on her spirits. She had no illness to complain of;

she shared willingly in the ever-varying succession of amusements

offered to strangers by the ingenuity of the liveliest people in the

world—but nothing roused her: she remained persistently dull and weary

through it all. In this frame of mind and body, she was in no humour to

receive Henry’s ill-timed addresses with favour, or even with patience:

she plainly and positively refused to listen to him. “Why do you remind

me of what I have suffered?” she asked petulantly. “Don’t you see that

it has left its mark on me for life?”

“I thought I knew something of women by this time,” Henry said,

appealing privately to Lady Montbarry for consolation. “But Agnes

completely puzzles me. It is a year since Montbarry’s death; and she

remains as devoted to his memory as if he had died faithful to her—she

still feels the loss of him, as none of us feel it!”

“She is the truest woman that ever breathed the breath of life,” Lady

Montbarry answered. “Remember that, and you will understand her. Can

such a woman as Agnes give her love or refuse it, according to

circumstances? Because the man was unworthy of her, was he less the man

of her choice? The truest and best friend to him (little as he deserved

it) in his lifetime, she naturally remains the truest and best friend

to his memory now. If you really love her, wait; and trust to your two

best friends—to time and to me. There is my advice; let your own

experience decide whether it is not the best advice that I can offer.

Resume your journey to Venice to-morrow; and when you take leave of

Agnes, speak to her as cordially as if nothing had happened.”

Henry wisely followed this advice. Thoroughly understanding him, Agnes

made the leave-taking friendly and pleasant on her side. When he

stopped at the door for a last look at her, she hurriedly turned her

head so that her face was hidden from him. Was that a good sign? Lady

Montbarry, accompanying Henry down the stairs, said, “Yes, decidedly!

Write when you get to Venice. We shall wait here to receive letters

from Arthur and his wife, and we shall time our departure for Italy

accordingly.”

A week passed, and no letter came from Henry. Some days later, a

telegram was received from him. It was despatched from Milan, instead

of from Venice; and it brought this strange message:—“I have left the

hotel. Will return on the arrival of Arthur and his wife. Address,

meanwhile, Albergo Reale, Milan.”

Preferring Venice before all other cities of Europe, and having

arranged to remain there until the family meeting took place, what

unexpected event had led Henry to alter his plans? and why did he state

the bare fact, without adding a word of explanation? Let the narrative

follow him—and find the answer to those questions at Venice.

The Haunted Hotel: A Mystery of Modern Venice · 第 16 / 28 章