An old legend says that there was once a king named Robert of Sicily,

who was brother to the Great Pope of Rome and to the Emperor of

Allemaine. He was a very selfish king, and very proud; he cared more for

his pleasures than for the needs of his people, and his heart was so

filled with his own greatness that he had no thought for God.

One day, this proud king was sitting in his place at church, at vesper

service; his courtiers were about him, in their bright garments, and he

himself was dressed in his royal robes. The choir was chanting the Latin

service, and as the beautiful voices swelled louder, the king noticed

one particular verse which seemed to be repeated again and again. He

turned to a learned clerk at his side and asked what those words meant,

for he knew no Latin.

"They mean, 'He hath put down the mighty from their seats, and hath

exalted them of low degree,'" answered the clerk.

"It is well the words are in Latin, then," said the king angrily, "for

they are a lie. There is no power on earth or in heaven which can put me

down from my seat!" and he sneered at the beautiful singing, as he

leaned back in his place.

Presently the king fell asleep, while the service went on. He slept

deeply and long. When he awoke the church was dark and still, and he was

all alone. He, the king, had been left alone in the church, to awake in

the dark! He was furious with rage and surprise, and, stumbling through

the dim aisles, he reached the great doors and beat at them, madly,

shouting for his servants.

The old sexton heard some one shouting and pounding in the church, and

thought it was some drunken vagabond who had stolen in during the

service. He came to the door with his keys and called out, "Who is

there?"

"Open! open! It is I, the king!" came a hoarse, angry voice from within.

"It is a crazy man," thought the sexton; and he was frightened. He

opened the doors carefully and stood back, peering into the darkness.

Out past him rushed the figure of a man in tattered, scanty clothes,

with unkempt hair and white, wild face. The sexton did not know that he

had ever seen him before, but he looked long after him, wondering at his

wildness and his haste.

In his fluttering rags, without hat or cloak, not knowing what strange

thing had happened to him, King Robert rushed to his palace gates,

pushed aside the startled servants, and hurried, blind with rage, up the

wide stair and through the great corridors, toward the room where he

could hear the sound of his courtiers' voices. Men and women servants

tried to stop the ragged man, who had somehow got into the palace, but

Robert did not even see them as he fled along. Straight to the open

doors of the big banquet hall he made his way, and into the midst of the

grand feast there.

The great hall was filled with lights and flowers; the tables were set

with everything that is delicate and rich to eat; the courtiers, in

their gay clothes, were laughing and talking; and at the head of the

feast, on the king's own throne, sat a king. His face, his figure, his

voice were exactly like Robert of Sicily; no human being could have told

the difference; no one dreamed that he was not the king. He was dressed

in the king's royal robes, he wore the royal crown, and on his hand was

the king's own ring. Robert of Sicily, half naked, ragged, without a

sign of his kingship on him, stood before the throne and stared with

fury at this figure of himself.

The king on the throne looked at him. "Who art thou, and what dost thou

here?" he asked. And though his voice was just like Robert's own, it had

something in it sweet and deep, like the sound of bells.

"I am the king!" cried Robert of Sicily. "I am the king, and you are an

impostor!"

The courtiers started from their seats, and drew their swords. They

would have killed the crazy man who insulted their king; but he raised

his hand and stopped them, and with his eyes looking into Robert's eyes

he said, "Not the king; you shall be the king's jester! You shall wear

the cap and bells, and make laughter for my court. You shall be the

servant of the servants, and your companion shall, be the jester's ape."

With shouts of laughter, the courtiers drove Robert of Sicily from the

banquet hall; the waiting-men, with laughter, too, pushed him into the

soldiers' hall; and there the pages brought the jester's wretched ape,

and put a fool's cap and bells on Robert's head. It was like a terrible

dream; he could not believe it true, he could not understand what had

happened to him. And when he woke next morning, he believed it was a

dream, and that he was king again. But as he turned his head, he felt

the coarse straw under his cheek instead of the soft pillow, and he saw

that he was in the stable, with the shivering ape by his side. Robert of

Sicily was a jester, and no one knew him for the king.

Three long years passed. Sicily was happy and all things went well under

the king, who was not Robert. Robert was still the jester, and his heart

grew harder and more bitter with every year. Many times, during the

three years, the king, who had his face and voice, had called him to

himself, when none else could hear, and had asked him the one question,

"Who art thou?" And each time that he asked it his eyes looked into

Robert's eyes, to find his heart. But each time Robert threw back his

head and answered, proudly, "I am the king!" And the other king's eyes

grew sad and stern.

At the end of three years, the Pope called the Emperor of Allemaine and

the King of Sicily, his brothers, to a great meeting in his city of

Rome. The King of Sicily went, with all his soldiers and courtiers and

servants,--a great procession of horsemen and footmen. Never had there

been seen a finer sight than the grand train, men in bright armour,

riders in wonderful cloaks of velvet and silk, servants, carrying

marvellous presents to the Pope. And at the very end rode Robert, the

jester. His horse was poor and old, many-coloured, and the ape rode with

him. Every one in the villages through which they passed ran after the

jester, and pointed and laughed.

The Pope received his brothers and their trains in the square before

Saint Peter's. With music and flags and flowers he made the King of

Sicily welcome, and greeted him as his brother. In the midst of it, the

jester broke through the crowd and threw himself before the Pope. "Look

at me!" he cried; "I am your brother, Robert of Sicily! This man is an

impostor, who has stolen my throne. I am Robert, the king!"

The Pope looked at the poor jester with pity, but the Emperor of

Allemaine turned to the King of Sicily, and said, "Is it not rather

dangerous, brother, to keep a madman as jester?" And again Robert was

pushed back among the serving-men.

It was Holy Week, and the king and the emperor, with all their trains,

went every day to the great services in the cathedral. Something

wonderful and holy seemed to make these services more beautiful than

ever before. All the people of Rome felt it: it was as if the presence

of an angel were there. Men thought of God, and felt His blessing on

them. But no one knew who it was that brought the beautiful feeling. And

when Easter Day came, never had there been so lovely, so holy a day: in

the great churches, filled with flowers, and sweet with incense, the

kneeling people listened to the choirs singing, and it was like the

voices of angels; their prayers were more earnest than ever before,

their praise more glad; there was something heavenly in Rome.

Robert of Sicily went to the services with the rest, and sat in the

humblest place with the servants. Over and over again he heard the

sweet voices of the choirs chant the Latin words he had heard long ago:

_He hath put down the mighty from their seat, and hath exalted them of

low degree_. And at last, as he listened, his heart was softened. He,

too, felt the strange blessed presence of a heavenly power. He thought

of God, and of his own wickedness; he remembered how selfish he had

been, and how little good he had done; he realised, that his power had

not been from himself, at all. On Easter night, as he crept to his bed

of straw, he wept, not because he was so wretched, but because he had

not been a better king when power was his.

At last all the festivities were over, and the King of Sicily went home

to his own land again, with his people. Robert the jester came home too.

On the day of their home-coming, there was a special service in the

royal church, and even after the service was over for the people, the

monks held prayers of thanksgiving and praise. The sound of their

singing came softly in at the palace windows. In the great banquet room,

the king sat, wearing his royal robes and his crown, while many subjects

came to greet him. At last, he sent them all away, saying he wanted to

be alone; but he commanded the jester to stay. And when they were alone

together the king looked into Robert's eyes, as he had done before, and

said, softly, "Who art thou?"

Robert of Sicily bowed his head. "Thou knowest best," he said, "I only

know that I have sinned."

As he spoke, he heard the voices of the monks singing, _He hath put down

the mighty from their seat_,--and his head sank lower. But suddenly the

music seemed to change; a wonderful light shone all about. As Robert

raised his eyes, he saw the face of the king smiling at him with a

radiance like nothing on earth, and as he sank to his knees before the

glory of that smile, a voice sounded with the music, like a melody

throbbing on a single string,--

"I am an angel, and thou art the king!"

Then Robert of Sicily was alone. His royal robes were upon him once

more; he wore his crown and his royal ring. He was king. And when the

courtiers came back they found their king kneeling by his throne,

absorbed in silent prayer.

FOOTNOTES:

[28] Adapted from Longfellow's poem.

THE JEALOUS COURTIERS[29]

I wonder if you have ever heard the anecdote about the artist of

Düsseldorf and the jealous courtiers. This is it. It seems there was

once a very famous artist who lived in the little town of Düsseldorf. He

did such fine work that the Elector, Prince Johann Wilhelm, ordered a

portrait statue of himself, on horseback, to be done in bronze. The

artist was overjoyed at the commission, and worked early and late at the

statue.

At last the work was done, and the artist had the great statue set up in

the public square of Düsseldorf, ready for the opening view. The Elector

came on the appointed day, and with him came his favourite courtiers

from the castle. Then the statue was unveiled. It was very

beautiful,--so beautiful that the prince exclaimed in surprise. He could

not look enough, and presently he turned to the artist and shook hands

with him, like an old friend. "Herr Grupello," he said, "you are a great

artist, and this statue will make your fame even greater than it is; the

portrait of me is perfect!"

When the courtiers heard this, and saw the friendly hand-shake, their

jealousy of the artist was beyond bounds. Their one thought was, how

could they safely do something to humiliate him. They dared not pick

flaws in the portrait statue, for the prince had declared it perfect.

But at last one of them said, with an air of great frankness, "Indeed,

Herr Grupello, the portrait of his Royal Highness is perfect; but permit

me to say that the statue of the horse is not quite so successful: the

head is too large; it is out of proportion."

"No," said another, "the horse is really not so successful; the turn of

the neck, there, is awkward."

"If you would change the right hind-foot, Herr Grupello," said a third,

"it would be an improvement."

Still another found fault with the horse's tail.

The artist listened, quietly. When they had all finished, he turned to

the prince and said, "Your courtiers, prince, find a good many flaws in

the statue of the horse; will you permit me to keep it a few days more,

to do what I can with it?"

The Elector assented, and the artist ordered a temporary screen to be

built around the statue, so that his assistants could work undisturbed.

For several days the sound of hammering came steadily from behind the

enclosure. The courtiers, who took care to pass that way, often, were

delighted. Each one said to himself, "I must have been right, really;

the artist himself sees that something was wrong; now I shall have

credit for saving the prince's portrait by my artistic taste!"

Once more the artist summoned the prince and his courtiers, and once

more the statue was unveiled. Again the Elector exclaimed at its beauty,

and then he turned to his courtiers, one after another, to see what they

had to say.

"Perfect!" said the first. "Now that the horse's head is in proportion,

there is not a flaw."

"The change in the neck was just what was needed," said the second; "it

is very graceful now."

"The rear right foot is as it should be, now," said a third, "and it

adds so much to the beauty of the whole!"

The fourth said that he considered the tail greatly improved.

"My courtiers are much pleased now," said the prince to Herr Grupello;

"they think the statue much improved by the changes you have made."

Herr Grupello smiled a little. "I am glad they are pleased," he said,

"but the fact is, I have changed nothing!"

"What do you mean?" said the prince in surprise. "Have we not heard the

sound of hammering every day? What were you hammering at then?"

"I was hammering at the reputation of your courtiers, who found fault

simply because they were jealous," said the artist. "And I rather think

that their reputation is pretty well hammered to pieces!"

It was, indeed. The Elector laughed heartily, but the courtiers slunk

away, one after another, without a word.

FOOTNOTES:

[29] Adapted from H.A. Guerber's _Märchen und Erzählungen_ (D.C. Heath &

Co.).

PRINCE CHERRY[30]

There was once an old king, so wise and kind and true that the most

powerful good fairy of his land visited him and asked him to name the

dearest wish of his heart, that she might grant it.

"Surely you know it," said the good king; "it is for my only son, Prince

Cherry; do for him whatever you would have done for me."

"Gladly," said the great fairy; "choose what I shall give him. I can

make him the richest, the most beautiful, or the most powerful prince in

the world; choose."

"None of those things are what I want," said the king. "I want only that

he shall be good. Of what use will it be to him to be beautiful, rich,

or powerful, if he grows into a bad man? Make him the best prince in the

world, I beg you!"

"Alas, I cannot make him good," said the fairy; "he must do that for

himself. I can give him good advice, reprove him when he does wrong, and

punish him if he will not punish himself; I can and will be his best

friend, but I cannot make him good unless he wills it."

The king was sad to hear this, but he rejoiced in the friendship of the

fairy for his son. And when he died, soon after, he was happy to know

that he left Prince Cherry in her hands.

Prince Cherry grieved for his father, and often lay awake at night,

thinking of him. One night, when he was all alone in his room, a soft

and lovely light suddenly shone before him, and a beautiful vision stood

at his side. It was the good fairy. She was clad in robes of dazzling

white, and on her shining hair she wore a wreath of white roses.

"I am the Fairy Candide," she said to the prince. "I promised your

father that I would be your best friend, and as long as you live I shall

watch over your happiness. I have brought you a gift; it is not

wonderful to look at, but it has a wonderful power for your welfare;

wear it, and let it help you."

As she spoke, she placed a small gold ring on the prince's little

finger. "This ring," she said, "will help you to be good; when you do

evil, it will prick you, to remind you. If you do not heed its warnings

a worse thing will happen to you, for I shall become your enemy." Then

she vanished.

Prince Cherry wore his ring, and said nothing to anyone of the fairy's

gift. It did not prick him for a long time, because he was good and

merry and happy. But Prince Cherry had been rather spoiled by his nurse

when he was a child; she had always said to him that when he should

become king he could do exactly as he pleased. Now, after a while, he

began to find out that this was not true, and it made him angry.

The first time that he noticed that even a king could not always have

his own way was on a day when he went hunting. It happened that he got

no game. This put him in such a bad temper that he grumbled and scolded

all the way home. The little gold ring began to feel tight and

uncomfortable. When he reached the palace his pet dog ran to meet him.

"Go away!" said the prince, crossly.

But the little dog was so used to being petted that he only jumped up on

his master, and tried to kiss his hand. The prince turned and kicked the

little creature. At the instant, he felt a sharp prick in his little

finger, like a pin prick.

"What nonsense!" said the prince to himself. "Am I not king of the whole

land? May I not kick my own dog, if I choose? What evil is there in

that?"

A silver voice spoke in his ear: "The king of the land has a right to do

good, but not evil; you have been guilty of bad temper and of cruelty

to-day; see that you do better to-morrow."

The prince turned sharply, but no one was to be seen; yet he recognised

the voice as that of Fairy Candide.

He followed her advice for a little, but presently he forgot, and the

ring pricked him so sharply that his finger had a drop of blood on it.

This happened again and again, for the prince grew more self-willed and

headstrong every day; he had some bad friends, too, who urged him on, in

the hope that he would ruin himself and give them a chance to seize the

throne. He treated his people carelessly and his servants cruelly, and

everything he wanted he felt that he must have.

The ring annoyed him terribly; it was embarrassing for a king to have a

drop of blood on his finger all the time! At last he took the ring off

and put it out of sight. Then he thought he should be perfectly happy,

having his own way; but instead, he grew more unhappy as he grew less

good. Whenever he was crossed, or could not have his own way instantly,

he flew into a passion.

Finally, he wanted something that he really could not have. This time it

was a most beautiful young girl, named Zelia; the prince saw her, and

loved her so much that he wanted at once to make her his queen. To his

great astonishment, she refused.

"Am I not pleasing to you?" asked the prince in surprise.

"You are very handsome, very charming, prince," said Zelia; "but you are

not like the good king, your father; I fear you would make me very

miserable if I were your queen."

In a great rage, Prince Cherry ordered the young girl to be put in

prison; and the key of her dungeon he kept. He told one of his friends,

a wicked man who flattered him for his own purposes, about the thing,

and asked his advice.

"Are you not king?" said the bad friend. "May you not do as you will?

Keep the girl in a dungeon till she does as you command, and if she will

not, sell her as a slave."

"But would it not be a disgrace for me to harm an innocent creature?"

said the prince.

"It would be a disgrace to you to have it said that one of your subjects

dared disobey you!" said the courtier.

He had cleverly touched the prince's worst trait, his pride. Prince

Cherry went at once to Zelia's dungeon, prepared to do this cruel thing.

Zelia was gone. No one had the key save the prince himself; yet she was

gone. The only person who could have dared to help her, thought the

prince, was his old tutor, Suliman, the only man left who ever rebuked

him for anything. In fury, he ordered Suliman to be put in fetters and

brought before him.

As his servants left him, to carry out the wicked order, there was a

clash, as of thunder, in the room, and then a blinding light. Fairy

Candide stood before him. Her beautiful face was stern, and her silver

voice rang like a trumpet, as she said, "Wicked and selfish prince, you

have become baser than the beasts you hunt; you are furious as a lion,

revengeful as a serpent, greedy as a wolf, and brutal as a bull; take,

therefore, the shape of those beasts whom you resemble!"

With horror, the prince felt himself being transformed into a monster.

He tried to rush upon the fairy and kill her, but she had vanished with

her words. As he stood, her voice came from the air, saying, sadly,

"Learn to conquer your pride by being in submission to your own

subjects." At the same moment, Prince Cherry felt himself being

transported to a distant forest, where he was set down by a clear

stream. In the water he saw his own terrible image; he had the head of a

lion, with bull's horns, the feet of a wolf, and a tail like a serpent.

And as he gazed in horror, the fairy's voice whispered, "Your soul has

become more ugly than your shape is; you yourself have deformed it."

The poor beast rushed away from the sound of her words, but in a moment

he stumbled into a trap, set by bear-catchers. When the trappers found

him they were delighted to have caught a curiosity, and they immediately

dragged him to the palace courtyard. There he heard the whole court

buzzing with gossip. Prince Cherry had been struck by lightning and

killed, was the news, and the five favourite courtiers had struggled to

make themselves rulers, but the people had refused them, and offered the

crown to Suliman, the good old tutor.

Even as he heard this, the prince saw Suliman on the steps of the

palace, speaking to the people. "I will take the crown to keep in

trust," he said. "Perhaps the prince is not dead."

"He was a bad king; we do not want him back," said the people.

"I know his heart," said Suliman, "it is not all bad; it is tainted, but

not corrupt; perhaps he will repent and come back to us a good king."

When the beast heard this, it touched him so much that he stopped

tearing at his chains, and became gentle. He let his keepers lead him

away to the royal menagerie without hurting them.

Life was very terrible to the prince, now, but he began to see that he

had brought all his sorrow on himself, and he tried to bear it

patiently. The worst to bear was the cruelty of the keeper. At last, one

night, this keeper was in great danger; a tiger got loose, and attacked

him. "Good enough! Let him die!" thought Prince Cherry. But when he saw

how helpless the keeper was, he repented, and sprang to help. He killed

the tiger and saved the keeper's life.

As he crouched at the keeper's feet, a voice said, "Good actions never

go unrewarded!" And the terrible monster was changed into a pretty

little white dog.

The keeper carried the beautiful little dog to the court and told the

story, and from then on, Cherry was carefully treated, and had the best

of everything. But in order to keep the little dog from growing, the

queen ordered that he should be fed very little, and that was pretty

hard for the poor prince. He was often half starved, although so much

petted.

One day he had carried his crust of bread to a retired spot in the

palace woods, where he loved to be, when he saw a poor old woman hunting

for roots, and seeming almost starved.

"Poor thing," he thought, "she is even more hungry than I"; and he ran

up and dropped the crust at her feet.

The woman ate it, and seemed greatly refreshed.

Cherry was glad of that, and he was running happily back to his kennel

when he heard cries of distress, and suddenly he saw some rough men

dragging along a young girl, who was weeping and crying for help. What

was his horror to see that the young girl was Zelia! Oh, how he wished

he were the monster once more, so that he could kill the men and rescue

her! But he could do nothing except bark, and bite at the heels of the

wicked men. That did not stop them; they drove him off, with blows, and

carried Zelia into a palace in the wood.

Poor Cherry crouched by the steps, and watched. His heart was full of

pity and rage. But suddenly he thought, "I was as bad as these men; I

myself put Zelia in prison, and would have treated her worse still, if I

had not been prevented." The thought made him so sorry and ashamed that

he repented bitterly the evil he had done.

Presently a window opened, and Cherry saw Zelia lean out and throw down

a piece of meat. He seized it and was just going to devour it, when the

old woman to whom he had given his crust snatched it away and took him

in her arms. "No, you shall not eat it, you poor little thing," she

said, "for every bit of food in that house is poisoned."

At the same moment, a voice said, "Good actions never go unrewarded!"

And instantly Prince Cherry was transformed into a little white dove.

Stories to Tell Children Fifty-Four Stories With Some Suggestions For Telling · 第 8 / 11 段