CHAPTER IV.

BAKTCHÉSERAI AND TCHOUFOUT KALEH.

Description of Baktchéserai—The palace of the Khans—Pouschkin’s

fountain—The great council-room—The hareem—The

cemetery—The tomb of Dilara Bikéh—The gorge of Tchoufout

Kaleh—Acheláma—Tchoufout Kaleh—The Karaim Jews, or those

who reject the Talmud—Their very ancient origin—Probable

descendants of Sadducees—Their high character—Tomb of the

beautiful Nenekedjàn—The crypt town of Kirkor.

A good road leads from Sympherópol to the town of Baktchéserai, which

is half-way from the former place to Sevastopol. Baktchéserai was the

capital of the Tatars during their occupation of Crimea, and like

Karasóubazar retains much of its Eastern character, owing to the ukase

of Catherine II., which is still in force, and by which the Tatars are

allowed to retain exclusive possession of these two cities.

The distance from Sympherópol to Baktchéserai is 30 versts,[52] and the

road runs along a waste Steppe, with the exception of a mile and a half

of the distance, during which it passes through the pretty valley of the

upper Alma. The town is situated in a deep gorge in the chalk formation,

and the traveller does not see it till he has arrived at the end of his

journey, and suddenly looks down upon it snugly ensconced at his feet

between two walls of rock. There he sees the irregular Tatar habitations,

interspersed with delicate minarets and tall poplar-trees stretching in

two long lines on each side of the muddy stream of the Djourouk Sou.

A steep road leads down to it, which passes the modest triumphal arch

erected in honour of the visit of the Empress Catherine II. to the

capital of her new conquest in the last century, and which bears the

simple inscription, “1787.” The town has completely retained its Oriental

character, and in passing down the long street, nearly three-quarters of

a mile in length, the little open shops of the tailors, the shoemakers,

the bakers, the locksmiths, and the kalpac-makers, are seen, with their

proprietors sitting cross-legged, in Eastern fashion, and working and

selling at the same time.

Baktchéserai is celebrated for the number of its fountains and the purity

of its water, which one writer pretends is the lightest in all Tatary and

Turkey.[53] There are no less than 119 fountains for a population of 9547

inhabitants. At the end of the long street, just across the little river,

is the great sight of Baktchéserai, the ancient palace of the khans,

which all travellers stop to visit.

Now that Turkey is becoming so much Europeanized, this palace, as a

specimen of the old architecture of the Turk race, goes on increasing in

interest. The great men at Constantinople are sacrificing the ancient

peculiarities of their palaces to modern conveniences, but this venerable

monument is kept up by the sovereigns of Russia precisely in its ancient

condition. I was much struck with it when the brightly painted gateway

first opened upon me. This divides in two a long line of buildings, of

only one story in height, with all the windows filled up with carved

woodwork, and ornamented with rude arabesques painted in bright colours.

Right and left on entering are ranges of apartments, which all open on a

long gallery, whence there is a good view of the interior court and the

groups of fantastic buildings raised irregularly around it.

At the entrance of the second court on the left is the gate called

the Iron Gate, leading to the principal apartments, on which is an

inscription declaring it to have been built by Mengli Geray Khan, who

conquered the Crimea in 1480, and was acknowledged as its sovereign by

the Turks.

A staircase leads into the richly-ornamented hall, in which there are two

fountains, one of which is called Selsibíl, or the fountain of Mary, on

which the Russian poet Pouschkin has written some beautiful verses.[54]

Beyond this hall is that of the divan, the great council-room, placed

in the midst of a terraced garden. This is one of those magic buildings

in which the climate of the East can really be enjoyed. Its floor is of

marble, and its fretted ceiling tastefully gilt, while the centre is

occupied by a marble basin, into which the water is perpetually trickling

from a fountain with fifteen jets. The only light that is admitted is

toned down through painted glass, and the softest divans invite repose

from the heats of summer. The terraces of the garden outside are planted

with roses; and the clearest streams of water fall in small cascades from

one marble basin to another.

From the first hall is a doorway leading to the principal apartments of

the khan himself, where is the hall of audience and a long suite of rooms

leading down to the banks of the river, whence the great man, behind a

lattice, could, unperceived, see what was passing in the town. Behind

the Pavilion of the Waters, carefully hidden by high trees, is a little

secluded court, where the sacred precincts of the hareem terminated with

a high tower or kiosk, whence the ladies used to witness the fêtes and

martial games that were celebrated in the great court, and whence there

is a most charming view of the town and all the surrounding country.

While the right side of the palace was devoted to all that could

contribute to the sensual enjoyment of life, on the left rose the mosque

and the cemetery; the former built in a good style, and completed by

two tall minarets of fine workmanship. The khan ascended to his tribune

by a staircase shaded by a poplar-tree, and here strangers are taken

to witness the Mussulman service and the dance of the dervishes. The

cemetery adjoins it, in which two large domes contain the monuments of

nearly all the khans since 1654.[55]

The gardens, and the reservoirs that feed the fountains of the palace,

extend behind it, and above these, on one of the sides of the narrow

valley, is seen a part of the town, and an immense cemetery, which is

approached from the court of the palace by an allée of monuments. One

graceful dome, placed just without the precincts of the palace-garden,

immediately attracts attention. Below, an octagonal building, with

interlacing arches and slender pilasters, supports it, and rich

arabesques decorate every part, in the midst of which the cross is seen

most conspicuous. This is the tomb of a beautiful Georgian, called

Dilara Bikéh, who was the wife of Krim Geray, and greatly beloved by her

husband, who was one of the best khans that ever governed Crimea.[56]

The Georgians are all Christians of the Greek Church, and Dilara Bikéh

steadily refused to change her religion, and reposes here on sufferance,

at the edge of the Mussulman cemetery, as she was not admitted into the

burial-ground of the house of Geray.

Many a pilgrimage is made to this tomb, as to that of Marie Potocka,

another beautiful Christian who gained the heart of a Mussulman prince.

She was a Pole, of an illustrious family, and inspired one of the last

khans of Crimea with so violent a passion, that he carried her off and

married her. Neither the splendour of her position, nor the tenderness

of her husband, could, however, reconcile her to being the wife of an

infidel, and she died prematurely, worn out by remorse.

The pleasure of a visit to Baktchéserai depends upon the frame of mind of

the traveller. It is true there is something grotesque, irregular, and

barbarous, about the whole: that the workmanship of the palace is rough,

the joints ill fitted, and the colouring what some would call gaudy; but

there is at the same time originality in the design, vivid fancy in the

colouring, and a sense of the picturesque in the grouping together of the

parts. As an accomplished French lady has remarked, in her interesting

Travels in the Crimea, “It is no easy task to describe the charms of a

mysterious and splendid abode, in which the voluptuous khans forgot all

the cares of life; it is not to be done, as in the case of one of our

palaces, by analysing the style, arrangement, and details of the rich

architecture, and reading the artist’s thoughts in the regularity, grace,

and noble simplicity of the edifice,—one must be something of a poet to

appreciate a Turkish palace; its charms must be sought not in what one

sees, but in what one feels. The positive cast of minds are disabled

from seeing beauty in anything but rich materials, well-defined forms,

and highly-finished workmanship, and Baktchéserai must be to them only a

group of shabby houses, adorned with paltry ornaments, fit only for the

habitations of miserable Tatars.”[57]

The entrance into the gorge of Baktchéserai from the side of the Tauric

chain of mountains on the south is much grander than the approach from

the steppe. The rocks open like an immense portal gate into the narrow

valley, and on every side ruins are scattered, even to the summits of

the mountains. This gorge, like the others in the neighbourhood, was

originally closed by a wall, a fort, and a crypt town, which faced the

interior of the mountains, and therefore evidently belonged to the

inhabitants of the hills, who defended themselves against the nomades of

the steppes.[58]

These remains of the most ancient times of the Tauro-Scythians are

mingled with ruins of recent date. The garden and palace of Acheláma,

built by the Khan Krim Geray, occupied all the valley, and in the midst

was a lake, where the ladies of the hareem used to bathe, and a kiosk,

where the khan used to repose himself. The word “Acheláma” means “a

graft” in Turkish, and the name was given because of the many kinds of

fruit-trees which were grafted in these gardens, of which no vestige now

remains.

To the left of this ruined garden, perched on an isolated rock, with

houses overlooking the precipice, is the little town of Tchoufout Kaleh,

which has been inhabited for centuries by a colony of Jews. A road cut

in the rock, and joining the one which leads to the southern coast, is

the only communication to this singular little establishment, which is

surrounded by a strong wall, entered by gates, which are carefully closed

every evening.

These Keraim Jews are all merchants, who have their shops in

Baktchéserai, and bear the highest character for honesty. They reject

the superstitious fables of the Talmud, and their separation from its

followers dates, according to some learned men, several centuries before

the birth of Christ, although the Rabbinists pretend that they did not

form a separate sect until the eighth century.[59] Peyssonel relates

that they claim an origin from Bokhara, and says that they followed

the Mongols and Tatars from Asia in the thirteenth century, and as

these latter gradually left Tchoufout Kaleh for Baktchéserai, the Jews

established themselves in their place. They always enjoyed special

privileges, and were exempt from some contributions that were imposed

on the Greeks and Armenians; as, for instance, the obligation to find a

certain quantity of labour for fortifications, mosques, fountains, and

other public buildings.

The Jews pretend that their privileges were granted them for services

rendered in ancient times to the Khans of the Tatars; but Peyssonel

attributes the real origin of them to the services of a Jewish doctor,

who, having been fortunate enough to cure an Ouloukháneh, or one of the

great female dignitaries, as his reward obtained for his countrymen the

exemptions noticed above. The capitation-tax of the Jews was henceforward

attached to the dignity of Ouloukháneh, and the Jews, in gratitude,

always supplied the palace of the Princess with wood, coal, coffee, and

other necessaries. Their houses are very clean, and they dress like the

Tatars, and use a dialect of the Tatar language, to which they give the

name of Djagaltai.[60]

Mr. Henderson, who visited them in company with Mr. Glen, the well-known

Oriental scholar and missionary in Persia, questioned them closely as to

the tradition of their Eastern origin, and even corresponded with them

upon the subject, and from their accounts it appears that they have no

written documents to prove at what time they occupied this fort, or

whence they came before arriving in the Crimea. They also stated that

they had no tradition of any bond of union ever having existed between

their ancestors and the Jews of Bokhara, in which country there are no

Karaim. The only traditionary account current among them is that their

ancestors came from Damascus and settled here about five hundred years

ago, under the protection of the Khans of Crimea.

Their language also, as exhibited in their ancient books, approximates

more to the Osmanli than to the Oriental Turkish, and it appears from the

Travels of Rabbi Petachia, that there were Karaites in the Crimea about

the year 1180, which was considerably prior to the arrival of the Tatars.

With respect to the sect in general, it claims a very high antiquity, and

seems originally to have been the same with that of the Sadducees, one

of the three principal sects which divided the Jewish nation about two

hundred years before the birth of our Lord. One of the distinguishing

tenets of the Sadducees was their strict adherence to the letter of the

law, to the entire exclusion of traditional interpretation; and some

authors of note have conjectured that the errors which that sect taught

in the time of our Lord formed no part of their primitive creed, and that

it was the adoption of them by Sadok which made the sect divide into

Sadducees and those afterwards called Karaim, whom Prideaux[61] takes to

be the Scribes so frequently mentioned in the New Testament.

According to Mordecai, one of their own writers, they are sprung from

Judah Ben Tabbai, and were originally denominated, after him, the Society

of J. B. T., but afterwards changed their name to that of Karaim,[62] or

Karaites. If the accounts that obtain among themselves may be credited,

the first place where a Karaim synagogue was established, after the

destruction of Jerusalem, was Grand Cairo, in which city they have always

kept up a separate community, and where, according to the most recent

accounts, they still exist. They are also found in most of the countries

between India and Poland.

The principal point of difference between them and the Rabbinical or

Pharisaical Jews consists in their rejection of the oral law, and

their rigid appeal to the text of Scripture, as the exclusive and only

infallible source and test of religious truth. They therefore glory

in the name of Karaites, or Scripturists, although, as is the case

with the epithets by which most sects and systems of opinion have been

characterized, it was at first given them by their enemies. They,

however, consult the Talmud and other Jewish writings, and the answer of

the principal Rabbi in Tchoufout Kaleh to Mr. Henderson was singularly

marked by good sense and moderation: “We do not admit,” said he, “that

the Talmud has any binding authority over our consciences, and there are

many things in it which we cannot approve, but shall we on this account

reject what is good in it, and not avail ourselves of such statements as

are consonant with the text of Scripture?”

In the middle of the town, near the ancient gate, is a mausoleum,

with an elegant portico, in which are said to repose the remains of

Nenekedjàn Khánum, daughter of the famous Tóktamish Khan, the successor

of Tamerlane.[63] She fell in love with a handsome Genoese nobleman

according to some, or a Tatar Mirza according to others. As her father

would not consent to the marriage, she fled with her lover to the

impregnable walls of Tchoufout Kaleh. He was treacherously inveigled out

of his place of safety, and Nenekedjàn, knowing the fate that would

await him, threw herself down the precipice. Her father, repentant when

too late, built this beautiful tomb to her memory, which is covered with

Arab inscriptions from the Koran.

Tchoufout Kaleh[64] means, in Turkish, “the fortress of the Jews,” and

this name is not found applied to it till two hundred years ago. The

ancient name was Kirkor, which was the capital of the Khans, before they

removed to Baktchéserai.[65] From the earliest times this spot must have

been a residence of men, for there is a crypt town built at the entrance

of the gorge, in the strata of the chalk, with the isolated hill of

Tchoufout Kaleh behind it, which served as a place of refuge, fortified

by nature. All the other crypt towns in Crimea, as those at Inkerman,

Mangoup, Katchikaléw, and Tepekerman, are built in similar localities,

and date from the time of the Tauro-Scythians, many centuries before

Christ.[66]

This subterranean town is cut under the fortress, in the sides of the

little valley. There are in one place alone as many as fifty of these

grottoes, and a path with steps is cut in the rocks leading from them up

to the fortress. On the opposite side one of them is converted into the

Monastery of the Assumption, and inhabited by the monks, and a visit to

it enables the traveller to judge how the old crypt towns looked before

they were deserted. Many white crosses mark the tombs of rich Greeks,

whose bodies have been brought from various parts, to be buried in this

sacred ground.

All the higher part of the valley, beyond a magnificent group of oaks,

has been used for ages as a burying-ground by the Jews, and is called

the Valley of Jehoshaphat. The tombs, great numbers of which are cut in

the white chalk, are ranged under fine trees, and along the sides of the

paths. The effect of it is very striking, as the extent is enormous, and

the whole place is carefully kept up. Some of the monuments go as far

back as the middle of the thirteenth century, and the most ancient are

also the simplest, and resemble long stone coffins.[67]

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