CHAPTER VI

THE GROUP AND HERD ARE THE BASIC MECHANISMS OF PUBLIC CHANGE

The institutions that make public opinion carry on against a background

which is in itself a controlling factor. The real character of this

controlling background we shall take up later. Let us first consider

some examples that prove its existence--then we can look into its

origin and its standards.

Powerful standards control the very institutions which are supposed to

help form public opinion. It is necessary to understand the origin, the

working and the strength of these institutions in order to understand

the institutions themselves and their effect upon the public.

In tracing the interaction of institution upon public and public upon

institution, one finds a circle of obedience and leadership. The press,

the school and other leaders of thought are themselves working in a

background which they cannot entirely control.

Let us turn to the press again for a text.

That the press is so frequently unable to achieve a result on which

its combined members are unanimously set makes it evident that the

press itself is working in a medium which it cannot entirely control.

The _New York Times_ motto, “All the news that’s fit to print,” drives

this point home. The standards of fitness created in the minds of

the publishers express the point of view of a mass of readers, and

this enables the newspapers to achieve and maintain circulation and

financial success.

The very fact that newspapers must sell to the public is an evidence

that they must please the public and in a measure obey it. In the press

there is a very human tendency to compromise between giving the public

what it wants and giving the public what it _should_ want. This is

equally true in music, where artists like McCormack or Rachmaninoff

popularize their programs. It is true in the drama, where managers,

producers and authors combine to adjust plots, situations and endings

to what the public will be willing to pay to see. It is true in art, in

architecture, in motion pictures. It is true of the lecture platform

and of the pulpit.

So-called radical preachers, for example, usually succeed in

broadcasting their radical ideas only when their following is prepared

to accept their views. The Rev. Percy Stickney Grant was a great

problem to the upholders of the accepted order, only because there was

so large a body of parishioners eager to hear and accept his _dicta_.

The Rev. Billy Sunday, evangelist, derived his following from among

people who were awaiting a faith-stirring appeal.

Another evidence of the fact that a powerful outside influence helps

make the forces that mould public opinion is shown by the newspapers in

the actual selection of news. The public actually demands that certain

types of facts be omitted. The standing problem of every newspaper

office--the winnowing of the day’s news from the mass of material that

reaches the editorial desks--illustrates pointedly the need there is to

examine the reasons which prompt the editors in selection.

In an exceedingly interesting advertisement published by the _New York

Tribune_, on April 19, 1922, the _Tribune’s_ editors state the problem

most graphically. The advertisement is headed, “What Else Happened That

Day?” and it reads as follows:

“Madame Caillaux was on trial in Paris for killing Gaston

Calmette.

“In Long Island a woman was mysteriously shot in a doctor’s

office while on a night visit.

“Forty-five stage coaches were held up in Yellowstone Park by

two masked bandits who took all the cash of 165 tourists.

“Romantic crime, mystery crime, adventurous crime, a public

eagerly interested--and they suddenly dropped from the

newspapers. The public forgot them. As news, these events

became as if they had never happened. Something else had

happened.

“The day of Madame Caillaux’s acquittal Austria declared war

on Serbia. Russia mobilized fourteen army corps on the German

border and the price of wheat in this country soared.

“All the news that a newspaper prints is affected by what else

happened that day. If an earthquake occurs the day you announce

your daughter’s engagement her picture may be left out of the

newspaper.

“The man who made a golf hole in one the day of the

Dempsey-Carpentiér fight was out of luck so far as an item on

the sporting page was concerned.

“When real news breaks, semi-news must go. When real news is

scarce, semi-news returns to the front page. A very great man

picked out Sunday night to dine at a Bowery mission. Monday is

usually a dull day for news, although some big events, notably

the sinking of the _Titanic_, came over the wires Sunday night.

“All papers feature big news. When there is no big news, real

editing is needed to select the real news from the semi-news.

“What you read on dull news days is what fixes your opinions

of your country and of your compatriots. It is from the

non-sensational news that you see the world and assess, rightly

or wrongly, the true value of persons and events.

“The relative importance your newspaper gives to an occurrence

affects your thought, your character, and your children’s

thought and character. For few daily habits are as firmly

established as the habit of reading the newspaper.”

Now each of the items mentioned in the _Tribune’s_ advertisement was

news. Comparison of the newspapers of that day will undoubtedly show a

wide divergence in the manner in which these items were treated and in

the relative importance assigned to each. The basis of the selection

was clearly the general standard of the clientele of each individual

paper.

And this selection of ideas for presentation goes on in every medium of

thought communication.

This basis of selection has long been recognized. Thus in an article in

the _Atlantic Monthly_ for February, 1911, Professor Hargar, formerly

head of the Department of Journalism at the University of Kansas,

draws attention to it in regard to newspapers, and points out that

“the province of the city paper is one of news selection.[22] Out of

the vast skein of the day’s happenings what shall it select? More

‘copy’ is thrown away than is used. The _New York Sun_ is written as

definitely for a given constituency as is a technical journal. Out of

the day’s news it gives prominence to that which fits into its scheme

of treatment, and there is so much news that it can fill its columns

with interesting materials, yet leave untouched a myriad of events. The

_New York Evening Post_ appeals to another constituency, and is made

accordingly. The _World_ and the _Journal_ have a far different plan,

and ‘play up’ stories that are mentioned briefly, or ignored, by some

of their contemporaries. So the writer on the metropolitan paper is

trained to sift news, to choose from his wealth of material that which

the paper’s traditions demand shall receive attention; and so abundant

is the supply that he can easily set a feast without exhausting the

market’s offering. Unconsciously he becomes an epicure, and knows no

day will dawn without bringing him his opportunity.”

Mr. Lippmann makes the same observation. He says:[23] “Every newspaper

when it reaches the reader is the result of a whole series of

selections as to what items shall be printed, in what position they

shall be printed, how much space each shall occupy, what emphasis

each shall have. There are no objective standards here. There are

conventions. Take two newspapers published in the same city on the same

morning. The headline of one reads: ‘Britain pledges aid to Berlin

against French Aggression. France Openly Backs Poles.’ The headline

of the second is: ‘Mrs. Stillman’s Other Love.’ Which you prefer is a

matter of taste, but _not entirely a matter of the editor’s taste_. It

is a matter of his _judgment as to what will absorb the half hour’s

attention a certain set of readers will give to his newspaper_.”

The American stage continually bows to public demand and consciously

ascribes to the public the changes it undergoes. The character

of advertising has definitely yielded to public demand and fake

advertising has been to a great extent eliminated. Motion pictures have

responded, too, to public taste and public pressure, both as to the

kind of picture presented and, in isolated instances, to the type of

action permitted to appear.

It is therefore apparent that these and the other institutions which

modify public opinion carry on against a background which is also

in itself a controlling factor. What the real character of this

controlling background is we shall now consider.

Crystallizing Public Opinion · 第 6 / 8 章