CHAPTER X.

THE CATACOMB PARTY.

[Illustration]

Polo came on Monday and posed to the satisfaction of Professor Waite and

of the class. Winnie was successful in entering the two children at the

Home, and Adelaide had a happy thought for Polo herself, who was too old

to be received there. One of the smallest apartments in her tenement had

been taken by Miss Billings and Miss Cohens, two seamstresses, honest,

industrious old maids, who had lived and worked together since they were

girls. Adelaide called them the two turtle doves, the odd combination of

their name suggesting the nickname, and their fondness for each other

bearing it out. They were a cheerful pair, and their rooms were bright

with flowers and canaries. One morning Miss Billings woke to find her

friend dead at her side, having passed from life in sleep so peacefully

that she neither woke nor disturbed the faithful friend close beside

her.

The poor old lady was very lonely and was glad to take Polo in. The

young girl brightened her life, and her own influence on the nearly

friendless waif was excellent. In the intervals of posing Miss Billings

taught Polo how to cut and fit dresses. Polo helped her with her sewing,

and Miss Billings promised to take her into partnership by and by. Polo

was very happy and grateful, and the girls all liked her immensely. She

was a character in her way, an irresistible mimic. She would take off

Miss Noakes to the life, while she had a talent which I have never seen

equalled for making the most ludicrous and horrible faces. She was

almost pretty, and with Miss Billings's help, made over the odds and

ends of clothing bestowed upon her very nicely. Her one trinket was a

string of coral beads and a little cross which her brother had sent her

before she left England. She never gave up her faith in this brother.

"Albert Edward'll turn up some day rich," she said. She flouted the

idea that he might be dead. "He ain't the dying kind," she said, when

Cynthia suggested the possibility. "None of our family ain't, except

father. Why, I've been through enough to kill a cat, and I haven't died

yet."

She was especially devoted to Milly, to whom she felt, with reason, that

she owed all her good fortune. Professor Waite found her remarkably

serviceable as a model, from her versatility and ability to adapt

herself to any character, giving a great variety of types for us to

copy. When she wore the Italian costume, one would have thought her an

Italian, and a complete change came over her when she donned the German

cap and wooden shoes. "May be that's because I've lived amongst all

sorts of foreigners so much," she said, "and Albert Edward always said

I'd make an actress equal to the best. He said I had talent. I do pity

them as hasn't. I wouldn't be one of the common herd for anything."

Polo was certainly uncommon. Her use of the English language had an

individuality of its own. She hated Miss Noakes and said she had no

business to be "tryannic" (meaning tyrannical). She spoke of native

Americans as abor-jines (a distortion of aborigines), and intermingled

these little variations of her own with cockney phrases which were new

to our untravelled ears.

She found difficulty in understanding our words and expressions, and

once when Professor Waite told her to set up a screen she astonished us

all by uttering a most blood-curdling yell, under the impression that he

had commanded her to set up a _scream_.

She disliked Cerberus, and to save her from his scornful scrutiny and

contemptuous remarks, Professor Waite had a duplicate key made to the

turret door, by which Polo entered each morning and mounted directly to

the studio.

She was very diverting, but much as we liked her we could not forget

that we had assumed a grave responsibility in taking the support of her

little sisters upon our hands, and we now began to actively agitate the

plans for the Catacomb Party, which was to raise funds for the Annex

with its "Manger and Guest Chambers."

One event of interest to us occurred before the evening of the Catacomb

Party. This was the Annual Drill of the Cadet School. All of the Amen

Corner and the Hornets had invitations. We occupied front seats in the

east balcony of the great armory, vigilantly chaperoned by Miss Noakes.

Her best intentions could not prevent the young cadets from paying their

respects to us during the intervals of the drill.

The young men looked handsomely in their gala uniforms of white trousers

and gloves, blue coats, and caps set off with plenty of frogging and

brass buttons. They performed their evolutions with a precision which

would have done credit to a regiment of regulars--and received the

praise of General Howard, who reviewed them.

Out of all the battalion there were two boys in whom we were chiefly

interested: Adelaide's younger brother Jim, color sergeant of the

baby company, and Milly's friend Stacey Fitz Simmons, the handsome

drum-major.

Winnie insisted that Malcolm Douglas must have been thinking of the

practising of this cadet drum corps when he wrote:

"And all of the people for blocks around,

Boom-tidera-da-boom!

Kept time at their tasks to the martial sound,

Boom-tidera-da-boom!

While children to windows and stoops would fly,

Expecting to see a procession pass by,

And they couldn't make out why it never drew nigh,

With its boom-tidera-da--boom-a-diddle-dee;

Boom-tidera-da-boom!

It would seem such vigor must soon abate;

Boom-tidera-da-boom!

But they still keep at it, early and late;

Boom-tidera-da-boom!

So if it should be that a war breaks out,

They'll all be ready, I have no doubt,

To help in putting the foe to rout,

With their boom-tidera-da-boom--

_Boom-tidera-da-boom--_

Boom-tidera-da--boom-a-diddle-dee,

Boom-Boom-_Boom_!"

Stacey was seventeen, tall for his age, with a little feathery mustache

outlining his finely cut upper lip. He was elegant in appearance and

manners, and we all admired and liked him with the exception of

perverse, wilful Milly. Jim was thirteen and small for his years. The

life of privation which he had led during a period when he had been

lost, the account of which has been given in the previous volume, had

stunted his growth, and given him an appearance of delicacy. But Jim was

wiry, and possessed great endurance, and his drilling that evening was

noticeable for its accuracy and spirit. Adelaide and Jim were deeply

attached to one another. They wrote each other long letters every week,

remarkable for their perfect confidence. As Jim's letters give an

insight not only into his life at the cadet school, but also into the

relations which subsisted between several of the cadets and members of

our own school, as well as into a _contretemps_ which introduced great

consternation into the Catacomb Party, I will choose two from Adelaide's

packet and insert them before describing the mystic entertainment of the

Council of Ten.

LETTER NO. 1.

DEAR SISTER:

I like the barracks better than I did. I almost have gotten over

being homesick, and the fellows are awfully nice now that I have

come to know them. I miss mother, but I would rather die than let

any one know it. I've put her photograph down at the bottom of my

trunk, for it gave me the snuffles to see it, and Stacey Fitz

Simmons caught me kissing it once, and I was so ashamed. He is one

of the nicest fellows here, and he didn't rough me a bit about it,

only whistled, and said: "You've got a mighty pretty mother; I

guess she takes after your sister. Pity there wasn't more beauty

left for the rest of the family." He knows you, and I guess you

must remember meeting him when you visited the Roseveldts last

summer at Narragansett Pier. He asked if you and Milly Roseveldt

were at the same school, and would I please send his regards when

I wrote. He is one of the Senior A boys, and is going to college

next year. I am only Middle C, but he is ever so good to me, I am

sure I don't know why. We are drilling, drilling all the time now

for the annual drill at the Seventh Regiment Armory.

Stacey is an awfully good fellow. He's the head of everything.

He's drum-major, and you just ought to see him in his uniform

leading the drum corps [Jim spelled it _core_]. He's the cockatoo

of the school. Stacey's folks are rich, and his mother wrote the

military tailor not to spare expense, but to get Stacey up just as

fine as they make 'em, and I don't believe there's a drum-major of

any of the crack regiments that can hold a candle to him for

style. In the first place he has a high furry hat that looks like

the big muffs they carried at the old folks' concerts. Then he has

a bright scarlet coat all frogged and padded and laced with lots

of gold cord, and the nattiest trousers and patent leather boots.

But his baton--oh, Adelaide! words cannot express. I don't believe

old Ahasuerus ever had a sceptre half as gorgeous, with a great

gold ball on the top, and it will do your eyes good to see him

swing it. Doesn't he put on airs, though! Put on isn't the word,

for Stacey is airy naturally, and dignified, too. Buttertub says

he walks as if he owned the earth. When he marches backward

holding his baton crosswise, I'm always afraid that he will fall

and that somebody might laugh, and that would kill him. But he

never does fall. He seems to see with the buttons on the small of

his back, and he stepped over a banana skin while marching to the

armory just as dandified as you please. And he never fails to

catch his baton when he tosses it into the air, and makes it whirl

around twice before it comes down. He never bows to any of the

fellows or seems to see them--except me. They are going to have

Gilmore's Band at the drill, and Stacey was practising leading

them around the armory. I was in the lower balcony, hanging over

and watching him. He was going through his fanciest evolutions

when he passed me. He looked straight ahead and never winked an

eye. I didn't think he saw me till I heard him say, "How's that,

dear boy?" and I clapped so hard that I nearly fell over.

Buttertub hates Stacey; he wanted to be drum-major himself.

He calls Stacey wasp-waist, but it only calls attention to his own

big stomach. He is always eating, and he won't train, and he can't

run without having a fit of apoplexy. He weighs too much for the

crew and he can't even ride a bicycle, or do anything except the

heavy work on the foot ball team and study. Yes, he can study;

that's the disgusting part.

Stacy can do everything. He's a splendid sprinter. There's only

one other boy in the school that can equal him, and that's a

red-headed boy they call Woodpecker. He has longer legs than

Stacey and of course takes a longer stride, and that counts. But

Stacey is livelier and puts in four strides to three of the

Woodpecker's, so they are pretty nearly equal. Stacey is a

prettier runner, too. He does it just as _easy_, while the

Woodpecker works all over, arms _and_ legs, and bites on his

handkerchief, and his eyes pop out, and when it's all over he

falls in a heap and looks as if he were dying, while Stacey takes

another lap in better time than the last, just for fun.

Stacey rides the bicycle, too, splendidly. He has one of those big

wheels and he can manage it with his feet and do all sorts of

tricks with his hands. He has been giving me points on bicycle

riding. He picked out my safety for me, and has been coaching me

how to manage it. He says I am the best rider for a little chap

that he ever saw, and that he means to make me win the race at the

inter-scholastic. I tell you Stacey is a trump. He's an all-around

athlete. He dances, and he rides, and he shoots in the summer when

he goes hunting with his uncle; and he fences, and he's stroke on

the crew, and he's our best high jump and there isn't anything

that he can't do, except his lessons--sometimes--but they don't

count. He says that if it wasn't for the beastly lessons school

would be heavenly, and we all agree with him. Ricos said that he

would head a petition to have lessons abolished and the boys would

all sign it, but Stacey said that parents were so unprogressive he

didn't believe they would, and he was afraid the head master

wouldn't pay much attention to such a petition unless it bore the

parents' signatures.

I've written an awfully long letter, but I like to write to you,

and it was rainy to-day, and we couldn't go to the grounds, and

I've hurt my ankle by falling from my bicycle so that I could not

practise in the gymnasium. Now don't go and get scared, like a

girl, and disapprove of athletics for such a little thing as that.

It was only a little sprain, that will all be well before the

drill, and I only barked my shin the least bit, nothing at all to

what the Woodpecker does most every day.

I hope I shall be big enough to go on the foot-ball team next

year. I know you think it's dangerous, but I've calculated the

chances of getting hurt and they are so very slight that I guess

I'll risk it. Why, out of the whole eleven last year there were

only nine that got hurt.

Be sure you all come to the exhibition drill. I enclose two

tickets and Stacey sends two more. He wants it distinctly

understood that you and Miss Roseveldt are his guests. So you can

give mine with my compliments to Miss T. Smith and Miss Winnie De

Witt. I don't send any for that Vaughn girl, for Buttertub knows

her and told me he was going to invite her.

No more at present,

From your affectionate brother,

JAMES HALSEY ARMSTRONG.

P. S. Stacey sends his regards to Miss Roseveldt.

P. S. No. 2. And to you.

LETTER NO. 2.

THE BARRACKS, April.

DEAR SISTER:

Wasn't the drill splendid? I knew you would enjoy it. How I wish

father and mother had been in New York so they could have seen it.

You looked just stunning in that stylish hat. Stacey said so. You

must excuse him if he didn't pay you very much attention. He could

only leave the band during the intermission and of course he had

to be polite to Miss Roseveldt. Besides he said I stuck so close

to you that he hadn't any chance. He says he never saw a fellow so

spooney over his own sister as I am. I tell him there aren't many

chaps who have such a nice sister as you are, and then we were

separated so long that I am making up for lost time.

I am glad you liked the French Army Bicycle drill. That was

something quite new. Stacey was detailed to command it because

he's a splendid cyclist himself, and he knew how to put us

through. I didn't know till the day before that he was going to

call me out to skirmish. He said: "Jimmy, you can manage your

wheel better than any one else except the Woodpecker, and I am

going to have you two go through with a little fancy business that

will bring the house down." And didn't it? When I fired off my

gun going at full speed, they clapped so that I nearly lost my

head. Ricos was mad because he wasn't selected for the special

manoeuvres. Ricos is better for speed than I am, and he's

awfully quick-tempered--he's a Spaniard, you know, and he said to

me, "Never mind, youngster, I'll pay you up for this at the

inter-scholastic races." I suppose he means to win the gold medal,

and I told Stacey that I believed he would, and I should be

thankful to be second, or even third, for there are the best

cyclists from all the other schools in the city to contend

against. But Stacey says, "He can't do it, you know," meaning

Ricos; and our trainer says that if he enters me at all he enters

me to win. So I am going to try my level best.

Wasn't Cynthia Vaughn stunning in that green dress trimmed with

fur! Buttertub said she was the most stylish girl at the drill.

Stacey made him mad by saying that she was hardly that, though, as

a Harvard chap once said of some one else, he had no doubt that

she was a well-meaning girl and a comfort to her mother!

Ricos invited all the Hornets, and some one of them told him that

you girls are going to have a great lark--a Catacombing Party. He

thought it was to represent the games of the Roman arena with cats

instead of lions and tigers. I told him it must be a mistake,

and that if he supposed Madame's young ladies, and my sister

especially, would do anything so low as to look on at a cat-fight,

he didn't know what he was talking about. But Stacey said that

there was something up, he knew, for when he asked Milly Roseveldt

if the girls were going to have a Venetian Fete for the benefit of

the Home, as they did last year, she said it was a sheet and

pillow-case party this time, and boys were not admitted. He told

her he would surely disguise himself in a sheet and pillow-case

and come; but he only said so to tease her, and when he saw how

distressed she was he told her he was only fooling. Buttertub

said Cynthia mentioned it too, and Stacey's idea was a good one

and he believed he should try it. But Stacey said he would like to

see him do it and that he would have him court-martialled for

ungentlemanly conduct, and reduced to the ranks if he attempted to

play the spy at one of the girl's frolics.

Stacey wanted me to be sure to tell you to tell Milly Roseveldt

not to worry about what he said, for the cadets are all gentlemen

and wouldn't think of going anywhere where they were not invited.

That's so as far as Stacey is concerned, but I don't know about

Ricos.

Do tell me what you are going to do, anyway--and for pity's sake

don't have any cats in it.

Your affectionate brother,

J. H. ARMSTRONG.

Jim's misunderstanding of the Catacomb Party amused us very much. No one

was alarmed by the boys' threats to attend it but Milly, who insisted

that she had no confidence in Stacey and believed him fully capable of

committing even this atrocious act.

As soon as the drill was over our interest centred on this party. The

committee from our circle of King's Daughters waited upon Madame, and

obtained her permission for the projected entertainment. She stipulated,

however, that it must be strictly confined to members of the school and

no outsiders admitted.

"The Literary Society," she said, "will give its public entertainment

in the spring, and we do not wish to have the reputation of spending

our entire time in getting up charity bazaars, and imposing on our

friends to buy tickets. Anything in reason which you care to do among

yourselves, I will consent to. It does young girls good to have an

occasional frolic."

Emboldened by the unusually happy frame of mind in which Madame seemed

to be basking, Winnie asked if we might act a play and have "gentlemen

characters" in it. Formerly the assumption of masculine attire had been

prohibited, and at one of our Literary Society dramas, a half curtain

had been stretched across the stage, giving a view of only the upper

portion of the persons of the actors. The young ladies taking the part

of the male personages in the play, wore cutaway coats outside their

dresses, and riding hats or Tam O'Shanter caps.

Madame laughed as she recalled that absurd spectacle. "Since your

audience is strictly limited to your associates, I think I may suspend

that rule for this occasion," she said leniently. "When do you intend to

give the play? I cannot allow you to use the chapel. How would the

studio do?"

"If you please," said Winnie, "we would like the laundry."

"The laundry!" Madame exclaimed in surprise.

"Yes, Madame. Tina Gale explored the lower regions under the school

building one day, and the furnace room, and the long dim galleries

connecting the coal bins, the cellars, and the laundry seemed to her so

mysterious and pokerish that she thought it would be a nice idea to call

it a Catacomb Party, especially as the girls have been so much

interested in Professor Todd's early history of the Christian Church."

Madame's eyes twinkled as she heard this, for Professor Todd had been

generally voted a prosy old nuisance; but Winnie was earnestness itself.

"Very well," said Madame kindly. "I do not want the girls to think that

I am a cruel tyrant, or unduly strict or suspicious. ["She was thinking

of the way in which she arraigned Adelaide for corresponding with

Professor Waite," Winnie commented afterward.] If your committee will

submit the programme to me, I have no doubt I shall be able to approve

of everything. Let me see--the laundry will be your circus maximus, or

theatre. Where will you have your refreshments?"

We had not thought of that.

"I will give you the key to the preserve closet; it is at the end of the

drying-room, and you may make a raid upon it for your provisions. Only

please be careful not to waste or destroy any more than you can dispose

of. I will have some tables placed in the drying-room, and you may

partake of your collation there."

This was all we needed. The preparations for the Catacomb Party went

merrily on.

Trude Middleton dramatized Cardinal Wiseman's novel, "Fabiola." We who

had remained at school during the Christmas Holidays had read it aloud

together, and its thrilling pictures of the persecutions of the martyrs,

the games of the arena, and all the life of imperial Rome, had made a

deep impression upon us. Trude Middleton had a genius for writing, and

Little Breeze distributed the parts, rehearsed the play, took the role

of the sorceress _Afra_, and acted as stage manager. The classical

costumes were easily arranged. Professor Waite showed us how to drape

crinkled cheese cloth and to manage the folds of peplum and toga, to

trace a key-pattern border, to fillet our hair, and lace our sandals.

The rehearsals were carried on in the most secret manner. Only the

actors knew exactly what the play was to be. Expectancy was on the _qui

vive_. Winnie had written some mysteriously attractive admission

tickets, and had ornamented each one with a tiny white wire skeleton.

These tickets the ten sold to the other members of the school to the

number of one hundred and twenty, not a single member of the school

declining to patronize us.

The sale of these tickets had been materially aided by a manifesto,

printed in red ink, supposed to simulate blood, and left dangling

conspicuously from the wrist of old "Bonaparte" (Bonypart), the anatomy

class skeleton.

This manifesto read as follows:

The Council of Ten, in secret session assembled, hereby summon

you, each and all, severally and individually, to the Torture

Chambers of the Inquisition (otherwise known as the studio), on

the ringing of the great tocsin (sometimes called the eight

o'clock study bell). At that hour let each be prepared to render

up her earthly goods to the amount of one ticket, vouching for

fifty cents; and having donned a winding sheet, and likewise a

winding pillow-case as headgear, submit to the office of the

Inquisition, which will transform her, with that happy despatch

due to long experience, into a disembodied spirit. At the same

time the Arch Witch Winnie will turn back the clock of Time to the

first century, and each ghost, being first securely blindfolded,

will be led by a spirit guide, experienced in the charge of

personally conducting spirits, into the great amphitheatre of the

Coliseum, where she will mingle with the most renowned personages

of ancient Rome, and will be permitted to live a short and

exciting life under the cheerful persecution of the amiable and

playful Caesars.

After the final scene of the gladiatorial combat in the arena

each spirit will be led by her guide through the grewsome and

labyrinthine Catacombs--faint not! fear not! to the

_Feast of the Ghouls!_

Thence, conducted by Orpheus with his lute, and Beatrice, the

guide of Dante, they will cross the Styx and join in the

_Dance of the Dead_

in the shadowy Purgatorio.

At the stroke of midnight each spirit who has passed through this

ordeal with a steadfast mind will be wafted to upper regions to

the rest of the blessed.

Signed by the Council of Ten, as represented by Witch Winnie, of

the Amen Corner, and Little Breeze, of the Hornets; and sealed

with the great seal of our office, this ---- day of ---- 18--.

SEAL.

These preparations were going on simultaneously with the investigation

of the robbery, and served in a measure to relieve the tension to which

we were all subjected. Still the trouble was there, and we never quite

forgot it. Mr. Mudge called twice, and made inquiries, from which Winnie

inferred that he was hopelessly puzzled. Milly was sure that he had

found a clew, but if so, he did not impart his discoveries.

The mystic evening arrived. Cynthia, who, for some reason inexplicable

to us, was in a highly self-satisfied and gracious mood, invited Polo to

sleep with her in order that she might be able to attend the party. It

was necessary to prefer this request to our corridor teacher, Miss

Noakes, who gave us a very grudging consent; but we cared very little

for her iciness since we had effected our wishes.

The girls met in the studio, where all were draped in sheets, a small

mask cut from white cotton cloth tied on, and a pillow case fitted about

the back of the head in the fashion of a long capuchin hood. When thus

robed our dearest friends were unrecognizable. Then, marshalled by

Winnie, the company of spectres paraded through the hall and down the

main staircase. Miss Noakes and the other teachers stood in their doors

and watched the procession, but as it was known that we had Madame's

permission no attempt was made to stop us, and we passed on unabashed.

Arrived at the lower floor each of the guests was securely blindfolded

and conducted by one of our ten down the cellar stairs, and through

winding passages to the laundry, which had been converted for the

evening into an auditorium, sheets having been hung on clothes-lines

across one end, and the space in front filled with camp chairs brought

from the recitation rooms. The set tubs on one side of the improvised

stage were fitted up as boxes, while a semi-circle of clothes-baskets

marked the space assigned to the comb orchestra. As fast as the girls

arrived in the laundry they were seated, and when the last instalment

was in position the lights were turned nearly out, and they were told to

remove the handkerchiefs which bandaged their eyes. At the same time the

comb orchestra, led by Cynthia, struck up a dismal dirge-like overture,

broken in upon at intervals by a tremendous thump with a potato masher

on the great copper boiler. The curtain was drawn slowly aside, the

lights suddenly turned on, and the play began. Adelaide made a very

beautiful _Fabiola_. Winnie acted the part of _Pancratius_ with great

expression. Milly looked the saintly _Agnes_ to perfection. I was

_Sebastian_. We did not indulge in all the dialogue with which the book

is overloaded. Our play was rather a series of tableaux, for which I had

painted the scenery with the assistance of the other art students.

Professor Waite had borrowed various classical properties from his

brother artists for us. The plaster casts of the studio were made to

serve as marble statues, and Madame had sent us several palms in

urn-shaped pots.

When the play was nearly over, Polo, who had acted as doorkeeper, made

her way behind the scenes and took my attention from the prompter's book

with the horrified whisper, "If you please, there are two girls out

there that are boys."

"Who? Where? How do you know it?" I asked in a breath.

"They came in at the end of the procession, without any guides, and sat

down near the door, apart from the others. One is little enough to be a

girl, but the other is taller, even, than Miss Adelaide."

"It is Snooks," Winnie exclaimed. "Just like her to come spying and

speculating here to see what we are up to."

"If that's so, Miss Noakes has bigger feet than I ever gave her credit

for," Polo replied; "and she wears boots too."

"Then those cadets have actually dared!" Winnie exclaimed, and Milly

gave a little shriek. "Oh, that horrid Stacey Fitz Simmons!"

"Hush!" commanded Winnie. "We will make them wish they had never been

born. Oh, I will manage these gay young gentlemen. Go back to your post,

Polo. Keep the door locked, and be sure that no one leaves except in

the regular order and conducted by her guide."

A few moments later and the curtains were drawn at the close of the

final act, tremendous applause testifying the approval of the audience.

Winnie now stepped to the front of the curtain and announced that the

ghosts must now each submit once more to be blindfolded and "to be led

through the grewsome and labyrinthine catacombs to the Feast of the

Ghouls."

Little Breeze and Milly first led away two of the girls, and then Winnie

stepped boldly up to the taller of the two suspected intruders and

offered to blindfold him. The rogue could only follow the example of

those who had preceded him, and submit with a good grace, as any other

course would have led to detection. I followed with the shorter

impostor, tying the handkerchief very tight, and detecting the odor of

cigarettes as I did so. Winnie beckoned to me to follow, and conducted

her victim to the root cellar, a dark, unwholesome little room, with a

small orated window--a veritable dungeon. We led our prisoners into the

centre of this gloomy cell, and, making them kneel on the cemented

floor, bade them remain there until the coming of the ghouls. Hastening

from the place, we chained and padlocked the door securely.

"Now that we have secured our prisoners, what do you propose to do with

them?" I asked of Winnie.

"Call the Amen Corner together after supper to deliberate on their fate.

In the mean time they are very well off where they are. I fancy they

will hardly care to repeat this experiment."

We returned to the laundry and continued the ceremony of leading our

guests to the supper. When all had been led in, the bandages were

removed from their eyes, and they found themselves before tables

provided with plates, knives, and forks, but no edibles. Little Breeze,

beating upon a tin pan with a great beef bone, called the meeting to

order, and, indicating the preserve closet, announced that the ghouls

would now search the neighboring tombs for their prey. At the same time

the door of the preserve closet was thrown open, and Trude Middleton set

the example by capturing a can of peaches. The girls fancied that they

were robbing the pantry, and this gave zest to the performance to a few

of the more reckless ones, but the rest held back, and Winnie found it

necessary to circulate the whisper that even this apparently high-handed

proceeding was authorized by Madame, before the raid became general. A

very heterogeneous repast, consisting of pickles, crackers, dried

apples, canned fruit, prunes, dried beef, and lemonade hastily mixed in

a great earthen bowl, was now participated in by the hilarious ghouls.

One bowl of the lemonade was ruined, after the lemons and sugar were

mingled, by a ludicrous mistake. Milly, mistaking it for water, filled

the bowl from a jar of liquid bluing. The error was discovered when we

began filling some empty jelly tumblers with the strange blue mixture,

and, fortunately, no one was poisoned by drinking the ghoulish liquor.

Under cover of the confusion I managed to tell Adelaide of the captives

in the cellar, and later in the evening, while the ghosts were engaged

in a Virginia Reel in the long underground passage leading from the

furnace room to the other end of the school building, met in solemn

conclave to deliberate on their fate. Adelaide was for delivering the

keys to Madame with a statement of the case. Cynthia argued strongly in

favor of releasing the young men, sending them home, and saying nothing

about it. While we were in the midst of the argument, a far away cry was

heard. It was from Polo, who had been left to guard the door of the root

cellar. We rushed to the spot, only to find that the rusty staple had

yielded to the efforts of two athletic boys, one of whom was heavy of

weight as well as strong of muscle, and had been forced out of the wall,

and our captives had escaped. Polo had followed them in their flight,

and returned breathless to report that they had made a dash, not for the

outside door, but straight up the great staircase to the studio and had

then descended the turret staircase, showing clearly that they had made

their entrance in the same way.

We talked the matter over for a long time. How could they have known of

this staircase, and have timed their coming so as to follow the

procession of sheeted ghosts as they left the studio for their march to

the lower regions? The suspicion instantly suggested itself that some

one of the ten had furnished the information, and this suspicion

deepened to certainty as we considered the excellence of their disguise,

the sheets draped exactly as ours had been, the pillow-case Capuchin

hood fitted about the mask cut from cotton cloth. How, too, could they

have entered, since Polo declared that she had locked the turret door

when she came in that afternoon, and had left the key on a nail in the

studio?

"Show me the nail," Winnie commanded promptly, and Polo led her to the

studio. The nail was there, but the key had gone. We descended the

staircase and found the lower door locked.

As we were returning to the studio we heard the door open and Professor

Waite mounted the stairs, as was his usual custom at this time.

"Heigho!" he exclaimed, "what are you all doing in the studio at this

time of night? Oh! I forgot; this is the evening of the lark. Has it

been a jovial bird? Why do you all look so solemn? By the way, Polo, I

found your key in the lock on the outside of the door. It was very

careless of you to leave it there; you must not let such a thing happen

again. Some thief might have entered the house. I met two young men

running with all their might as I came across the park. They made

something of a detour to avoid me--I thought at the time that they had a

suspicious look. If you are so thoughtless a second time I shall take

the key from you."

"I didn't leave it there," Polo protested. "I hung it on the nail, Miss

Cynthia saw me. Didn't you, Miss Cynthia?"

But Cynthia had gone, and as the quarter-bell struck we were all

reminded that we must descend to our dancers to be present at the

unmasking and close the frolic. We hurried unceremoniously away without

replying to Professor Waite's questions.

After we had dismissed our guests, we adjourned to the Amen Corner and

we again discussed the affair. It was agreed that it was sufficiently

serious to report to Madame, and to this there was only one dissenting

voice--that of Cynthia's. It was too late to disturb Madame that night,

but we presented ourselves at her morning office hour and told her all

the circumstances of the case.

She looked very grave, but did not blame us. "I am very sorry," she

said, "that some one of my pupils has abused my leniency in this way. It

will of course make me hesitate to grant you such frolics in the future.

The matter shall be thoroughly investigated and the offender severely

punished. Again I must ask you to keep this affair strictly among

yourselves. You have kept the secret of the robbery wonderfully; be

equally discrete with this. We do not as yet know certainly that these

young men were cadets, and I shall not make any complaint to the head

master until we have ascertained the culprits. Mr. Mudge will call

to-morrow. He writes me that he has found a clue to the robbery, and we

will place this matter also in his hands. You have done right to bring

it directly to me, and your action only confirms the confidence I have

always reposed in the Amen Corner. Be assured that the truth will out at

last. Meantime don't talk this over too much, even among yourselves, for

Tennyson never wrote truer lines than these:

I never whispered a private affair

Within the hearing of cat or mouse,

No, not to myself in the closet alone,

But I heard it shouted at once from the top of the house.

Everything came to be known."

Witch Winnie's Mystery, or The Old Oak Cabinet: The Story of a King's Daughter · 第 10 / 16 章