CHAPTER VIII.

MOTHER AND SON.

Demons at work--In the crowd--Ernesto and his mother--Roasted

chestnuts--Instrument of torture--New school of

anatomy--Rhine-stones or diamonds?--Happy mother--Honest

confession--Danger of edged tools--Cayenne lozenges for the

monkeys--Joseph--Early compliments--Ernesto pleads in vain--Down by

the river--Music of the reeds--Rich prospect--Faust--Singers of the

world--Joseph takes tickets--Gerona keeps late hours--Its little

great world--Between the acts--Successful evening--In the dark

night--On the bridge--Silence and solitude--Astral bodies--Joseph

turns Job's comforter--Magnetism--Delormais psychological--Alone in

the streets--Saluting the Church militant--Haunted staircase

again--Sighs and rustlings--H. C. retires--"Drink to me only with

thine eyes"--Delormais' challenge--Leads the

way--Illumination--Coffee equipage--"Only the truth is

painful"--Lost in reverie.

We were facing the wonderful arcades which still seemed haunted by

Rosalie's shadow, so vivid the impression she left behind her. It was

one of the most striking bits of Gerona the beautiful, with its massive

masonry and deep recesses requiring sunlight to relieve their mysterious

gloom.

In a few moments we stood once more on the bridge, looking upon the

remarkable scene. The demons were in full work down in the dry bed of

the river; their altars threw out tongues of flame as wood, coal and

braise mingled their elements, and the air seemed full of the scent of

roasted chestnuts.

Those marvellous houses stood on either side with their old-world

outlines and weather-beaten stains. Above them rose the towers of

Gerona's churches, sharply cutting the grey sky. To our right, the

boulevard stretched far down, with its waving, rustling trees. All the

shows were in full operation; streams of people went to and fro; the

booths were making a fortune; the Dutch auction was giving away its

wares--if the auctioneer might be relied on.

We joined the crowd and presently felt a tug at our elbow. It was

Ernesto with radiant face, his hands full of chestnuts freely offered

and accepted. We found it easy to persuade ourselves the indigestible

horrors were excellent.

"Ernesto, you are taking liberties," said his mother, as the boy took

our arm to confide his purchases. A Rhine-stone brooch for the mother,

which Mrs. Malaprop would have declared quite an object of bigotry and

virtue; a wonderful knife for himself, full of sharp blades and secret

springs. A purse capable of holding gold, and a pocket-book that would

soon become dropsical with a boy's treasures. Finally, from the

innermost recess of a trousers' pocket, he produced for an instant--a

catapult; to be held a profound secret from the mother.

"It keeps her awake at night," he confided; "and when she does get to

sleep she dreams of smashed windows and murdered cats. Now I never smash

windows, though I do go for the cats when I have a chance. It does them

no harm. If I hit them, you hear a thud like a sound from a drum--the

cats are not over-fed in these parts--but instead of tumbling down dead,

which would be exciting, they rush off like mad."

"Perhaps they die afterwards, Ernesto, of fractured liver or broken

heart."

This was at once negatived.

"Oh no, cats haven't livers and hearts like human beings. Their insides

are nothing but india-rubber. You can't kill a cat. If one fell from the

top of San Filiu, it would get up, shake its paws and run away."

We noted this revelation, intending to bring it before the Faculty on

our return to England, which evidently still gropes in Egyptian

darkness. The catapult was restored to safe depths, and before long no

doubt many a domestic tabby would be missing; there would be widowed

cats and orphaned kittens in many a household.

Then Ernesto, drawing us under an arcade out of the throng of the fair,

insisted upon fastening his mother's mantilla with the new brooch that

we might all admire the flashing stones.

"I believe they have made a mistake, and these are real diamonds," he

cried excitedly, kissing his mother and duly admiring the effect. "And I

haven't spent half my pocket-money yet."

"Thanks to you, senor," said the happy mother. "I was his first thought.

He bought me the brooch before he would look at a knife or chestnut. It

shall be kept amongst my treasures."

She was evidently almost as happy and light-hearted as the boy, her eyes

flashing with proud affection. No great care haunted her life in spite

of her conjugal good-morning.

"Confess that your lot is favoured," we said, "and you would not change

your lazy husband even if you had the chance. Confess you adore him and

are to be envied."

"Well, senor, you are not my father-confessor," she laughed, "but I will

confess to you all the same. I admit I would rather bear the ills I have

than fly to those of which I know nothing," unconsciously quoting

Shakespeare.

"Then the conjugal good-morning must be a little sweetened. It is

dangerous to play with edged tools."

Again she laughed, a laugh free from anxiety.

"We understand each other, senor. If I received him too amiably he would

not appear upon the scene till twelve o'clock. Not that I really mind;

but it is a bad example for Ernesto. The boy, however, takes after me.

Never will grass grow under his feet."

Ernesto was impatient to be off; he must certainly act up to the proverb

to-day.

"Now for the shows," cried the lad. "We are losing too much time here. I

smell roasted chestnuts, but their flavour is better. We must cross the

iron bridge to get to the shows. I want to hear the lions growl, and

administer cayenne lozenges to the monkeys. It is great fun to see them.

You must often have done the same, senor?"

We virtuously disowned the impeachment. But he was full of harmless

mischief, after the manner of boys healthy in mind and body; free and

open in his thoughts and ways.

A few minutes and we found ourselves in the market-place listening to

the clown who had used superhuman exertions last night, still

apparently in excellent health and spirits. Night was the great

harvest-time, but even now his labours were receiving fair success. The

people had got over their first glamour and were responding.

"There is Jose, your landlord's son, senor, looking to right and left,"

said madame, in the interval between two terrific trumpet blasts.

"Probably searching for you. Ah! he sees us."

The tall, slight young man was making his way through the few remaining

stalls in the market. These sold nothing but fruit and were altogether

neglected. Gerona did not shine in that department.

"I have been looking for you everywhere," said our young host as he came

up, bowing politely after the fashion of his country. "I thought, senor,

you might want me to pilot you about the town; but you are in the hands

of a fairer guide, and I am not needed."

Joseph had evidently not pursued his studies at Tours for nothing, and

was beginning early to turn compliments.

"On the contrary, we shall be glad of your company," we replied.

"Ernesto and his mother are going in to hear the lions roar and

administer delicacies to the monkeys. And having no ambition to shake in

our shoes or be taken up for cruelty to animals, we would rather explore

the antiquities of Gerona under your care. So you appear at the right

moment."

"Ah, senor, do come in," pleaded Ernesto. "I should enjoy it so much

more. And you would shriek with delight when you saw the antics of the

monkeys eating cayenne----"

"Ernesto, you are incorrigible," we interrupted, laughing. "We decline

the risk; and whilst detesting monkeys, we have a conscience. Yours

evidently has still to be awakened. But you may come and tell us your

experiences at the hotel later on--that is if you are still at large."

So the boy, taking his mother's arm, boldly mounted the steps, and with

a final happy nod, and flourishing a small packet of cayenne lozenges,

he disappeared beyond the curtain. How the lions would roar or the

monkeys receive the indignity remained to be seen. Ernesto was not

wanting in purpose and might be trusted to do his best.

We left the shows and the crowd for a moment, went round to the banks

of the river, and listened to the whispering reeds and rushes. What

repose; what a contrast to the glare and glitter and crowding of the

fair. Not a soul visible excepting the ferryman a little way up-stream,

waiting dejectedly in his boat for custom that would not come. The

rustling reeds harmonised musically with the quiet flow of the water as

it rippled and plashed on its way to the sea. To the left the plain

spread far and wide--a rich, productive country with much fair beauty

about it. Where we stood the river was broad and reflected the magic

outlines of the town, faint and subdued under the grey skies. Above the

music of the rushes we could hear the distant hum of the

pleasure-seekers, where everything was life and movement.

Presently passing the theatre, we saw "Faust" announced for that

evening. An operatic company had arrived from Barcelona. Wonders would

never cease. In this dull town, decaying remnant of Spain, there was an

Opera-house, and the tempter was to play off his wiles on beautiful

Margaret. What would the performance resemble?

"Quite a large house," said Joseph, "and a very fine one; the players

are often excellent."

Of course he judged from his own experience, which had never gone beyond

Tours; never dreamed of the great voices of the world. Who indeed could

dream of Titiens, never having heard of her? Or of Ilma di

Murska?--those stars in the world of song: not to mention Grisi and

Malibran the incomparable, of the far-gone days. Still, he spoke with

enthusiasm, and we felt we must hear this Faust and Marguerite.

"Take three tickets for to-night, Jose, and you shall point out all the

_elite_ of Gerona; the great, the good, the beautiful."

Joseph needed no second bidding. Diving through the doorway to the

office he returned with three excellent stalls. The performance was to

be fashionably late. Everything in the way of entertainment is late in

Spain, and especially in Gerona. At night the streets are soon deserted,

but people do not go to bed. They sit up in their own homes, amusing

themselves.

"It is announced for half-past eight," said Joseph, "but seldom begins

before nine."

[Illustration: OLD HOUSES ON THE RIVER: GERONA.]

Accordingly before eight-thirty we found ourselves in our seats waiting

the lifting of the curtain. The house was nearly empty, though it was

within five minutes of the appointed hour. Not a sign of any orchestra.

We feared a cold reception and a dead failure.

"Not at all," said Joseph. "It is always the same. Before nine o'clock

the house will be full, with hardly an empty seat anywhere."

So it proved. About twenty minutes to nine the orchestra streamed in and

took their places, laughed, talked and made jokes, as if the

audience--now quickly appearing--had been so many cabbage-stalks. In

various parts of the house there were notices forbidding smoking; but

the musicians lighted their abominable pipes and cigars without

ceremony, and soon ruined the atmosphere. We wondered how this would

affect the singers, and when they came on they coughed, sneezed, and

looked reproachful.

It was a large, well-appointed house, of excellent proportions. Half the

town might surely find room here. Curtains and all such elements

disturbing to the voice were conspicuous by their absence. Before nine

o'clock every seat was filled, as Joseph had foretold.

Between the acts we were able to survey the little world of Gerona. Many

clearly thought themselves members of a great world. Humility was not

their leading virtue. From the construction of the house, every one was

very much in evidence, and from our places in the front stalls we saw

and heard perfectly. "Monarchs of all we survey," said H. C. after a

long stare in all directions. "No, I don't quite mean that; it would be

slightly embarrassing. I mean that we survey everything as though we

were monarchs. It comes to the same."

Every species of temperament was represented; the solemn and sober,

excited and flirting, prude and profligate. Extremes met. Some of the

ladies made play with their eyes and fans, were full of small gestures

and rippling laughter. Many were dressed "in shimmer of satin and

pearls," their white arms and necks very decolletes. Thus we had both a

play and an opera. It was quite as amusing to study the audience between

the acts, as to watch the drama upon the stage. Ladies were admitted to

the stalls, and the house looked more civilised in consequence. Many of

the men in this polite Spain sat with their hats on until the curtain

drew up. Altogether the house presented a very lively appearance.

"Who would have thought it!" said H. C. "The place overflows with wealth

and rank. These people might be dukes and duchesses--and look the

character much more than many of our 'Coronets and Norman blood.' Yet as

we passed Gerona in the train it seemed nothing but an encampment for

beggars. Beggars? Let me apologise. Beggars would want something more

recherche. In these days that flourishing profession dines at eight

o'clock and sleeps on down."

In the foyer, between one of the acts, we came into closer contact with

this aristocratic crowd.

It was a very large long room, gorgeously fitted up; great mirrors

giving back full-length reflections. Few ladies honoured it with their

presence, but a crowd of short, dark, handsome Spaniards went to and

fro, smoking cigarettes, wildly gesticulating about Margaret, abusing

the unfortunate Siebel, openly passing their opinions upon the ladies of

the audience. Mixing freely amongst them we heard many an amusing remark

upon people we were able to identify on returning to our seats. At the

end of the third act we began to feel like old habitues. A week in

Gerona and we should be familiar with every one's history.

"A happy thought, coming here to-night," said H. C. "I am now quite at

home amongst these people, and should like to call upon some of them

to-morrow. That exquisite creature, for instance, with the lovely eyes,

perfect features, and complexion of a blush rose. I believe--yes, I am

sure--look--she is gazing at me with a very sweet expression!"

He was growing excited. We grasped his arm with a certain magnetic touch

which recalled him to himself. Keepers have this influence on their

patients.

"Look at the old woman next to her," he went on indignantly. "Can she be

the mother of that lovely girl? She ought to blush for herself. Her

dress-bodice ends at the waist. And behind her fan she is actually

ogling a toothless old wretch who has just sat down near her."

Here, fortunately, the curtain went up, and H. C.'s emotions passed into

another channel.

[Illustration: STREET IN GERONA.]

The performance had equalled our modest expectations. One must not be

too critical. If Faust was contemptible and Siebel impossible, Margaret

and Mephistopheles saved all from failure. She was pretty and refined,

with a certain touching pathos that appealed to her hearers. She sang

with grace, too, but her voice was made for nothing larger than a

drawing-room, and when the orchestra crashed out the dramatic parts, we

had to imagine a great deal.

Siebel was the great stumbling-block and burlesque; her singing and

acting so excruciating that when the audience ought to have melted to

tears they laughed aloud. When Valentine died she clasped her hands, not

in despair but admiration of the fine performance, looked at the

audience as much as to say, "Would you not like him to get up and die

again?" and when his body was carried off, skipped after it, as though

assisting at some May-day frolic.

Faust was beneath criticism, and one felt angry with Margaret for

falling in love with him. In reality she must have hated him.

Mephistopheles, on the contrary, was admirable, and would have done

honour to Her Majesty's in the days of Titiens and Trebelli.

The "Old Men's Chorus" was crowning triumph of the performance. Three

decrepit objects came forward and quavered through their song. When it

was ended the audience insisted upon having it all over again, whilst

they kept up a running accompaniment of laughter, in which the old men

joined as they retreated into the background.

Altogether it was a successful evening. Every one left in good humour,

and many were charmed.

We went out into the night, glad to exchange the atmosphere. It looked

doubly dark after the brilliancy of the house. Every light was out,

every house buried in profound slumber. We turned to the bridge, and

stood there until all the playgoers had streamed homewards, and silence

and solitude reigned. Once more the chestnut-roasters had departed and

their sacrificial altars were cold and dead. Down the boulevard not a

creature was visible. Stalls and booths were closed, torches

extinguished. The leaves of the trees gently rustled and murmured in the

night wind. We almost felt as though we still saw Ernesto and his mother

walking up and down in close companionship. It must have been their

astral bodies. Both no doubt were slumbering, and perhaps the same

vision haunted their dreams; broken windows and four-footed

victims--seen from different points of view.

In the firmament a great change had taken place. The clouds had rolled

away; not a vapour large as a man's hand remained to be seen; stars

shone clear and brilliant; the Great Bear ploughed his untiring way,

and Orion, dipping westward, was closely followed by his faithful

Sirius. All seemed to promise fair weather.

"What do you think of it, Joseph? Is your weatherwise astronomer for

once proving a false prophet?"

"It looks like it," replied Joseph, gazing north and south. "No man is

infallible," philosophically. "But our prophet has never been wrong yet,

and I expect you will find the skies weeping in the morning."

"You are a Job's comforter, and ought to be called Bildad the Shuhite.

Was not he the worst of the three, and would have the last word?"

Joseph shook his head. He was not acquainted with the Book of Job.

"I am jealous for the honour of my prophet," he laughed.

Standing on the bridge, we could see the dark flowing water beneath--a

narrow shallow stream here, which reflected the flashing stars. The

houses were steeped in gloom, all their quaint, old-world aspect hidden

away. The night was growing apace, and it suddenly occurred to us that

we had made a half-engagement with Delormais to hear passages from his

life. Would he hold us to it? Or would reflection have brought a change

of plans and an early pillow?

Surely there is a mental or psychological magnetism about people,

neither realised nor understood, never sufficiently taken into account.

As the thought flashed over us, a tall dark form in long cloak and round

hat, full of dignity and power, turned the corner and approached the

bridge. It was the priest.

"I knew it!" he cried in that sonorous voice which was like a deep and

mellow diapason. "An unseen influence guided me to the bridge. You told

me you were going to the opera. I felt that when it was over you would

come here star-gazing and lose yourselves in this wonderful scene. And

here, had I not sought you out, you would have remained another hour,

forgetting the engagement to which I hold you."

"Nay, at this very moment recollection came to us," we returned. "We

were wondering whether for once you had changed your mind and sought an

early repose."

"My approach influenced you," said Delormais: "work of the magnetic

power constantly passing to and fro between kindred spirits, as real as

it is little estimated. No one believed in it more firmly than Goethe,

who in spite of his contradictory life was in close touch with the

supernatural. And amongst my own people, how many have declared the

reality of this mysterious link between the material and spiritual. Even

sceptical Voltaire admitted some invisible influence he could not

analyse. Sceptical? Will you persuade me a man with so terrible a

death-bed was ever sceptic at heart? It is impossible. But how could you

think I should change my mind and forget my engagement? Uncertainty

plays no part either in your character or mine. Let us to our rooms.

There you will lend me your ears, and I will brew you black coffee to

refresh you after your evening's dissipation. And if you like you shall

bring your century-old flask, and I will not read you a homily. Or was

it only the contents of the flask that was a century old?"

The hotel was at hand. We four alone possessed the street and awoke the

silent echoes. Always excepting the ubiquitous old watchmen, who seemed

to spend half their time in gazing at the great doorway, flashing weird

lights and shadows with their lanterns. These they now turned upon us,

but recognising the ecclesiastical figure, quickly lowered their lights,

turned the spears of their staffs to the ground, and gave a military

salute.

"As a member of the Church Militant such a greeting is perhaps not out

of place," he laughed. "No general on this earth ever fought more

valiantly than I to gain battles--but the weapons are wide as the

issues. They fight for an earthly, I for a heavenly kingdom."

He spoke a few words to the watchmen; bade them be strong and of good

courage; and we fancied--we were not quite certain--that he glided a

small token of good-will into their hands.

Then we crossed the road, entered the courtyard, and passed up the broad

marble staircase.

It was the hour for ghosts and shadows and unearthly sounds. Again we

thought of the rich and rare crowd that had passed up and down in

sacques and swords in the centuries gone by; every one of whom had long

been a ghost and shadow in its turn. Again we saw clearly as in a vision

that last happy pair who had separated--he to find death on the

battlefield, she to rejoin him in the Land o' the Leal. Distinctly we

heard the rustle of the gown, the fervency of their last embrace, the

sighs that came in quick succession. So easily imagination runs away

with us.

We were awakened to realities by Jose, who, heavy-eyed and dreamy, was

politely wishing us good-night, hardly wakeful enough to reach his room.

"I will follow his example," said H. C. "The air of Gerona conduces to

slumber. I verily believe you never sleep. To-morrow I shall hear that

the good father's confessions terminated with the breakfast hour. Ah! I

shall miss the black coffee--but I have a flask of my own, though its

contents have nothing to do with the centuries."

Then Delormais turned to us, his eyes full of kindly solicitude.

"Are you equal to a vigil? Is it not too bad, after your hard day's

work--pleasure is often labour--to ask you to give an old man an hour or

two from your well-earned slumbers? Do you not also find the air of

Gerona conducive to sleep? I warn you that at the first sign of drooping

eyelid I dismiss the assembly."

"A challenge! Never was sleep less desired. Though the breakfast hour

finds us here, as H. C. foretells, there shall be no want of attention.

But do not forget the black coffee!"

We heard H. C.'s receding echoes through the labyrinthine passages; the

closing of a door; then a voice gently elevated in song, utterly

oblivious of small hours and unconscious neighbours. "Drink to me only

with thine eyes, and I will pledge with mine," it warbled; "leave but a

kiss within the cup, and I'll ne'er ask for wine."

Here recollection seemed to come to the voice; an open window looking on

to a passage was softly closed, and all was silent. H. C. was evidently

thinking of the charming face he had seen at the opera, all the more

lovely and modest contrasted with the shameless old woman at its side.

Delormais led the way through the corridors. His light threw weird

shadows around. A distant clock struck the hour of one. The hush in the

house was ghostly. The very walls seemed pregnant with the secrets of

the past. They had listened to mighty dramas political and domestic;

heard love-vows made only to be broken; absorbed the laughter of joy and

the tears of sorrow. All this they now appeared to be giving out as we

went between them, treading quietly on marble pavement sacred to the

memory of the dead.

We entered Delormais' sitting-room. At once he turned up two lamps, and

lighting some half-dozen candles produced an illumination.

"One of my weaknesses," he said. "I love to take night walks and lose

myself in thought under the dark starlit skies, but that is quite

another thing. In my room I must have brilliancy."

"When you are a bishop you will so indulge this weakness that your

palace will be called a Shining Light, its lord a Beacon of the Church."

A peculiar smile passed over the face of Delormais. We did not

understand it at the moment, but knew its meaning later on.

Then he brought forward the coffee equipage, for which, if truth must be

told, though slumber was never farther from us, we were grateful.

"I had it all prepared by our amiable host, and I have my own

spirit-lamp, without which I never travel," said the priest. "There are

times when I visit the most uncivilised, hope-forgotten places, and if I

had not a few accessories with me, should fare badly."

The water soon boiled, an aromatic fragrance spread through the room;

the clear black coffee was poured into white porcelain cups.

"But where is the supplement? I do not see the century-old flask," said

Delormais.

"That is sacred to headache--or the charm would go; there are other

fixed rules besides the Persian laws."

"I am glad to hear it. Then after all my little homily this morning was

not needed. That is why you took it so amiably. Only the truth is

painful."

He placed for us a comfortably cushioned armchair near the table, and

one for himself. Our coffee equipage was between us, the steaming

incense rising. A shaded lamp threw its rays upon the white china and

crimson cloth, gently illumined the intellectual and refined face of

Delormais. We could note every play of the striking features, every

flash of the large dark eyes.

A sudden stillness came over him; he seemed lost in profound thought,

his eyes took a deep, dreamy, far-away look. They were gazing into the

past, and saw a crowd of events and people who had lived and moved and

had their being, but were now invisible to all but the mental vision.

The hands--firm, white, well-shaped and made for intellectual work--were

spread out and met at the tips of the long slender fingers. The legs

were crossed, bringing into prominence a shapely foot and ankle set off

by a thin well-fitting shoe. In all matters of personal appointment

Delormais was refined and fastidious.

For some minutes he appeared thus absorbed in mental retrospect. The man

of life and energy had suddenly changed to contemplation. Apparently he

had forgotten our presence, and the silence of the room was profound.

One almost heard the rising of the incense from the coffee-cups, as it

curled upwards in fantastic forms and devices, and died out. We were

motionless as himself. Not ours to break the silence, though it grew

strained. We had come to listen, and waited until the spirit moved him.

Nor had we to wait long. He roused himself from his reverie; the dreamy

light passed out of his eyes; his spirit seemed to come back to earth as

he turned to us with a penetrating, kindly gaze.

Glories of Spain · 第 8 / 32 章